[preconcert discussion played during intermission] | Alan Farley, Matt Haimovitz, Tod Machover & David Sanford | | | 18:39 | |
1st Rhapsody for Violin and Piano (I. lassu) (w/Jean Marchland) | Matt Haimovitz | | | 4:04 | |
1st Rhapsody for Violin and Piano (II. friss) (w/Jean Marchland) | Matt Haimovitz | | | 5:32 | |
2 Mélodies hébraïques, M. 22a:No. 1, Kaddish (Arr. M. Haimovitz for Cello & Piano) | Matt Haimovitz, Mari Kodama & Maurice Ravel | | | 5:48 | |
2 Pieces for Violin & Piano (Arr. M. Haimovitz for Cello & Piano):No. 1, Nocturne | Matt Haimovitz, Mari Kodama & Lili Boulanger | | | 2:58 | |
2 Pieces for Violin & Piano (Arr. M. Haimovitz for Cello & Piano):No. 2, Cortège | Matt Haimovitz, Mari Kodama & Lili Boulanger | | | 1:42 | |
3 Libras | Matt Haimovitz, Christopher O’Riley | | | 3:26 | |
3 Libras (Arr. C. O’Riley for Cello & Piano) | Matt Haimovitz & Christopher O’Riley | | | 3:28 | |
3 Pieces for Cello & Piano:No. 1, Moderato | Matt Haimovitz, Mari Kodama & Nadia Boulanger | | | 2:38 | |
3 Pieces for Cello & Piano:No. 2, Sans vitesse et à l’aise | Matt Haimovitz, Mari Kodama & Nadia Boulanger | | | 1:31 | |
3 Pieces for Cello & Piano:No. 3, Vite et nerveusement rythmé | Matt Haimovitz, Mari Kodama & Nadia Boulanger | | | 2:37 | |
7 Variations on "Bei Männern, welche Liebe fühlen" From Mozart’s Die Zauberflöte for Pianoforte and Violoncello, WoO 46 | Matt Haimovitz, Christopher O’Riley | | | 9:06 | |
9:11 Blues | Matt Haimovitz | | | 5:29 | |
12 Variations on "Ein Mädchen oder Weibchen" From Mozart’s Die Zauberflöte for Pianoforte and Violoncello, op. 66 | Matt Haimovitz, Christopher O’Riley | | | 11:27 | |
12 Variations on "See the Conquering Hero Comes" From Handel’s Judas Maccabeus for Pianoforte and Violoncello, WoO 45 | Matt Haimovitz, Christopher O’Riley | | | 9:52 | |
A Lotus on Irish Streams | Matt Haimovitz, Christopher O’Riley | | | 8:48 | |
After Reading Shakespeare: I. Lear | Matt Haimovitz | | | 4:54 | |
After Reading Shakespeare: II. Katherine | Matt Haimovitz | | | 1:07 | |
After Reading Shakespeare: III. Titania and Oberon | Matt Haimovitz | | | 3:32 | |
After Reading Shakespeare: IV. Caliban | Matt Haimovitz | | | 1:56 | |
After Reading Shakespeare: IX. Iago and Othello | Matt Haimovitz | | | 4:41 | |
After Reading Shakespeare: V. Portia | Matt Haimovitz | | | 1:55 | |
After Reading Shakespeare: VI. Why Hearst Thou Music Sadly? | Matt Haimovitz | | | 1:52 | |
After Reading Shakespeare: VII. Our Minutes Hasten to Their End | Matt Haimovitz | | | 0:49 | |
After Reading Shakespeare: VIII. Remembrance of Things Past | Matt Haimovitz | | | 2:44 | |
Ai limiti della notte (Version for Cello) | Matt Haimovitz | | | 5:49 | |
Anthem | Matt Haimovitz | | | 4:53 | |
Après un rêve, Op. 7 No. 1 (Arr. for Cello & Piano) | Matt Haimovitz, Mari Kodama & Gabriel Fauré | | | 3:05 | |
Athol Brose | Matt Haimovitz, Christopher O’Riley | | | 3:02 | |
Athol‐brose (Arr. C. O’Riley for Cello & Piano) | Matt Haimovitz & Christopher O’Riley | | | 3:05 | |
Back in the U.S. S. R. (Arr. M. Haimovitz & C. O’Riley for Cello & Piano) | Matt Haimovitz & Christopher O’Riley | | | 3:09 | |
Begin Again Again... (excerpt) | Matt Haimovitz | | | 11:06 | |
Bells Ring Summer | Matt Haimovitz | | | 3:35 | |
Cèdres en voile "Thrène pour le Liban" | Matt Haimovitz | | | 10:43 | |
