| vocals |
|---|
| 1989-02 | A Dio, Florida bella | bass vocals | The Consort of Musicke, Anthony Rooley | 4:07 |
| 1989-02 | Batto, qui pianse | bass vocals | The Consort of Musicke, Anthony Rooley | 3:53 |
| 1989-02 | Lamento d’Arianna | bass vocals | The Consort of Musicke, Anthony Rooley | 13:33 |
| 1989-02 | Misero Alceo | bass vocals | The Consort of Musicke, Anthony Rooley | 5:13 |
| 1989-02 | Ohimè il bel viso | bass vocals | The Consort of Musicke, Anthony Rooley | 4:38 |
| 1989-02 | Presso un fiume tranquillo | bass vocals | The Consort of Musicke, Anthony Rooley | 5:19 |
| 1989-02 | Qui rise, o Tirsi | bass vocals | The Consort of Musicke, Anthony Rooley | 6:43 |
| 1989-02 | Sestina: Lagrima d’amante al sepolcro dell’amata | bass vocals | The Consort of Musicke, Anthony Rooley | 16:58 |
| 1989-02 | Una donna fra l’altre | bass vocals | The Consort of Musicke, Anthony Rooley | 3:38 |
| 1989-02 | Zefiro torna | bass vocals | The Consort of Musicke, Anthony Rooley | 3:50 |
| 1990-10 – 1991-10 | Bevia Filide mia | bass vocals | The Consort of Musicke, Anthony Rooley | 2:28 |
| 1990-10 – 1991-10 | Cantai un tempo | bass vocals | The Consort of Musicke, Anthony Rooley | 4:45 |
| 1990-10 – 1991-10 | Crudel, perchè mi fuggi? | bass vocals | The Consort of Musicke, Anthony Rooley | 2:36 |
| 1990-10 – 1991-10 | Dolcemente dormiva la mia Clori | bass vocals | The Consort of Musicke, Anthony Rooley | 3:12 |
| 1990-10 – 1991-10 | Dolcissimi legami | bass vocals | The Consort of Musicke, Anthony Rooley | 2:57 |
| 1990-10 – 1991-10 | Donna, nel mio ritorno | bass vocals | The Consort of Musicke, Anthony Rooley | 4:07 |
| 1990-10 – 1991-10 | Ecco mormorar l'onde | bass vocals | The Consort of Musicke, Anthony Rooley | 4:01 |
| 1990-10 – 1991-10 | Intorno a due vermiglie e vaghe labbra | bass vocals | The Consort of Musicke, Anthony Rooley | 3:01 |
| 1990-10 – 1991-10 | La bocca onde l'asprissime parole | bass vocals | The Consort of Musicke, Anthony Rooley | 2:11 |
| 1990-10 – 1991-10 | Mentr'io mirava fiso | bass vocals | The Consort of Musicke, Anthony Rooley | 3:01 |
| 1990-10 – 1991-10 | Non giacinti or narcisi | bass vocals | The Consort of Musicke, Anthony Rooley | 2:41 |
| 1990-10 – 1991-10 | Non m'è grave 'l morire | bass vocals | The Consort of Musicke, Anthony Rooley | 3:04 |
| 1990-10 – 1991-10 | Non si levav' ancor l'alba novella | bass vocals | The Consort of Musicke, Anthony Rooley | 4:08 |
| 1990-10 – 1991-10 | Non si levav' ancor l'alba novella - E dicea l'una sospiran'all'hora | bass vocals | The Consort of Musicke, Anthony Rooley | 4:22 |
| 1990-10 – 1991-10 | Non sono in queste rive | bass vocals | The Consort of Musicke, Anthony Rooley | 2:22 |
| 1990-10 – 1991-10 | Quell' ombr'esser vorrei | bass vocals | The Consort of Musicke, Anthony Rooley | 2:35 |
| 1990-10 – 1991-10 | Questo specchio ti dono | bass vocals | The Consort of Musicke, Anthony Rooley | 3:10 |
| 1990-10 – 1991-10 | S'andass' amor a caccia | bass vocals | The Consort of Musicke, Anthony Rooley | 1:48 |
| 1990-10 – 1991-10 | Se tu mi lassi, perfida | bass vocals | The Consort of Musicke, Anthony Rooley | 2:37 |
| 1990-10 – 1991-10 | Ti sponto l'ali, amor | bass vocals | The Consort of Musicke, Anthony Rooley | 3:17 |
| 1990-10 – 1991-10 | Tutte le bocche belle | bass vocals | The Consort of Musicke, Anthony Rooley | 2:12 |
| 1998-05-10 – 1998-05-13 | Acis and Galatea: Act II. "Cease to beauty to be suing" (Polyphemus) | bass vocals | Alan Ewing, Les Arts Florissants, William Christie | 4:27 |
| 1998-05-10 – 1998-05-13 | Acis and Galatea: Act II. "O ruddier than the cherry" (Polyphemus) | bass vocals | Alan Ewing, Les Arts Florissants, William Christie | 3:03 |
| 1998-05-10 – 1998-05-13 | Acis and Galatea: Act II. "The flocks shall leave the mountains" (Acis, Galatea, Polyphemus) | bass vocals | Paul Agnew, Sophie Daneman, Alan Ewing, Les Arts Florissants, William Christie | 2:14 |
