| edited |
|---|
| I Will Magnify Thee, HWV 250b: Air (Andante): I Will Magnify Thee | | Bejun Mehta, Akademie für Alte Musik Berlin | 4:10 |
| Ich habe genug, BWV 82: Aria (Vivace): Ich freue mich auf meinen Tod | | Bejun Mehta, Akademie für Alte Musik Berlin | 3:35 |
| Ich habe genug, BWV 82: Aria: Ich habe genug | | Bejun Mehta, Akademie für Alte Musik Berlin | 6:51 |
| Ich habe genug, BWV 82: Aria: Schlummert ein | | Bejun Mehta, Akademie für Alte Musik Berlin | 9:05 |
| Ich habe genug, BWV 82: Recitative: Ich habe genug | | Bejun Mehta, Akademie für Alte Musik Berlin | 1:06 |
| Ich habe genug, BWV 82: Recitative: Mein Gott, wenn kömmt das schöne: Nun! | | Bejun Mehta, Akademie für Alte Musik Berlin | 0:40 |
| Lamento: Ach, daß ich Wassers g’nug hätte | | Bejun Mehta, Akademie für Alte Musik Berlin | 7:13 |
| Mi palpita il cor, HWV 132c: Aria (Allegro): Se un di m’adora | | Bejun Mehta, Akademie für Alte Musik Berlin | 3:18 |
| Mi palpita il cor, HWV 132c: Aria (Lamento): Ho tanti affanni in petto | | Bejun Mehta, Akademie für Alte Musik Berlin | 6:14 |
| Mi palpita il cor, HWV 132c: Recitative: Clori, di te mi lagno | | Bejun Mehta, Akademie für Alte Musik Berlin | 0:49 |
| Mi palpita il cor, HWV 132c: Recitative: Mi palpita il cor / Allegro: Agitata è l’alma mia / Recitative: Tormento e gelosia | | Bejun Mehta, Akademie für Alte Musik Berlin | 2:06 |
| Pianti, sospiri e dimandar mercede, RV 676: Aria (Allegro molto): Cor ingrato dispietato | | Bejun Mehta, Akademie für Alte Musik Berlin | 3:35 |
| Pianti, sospiri e dimandar mercede, RV 676: Aria (Larghetto): Lusiga è del nocchier | | Bejun Mehta, Akademie für Alte Musik Berlin | 4:15 |
| Pianti, sospiri e dimandar mercede, RV 676: Recitative: O ingannato nocchiero | | Bejun Mehta, Akademie für Alte Musik Berlin | 1:08 |
| Pianti, sospiri e dimandar mercede, RV 676: Recitative: Pianti, sospiri e dimandar mercede | | Bejun Mehta, Akademie für Alte Musik Berlin | 0:59 |
| Siete rose rugiadose, HWV 162: Aria (Largo): Siete rose rugiadose | | Bejun Mehta, Akademie für Alte Musik Berlin | 5:09 |
| The Choice of Hercules, HWV 69: Air (Largo e mezzo piano): Yet Can I Hear That Dulcet Lay | | Bejun Mehta, Akademie für Alte Musik Berlin | 4:23 |
| The Choice of Hercules, HWV 69: Recitative: Oh Cease, Enchanting Siren! | | Bejun Mehta, Akademie für Alte Musik Berlin | 0:18 |
| Trauermusik: Aria: Schlage doch, gewünschte Stunde | | Bejun Mehta, Akademie für Alte Musik Berlin | 6:46 |
| produced |
|---|
| 1987 | Der Fliegende Holländer: Overture | | Seattle Symphony, Gerard Schwarz | 11:34 |
| 1987 | Lohengrin: Act I. Prelude | | Seattle Symphony, Gerard Schwarz | 11:04 |
| 1987 | Lohengrin: Act III. Prelude | | Seattle Symphony, Gerard Schwarz | 3:31 |
| 1987 | Parsifal: Act I. Prelude | | Seattle Symphony, Gerard Schwarz | 14:53 |
| 1987 | Parsifal: Act III. Good Friday Spell | | Seattle Symphony, Gerard Schwarz | 11:10 |
| 1987 | Parsifal: Act III. Prelude | | Seattle Symphony, Gerard Schwarz | 5:27 |
| vocals |
|---|
