| arranged |
---|
| "Sounds Familiar" | BBC Northern Symphony Orchestra, Robert Farnon | 9:31 |
| A Flower Is a Lovesome Thing | Lena Horne | 3:14 |
| A Garden in the Rain | Frank Sinatra | 3:23 |
| A Nightingale Sang in Berkeley Square | Frank Sinatra | 3:53 |
| Blue Orchids | Sarah Vaughan | 3:24 |
| Blue Theme | Robert Farnon & Tony Coe | ?:?? |
| Charade | Sarah Vaughan | 2:52 |
| Deep Purple | Sarah Vaughan | 2:57 |
| Funny | Sarah Vaughan | 3:35 |
| Hey There | Sarah Vaughan | 2:33 |
| How Beautiful Is Night | Sarah Vaughan | 3:13 |
| I Have Dreamed | Lena Horne | 4:44 |
| I’ll Be Around | Sarah Vaughan | 3:33 |
| I’ll Follow My Secret Heart | Frank Sinatra | 3:16 |
| I’ve Got the World on a String | Lena Horne | 5:34 |
| I’ve Got to Have You | Lena Horne | 3:51 |
| I’ve Grown Accustomed to His Face | Lena Horne | 3:53 |
| If I Had You | Frank Sinatra | 4:05 |
| If I Had You | Frank Sinatra | 4:06 |
| If We LIved on Top of the Mountain | Robert Farnon & Tony Coe | ?:?? |
| It Could Happen to You | Sarah Vaughan | 2:50 |
| London by Night | Frank Sinatra | 3:20 |
| Mrs. Robinson | Robert Farnon & Tony Coe | ?:?? |
| My Coloring Book | Sarah Vaughan | 3:49 |
| My Funny Valentine | Lena Horne | 3:37 |
| My Ship | Lena Horne | 5:15 |
| Now Is the Hour | Frank Sinatra | 2:49 |
| Porgy & Bess – Symphonic Suite: It ain’t necessarily so – Strawberry woman – Crab man – I loves you, Porgy – There’s a boat dat’s leaving soon for New York – Oh where’s my Bess – Oh Lawd, I’m on my way | London Festival Orchestra, Robert Farnon | 17:32 |
| Porgy & Bess – Symphonic Suite: Overture – Summertime – A woman is a sometime thing – Honey man – My man’s gone now – I got plenty o’ nuttin’ – Bess, you is my woman now | London Festival Orchestra, Robert Farnon | 16:43 |
| Portrait of Jennie | George Benson feat. The Robert Farnon Orchestra | 4:29 |
| Roses of Picardy | Frank Sinatra | 3:01 |
| Say It Isn’t So | Stanley Black conducting The Kingsway Promenade Orchestra | 3:23 |
| Scarborough Fair | Robert Farnon & Tony Coe | ?:?? |
| Showboat | London Symphony Orchestra, Roderick Dunk | 6:12 |
| Softly as I Leave You | Lena Horne | 3:40 |
| Someday My Prince Will Come | Lena Horne | 4:19 |
| Someone to Watch Over Me | Lena Horne | 4:28 |
| The Days of Wine and Roses | Sarah Vaughan | 2:39 |
| The Gypsy | Frank Sinatra | 3:20 |
| The Heart of Mine | Sarah Vaughan | 2:49 |
| The Very Thought of You | Frank Sinatra | 3:32 |
| Then I'll Be Tired of You | Sarah Vaughan | 3:34 |
| There Will Never Be | Robert Farnon & Tony Coe | ?:?? |
| There's a Kind of Hush | Robert Farnon & Tony Coe | ?:?? |
| Up, Up and Away | Robert Farnon & Tony Coe | ?:?? |
| Walk on By | Robert Farnon & Tony Coe | ?:?? |
| We’ll Gather Lilacs in the Spring | Frank Sinatra | 3:12 |
| We’ll Meet Again | Frank Sinatra | 3:44 |
| West Side Story: Tonight | José Carreras, Robert Farnon & His Orchestra | 2:36 |
| White Christmas | Tony Bennett | 2:06 |
| Winter Wonderland | Tony Bennett | 2:14 |
| Wives and Lovers | Robert Farnon & Tony Coe | ?:?? |
| Yesterday | Robert Farnon & Tony Coe | ?:?? |
| conducted |
---|
1962-06-12 | A Garden in the Rain | Frank Sinatra | 3:23 |
