| vocals |
|---|
| 1980-11 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus | contralto vocals [Alto I] and solo | Boston Symphony Orchestra, Seiji Ozawa | 23:07 |
| 1980-11 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..." | contralto vocals [Alto I] and solo | Boston Symphony Orchestra, Seiji Ozawa | 6:02 |
| 1980-11 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..." | contralto vocals [Mulier Samaritana] and solo | Boston Symphony Orchestra, Seiji Ozawa | 15:07 |
| 1980-11 | Symphony no. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest..." | alto vocals and solo | Boston Symphony Orchestra, Seiji Ozawa | 6:19 |
| 1986-12-22 – 1986-12-23 | Messiah: Part I. Air "He shall feed His flock like a shepherd" | alto vocals | Kathleen Battle, Florence Quivar, Toronto Symphony Orchestra, Sir Andrew Davis | 5:23 |
| 1986-12-22 – 1986-12-23 | Messiah: Part I. Air & Chorus "O thou that tellest good tidings to Zion" | alto vocals | Florence Quivar, Toronto Mendelssohn Choir, Toronto Symphony Orchestra & Sir Andrew Davis | 5:28 |
| 1986-12-22 – 1986-12-23 | Messiah: Part I. Recitative "Behold a airgin shall conceive" | alto vocals | Florence Quivar, Toronto Symphony Orchestra, Sir Andrew Davis | 0:26 |
| 1986-12-22 – 1986-12-23 | Messiah: Part I. Recitative "Then shall the eyes of the blind be open'd" | alto vocals | Florence Quivar, Toronto Symphony Orchestra, Sir Andrew Davis | 0:30 |
| 1986-12-22 – 1986-12-23 | Messiah: Part II. Arit "He was despised" | alto vocals | Florence Quivar, Toronto Symphony Orchestra, Sir Andrew Davis | 12:22 |
| 1986-12-22 – 1986-12-23 | Messiah: Part III. Duet "O death, where is thy sting" | alto vocals | John Aler, Florence Quivar, Toronto Symphony Orchestra, Sir Andrew Davis | 0:55 |
| 1986-12-22 – 1986-12-23 | Messiah: Part III. Recitative "Then shall be brought to pass the saying" | alto vocals | Florence Quivar, Toronto Symphony Orchestra, Sir Andrew Davis | 0:18 |
| 1988-10-13 | Sinfonie Nr. 2 in c-Moll : IV. Urlicht. Sehr feierlich, aber schlicht | mezzo-soprano vocals | Florence Quivar, התזמורת הפילהרמונית הישראלית, Zubin Mehta | 4:56 |
| 1988-10-13 | Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo | mezzo-soprano vocals | Sylvia Greenberg, מקהלת האיחוד, Florence Quivar, מקהלת רינת, המקהלה הפילהרמונית תל אביב, התזמורת הפילהרמונית הישראלית, Zubin Mehta | 32:16 |
| 1989-01-27 – 1989-02-03 | Un ballo in maschera: Atto Primo, Quadro II. "Finisci il vaticinio" (Gustavo, Ulrica, Horn, Ribbing, Coro, Renato) / Inno "Viva Gustavo!" (Christiano, Coro, Oscar, Ulrica, Gustavo, Renato, Horn, Ribbing) | mezzo-soprano vocals [Ulrica] | Jean-Luc Chaignaud, Plácido Domingo, Suni Jo, Konzertvereinigung Wiener Staatsopernchor, Leo Nucci, Florence Quivar, Kurt Rydl, Goran Simić, Wiener Philharmoniker, Herbert von Karajan | 4:53 |
| 1989-01-27 – 1989-02-03 | Un ballo in maschera: Atto Primo, Quadro II. "Su, profetessa, monta il treppiè" (Horn, Ribbing, Coro, Oscar, Gustavo) / Canzone "Di' tu se fedele" (Gustavo, Oscar, Horn, Ribbing, Coro) / "Chi voi siate, l'audace parole" (Ulrica, Gustavo, Horn, Oscar) | mezzo-soprano vocals [Ulrica] | Plácido Domingo, Sumi Jo, Konzertvereinigung Wiener Staatsopernchor, Florence Quivar, Kurt Rydl, Goran Simić, Wiener Philharmoniker, Herbert von Karajan | 5:19 |
| 1989-01-27 – 1989-02-03 | Un ballo in maschera: Atto Primo, Quadro II. "Zitti... l'incanto non dèssi turbare" (Popolane) / Aria "Re dell'abisso, affrettati" (Ulrica, Gustavo, Popolane) / "Su, fatemi largo, saper vo'il mio fato" (Christiano, Ulrica, Gustavo, Popolane, Servo) | mezzo-soprano vocals [Ulrica] | Jean-Luc Chaignaud, Plácido Domingo, Konzertvereinigung Wiener Staatsopernchor, Florence Quivar, Adolf Tomaschek, Wiener Philharmoniker, Herbert von Karajan | 10:35 |