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 1. Coro "Viva, viva il nostro Alcide!" (Sesto, Cornelia, Nireno, Tolomeo, Curio, Achilla) | countertenor vocals | Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | 1:17 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 5. Recitativo "Regni Cleopatra" (Cleopatra, Nireno, Tolomeo) | countertenor vocals | Magdalena Kožená, Pascal Bertin, Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | 2:17 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 6. Recitativo "Sire, Signor!" (Achilla, Tolomeo) | countertenor vocals | Alan Ewing, Bejun Mehta, Marc Minkowski | 1:39 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 7. Aria "L´empio, sleale, indegno" (Tolomeo) | countertenor vocals | Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | 3:18 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 12. Recitativo "Cesare, alla tua destra" (Tolomeo, Cesare, Achilla) | countertenor vocals | Bejun Mehta, Marijana Mijanovic, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | 1:03 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto I, no. 14. Recitativo "Sire, con Sesto, il figlio" (Achilla, Tolomeo, Cornelia, Sesto) | countertenor vocals | Alan Ewing, Bejun Mehta, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 1:26 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 19. Recitativo "Bella, placa lo sdegno!" (Tolomeo, Cornelia, Achilla) | countertenor vocals | Bejun Mehta, Charlotte Hellekant, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski | 0:54 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 20. Recitativo "Bella, cotanto aborri chi ti prega d´amar?" (Tolomeo, Cornelia) | countertenor vocals | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | 1:00 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 21. Aria "Sì, spietata, il tuo rigore" (Tolomeo) | countertenor vocals | Bejun Mehta, Les Musiciens du Louvre, Les Musiciens du Louvre, Marc Minkowski | 2:50 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Arioso "Belle dèe di questo core" (Tolomeo, Cornelia) | countertenor vocals | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | 2:41 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "... di quel ch´avete" (Tolomeo, Cornelia, Sesto) | countertenor vocals | Bejun Mehta, Charlotte Hellekant, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski | 0:48 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto II, no. 28. Recitativo "Sire, prendi" (Achilla, Tolomeo, Sesto, Cornelia) | countertenor vocals | Alan Ewing, Bejun Mehta, Anne Sofie von Otter, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | 1:38 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 30. Recitativo "Vinta cadesti" (Tolomeo, Cleopatra) | countertenor vocals | Bejun Mehta, Magdalena Kožená, Les Musiciens du Louvre, Marc Minkowski | 0:50 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 31. Aria "Domerò la tua fierezza" (Tolomeo) | countertenor vocals | Bejun Mehta, Les Musiciens du Louvre, Marc Minkowski | 4:02 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Recitativo "Cornelia, è tempo omai" (Tolomeo, Cornelia) | countertenor vocals | Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | 1:04 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 37. Recitativo "T'arresta, o genitrice!" (Cleopatra, Tolomeo, Cornelia) | countertenor vocals | Magdalena Kožená, Bejun Mehta, Charlotte Hellekant, Les Musiciens du Louvre, Marc Minkowski | 1:03 |
| 2002-11 | Giulio Cesare in Egitto, HWV 17: Atto III, no. 40. Coro e Duetto "Ritornio omai nel nostro core" (Cleopatra, Sesto, Cornelia, Cesare, Tolomeo, Nireno, Achilla, Curio) | countertenor vocals | Magdalena Kožená, Anne Sofie von Otter, Charlotte Hellekant, Marijana Mijanovic, Bejun Mehta, Pascal Bertin, Alan Ewing, Jean-Michel Ankaoua, Les Musiciens du Louvre, Marc Minkowski | 2:45 |
