| Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) | | | | Aria | | | |
| An American in Paris | | | | Symphonic poem | | | |
| An der schönen blauen Donau, op. 314 | | | | | | | 5 |
| Béatrice et Bénédict : Acte II. No. 10 Air « Dieu ! Que viens‐je d’entendre ? » | | | | | | | |
| Belshazzar’s Feast: I. Thus spake Isaiah | | - London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- London Symphony Chorus, London Symphony Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 11 more)
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| Belshazzar’s Feast: IIa. If I forget thee, O Jerusalem | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- John Shirley‐Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn
- Royal Philharmonic Orchestra, André Previn
- (show 6 more)
| | Cantata | | | |
| Belshazzar’s Feast: IIb. By the waters of Babylon | | - London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- London Symphony Chorus, London Symphony Orchestra, André Previn
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox
- (show 3 more)
| | Cantata | | | |
| Belshazzar’s Feast: III. Babylon was a great city | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- F. Austin Walter, Walter Cassel, Rutgers University Choir, The Philadelphia Orchestra, Eugene Ormandy
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 11 more)
| | | | | |
| Belshazzar’s Feast: IV. In Babylon, Belshazzar the King made a great feast | | - Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- Bryn Terfel, BBC Symphony Orchestra, Andrew Davis
- F. Austin Walter, Walter Cassel, Rutgers University Choir, The Philadelphia Orchestra, Eugene Ormandy
- London Philharmonic Choir, Benjamin Luxon, Ralph Downes, London Philharmonic Orchestra, Sir Georg Solti
- (show 4 more)
| | | | | |
| Belshazzar’s Feast: IX. The trumpeters and pipers are silent | | | | | | | |
| Belshazzar’s Feast: V. Praise ye the God of Gold | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- John Shirley‐Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn
- Royal Philharmonic Orchestra, André Previn
- (show 12 more)
| | | | | |
| Belshazzar’s Feast: VI. Thus in Babylon the mighty city | | - London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- London Symphony Chorus, London Symphony Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 11 more)
| | | | | |
| Belshazzar’s Feast: VII. And in that same hour, as they feasted | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- John Shirley‐Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn
- (show 11 more)
| | | | | |
| Belshazzar’s Feast: VIII. Then sing aloud to God our strength | | - Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- Royal Philharmonic Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox
- (show 11 more)
| | | | | |
| Belshazzar’s Feast: X. Then sing aloud to God our strength (reprise) | | - London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- London Symphony Chorus, London Symphony Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 9 more)
| | | | | |
| Can't Stop Dancin' | | | | Song | | - 308044 (ACDAM ID)
- 4722039 (AGADU ID)
- (show 27 more)
- 000491 055 90 (SUISA ID)
| |
| Cello Concerto in E minor, op. 85: I. Adagio – Moderato | | | | | | | |
| Cendrillon : Acte III. « Enfin, je suis ici » | | | | | | | |
| Chanson triste, op. 2 no. 4 | | | | Song | | | |
| Chants d'Auvergne: Cinquième Série: No. 5. Poustouro, sé tu m’aymo | | | | Song | | | |
| Chants d'Auvergne: Cinquième Série: No. 7. Uno jionto postouro | | | | Song | | | |
| Chants d'Auvergne: Deuxième Série: No. 4. La delaïssado | | | | Song | | | |
| Chants d'Auvergne: Deuxième Série: No. 5. Deux Bourrées: I. N'aï pas iéu de mio | | | | Song | | | |
| Chants d'Auvergne: Première Série: No. 2. Baïlèro | | | | Song | | | |