1962-06-12 | I’ll Follow My Secret Heart | Frank Sinatra | 3:16 |
1962-06-12 | If I Had You | Frank Sinatra | 4:05 |
1962-06-12 | The Very Thought of You | Frank Sinatra | 3:32 |
1962-06-13 | A Nightingale Sang in Berkeley Square | Frank Sinatra | 3:53 |
1962-06-13 | London by Night | Frank Sinatra | 3:20 |
1962-06-13 | Roses of Picardy | Frank Sinatra | 3:01 |
1962-06-13 | The Gypsy | Frank Sinatra | 3:20 |
1962-06-14 | Now Is the Hour | Frank Sinatra | 2:49 |
1962-06-14 | We’ll Gather Lilacs in the Spring | Frank Sinatra | 3:12 |
1962-06-14 | We’ll Meet Again | Frank Sinatra | 3:44 |
1966-12-19 | "Pop Goes the Weasel" ("Pop-Weasel" - piano) | Robert Farnon | 1:15 |
1966-12-19 | "Pop Goes the Weasel" (Most Orchestrated) | Robert Farnon | 1:06 |
1966-12-19 | "Pop" Three ("Pop-Weasel" - piano, Cymbal, Etc) | Robert Farnon | 1:25 |
1966-12-19 | "Pop" Two ("Pop-Weasel" - piano, Block, Etc) | Robert Farnon | 1:00 |
1966-12-19 | Big Brother (Singing Timpani) | Robert Farnon | 1:04 |
1966-12-19 | Birth of Rover | Robert Farnon | 0:28 |
1966-12-19 | Commercial Break in and Out | Robert Farnon | 0:09 |
1966-12-19 | Cue 1-1: Arrival: Rover (Timpani and Base) | Robert Farnon | 1:15 |
1966-12-19 | Cue 1-2: Arrival: Theme One (Timp and Piano Strings) | Robert Farnon | 1:36 |
1966-12-19 | Cue 1-3: Arrival: Big Brother (Singing Timpani) | Robert Farnon | 1:04 |
1966-12-19 | Cue 1-4: Arrival: Jaws Singing Harp (Jaws Harp - Normal Speed) | Robert Farnon | 0:27 |
1966-12-19 | Cue 1-5: Arrival: Screams (Siren Whistle) | Robert Farnon | 0:55 |
1966-12-19 | Cue 1-6: Arrival: Frantic Jaws Harp (Jaws Harp - Half Speed) | Robert Farnon | 0:32 |
1966-12-19 | Cue 1-7: Arrival: "Pop Goes the Weasel" ("Pop-Weasel" - Piano) | Robert Farnon | 1:16 |
1966-12-19 | Cue 1-8: Arrival: "Pop" Two ("Pop-Weasel" - Piano, Block, Etc) | Robert Farnon | 1:00 |
1966-12-19 | Cue 1-9: Arrival: "Pop" Three ("Pop-Weasel" - Piano, Cymbal Etc) | Robert Farnon | 1:25 |
1966-12-19 | Cue 1-10: Arrival: Secondary Theme - Jazz Slow Tempo | Robert Farnon | 1:08 |
1966-12-19 | Cue 1-11: Arrival: Secondary Theme - Jazz Fast Tempo | Robert Farnon | 0:52 |
1966-12-19 | Cue 1-12: Arrival: "Pop Goes the Weasel" (Most Orchestrated) | Robert Farnon | 1:06 |
1966-12-19 | Cue A1M1A-3: Arrival: Second Title Section (Boss's Office to Gas) | Robert Farnon | 1:18 |
1966-12-19 | Cue A1M1A-4: Arrival: First Titles Section - Over Westminster Bridge to Boss's Office | Robert Farnon | 0:42 |
1966-12-19 | Cue A1M1B-9: Arrival: Third Titles Section - P. Wakes to Extended Village | Robert Farnon | 0:41 |
1966-12-19 | Cue A1M1C-3: Arrival: Commercial Break in and Out | Robert Farnon | 0:09 |
1966-12-19 | Cue A2M2-2: Arrival: Sup/Imp Section | Robert Farnon | 0:11 |
1966-12-19 | Cue A3M2-2: Arrival: Birth of Rover | Robert Farnon | 0:28 |
1966-12-19 | Cue A6M5-1: Arrival: End Credits | Robert Farnon | 1:04 |
1966-12-19 | Cue A6M6-5: Arrival: Open Act | Robert Farnon | 0:09 |
1966-12-19 | Cue A6M7-4: Arrival: End Act | Robert Farnon | 0:11 |
1966-12-19 | End Act | Robert Farnon | 0:11 |
1966-12-19 | End Credits | Robert Farnon | 1:04 |