| 2010-07 | Agrippina, HWV 6: Atto I, Scena XI. Recitativo "Alle tue piante" (Ottone, Agrippina, Narciso, Pallante, Nerone) / Scena XII. Recitativo "Augusta, amo Poppea" (Ottone, Agrippina) | countertenor vocals | Neal Davies, Sunhae Im, Bejun Mehta, Alexandrina Pendatchanska, Jennifer Rivera, Dominique Visse, Akademie für Alte Musik Berlin, René Jacobs | 3:15 |
| 2010-07 | Agrippina, HWV 6: Atto I, Scena XIII. Recitativo "l'ultima del gioir meta gradita" (Ottone) / Aria "Lusinghiera mia speranza" (Ottone) | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 4:32 |
| 2010-07 | Agrippina, HWV 6: Atto II, Scena II. Aria "Coronato il crin d'alloro" (Ottone) | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 3:25 |
| 2010-07 | Agrippina, HWV 6: Atto II, Scena II. Recitativo "Roma, più ch'il trionfo" (Pallante, Narciso, Ottone) / Scena III. Preludio / Recitativo "Ecco il superbo!" (Agrippina, Nerone, Poppea, Ottone, Narciso) | countertenor vocals | Neal Davies, Sunhae Im, Bejun Mehta, Alexandrina Pendatchanska, Jennifer Rivera, Dominique Visse, Akademie für Alte Musik Berlin, René Jacobs | 2:24 |
| 2010-07 | Agrippina, HWV 6: Atto II, Scena IV. Recitativo "Deh tu, Agrippina, assisti!" (Ottone) / Aria "Nulla sperar da me" (Agrippina) | countertenor vocals | Bejun Mehta, Alexandrina Pendatchanska, Akademie für Alte Musik Berlin, René Jacobs | 1:36 |
| 2010-07 | Agrippina, HWV 6: Atto II, Scena IV. Recitativo "E tu Poppea, mio bene?" (Ottone) / Aria "Tuo ben è 'l trono" (Poppea) | countertenor vocals | Sunhae Im, Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 1:14 |
| 2010-07 | Agrippina, HWV 6: Atto II, Scena IV. Recitativo "Signor, quanto il mio cuore" (Agrippina, Claudio, Poppea, Nerone, Narciso, Pallante, Ottone) | countertenor vocals | Neal Davies, Sunhae Im, Bejun Mehta, Alexandrina Pendatchanska, Jennifer Rivera, Dominique Visse, Akademie für Alte Musik Berlin, René Jacobs | 2:11 |
| 2010-07 | Agrippina, HWV 6: Atto II, Scena IV. Recitativo "Soccorri almen Nerone!" (Ottone) / Aria "Sotto il lauro ch'hai sul crine" (Nerone) / Recitativo "Scherzo son del destin" (Ottone, Narciso, Pallante, Lesbo) | countertenor vocals | Neal Davies, Bejun Mehta, Jennifer Rivera, Daniel Schmutzhard, Dominique Visse, Akademie für Alte Musik Berlin, René Jacobs | 2:10 |
| 2010-07 | Agrippina, HWV 6: Atto II, Scena V. Recitativo "Otton, qual portentoso" (Ottone) / Aria "Voi che udite il mio lamento" (Ottone) | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 7:03 |
| 2010-07 | Agrippina, HWV 6: Atto II, Scena VI. Cavatina "Vaghe fonti" (Ottone) | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 1:59 |
| 2010-07 | Agrippina, HWV 6: Atto II, Scena VI. Recitativo "Ma qui che veggo, oh ciel?" (Ottone) / Recitativo "Voi dormite, oh luci care" (Ottone, Poppea) / Recitativo "Fantasmi della mente" (Poppea, Ottone) | countertenor vocals | Sunhae Im, Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 4:44 |
| 2010-07 | Agrippina, HWV 6: Atto II, Scena VII. Aria "Ti vo' giusta e non pietosa" (Ottone) | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 2:02 |