| Chants d'Auvergne: Première Série: No. 3. Trois Bourrées: I. L'aïo dé Rotso | | | | Song | | | |
| Chants d'Auvergne: Quatrième Série: No. 1. Jou l'pount d'o Mirabel | | | | Song | | | |
| Chants d'Auvergne: Quatrième Série: No. 3. Pour l'enfant | | | | Song | | | |
| Chants d'Auvergne: Quatrième Série: No. 4. Chut, chut | | | | Song | | | |
| Chants d'Auvergne: Quatrième Série: No. 6. Lou coucut | | | | Song | | | |
| Chants d'Auvergne: Troisième Série: No. 1. Lo fiolairé | | | | Song | | | |
| Chants d'Auvergne: Troisième Série: No. 3. Lou Boussu | | | | Song | | | |
| Chants d'Auvergne: Troisième Série: No. 5. Malurous qu'o uno fenno | | | | Song | | | |
| Concerto for Piano and Orchestra in C minor | | - Benno Moiseiwitsch, BBC Symphony Orchestra, Sir Malcolm Sargent
- Sir Clifford Curzon, London Philharmonic Orchestra, Sir John Pritchard
- Jean-Rodolphe Kars, London Symphony Orchestra, Alexander Gibson
- Mark Bebbington, Royal Philharmonic Orchestra, Jan Latham-Koenig
- Philip Fowke, Royal Philharmonic Orchestra, Norman Del Mar
| | Concerto | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace | | | | | | | |
| Concerto for Piano no. 22 in E-flat major, K. 482: I. Allegro | | | | | | | |
| Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | | | | | | | |
| Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | | | | | | | |
| Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro aperto | | | | | | | |
| Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile | | | | | | | |
| Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - Allegro ma non troppo - Andante grazioso | | | | | | | |
| Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: I. Allegro aperto | | | | | | | |
| Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio | | | | | | | |
| Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: III. Rondeau. Tempo di menuetto – Allegro | | | | | | | |
| Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: I. Allegro | | - David Oistrakh, Mstislav Rostropovich, Cleveland Orchestra, George Szell
- Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein
- Anne‐Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan
- Itzhak Perlman, Mstislav Rostropovich, Concertgebouw Orchestra, Bernard Haitink
- (show 57 more)
| | | | | |
| Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: II. Andante | | - David Oistrakh, Mstislav Rostropovich, Cleveland Orchestra, George Szell
- Anne‐Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan
- Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein
- Gidon Kremer, Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein
- (show 60 more)
| | | | | |
| Concerto for Violin, Cello, and Orchestra in A minor, op. 102 “Double Concerto”: III. Vivace non troppo | | - David Oistrakh, Mstislav Rostropovich, The Cleveland Orchestra, George Szell
- Anne‐Sophie Mutter, Antônio Meneses, Berliner Philharmoniker, Herbert von Karajan
- Jascha Heifetz, Gregor Piatigorsky, RCA Victor Symphony Orchestra, Alfred Wallenstein
- Gidon Kremer, Mischa Maisky, Wiener Philharmoniker, Leonard Bernstein
- (show 57 more)
| | | | | |
| Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato | | - [unknown]
- Björn Lundgren, Dubravka Tomšič, London Festival Orchestra, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sven Bengtson, Alberto Lizzio, Anton Nanut
- Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
- Lilya Zilberstein, Gothenburg Symphony Orchestra, Neeme Järvi
- (show 162 more)
| | | | | |
| Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio | | - [unknown]
- Björn Lundgren, Dubravka Tomšič, Orchestre symphonique de la Radio Ljubljana, London Festival Orchestra, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sven Bengtson, Alberto Lizzio, Anton Nanut
- Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis
- Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein
- (show 141 more)
| | | | | |
| Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato | | | | | | | |
| Concerto Symphonique no. 4 in D minor, op. 102: II. Scherzo | | | | | | | |
| Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) | | | | | | | |
| Così fan tutte: Atto II. Recitativo “Ei parte… senti…! Ah no… partir si lasci” (Fiordiligi) | | | | | | | |
| Csárdás aus 'Ritter Pasman', op. 441-1 | | | | | | | |
| Der Opernball: Akt II. "Im chambre séparée" | | | | | | | |
| Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 2 Rondo "Bester Jüngling" (Mlle Silberklang) | | | | | | | |
| Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor) | | - Berliner Philharmoniker, Herbert von Karajan
- Lesley Garrett, The Royal Philharmonic Concert Orchestra, James Holmes
- Sir John Eliot Gardiner, Wiener Philharmoniker, Monteverdi Choir, Bryn Terfel, Barbara Bonney, Bo Skovhus, Cheryl Studer, Rainer Trost, Karl-Magnus Fredriksson & Heinz Zednik
- Chor der Wiener Volksoper, Orchester der Wiener Volksoper, Franz Bauer-Theussl
- (show 41 more)
| | | | | |
| Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) | | | | Aria | | | |
| Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) | | | | Aria | | | |
| Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) | | | | Aria | | | |
| Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) | | | | Aria | | | |
| Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) | | | | Aria | | | |
| Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna) | | | | | | | |
| Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) | | | | | | | |
| Don Juan | | | | Symphonic poem | | | |
| El salón México | | | | | | | |
| Explosionspolka, op. 43 | | | | | | | |
| Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy” | | - Daniel Barenboim, The John Alldis Choir, Philharmonia Orchestra, Otto Klemperer
- Saint Louis Symphony Chorus, Walter Klien, Saint Louis Symphony Orchestra, Jerzy Semkow
- Schweizer Kammerchor, Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman
- Marcus Creed, John Aler, Camille Capasso, Kristina Clemenz, Friedrich Molsberger, Hiroshi Oshima, RIAS Kammerchor, Cheryl Studer, Евгений Игоревич Кисин, Berliner Philharmoniker, Claudio Abbado
- (show 41 more)
| | | | | |
| Feuerfest, op. 269 | | | | | | | |
| Freikugeln, op. 326 | | | | | | | |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | | | | Aria | | | 5 |
| Giuditta: Akt III. Nr. 11 Lied “Welch tiefes Rätsel ist die Liebe” – „Du bist meine Sonne” (Octavio) | | | | Aria | | | |
| Hänsel und Gretel | | | | Opera | | | |
| Hänsel und Gretel: Akt I, 1. Szene. “Brüderchen, komm tanz' mit mir” - Tanzduett (Gretel, Hänsel) | | - Elisabeth Grümmer, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Ileana Cotrubaș, Frederica von Stade, Gürzenich-Orchester Köln, Sir John Pritchard
- Brigitte Fassbaender, Lucia Popp, Wiener Philharmoniker, Sir Georg Solti
- Staatskapelle Berlin, Otmar Suitner, Renate Hoff, Ingeborg Springer
- (show 13 more)
| | | | | |
| Hänsel und Gretel: Akt I, 1. Szene. “Suse, liebe Suse, was raschelt im Stroh?” (Gretel, Hänsel) | | - Elisabeth Grümmer, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Ileana Cotrubaș, Frederica von Stade, Gürzenich-Orchester Köln, Sir John Pritchard
- Brigitte Fassbaender, Lucia Popp, Wiener Philharmoniker, Sir Georg Solti
- Staatskapelle Dresden, Sir Colin Davis
- (show 9 more)
| | | | | |
| Hänsel und Gretel: Akt I, 2. Szene. “Holla! ... Himmel! Die Mutter!” (Mutter, Hänsel, Gretel) | | - Maria von Ilosvay, Elisabeth Grümmer, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Barbara Bonney, Anne Sofie von Otter, Hanna Schwarz, Symphonieorchester des Bayerischen Rundfunks, Jeffrey Tate
