| Cantata on the Accession of Emperor Leopold II, WoO 88: Chorus with solo quartet - Heil! Sturzet nieder, Millionen | John Mark Ainsley, Corydon Singers, Judith Howarth, Jean Rigby, José van Dam, Corydon Orchestra, Matthew Best | | | 4:41 | |
| Cantata on the Death of Emperor Joseph II, WoO 87: Chorus with solo quartet - Todt, stohnt es durch die ode Nacht! | John Mark Ainsley, Corydon Singers, Jean Rigby, Janice Watson, José van Dam, Corydon Orchestra, Matthew Best | | | 8:13 | |
| Cantata on the Death of Emperor Joseph II, WoO 87: Chorus with solo quartet - Todt, stohnt es durch die ode Nacht! | John Mark Ainsley, Corydon Singers, Jean Rigby, Janice Watson, José van Dam, Corydon Orchestra, Matthew Best | | | 9:11 | |
| Canticle II, op. 51 "Abraham and Isaac" | Philip Langridge, Jean Rigby, Steuart Bedford | | | 16:10 | |
| Carmen : Acte 2. No. 13 : Couplets : « Votre toast, je peux vous le rendre » / « Toréador, en garde » | Chœur de Radio France, Simon Estes, Gérard Garino, Ghylaine Raphanel, Jean Rigby, François Le Roux, Neil Shicoff, Orchestre national de France, Seiji Ozawa | | | 4:56 | |
| Carmen: Act II: Chanson "Les tringles des sistres tintaient" (Chanson) | Jessye Norman, Ghylaine Raphanel, Jean Rigby, Orchestre National de France, Seiji Ozawa | | | 5:08 | |
| Carmen: Act II: Quintette "Nous avons en tête une affaire" (Quintette) | Gérard Garino, Jessye Norman, Ghylaine Raphanel, Jean Rigby, François Le Roux, Orchestre National de France, Seiji Ozawa | | | 4:39 | |
| Carmen: Act III: Trio des cartes "Mêlons ! Coupons !" - "En vain, pour éviter les réponses amères" (Trio des cartes) | Jessye Norman, Ghylaine Raphanel, Jean Rigby, Orchestre National de France, Seiji Ozawa | | | 7:14 | |
| Confitebor tibi, Domine, RV596: I. Confitebor tibi, Domine | Charles Daniels, Neal Davies, Jean Rigby, The King’s Consort, Robert King | | | 2:42 | |
| Confitebor tibi, Domine, RV596: II. Memoriam fecit mirabilium suorum | Charles Daniels, Neal Davies, Jean Rigby, The King’s Consort, Robert King | | | 3:29 | |
| Confitebor tibi, Domine, RV596: III. Sanctum et terribile nomen eius | Charles Daniels, Neal Davies, Jean Rigby, The King’s Consort, Robert King | | | 2:42 | |
| Confitebor tibi, Domine, RV596: IV. Intellectus bonus omnibus | Charles Daniels, Neal Davies, Jean Rigby, The King’s Consort, Robert King | | | 1:58 | |
| Confitebor tibi, Domine, RV596: VI. Et in saecula saeculorum | Charles Daniels, Neal Davies, Jean Rigby, The King’s Consort, Robert King | | | 1:13 | |
| Deus tuorum militum, RV612 | Charles Daniels, Jean Rigby, The King’s Consort, Robert King | | | 4:27 | |
| Five Tudor Portraits: I. Ballad: The Tunning of Elinor Rumming | London Symphony Chorus, Jean Rigby, Robert Bourton, London Symphony Orchestra, Richard Hickox | | | 11:42 | |
| Five Tudor Portraits: IV. Romanza: Jane Scroop (Her Lament for Philip Sparrow) | London Symphony Chorus, Jean Rigby, Michael Cox, Timothy Hugh, London Symphony Orchestra, Richard Hickox | | | 22:23 | |
| L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 5: L’Étable de Bethléem « Ô mon cher fils » (La Vierge Marie, Joseph) | Gerald Finley, Jean Rigby, Corydon Orchestra, Matthew Best | | | 8:53 | |
| L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 6: « Joseph ! Marie ! » (Chœur d’anges, La Vierge Marie, Joseph) | Gerald Finley, Jean Rigby, Corydon Orchestra, Matthew Best | | | 4:52 | |
| L’Enfance du Christ: Troisième partie, L’Arrivée à Saïs: Scène 1: L’Intérieur de la ville de Saïs (La Vierge Marie, Joseph, Chœur) | Corydon Singers, Gerald Finley, Jean Rigby, Corydon Orchestra, Matthew Best | | | 5:05 | |