Cello Concerto in D minor: I. Prelude: Lento | Matt Haimovitz, Chicago Symphony Orchestra, James Levine | | | 13:49 | |
Cello Concerto in D minor: II. Intermezzo: Andantino con moto | Matt Haimovitz, Chicago Symphony Orchestra, James Levine | | | 6:10 | |
Cello Concerto in D minor: III. Introduction: Andante | Matt Haimovitz, Chicago Symphony Orchestra, James Levine | | | 7:41 | |
Cello Concerto no. 1 In A minor, op. 33: I. Allegro non troppo | Matt Haimovitz, Chicago Symphony Orchestra, James Levine | | | 5:32 | |
Cello Concerto no. 1 In A minor, op. 33: II. Allegretto con moto | Matt Haimovitz, Chicago Symphony Orchestra, James Levine | | | 5:06 | |
Cello Concerto no. 1 In A minor, op. 33: III. Tempo I | Matt Haimovitz, Chicago Symphony Orchestra, James Levine | | | 8:55 | |
Cello Sonata in D Minor, L 135:I. Prologue. Lent, sostenuto e molto risoluto | Matt Haimovitz, Mari Kodama & Claude Debussy | | | 4:30 | |
Cello Sonata in D Minor, L 135:II. Sérénade. Modérément animé | Matt Haimovitz, Mari Kodama & Claude Debussy | | | 3:36 | |
Cello Sonata in D Minor, L 135:III. Finale. Animé, léger et nerveux | Matt Haimovitz, Mari Kodama & Claude Debussy | | | 3:48 | |
Cello Sonata, FP 143:I. Allegro - Tempo di marcia | Matt Haimovitz, Mari Kodama & Darius Milhaud | | | 5:56 | |
Cello Sonata, FP 143:II. Cavatine | Matt Haimovitz, Mari Kodama & Darius Milhaud | | | 6:25 | |
Cello Sonata, FP 143:III. Ballabile | Matt Haimovitz, Mari Kodama & Darius Milhaud | | | 3:25 | |
Cello Sonata, FP 143:IV. Finale | Matt Haimovitz, Mari Kodama & Darius Milhaud | | | 6:44 | |
Cellokonzert B-Dur - Adagio non troppo | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | | | 5:53 | |
Cellokonzert B-Dur - II. Adagio ma non troppo | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | | | 5:52 | |
Ciaccona, intermezzo e adagio: I. Ciaconna | Matt Haimovitz | | | 7:20 | |
Ciaccona, intermezzo e adagio: II. Intermezzo | Matt Haimovitz | | | 2:21 | |
Ciaccona, intermezzo e adagio: III. Adagio | Matt Haimovitz | | | 6:43 | |
Concerto for Violoncello and Orchestra in B-flat major: I. Allegro moderato | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | | | 9:00 | |
Concerto for Violoncello and Orchestra in B-flat major: II. Adagio non troppo | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | | | 5:50 | |
Concerto for Violoncello and Orchestra in B-flat major: III. Rondo, allegro | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | | | 6:18 | |
Concerto for Violoncello and Orchestra in C major, Hob. VIIb:1: I. Moderato | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | | | 10:15 | |
Concerto for Violoncello and Orchestra in C major, Hob. VIIb:1: II. Adagio | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | | | 8:03 | |
Concerto for Violoncello and Orchestra in C major, Hob. VIIb:1: III. Allegro molto | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | | | 6:43 | |
Concerto for Violoncello, Strings and Continuo in A major, Wq. 172: I. Allegro | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | | | 6:47 | |
Concerto for Violoncello, Strings and Continuo in A major, Wq. 172: II. Largo con sordini | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | | | 7:36 | |
Concerto for Violoncello, Strings and Continuo in A major, Wq. 172: III. Allegro assai | Matt Haimovitz, English Chamber Orchestra, Andrew Davis | | | 5:39 | |