1966-12-19 | First Titles Section - Over Westminster Bridge to Boss's Office | Robert Farnon | 0:42 |
1966-12-19 | Frantic Jaws Harp (Jaws Harp - Half Speed) | Robert Farnon | 0:32 |
1966-12-19 | Imp Section | Robert Farnon | 0:11 |
1966-12-19 | Jaws Singing Harp (Jaws Harp - Normal Speed) | Robert Farnon | 0:27 |
1966-12-19 | Open Act | Robert Farnon | 0:09 |
1966-12-19 | Rover (Timpani and Base) | Robert Farnon | 1:15 |
1966-12-19 | Screams (Siren Whistle) | Robert Farnon | 0:55 |
1966-12-19 | Second Title Section - Boss's Office to Gas | Robert Farnon | 1:18 |
1966-12-19 | Secondary Theme - Jazz Fast Tempo | Robert Farnon | 0:52 |
1966-12-19 | Secondary Theme - Jazz Slow Tempo | Robert Farnon | 1:08 |
1966-12-19 | Theme One (Timp and piano Strings) | Robert Farnon | 1:36 |
1966-12-19 | Third Titles Section - P. Wakes to Ext Village | Robert Farnon | 0:41 |
1966-12-20 | "Boys and Girls Come Out to Play" | Robert Farnon | 0:36 |
1966-12-20 | "Boys and Girls Come Out to Play" | Robert Farnon | 0:18 |
1966-12-20 | "What Shall We Do With the Drunken Sailor?" | Robert Farnon | 0:10 |
1966-12-20 | All Drums at End | Robert Farnon | 2:23 |
1966-12-20 | Beach Fight - Rover Overcomes Prisoner | Robert Farnon | 1:46 |
1966-12-20 | Cue A2M4-3: Arrival: Helicopter Descends After No.2 Tour With P. | Robert Farnon | 0:45 |
1966-12-20 | Cue A4M2-1: Arrival: All Drums at End | Robert Farnon | 2:23 |
1966-12-20 | Cue A4M2-3: Arrival: P. Out of House Etc | Robert Farnon | 2:24 |
1966-12-20 | Cue A4M3-2: Arrival: Beach Fight - Rover Overcomes P. | Robert Farnon | 1:46 |
1966-12-20 | Cue A4M4-3: Arrival: "Boys and Girls Come Out to Play" | Robert Farnon | 0:18 |
1966-12-20 | Cue A4M4-8: Arrival: "Boys and Girls Come Out to Play" | Robert Farnon | 0:36 |
1966-12-20 | Cue A6M1-2: Arrival: "What Shall We Do With the Drunken Sailor?" | Robert Farnon | 0:10 |
1966-12-20 | Cue A6M1-4: Arrival: P. About to Enter No.2's House for First Time | Robert Farnon | 0:37 |
1966-12-20 | Cue A6M3A-6: Arrival: No. 2 Orders, Take Over of Helicopter | Robert Farnon | 1:15 |
1966-12-20 | Cue N/A: Arrival: Extra Drum | Robert Farnon | 0:12 |
1966-12-20 | Cue WT-1: Arrival: Drum FX - 1, Low Timp - Slow | Robert Farnon | 0:29 |
1966-12-20 | Cue WT-2: Arrival: Drum More Menace | Robert Farnon | 0:29 |
1966-12-20 | Cue WT-2: Arrival: Piano and Triangle Constant | Robert Farnon | 0:17 |
1966-12-20 | Cue WT-3: Arrival: Cymbal Various | Robert Farnon | 0:45 |
1966-12-20 | Cue WT-3: Arrival: Small Timp - Slow | Robert Farnon | 0:28 |
1966-12-20 | Cue WT-4: Arrival: Small Timp - More Menace | Robert Farnon | 0:30 |
1966-12-20 | Cue WT-5: Arrival: Large Timp - Single Beats | Robert Farnon | 0:50 |
1966-12-20 | Cymbal Various | Robert Farnon | 0:45 |
1966-12-20 | Drum FX -1 Low Timp - Slow | Robert Farnon | 0:29 |
1966-12-20 | Drum More Menace | Robert Farnon | 0:29 |
1966-12-20 | Extra Drum | Robert Farnon | 0:12 |
1966-12-20 | Helicopter Descends After No.2 Tour With P. | Robert Farnon | 0:45 |
1966-12-20 | Large Timp - Single Beats | Robert Farnon | 0:50 |
1966-12-20 | No.2 Orders, Take Over of Helicopter | Robert Farnon | 1:15 |
1966-12-20 | Out of House Etc | Robert Farnon | 2:24 |