- Brigitte Fassbaender, Julia Hamari, Lucia Popp, Wiener Philharmoniker, Sir Georg Solti
- Edita Gruberová, Gwyneth Jones, Ann Murray, Staatskapelle Dresden, Sir Colin Davis
- (show 7 more)
| | | | | |
| Hänsel und Gretel: Akt I, 3. Szene. “Doch halt, wo bleiben die Kinder?” (Mutter, Vater) | | - Maria von Ilosvay, Josef Metternich, Philharmonia Orchestra, Herbert von Karajan
- Walter Berry, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti
- Franz Grundheber, Gwyneth Jones, Staatskapelle Dresden, Sir Colin Davis
- Andreas Schmidt, Hanna Schwarz, Symphonieorchester des Bayerischen Rundfunks, Jeffrey Tate
- (show 6 more)
| | | | | |
| Hänsel und Gretel: Akt I, 3. Szene. “Eine Hex', steinalt haust tief im Wald” (Mutter, Vater) | | - Josef Metternich, Maria von Ilosvay, Philharmonia Orchestra, Herbert von Karajan
- Andreas Schmidt, Hanna Schwarz, Symphonieorchester des Bayerischen Rundfunks, Jeffrey Tate
- Wiener Philharmoniker, André Cluytens
- Christa Ludwig, Siegmund Nimsgern, Gürzenich-Orchester Köln, Sir John Pritchard
- (show 2 more)
| | | | | |
| Hänsel und Gretel: Akt I, 3. Szene. “Ral la la la, ral la la la, Heissa Mutter, ich bin da!” (Vater) | | | | | | | |
| Hänsel und Gretel: Akt I, 3. Szene. Vorspiel: Der Hexenritt | | | | | | | |
| Hänsel und Gretel: Akt II, 1. Szene. “Ein Männlein steht im Walde” (Gretel, Hänsel) | | - Elisabeth Grümmer, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Brigitte Fassbaender, Lucia Popp, Wiener Philharmoniker, Sir Georg Solti
- Staatskapelle Dresden, Sir Colin Davis
- Barbara Bonney, Anne Sofie von Otter, Symphonieorchester des Bayerischen Rundfunks, Jeffrey Tate
- (show 7 more)
| | | | | |
| Hänsel und Gretel: Akt II, 1. Szene. “Mein Erbelkörbchen ist voll bis oben!” (Gretel, Hänsel) | | - Elisabeth Schwarzkopf, Elisabeth Grümmer, Philharmonia Orchestra, Herbert von Karajan
- Barbara Bonney, Anne Sofie von Otter, Symphonieorchester des Bayerischen Rundfunks, Jeffrey Tate
- Helen Donath, Anna Moffo, Münchner Rundfunkorchester, Kurt Eichhorn
- Gürzenich-Orchester Köln, Sir John Pritchard
- (show 4 more)
| | | | | |
| Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) | | | | | | | |
| Hänsel und Gretel: Akt II, 2. Szene. Lied des Sandmanns “Der kleine Sandmann bin ich, s-t!” (Sandmann, Hänsel, Gretel) | | - Anny Felbermayer, Elisabeth Grümmer, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Kiri Te Kanawa, Gürzenich-Orchester Köln, Sir John Pritchard
- Norma Burrowes, Brigitte Fassbaender, Lucia Popp, Wiener Philharmoniker, Sir Georg Solti
- Staatskapelle Dresden, Sir Colin Davis
- (show 10 more)
| | | | | |
| Hänsel und Gretel: Akt II, 3. Szene. Traumpantomime | | | | | | | |
| Hänsel und Gretel: Akt II, 3. Szene. Vorspiel | | | | | | | |
| Hänsel und Gretel: Akt III, 1. Szene. “Der kleine Taumann heiß’ ich” (Taumann) | | | | | | | |
| Hänsel und Gretel: Akt III, 1. Szene. “Wo bin ich? Wach'ich?” (Gretel, Hänsel) | | - Elisabeth Schwarzkopf, Elisabeth Grümmer, Philharmonia Orchestra, Herbert von Karajan
- Brigitte Fassbaender, Lucia Popp, Wiener Philharmoniker, Sir Georg Solti
- Staatskapelle Dresden, Sir Colin Davis
- Barbara Bonney, Anne Sofie von Otter, Symphonieorchester des Bayerischen Rundfunks, Jeffrey Tate
- (show 7 more)
| | | | | |
| Hänsel und Gretel: Akt III, 2. Szene. “Bleib' stehn!” (Gretel, Hänsel) | | - Elisabeth Schwarzkopf, Elisabeth Grümmer, Philharmonia Orchestra, Herbert von Karajan
- Brigitte Fassbaender, Lucia Popp, Wiener Philharmoniker, Sir Georg Solti
- Barbara Bonney, Anne Sofie von Otter, Symphonieorchester des Bayerischen Rundfunks, Jeffrey Tate
- Helen Donath, Anna Moffo, Münchner Rundfunkorchester, Kurt Eichhorn
- (show 8 more)
| | | | | |