| 1989-01-27 – 1989-02-03 | Un ballo in maschera: Atto Primo, Quadro II. Quintetto "È la destra d'un grande, vissuto" / "È scherzo od è follia" (Ulrica, Oscar, Gustavo, Horn, Ribbing, Coro) | mezzo-soprano vocals [Ulrica] | Plácido Domingo, Sumi Jo, Konzertvereinigung Wiener Staatsopernchor, Florence Quivar, Kurt Rydl, Goran Simić, Wiener Philharmoniker, Herbert von Karajan | 5:38 |
| 1989-01-27 – 1989-02-03 | Un ballo in maschera: Atto Primo, Quadro II. Terzetto "Che v'agita cosi?" / "Della città all'occaso" (Ulrica, Amelia, Gustavo, Voci) | mezzo-soprano vocals [Ulrica] | Josephine Barstow, Plácido Domingo, Florence Quivar, Wiener Philharmoniker, Herbert von Karajan | 5:47 |
| 1989-04 | Messa da Requiem: I. "Requiem" | mezzo-soprano vocals | Berliner Philharmoniker, Carlo Maria Giulini | 10:25 |
| 1989-04 | Messa da Requiem: IId. "Liber scriptus" | mezzo-soprano vocals | Berliner Philharmoniker, Carlo Maria Giulini | 5:37 |
| 1989-04 | Messa da Requiem: IIe. "Quid sum miser" | mezzo-soprano vocals | Berliner Philharmoniker, Carlo Maria Giulini | 4:46 |
| 1989-04 | Messa da Requiem: IIf. "Rex tremendae" | mezzo-soprano vocals | Vinson Cole, Ernst‐Senff‐Chor, Simon Estes, Florence Quivar, Sharon Sweet, Berliner Philharmoniker, Carlo Maria Giulini | 4:02 |
| 1989-04 | Messa da Requiem: IIg. "Recordare" | mezzo-soprano vocals | Berliner Philharmoniker, Carlo Maria Giulini | 5:01 |
| 1989-04 | Messa da Requiem: III. "Offertorio" | mezzo-soprano vocals | Berliner Philharmoniker, Carlo Maria Giulini | 12:24 |
| 1989-04 | Messa da Requiem: IIj. "Lacrymosa" | mezzo-soprano vocals | Berliner Philharmoniker, Carlo Maria Giulini | 6:58 |
| 1989-04 | Messa da Requiem: V. "Agnus Dei" | mezzo-soprano vocals | Berliner Philharmoniker, Carlo Maria Giulini | 5:58 |
| 1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: II. Imple superna gratia | alto vocals [Alto I] and solo | Wiener Philharmoniker, Lorin Maazel | 4:47 |
| 1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: III. Infirma nostri corporis | alto vocals [Alto I] and solo | Wiener Philharmoniker, Lorin Maazel | 2:11 |
| 1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: V. Infirma nostri corporis | alto vocals [Alto I] and solo | Wiener Philharmoniker, Lorin Maazel | 3:01 |
| 1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VI. Accende lumen sensibus | alto vocals [Alto I] and solo | Wiener Philharmoniker, Lorin Maazel | 6:39 |
| 1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VII. Qui Paraclitus diceris | alto vocals [Alto I] and solo | Wiener Philharmoniker, Lorin Maazel | 3:36 |
| 1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VIII. Gloria Patri Domino | alto vocals [Alto I] and solo | Wiener Philharmoniker, Lorin Maazel | 3:02 |
| 1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part II: XVI. ''Bei dem Bronn, zu dem schon weiland'' | alto vocals [Mulier Samaritana] and solo | Wiener Philharmoniker, Lorin Maazel | 2:03 |
| 1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part II: XVIII. ''Die du großen Sünderinnen'' | alto vocals [Mulier Samaritana] and solo | Wiener Philharmoniker, Lorin Maazel | 1:48 |
| 1989-06-19 – 1989-06-24 | Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part II: XXIV. ''Alles Vergängliche'' | alto vocals [Alto I] and solo | Wiener Philharmoniker, Lorin Maazel | 5:56 |
| 1991-04-29 – 1991-05-04 | Symphony no. 2 in C minor "Resurrection": IV. Urlicht: sehr feierlich, aber schlicht (Choralmaßig) ('o Röschen Rot!' Des Knaben Wunderhorn) | mezzo-soprano vocals | Florence Quivar, Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 5:46 |