1966-12-20 | P. About to Enter No.2's House for First Time | Robert Farnon | 0:37 |
1966-12-20 | Piano and Triangle Constant | Robert Farnon | 0:17 |
1966-12-20 | Small Timp - More Menace | Robert Farnon | 0:30 |
1966-12-20 | Small Timp - Slow | Robert Farnon | 0:28 |
1976 | A Flower Is a Lovesome Thing | Lena Horne | 3:14 |
1976 | I Have Dreamed | Lena Horne | 4:44 |
1976 | I’ve Got the World on a String | Lena Horne | 5:34 |
1976 | I’ve Got to Have You | Lena Horne | 3:51 |
1976 | I’ve Grown Accustomed to His Face | Lena Horne | 3:53 |
1976 | My Funny Valentine | Lena Horne | 3:37 |
1976 | My Ship | Lena Horne | 5:15 |
1976 | Softly as I Leave You | Lena Horne | 3:40 |
1976 | Someday My Prince Will Come | Lena Horne | 4:19 |
1976 | Someone to Watch Over Me | Lena Horne | 4:28 |
1977-07-07 | "Sounds Familiar" | BBC Northern Symphony Orchestra, Robert Farnon | 9:31 |
1977-07-07 | Colditz March | BBC Northern Symphony Orchestra, Robert Farnon | 3:38 |
1977-07-07 | Dam Busters March | BBC Northern Symphony Orchestra, Robert Farnon | 4:18 |
| See all 170 relationships |
| orchestrated |
---|
| A Flower Is a Lovesome Thing | Lena Horne | 3:14 |
| Amazing Grace | J.J. Johnson | 4:52 |
| Dinner for One, Please, James | J.J. Johnson | 5:55 |
| I Have Dreamed | Lena Horne | 4:44 |
| I’ve Got the World on a String | Lena Horne | 5:34 |
| I’ve Got to Have You | Lena Horne | 3:51 |
| I’ve Grown Accustomed to His Face | Lena Horne | 3:53 |
| Lament | J.J. Johnson | 5:31 |
| Malaga Moon | J.J. Johnson | 4:05 |
| Malagueña | J.J. Johnson | 4:44 |
| My Funny Valentine | Lena Horne | 3:37 |
| My Ship | Lena Horne | 5:15 |
| People Time | J.J. Johnson | 2:52 |
| Softly as I Leave You | Lena Horne | 3:40 |
| Someday My Prince Will Come | Lena Horne | 4:19 |
| Someone to Watch Over Me | Lena Horne | 4:28 |
| The End of a Love Affair | J.J. Johnson | 5:23 |
| The Meaning of the Blues | J.J. Johnson | 5:57 |
| The Very Thought of You | J.J. Johnson | 4:34 |
| Two's Company | J.J. Johnson | 6:34 |
| composed |
---|
| "Boys and Girls Come Out to Play" | | |
| "Boys and Girls Come Out to Play" | | |
| "Pop Goes the Weasel" ("Pop-Weasel" - piano) | | |
| "Pop Goes the Weasel" (Most Orchestrated) | | |
| "Pop" Three ("Pop-Weasel" - piano, Cymbal, Etc) | | |
| "Pop" Two ("Pop-Weasel" - piano, Block, Etc) | | |
| "What Shall We Do With the Drunken Sailor?" | | |
| À la claire fontaine | | |
| A Promise of Spring | | |
| A Star Is Born | | |
| All Drums at End | | |
| All Sports Match | | |
| Apaches' Dawn Attack | | |
| Apaches' Pursuit of Shalako | | |
| Beach Fight - Rover Overcomes Prisoner | | |
| Big Brother (Singing Timpani) | | |
| Birth of Rover | | |
| Colditz March | | |
| Commercial Break in and Out | | |
| Cue 1-1: Arrival: Rover (Timpani and Base) | | |
| Cue 1-2: Arrival: Theme One (Timp and Piano Strings) | | |
| Cue 1-3: Arrival: Big Brother (Singing Timpani) | | |
| Cue 1-4: Arrival: Jaws Singing Harp (Jaws Harp - Normal Speed) | | |
| Cue 1-5: Arrival: Screams (Siren Whistle) | | |
| Cue 1-6: Arrival: Frantic Jaws Harp (Jaws Harp - Half Speed) | | |