| L’Enfance du Christ: Troisième partie, L’Arrivée à Saïs: Scène 2: « Vois pleurez, jeune mère » (Le Père de famille, La Vierge Marie, Joseph, Chœur) | Corydon Singers, Gerald Finley, Gwynne Howell, Jean Rigby, Corydon Orchestra, Matthew Best | | | 5:01 | |
| La forza del destino: Atto I. “Ah! per sempre, o mio bell'angiol ... Seguirti fino agl'ultimi” (Don Alvaro, Leonora, Curra) | José Carreras, Rosalind Plowright, Jean Rigby, Philharmonia Orchestra, Giuseppe Sinopoli | | | 7:35 | |
| La forza del destino: Atto I. “È tardi ... Vil seduttor!” (Leonora, Don Alvaro, Curra, Marchese) | José Carreras, Rosalind Plowright, Jean Rigby, John Tomlinson, Philharmonia Orchestra, Giuseppe Sinopoli | | | 2:19 | |
| La forza del destino: Atto I. “M'aiuti, signorina” (Curra, Leonora) | Rosalind Plowright, Jean Rigby, Philharmonia Orchestra, Giuseppe Sinopoli | | | 0:27 | |
| La forza del destino: Atto I. “Temea restasse qui fino a domani!” (Curra, Leonora) | Rosalind Plowright, Jean Rigby, Philharmonia Orchestra, Giuseppe Sinopoli | | | 1:37 | |
| Mass no. 3 in F minor: Agnus Dei | John Mark Ainsley, Juliet Booth, Corydon Singers, Gwynne Howell, Jean Rigby, Corydon Orchestra, Matthew Best | | | 8:39 | |
| Mass no. 3 in F minor: Benedictus | John Mark Ainsley, Juliet Booth, Corydon Singers, Gwynne Howell, Jean Rigby, Corydon Orchestra, Matthew Best | | | 7:19 | |
| Mass no. 3 in F minor: Credo | Juliet Booth, Corydon Singers, Jean Rigby, Corydon Orchestra, Matthew Best | | | 2:16 | |
| Mass no. 3 in F minor: Et in Spiritum Sanctum | John Mark Ainsley, Juliet Booth, Corydon Singers, Gwynne Howell, Jean Rigby, Corydon Orchestra, Matthew Best | | | 2:58 | |
| Mass no. 3 in F minor: Gloria | Juliet Booth, Corydon Singers, Jean Rigby, Corydon Orchestra, Matthew Best | | | 3:01 | |
| Mass no. 3 in F minor: Qui tollis | Juliet Booth, Corydon Singers, Jean Rigby, Corydon Orchestra, Matthew Best | | | 4:03 | |
| Mass no. 3 in F minor: Quoniam tu solus sanctus | Corydon Singers, Jean Rigby, Corydon Orchestra, Matthew Best | | | 1:27 | |
| Mass no. 3 in F minor: Sanctus | John Mark Ainsley, Juliet Booth, Corydon Singers, Gwynne Howell, Jean Rigby, Corydon Orchestra, Matthew Best | | | 2:21 | |
| Non in pratis aut in hortis, RV641: I. Non in pratis aut in hortis | Jean Rigby, The King’s Consort, Robert King | | | 0:54 | |
| Non in pratis aut in hortis, RV641: II. Ibi spinis confixus | Jean Rigby, The King’s Consort, Robert King | | | 1:41 | |
| Non in pratis aut in hortis, RV641: III. Pro me caput spinas habet | Jean Rigby, The King’s Consort, Robert King | | | 8:49 | |
| Non in pratis aut in hortis, RV641: IV. Quaesone facias, Domine | Jean Rigby, The King’s Consort, Robert King | | | 0:55 | |
| Opferlied, op. 121b | Corydon Singers, Jean Rigby, Corydon Orchestra, Matthew Best | | | 6:53 | |
| Phaedra, op. 93: Adagio: My time's too short | Jean Rigby, Nash Ensemble, Lionel Friend | | | 6:20 | |
| Phaedra, op. 93: Presto: You monster! | Jean Rigby, Nash Ensemble, Lionel Friend | | | 4:04 | |
| Phaedra, op. 93: Prologue: In May, in brilliant Athens | Jean Rigby, Nash Ensemble, Lionel Friend | | | 1:24 | |
| Phaedra, op. 93: Recitative: My lost and dazzled eyes | Jean Rigby, Nash Ensemble, Lionel Friend | | | 1:15 | |
| Phaedra, op. 93: Recitative: Oh Gods of wrath | Jean Rigby, Nash Ensemble, Lionel Friend | | | 2:52 | |
| Quo Vadis: II. Rise, O my soul | Chamber Choir of the Royal Welsh College of Music and Drama, Jean Rigby, BBC National Orchestra of Wales, Richard Hickox | | | 8:20 | |
| Quo Vadis: IX. To find the western path | BBC National Chorus of Wales, Cheryl Barker, Philip Langridge, Jean Rigby, Roderick Williams, BBC National Orchestra of Wales, Richard Hickox | | | 18:37 | |