| 1991-04-29 – 1991-05-04 | Symphony no. 2 in C minor "Resurrection": Vf. Etwas Bewegter | mezzo-soprano vocals | Krisztina Laki, Florence Quivar, Südfunk-Chor Stuttgart, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 3:03 |
| 1991-05-02 – 1991-05-18 | Luisa Miller: Atto I, scena 2. Scena e Duetto: “Duchessa...Dall'aule raggianti” | mezzo-soprano vocals [Federica] | Plácido Domingo, Florence Quivar, Metropolitan Opera Orchestra, James Levine | 6:36 |
| 1991-05-02 – 1991-05-18 | Luisa Miller: Atto II. “Presentarti alla duchessa” | mezzo-soprano vocals [Federica] | Aprile Millo, Paul Plishka, Florence Quivar, Jan‐Hendrik Rootering, Metropolitan Opera Orchestra, James Levine | 5:52 |
| 1991-05-02 – 1991-05-18 | Luisa Miller: Atto II. “Vien la duchessa!... Conte!” | mezzo-soprano vocals [Federica] | Florence Quivar, Jan‐Hendrik Rootering, Metropolitan Opera Orchestra, James Levine | 0:57 |
| 1991-11 | Symphony no. 8 in E-flat major, Part I: Accende lumen sensibus | alto vocals [Alto I] and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 4:23 |
| 1991-11 | Symphony no. 8 in E-flat major, Part I: Gloria Patri Domino | alto vocals [Alto I] and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 2:17 |
| 1991-11 | Symphony no. 8 in E-flat major, Part I: Imple superna gratia | alto vocals [Alto I] and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 3:48 |
| 1991-11 | Symphony no. 8 in E-flat major, Part I: Infirma nostri corporis | alto vocals [Alto I] and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 6:11 |
| 1991-11 | Symphony no. 8 in E-flat major, Part I: Veni, Creator Spiritus | alto vocals [Alto I] and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 3:54 |
| 1991-11 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Alles Vergängliche | alto vocals [Alto I] and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 6:22 |
| 1991-11 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Bei der Liebe, die den Füßen | alto vocals [Mulier Samaritana] and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 4:40 |
| 1991-11 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Uns bleibt ein Erdenrest | alto vocals and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 2:10 |
| 1993-04-03 – 1993-04-04 | Stabat Mater, op. 53: I. Stala Matka bolejaca (Stabat Mater dolorosa) | mezzo-soprano vocals | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 6:11 |
| 1993-04-03 – 1993-04-04 | Stabat Mater, op. 53: II. I któz widzac tak cierpiaca (Quis est homo qui non fleret) | mezzo-soprano vocals | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 2:25 |
| 1993-04-03 – 1993-04-04 | Stabat Mater, op. 53: III. O Matko, zródlo wszechmilosci (Eia Mater, fons amoris) | mezzo-soprano vocals | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 3:51 |
| 1993-04-03 – 1993-04-04 | Stabat Mater, op. 53: IV. Spraw, niech placze z Toba razem (Fac me tecum pie flere) | mezzo-soprano vocals | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 3:02 |
| 1993-04-03 – 1993-04-04 | Stabat Mater, op. 53: V. Panno slodka racz mozolem (Virgo virginum praeclare) | mezzo-soprano vocals | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 2:54 |
| 1993-04-03 – 1993-04-04 | Stabat Mater: VI. Chrystus niech mi bedzie grodem | mezzo-soprano vocals | Simon Halsey, City of Birmingham Symphony Orchestra Chorus, John Connell, Florence Quivar, Elzbieta Szmytka, City of Birmingham Symphony Orchestra, Sir Simon Rattle | 4:57 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 1 »Vor Edens Tor im Morgenprangen« | alto vocals | Florence Quivar, Staatskapelle Dresden, Giuseppe Sinopoli | 3:42 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 3 »Der hehre Engel, der die Pforte des Lichts bewacht« | alto vocals | Keith Lewis, Florence