| 1998-05-10 – 1998-05-13 | Acis and Galatea: Act II. Recitativo "Whither, fairest, art thou running" (Polyphemus, Galatea) | bass vocals | Sophie Daneman, Alan Ewing, Les Arts Florissants, William Christie | 0:56 |
| 1998-05-10 – 1998-05-13 | Acis and Galatea: Act II. Recitativo accompagnato "I rage, I melt, I burn" (Polyphemus) | bass vocals | Alan Ewing, Les Arts Florissants, William Christie | 1:15 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act I. No. 8 Octet and Double Chorus "Châtiment effroyable!" (Priam, Panthée, Chorèbe, Énée, Helenus, Cassandre, Ascagne, Hécube, Chorus) | tenor vocals | Bülent Bezdüz, Isabelle Cals, Alan Ewing, Ben Heppner, Petra Lang, London Symphony Chorus, Tigran Martirossian, Peter Mattei, Guang Yang, London Symphony Orchestra, Sir Colin Davis | 6:35 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act I. No. 9 Recitative and Chorus "Que la déesse nous protège" (Énée, Priam) / "À cet objet sacré formez cortège, enfants" (All) | tenor vocals | Alan Ewing, Ben Heppner, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 1:35 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 1. Coro "Viva, viva il nostro Alcide!" (Sesto, Cornelia, Nireno, Tolomeo, Curio, Achilla) | bass vocals | Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | 1:17 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 2. Recitativo "La reggia Tolomeo t´offre" (Achilla, Cesare, Sesto, Cornelia, Curio) | bass vocals | Alan Ewing, Marijana Mijanovic, Anne Sofie von Otter, Charlotte Hellekant, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | 2:13 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 6. Recitativo "Sire, Signor!" (Achilla, Tolomeo) | bass vocals | Alan Ewing, Bejun Mehta, Marc Minkowski | 1:39 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 12. Recitativo "Cesare, alla tua destra" (Tolomeo, Cesare, Achilla) | bass vocals | Bejun Mehta, Marijana Mijanovic, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | 1:03 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Recitativo "Cornelia, in quei tuoi lumi" (Achilla, Cornelia, Sesto) | bass vocals | Alan Ewing, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 1:08 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Recitativo "Sire, con Sesto, il figlio" (Achilla, Tolomeo, Cornelia, Sesto) | bass vocals | Alan Ewing, Bejun Mehta, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 1:26 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 15. Aria "Tu sei il cor di quetro core" (Achilla) | bass vocals | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | 4:32 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Recitativo "Bella, non lagrimae" (Achilla, Cornelia) | bass vocals | Alan Ewing, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | 0:43 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Recitativo "Bella, placa lo sdegno!" (Tolomeo, Cornelia, Achilla) | bass vocals | Bejun Mehta, Charlotte Hellekant, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | 0:54 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 20. Aria "Se a me non sei crudele" (Achilla) | bass vocals | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | 3:03 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "Sire, prendi" (Achilla, Tolomeo, Sesto, Cornelia) | bass vocals | Alan Ewing, Bejun Mehta, Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | 1:38 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 29. Recitativo "In tal modi si premia" (Achilla) | bass vocals | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | 0:29 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 30. Aria "Dal fulgor di questa spada" (Achilla) | bass vocals | Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | 2:43 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 33. Recitativo "Cerco invan Tolomeo" (Sesto, Achilla, Cesare, Nireno) | bass vocals | Anne Sofie von Otter, Alan Ewing, Marijana Mijanovic, Pascal Bertin, Les Musiciens du Louvre, Marc Minkowski | 2:53 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 40. Coro e Duetto "Ritornio omai nel nostro core" (Cleopatra, Sesto, Cornelia, Cesare, Tolomeo, Nireno, Achilla, Curio) | bass vocals | Magdalena Kožená, Anne Sofie von Otter, Charlotte Hellekant, Marijana Mijanovic, Bejun Mehta, Pascal Bertin, Alan Ewing, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | 2:45 |
| 2007-12-16 – 2007-12-22 | Salome: Scene 1. "After Me Shall Come Another" (Jokanaan, 2nd Soldier, 1st Soldier, Cappadocian, Narraboth, Page) | bass vocals [2nd Soldier] | Roger Begley, Graeme Broadbent, Alan Ewing, Rebecca de Pont Davies, Andrew Rees, John Wegner, Philharmonia Orchestra, Sir Charles Mackerras | 2:41 |
| 2007-12-16 – 2007-12-22 | Salome: Scene 1. "How Fair the Royal Princess Salome Looks Tonight" (Narraboth, Page, 1st Soldier, 2nd Soldier) | bass vocals [2nd Soldier] | Graeme Broadbent, Alan Ewing, Rebecca de Pont Davies, Andrew Rees, Philharmonia Orchestra, Sir Charles Mackerras | 2:44 |
| 2007-12-16 – 2007-12-22 | Salome: Scene 2. "Who Spoke Then, Who Was That Calling Out?" (Salome, 2nd Soldier, Narraboth, Slave, 1st Soldier, Jokanaan, Page) | bass vocals [2nd Soldier] | Graeme Broadbent, Susan Bullock, Alan Ewing, Gerald Strainer, Rebecca de Pont Davies, Andrew Rees, John Wegner, Philharmonia Orchestra, Sir Charles Mackerras | 3:51 |
| 2009-04 | Matthäus-Passion, BWV 244: "Rezitativ (Evangelist, Jesus, Chor): Er sprach: Gehet hin (Chorus I)" | bass vocals [Jesus] | Paul Agnew, Alan Ewing, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | ?:?? |
| 2009-04 | Matthäus-Passion, BWV 244: "Rezitativ (Evangelist, Jesus, Chor): Und von der sechsten Stunde an (Chorus I/II)" | bass vocals [Jesus] | Paul Agnew, Chœur de Chambre de Namur, Alan Ewing, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | ?:?? |
| 2009-04 | Matthäus-Passion, BWV 244: "Rezitativ (Evangelist, Jesus, Judas): Er antwortet und sprach (Chorus I)" | bass vocals [Jesus] | Paul Agnew, Alain Buet, Alan Ewing, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | ?:?? |
| 2009-04 | Matthäus-Passion, BWV 244: "Rezitativ (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend (Chorus I)" | bass vocals [Jesus] | Paul Agnew, Alan Ewing, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | ?:?? |
| 2009-04 | Matthäus-Passion, BWV 244: "Rezitativ (Evangelist, Jesus): Da das Jesus merkete (Chorus I)" | bass vocals [Jesus] | Paul Agnew, Alan Ewing, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | ?:?? |
| 2009-04 | Matthäus-Passion, BWV 244: "Rezitativ (Evangelist, Jesus): Da kam Jesus mit ihnen zu einem Hofe (Chorus I)" | bass vocals [Jesus] | Paul Agnew, Alan Ewing, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | ?:?? |
| 2009-04 | Matthäus-Passion, BWV 244: "Rezitativ (Evangelist, Jesus): Da, Jesus diese Rede vollendet hatte (Chorus I)" | bass vocals [Jesus] | Paul Agnew, Alan Ewing, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | ?:?? |
| 2009-04 | Matthäus-Passion, BWV 244: "Rezitativ (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten (Chorus I)" | bass vocals [Jesus] | Paul Agnew, Alan Ewing, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | ?:?? |
| 2009-04 | Matthäus-Passion, BWV 244: "Rezitativ (Evangelist, Jesus): Und er kam zu seinen Jüngern (Chorus I)" | bass vocals [Jesus] | Paul Agnew, Alan Ewing, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | ?:?? |
| 2009-04 | Matthäus-Passion, BWV 244: "Rezitativ (Evangelist, Jesus): Und ging hin ein wenig (Chorus I)" | bass vocals [Jesus] | Paul Agnew, Alan Ewing, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | ?:?? |