| Cue 1-7: Arrival: "Pop Goes the Weasel" ("Pop-Weasel" - Piano) | | |
| Cue 1-8: Arrival: "Pop" Two ("Pop-Weasel" - Piano, Block, Etc) | | |
| Cue 1-9: Arrival: "Pop" Three ("Pop-Weasel" - Piano, Cymbal Etc) | | |
| Cue 1-10: Arrival: Secondary Theme - Jazz Slow Tempo | | |
| Cue 1-11: Arrival: Secondary Theme - Jazz Fast Tempo | | |
| Cue 1-12: Arrival: "Pop Goes the Weasel" (Most Orchestrated) | | |
| Cue A1M1A-3: Arrival: Second Title Section (Boss's Office to Gas) | | |
| Cue A1M1A-4: Arrival: First Titles Section - Over Westminster Bridge to Boss's Office | | |
| Cue A1M1B-9: Arrival: Third Titles Section - P. Wakes to Extended Village | | |
| Cue A1M1C-3: Arrival: Commercial Break in and Out | | |
| Cue A2M2-2: Arrival: Sup/Imp Section | | |
| Cue A2M4-3: Arrival: Helicopter Descends After No.2 Tour With P. | | |
| Cue A3M2-2: Arrival: Birth of Rover | | |
| Cue A4M2-1: Arrival: All Drums at End | | |
| Cue A4M2-3: Arrival: P. Out of House Etc | | |
| Cue A4M3-2: Arrival: Beach Fight - Rover Overcomes P. | | |
| Cue A4M4-3: Arrival: "Boys and Girls Come Out to Play" | | |
| Cue A4M4-8: Arrival: "Boys and Girls Come Out to Play" | | |
| Cue A6M1-2: Arrival: "What Shall We Do With the Drunken Sailor?" | | |
| Cue A6M1-4: Arrival: P. About to Enter No.2's House for First Time | | |
| Cue A6M3A-6: Arrival: No. 2 Orders, Take Over of Helicopter | | |
| Cue A6M5-1: Arrival: End Credits | | |
| Cue A6M6-5: Arrival: Open Act | | |
| Cue A6M7-4: Arrival: End Act | | |
| Cue N/A: Arrival: Extra Drum | | |
| Cue WT-1: Arrival: Drum FX - 1, Low Timp - Slow | | |
| Cue WT-2: Arrival: Drum More Menace | | |
| Cue WT-2: Arrival: Piano and Triangle Constant | | |
| Cue WT-3: Arrival: Cymbal Various | | |
| Cue WT-3: Arrival: Small Timp - Slow | | |
| Cue WT-4: Arrival: Small Timp - More Menace | | |
| Cue WT-5: Arrival: Large Timp - Single Beats | | |
| Cymbal Various | | |
| Derby Day | | |
| Drum FX -1 Low Timp - Slow | | |
| Drum More Menace | | |
| End Act | | |
| End Credits | | |
| Experiments in Space: Vega | | |
| Extra Drum | | |
| Finale | | |
| First Titles Section - Over Westminster Bridge to Boss's Office | | |
| Frantic Jaws Harp (Jaws Harp - Half Speed) | | |
| Gateway to the West | | |
| Goodwood Galop | | |
| Grandstand | | |
| Helicopter Descends After No.2 Tour With P. | | |
| Here Comes the Band | | |
| How Beautiful Is Night | | |
| Imp Section | | |
| Irena | | |
| Irena-Love Scene | | |
| Irina | | |
| Jaws Singing Harp (Jaws Harp - Normal Speed) | | |
| Jumping Bean | | |
| Jumping Bean | | |
| Lady Daggets' Desertation | | |
| Lake of the Woods | | |
| Lamasery Chant | | |
| Large Timp - Single Beats | | |
| Little Miss Molly | | |
| Main Titles | | |
| Melody Fair | | |
| Moon Over Hong Kong | | |
| No.2 Orders, Take Over of Helicopter | | |
| Open Act | | |
| Out of House Etc | | |
| Outer Space | | |
| P. About to Enter No.2's House for First Time | | |
| Pete Wells Death | | |
| Piano and Triangle Constant | | |
| Pictures in the Fire | | |
| Portrait of a Flirt | | |
| Reluctant Astronauts | | |
| Rover (Timpani and Base) | | |
| See all 124 relationships |
| wrote |
---|
| Country Girl | | |
| Newsreel | | |