Quivar, Staatskapelle Dresden, Giuseppe Sinopoli | 1:55 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 5 »So sann sie nach und schwang die Flügel« | alto vocals | Robert Hale, Keith Lewis, Heidi Grant Murphy, Florence Quivar, Robert Swensen, Staatskapelle Dresden, Giuseppe Sinopoli | 1:05 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 9 »Die Peri sah das Mal der Wunde« | alto vocals | Chor der Staatsoper Dresden, Julia Faulkner, Robert Hale, Keith Lewis, Heidi Grant Murphy, Florence Quivar, Robert Swensen, Staatskapelle Dresden, Giuseppe Sinopoli | 6:49 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 10 »Die Peri tritt mit schüchterner Gebärde vor Edens Tor« | alto vocals | Chor der Staatsoper Dresden, Keith Lewis, Florence Quivar, Staatskapelle Dresden, Giuseppe Sinopoli | 3:01 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 13 »Die Peri weint« | alto vocals | Robert Hale, Keith Lewis, Heidi Grant Murphy, Florence Quivar, Robert Swensen, Staatskapelle Dresden, Giuseppe Sinopoli | 2:22 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 14 »Im Waldesgrün am am stillen See« | alto vocals | Florence Quivar, Robert Swensen, Staatskapelle Dresden, Giuseppe Sinopoli | 3:04 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 15 »Verlassener Jüngling« | alto vocals | Keith Lewis, Florence Quivar, Robert Swensen, Staatskapelle Dresden, Giuseppe Sinopoli | 4:27 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 18 »Schmücket die Stufen zu Allahs Thron« | alto vocals | Chor der Staatsoper Dresden, Julia Faulkner, Heidi Grant Murphy, Florence Quivar, Elisabeth Wilke, Staatskapelle Dresden, Giuseppe Sinopoli | 2:55 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 19 »Dem Sang von Ferne von Ferne lauschend« | alto vocals | Keith Lewis, Florence Quivar, Staatskapelle Dresden, Giuseppe Sinopoli | 2:48 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 22 »Und wie sie niederwärts sich schwingt« | alto vocals | Julia Faulkner, Robert Hale, Keith Lewis, Heidi Grant Murphy, Florence Quivar, Elisabeth Wilke, Staatskapelle Dresden, Giuseppe Sinopoli | 4:01 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 23 »Hinab zu jenem Sonnentempel!« | alto vocals | Julia Faulkner, Robert Hale, Keith Lewis, Florence Quivar, Robert Swensen, Staatskapelle Dresden, Giuseppe Sinopoli | 6:38 |
| 1994-03-25 – 1994-03-28 | Das Paradies und die Peri, op. 50: No. 24 »O heil’ge Tränen inn’ger Reue« | alto vocals | Chor der Staatsoper Dresden, Robert Hale, Heidi Grant Murphy, Florence Quivar, Robert Swensen, Staatskapelle Dresden, Giuseppe Sinopoli | 3:12 |
| A Midsummer Night’s Dream, op. 61: No. 4. Song with Chorus "You spotted snakes" | mezzo-soprano vocals | Chicago Symphony Orchestra, Chicago Symphony Chorus, James Levine, Judith Blegen, Florence Quivar | 3:54 |
| A Midsummer Night’s Dream, op. 61: No. 11. Finale "Through the house give glimmering light" | mezzo-soprano vocals | Chicago Symphony Orchestra, Chicago Symphony Chorus, James Levine, Judith Blegen, Florence Quivar | 4:45 |
| Akt 2: "Nonn' erubescrite reges" | mezzo-soprano vocals | Florence Quivar, Chicago Symphony Orchestra, James Levine | 7:04 |
| Luisa Miller: Terzeto finale "Padre, ricevi l'estremo addio" | mezzo-soprano vocals | Vladimir Chernov, Plácido Domingo, Metropolitan Opera Chorus, Aprile Millo, Paul Plishka, Florence Quivar, Jan‐Hendrik Rootering, Metropolitan Opera Orchestra, James Levine | 5:18 |
| Messa da Requiem: I. Requiem & Kyrie | mezzo-soprano vocals | Chor des Bayerischen Rundfunks, Carlo Colombara, Dennis O'Neill, Florence Quivar, Carol Vaness, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 9:42 |