| 2009-04 | Matthäus-Passion, BWV 244: "Rezitativ (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren (Chorus I)" | bass vocals [Jesus] | Paul Agnew, Alan Ewing, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | ?:?? |
| 2009-04 | Matthäus-Passion, BWV 244: "Rezitativ (Evangelist, Petrus, Jesus): Petrus aber antwortet (Choral I)" | bass vocals [Jesus] | Paul Agnew, Alan Ewing, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | ?:?? |
| 2009-04 | Matthäus-Passion, BWV 244: "Rezitativ (Evangelist, Pilatus, Jesus): Sie hielten aber einen Rat (Chorus I)" | bass vocals [Jesus] | Paul Agnew, Alan Ewing, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | ?:?? |
| 2009-04 | Matthäus-Passion, BWV 244: "Rezitativ (Evangelist, Pontifex, Jesus, Chor): Und der Hohepriester antwortete (Chorus I/II)" | bass vocals [Jesus] | Paul Agnew, Alan Ewing, La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | ?:?? |
| Amanti che faremo | bass vocals | Biagio Marini | 7:38 |
| Ardimi, strugglimi'l cor | bass vocals | Biagio Marini | 5:48 |
| Balletto primo a tre e a cinque | bass vocals | Biagio Marini | 6:17 |
| Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!" | bass vocals | Benjamin Britten | 2:28 |
| Billy Budd: Act I, Scene I. "Boat Ahoy!" | bass vocals | Benjamin Britten | 3:17 |
| Billy Budd: Act I, Scene II. "We are, Sir. Claggart is an able one." | bass vocals | Benjamin Britten | 6:36 |
| Billy Budd: Act II, Scene I. "Deck ahoy!" | bass vocals | Benjamin Britten | 3:27 |
| Billy Budd: Act II, Scene I. "Oh, this cursèd mist!" | bass vocals | Benjamin Britten | 4:04 |
| Billy Budd: Act II, Scene II. "Gentlemen, William Budd here..." | bass vocals | Benjamin Britten | 1:34 |
| Billy Budd: Act II, Scene II. "Poor fellow, who could save him?" | bass vocals | Benjamin Britten | 5:02 |
| Billy Budd: Act II, Scene IV. "According to the Articles of War..." | bass vocals | Benjamin Britten | 2:18 |
| Billy Budd: Act II, Scene IV. "Down all hands!" | bass vocals | Benjamin Britten | 2:27 |
| Cor mio, deh non languire | bass vocals | The Consort of Musicke | 4:23 |
| Cor mio, deh non languire | bass vocals | The Consort of Musicke | 3:56 |
| Cor mio, deh non languire | bass vocals | The Consort of Musicke | 3:52 |
| Cor mio, deh non languire | bass vocals | The Consort of Musicke | 4:03 |
| Cor mio, deh non languire | bass vocals | The Consort of Musicke | 2:49 |
| Cor mio, deh non languire | bass vocals | The Consort of Musicke | 2:37 |
| Cor mio, deh non languire | bass vocals | The Consort of Musicke | 3:13 |
| Cor mio, deh non languire | bass vocals | The Consort of Musicke | 4:46 |
| Cor mio, deh non languire | bass vocals | The Consort of Musicke | 3:17 |
| Cor mio, deh non languire | bass vocals | The Consort of Musicke | 2:21 |
| Cor mio, deh non languire | bass vocals | The Consort of Musicke | 3:29 |
| Cor mio, deh non languire | bass vocals | The Consort of Musicke | 2:53 |
| Cor mio, deh non languire | bass vocals | The Consort of Musicke | 3:34 |
| Cor mio, deh non languire | bass vocals | The Consort of Musicke | 4:00 |
| Già son amante no'l niego più | bass vocals | Biagio Marini | 6:22 |
| Gite sospiri miei, gite alla guerra | bass vocals | Biagio Marini | 7:54 |
| Grotte ombrosi, antri foschi | bass vocals | Biagio Marini | 6:21 |
| Languir per un bel volto | bass vocals | Biagio Marini | 8:22 |
| See all 106 relationships |
| vocals |
|---|
| Great Mass in C minor K. 427 | bass vocals | Mozart; Petibon, Dawson, Cornwell, Ewing, Les Sacqueboutiers de Toulouse, William Christie, Les Arts Florissants | |
| There were three Ravens: Songs, rounds and catches by Thomas Ravenscroft | bass vocals | Thomas Ravenscroft; The Consort of Musicke, Anthony Rooley | |