| Quo Vadis: V. O timely happy, timely wise | BBC National Chorus of Wales, Cheryl Barker, Chamber Choir of the Royal Welsh College of Music and Drama, Philip Langridge, Jean Rigby, Roderick Williams, BBC National Orchestra of Wales, Richard Hickox | | | 13:22 | |
| Quo Vadis: VIII. They are at rest | Cheryl Barker, Philip Langridge, Jean Rigby, Roderick Williams, BBC National Orchestra of Wales, Richard Hickox | | | 8:01 | |
| Raising Sparks | Jean Rigby, Nash Ensemble, Martyn Brabbins | | | 34:07 | |
| Rigoletto: Act III. “Eighty dollars you were asking” (Rigoletto, Sparafucile, Duke, Maddalena) | Arthur Davies, John Rawnsley, Jean Rigby, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | | | 2:22 | |
| Rigoletto: Act III. “He’s such a young man, handsome and friendly” (Maddalena, Duke, Sparafucile) | Arthur Davies, English National Opera Chorus, Jean Rigby, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | | | 2:33 | |
| Rigoletto: Act III. “I cannot think clearly” (Gilda, Maddalena, Sparafucile) | English National Opera Chorus, Helen Field, Jean Rigby, John Tomlinson, English National Opera Orchestra, Sir Mark Elder | | | 6:22 | |
| Rigoletto: Act III. “If you want a faithful lover” (Duke, Maddalena, Gilda, Rigoletto) | Arthur Davies, Helen Field, John Rawnsley, Jean Rigby, English National Opera Orchestra, Sir Mark Elder | | | 4:40 | |
| Rigoletto: Act III. “When first I came to talk to you” (Duke, Gilda, Maddalena, Rigoletto) | Arthur Davies, Helen Field, John Rawnsley, Jean Rigby, English National Opera Orchestra, Sir Mark Elder | | | 1:33 | |
| Rigoletto: Atto I. “È il sol dell'anima” (Duca, Gilda) | Edita Gruberová, William Matteuzzi, Geoffrey Moses, Jean Rigby, Neil Shicoff, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | | | 3:41 | |
| Rigoletto: Atto I. “T'amo! T'amo” (Duca, Gilda) | Edita Gruberová, Jean Rigby, Neil Shicoff, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | | | 1:07 | |
| Rigoletto: Atto I. Scena e duetto: "Giovanna, ho dei rimorsi" | Edita Gruberová, Jean Rigby, Neil Shicoff, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | | | 2:01 | |
| Rigoletto: Atto I. Scena e duetto: "T'amo! T'amo..." / "È il sol dell'anima" | Edita Gruberová, William Matteuzzi, Geoffrey Moses, Jean Rigby, Neil Shicoff, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | | | 4:48 | |
| Rigoletto: Atto I. Scena e duetto: "Veglia, o donna, questo fior" | Renato Bruson, Edita Gruberová, Jean Rigby, Neil Shicoff, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | | | 5:36 | |
| Serenade to Music | John Mark Ainsley, Sir Thomas Allen, Elizabeth Connell, John Connell, Arthur Davies, Maldwyn Davies, Anne Dawson, Martyn Hill, Gwynne Howell, Linda Kitchen, Diana Montague, Alan Opie, Jean Rigby, Amanda Roocroft, Sarah Walker, Catherine Wyn‐Rogers, English Chamber Orchestra, Matthew Best | | | 13:45 | |
| The Flowers That Bloom in the Spring (The Mikado) | Bonaventura Bottone, Eric Idle, Lesley Garrett, Jean Rigby & Richard van Allan | | | 1:39 | |
| Three Little Maids (from The Mikado) | English National Opera, Lesley Garrett, Jean Rigby & Susan Bullock | | | 1:30 | |
| Three Little Maids (The Mikado) | Lesley Garrett, Jean Rigby & Susan Bullock | | | 1:28 | |
| Three Songs for Voice, Viola and Piano: I. Far, far from each other | Louise Williams, David Owen Norris, Jean Rigby | | | 4:10 | |
| Three Songs for Voice, Viola and Piano: II. Where is it that our soul doth go? | Louise Williams, David Owen Norris, Jean Rigby | | | 3:44 | |
| Three Songs for Voice, Viola and Piano: III. Music, when soft voices die | Louise Williams, David Owen Norris, Jean Rigby | | | 2:30 | |