| Messa da Requiem: IId. Dies irae: Liber scriptus | mezzo-soprano vocals | Chor des Bayerischen Rundfunks, Florence Quivar, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 4:57 |
| Messa da Requiem: IIe. Dies irae: Quid sum miser | mezzo-soprano vocals | Dennis O'Neill, Florence Quivar, Carol Vaness, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 3:40 |
| Messa da Requiem: IIf. Dies irae: Rex tremendae | mezzo-soprano vocals | Chor des Bayerischen Rundfunks, Carlo Colombara, Dennis O'Neill, Florence Quivar, Carol Vaness, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 3:52 |
| Messa da Requiem: IIg. Dies irae: Recordare | mezzo-soprano vocals | Florence Quivar, Carol Vaness, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 4:23 |
| Messa da Requiem: III. Offertorio: Domine Jesu Christe | mezzo-soprano vocals | Carlo Colombara, Dennis O'Neill, Florence Quivar, Carol Vaness, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 4:23 |
| Messa da Requiem: III. Offertorio: Hostias | mezzo-soprano vocals | Carlo Colombara, Dennis O'Neill, Florence Quivar, Carol Vaness, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 5:30 |
| Messa da Requiem: IIj. Dies irae: Lacrymosa | mezzo-soprano vocals | Chor des Bayerischen Rundfunks, Carlo Colombara, Dennis O'Neill, Florence Quivar, Carol Vaness, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 5:50 |
| Messa da Requiem: V. Agnus Dei | mezzo-soprano vocals | Chor des Bayerischen Rundfunks, Florence Quivar, Carol Vaness, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 5:03 |
| Messa da Requiem: VI. "Lux aeterna" | mezzo-soprano vocals | Berliner Philharmoniker, Carlo Maria Giulini | 7:27 |
| Messa da Requiem: VI. Lux aeterna | mezzo-soprano vocals | Carlo Colombara, Dennis O'Neill, Florence Quivar, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 7:05 |
| Porgy and Bess: Act I, Scene II. "My man's gone now" - "How de saucer stan' now, my sister?" | mezzo-soprano vocals | Florence Quivar, The Cleveland Orchestra, Lorin Maazel | 6:19 |
| Porgy and Bess: Act I, Scene II. "Overflow, overflow" - "Gawd got plenty of money for de saucer" | mezzo-soprano vocals | The Cleveland Orchestra Chorus, Barbara Conrad, Florence Quivar, Willard White, The Cleveland Orchestra, Lorin Maazel | 2:54 |
| Symphony no. 9: Choral (Ode to Joy) | mezzo-soprano vocals | Roberta Alexander, Gary Lakes, Paul Plishka, Florence Quivar, Royal Philharmonic Orchestra, André Previn | 2:49 |
| The Three-Cornered Hat: Part One | mezzo-soprano vocals | Manuel de Falla | 14:07 |
| Un ballo in maschera: Atto I. “È scherzo od è follia” | mezzo-soprano vocals | Plácido Domingo, Sumi Jo, Konzertvereinigung Wiener Staatsopernchor, Florence Quivar, Kurt Rydl, Goran Simić, Wiener Philharmoniker, Herbert von Karajan | 3:48 |
| When Lilacs Last in the Dooryard Bloom'd: Part Three | mezzo-soprano vocals | Boston Symphony Orchestra, Seiji Ozawa | 20:25 |
| When Lilacs Last in the Dooryard Bloom'd: Part Two | mezzo-soprano vocals | Boston Symphony Orchestra, Seiji Ozawa | 16:08 |
| vocals |
|---|
| Elijah | mezzo-soprano vocals | Felix Mendelssohn; Atlanta Symphony Orchestra, Atlanta Symphony Orchestra Chorus, Robert Shaw | |
| Messa da Requiem | mezzo-soprano vocals | Giuseppe Verdi; Bavarian Radio Symphony Orchestra and Chorus, Sir Colin Davis | |
| Missa solemnis | contralto vocals and solo | Ludwig van Beethoven; Helmuth Rilling, Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart | |
| Requiem | mezzo-soprano vocals and solo | Giuseppe Verdi; Sharon Sweet, Florence Quivar, Vinson Cole, Simon Estes, Berliner Philharmoniker, Carlo Maria Giulini | |
| Sinfonie Nr. 2 in c-Moll: Live concert at Masada | mezzo-soprano vocals | Mahler; Israel Philharmonic Orchestra, Zubin Mehta, Florence Quivar, Sylvia Greenberg | |