Cuckoo (Arr. M. Haimovitz & C. O’Riley for Cello & Piano) | Matt Haimovitz & Christopher O’Riley | | | 4:42 | |
David Sanford - Es War | Matt Haimovitz | | | 8:35 | |
Divertimento: Adagio | Jonathan Crow, Douglas McNabney & Matt Haimovitz | | | 12:50 | |
Divertimento: Allegro | Jonathan Crow, Douglas McNabney & Matt Haimovitz | | | 9:01 | |
Divertimento: Allegro | Jonathan Crow, Douglas McNabney & Matt Haimovitz | | | 6:38 | |
Divertimento: Andante | Jonathan Crow, Douglas McNabney & Matt Haimovitz | | | 7:57 | |
Divertimento: Menuetto I | Jonathan Crow, Douglas McNabney & Matt Haimovitz | | | 6:11 | |
Divertimento: Menuetto II | Jonathan Crow, Douglas McNabney & Matt Haimovitz | | | 6:05 | |
Drei kleine Stücke für Violoncello und Klavier, op. 11: III. Äußerst ruhig | Philippe Cassard, Matt Haimovitz | | | 1:19 | |
Du Yun - The Veronica | Matt Haimovitz | | | 11:58 | |
Élégie, Op. 251 (Version for Cello & Piano) | Matt Haimovitz, Mari Kodama & Darius Milhaud | | | 4:19 | |
Empty Room | Matt Haimovitz, Christopher O’Riley | | | 2:56 | |
Empty Room (Arr. C. O’Riley for Cello & Piano) | Matt Haimovitz & Christopher O’Riley | | | 2:58 | |
Figlude | Matt Haimovitz & Socalled | | | 3:11 | |
Figment No. 1 | Matt Haimovitz | | | 5:34 | |
Figment No. 2 "Remembering Mr. Ives" | Matt Haimovitz | | | 3:36 | |
Fotzepolitic | Matt Haimovitz, Christopher O’Riley | | | 3:24 | |
Fotzepolitic | Matt Haimovitz & Christopher O’Riley | | | 3:27 | |
Fugue VIII, WTC I | Jonathan Crow, Douglas McNabney & Matt Haimovitz | | | 5:51 | |
Fugue XIII, WTC II | Jonathan Crow, Douglas McNabney & Matt Haimovitz | | | 2:37 | |
Fugue XIV, WTC II | Jonathan Crow, Douglas McNabney & Matt Haimovitz | | | 3:59 | |
Gigue From Bach Suite III | Matt Haimovitz | | | 2:48 | |
Goldberg Variations: Aria | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 5:51 | |
Goldberg Variations: Aria | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 3:22 | |
Goldberg Variations: Variaiton II | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 1:35 | |
Goldberg Variations: Variation I | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 2:01 | |
Goldberg Variations: Variation III | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 2:42 | |
Goldberg Variations: Variation IV | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 1:08 | |
Goldberg Variations: Variation IX | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 1:53 | |
Goldberg Variations: Variation V | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 1:20 | |
Goldberg Variations: Variation VI | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 1:36 | |
Goldberg Variations: Variation VII | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 2:43 | |
Goldberg Variations: Variation VIII | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 2:00 | |
Goldberg Variations: Variation X | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 1:46 | |
Goldberg Variations: Variation XI | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 1:37 | |
Goldberg Variations: Variation XII | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 2:06 | |
Goldberg Variations: Variation XIII | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 3:50 | |
Goldberg Variations: Variation XIV | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 2:11 | |
Goldberg Variations: Variation XIX | Jonathan Crow, Matt Haimovitz, Douglas McNabney | | | 1:54 | |