| 2010-07 | Agrippina, HWV 6: Atto III, Scena I. Recitativo "Il caro Otton al precipizio io spinsi" (Poppea) / Scena II. Recitativo "Ah, mia Poppea, ti prego" (Ottone, Poppea) / Scena III. Recitativo "Attendo qui Nerone e Claudio ancora" (Poppea) / Scena IV. Recitativo "Anelante ti reco" (Nerone, Poppea, Ottone) / Scena. V. Recitativo "Amico ciel, seconda il mio disegno" (Poppea) | countertenor vocals | Sunhae Im, Bejun Mehta, Jennifer Rivera, Akademie für Alte Musik Berlin, René Jacobs | 3:54 |
| 2010-07 | Agrippina, HWV 6: Atto III, Scena VI. Recitativo "Qui non v'è alcun" (Lesbo, Poppea, Claudio, Nerone, Ottone) / Scena VII. Recitativo "Temerario, insolente!" (Claudio, Nerone, Poppea, Ottone) / Scena VIII. Recitativo "Ora, Claudio, che dici?" (Poppea, Claudio) | countertenor vocals | Marcos Fink, Sunhae Im, Bejun Mehta, Jennifer Rivera, Daniel Schmutzhard, Akademie für Alte Musik Berlin, René Jacobs | 4:51 |
| 2010-07 | Agrippina, HWV 6: Atto III, Scena X. Recitativo "No, no, ch'io non apprezzo" (Ottone, Poppea) | countertenor vocals | Sunhae Im, Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 4:04 |
| 2010-07 | Agrippina, HWV 6: Atto III, Scena X. Recitativo "Ora, Ottone, che dici?" (Poppea, Ottone) | countertenor vocals | Sunhae Im, Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 1:33 |
| 2010-07 | Agrippina, HWV 6: Atto III, Scena XV. Recitativo "Ecco la mia rivale" (Agrippina, Poppea, Nerone, Ottone, Claudio) | countertenor vocals | Marcos Fink, Sunhae Im, Bejun Mehta, Alexandrina Pendatchanska, Jennifer Rivera, Akademie für Alte Musik Berlin, René Jacobs | 3:17 |
| 2013-04 | Antigona: Aria Ah, se lo vedi piangere | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 3:17 |
| 2013-04 | Antigona: Aria Ah, sì, da te dipende | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 5:00 |
| 2013-04 | Artaserse: Aria Vo solcando un mar crudele | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 6:45 |
| 2013-04 | Artaserse: Recitativo accompagnato No, che non ha la sorte | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 1:58 |
| 2013-04 | Ascanio in Alba: Aria Ah di sì nobil alma | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 3:42 |
| 2013-04 | Ascanio in Alba: Aria Cara, lontano ancora | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 5:01 |
| 2013-04 | Ascanio in Alba: Recitativo Perché tacer degg'io? | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 4:33 |
| 2013-04 | Ezio: Aria Pensa a serbarmi, o cara | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 5:07 |
| 2013-04 | Ezio: Aria Se il fulmine sospendi | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 3:27 |
| 2013-04 | Ifigenia in Tauride: Dormi Oreste! | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 7:47 |
| 2013-04 | Il Trionfo di Clelia: Aria Dei di Roma, ah perdonate! | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 4:32 |
| 2013-04 | Mitridate: Aria Già dagli occhi il velo è tolto | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 9:19 |
| 2013-04 | Mitridate: Recitativo accompagnato Vadasi... | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 1:23 |
| 2013-04 | Orfeo ed Euridice: Aria Che puro ciel! | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 6:06 |
| 2013-04 | Orfeo ed Euridice: Coro Vieni a' regni del riposo | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin, René Jacobs | 1:46 |
| 2017-05 | I Will Magnify Thee, HWV 250b: Air (Andante): I Will Magnify Thee | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 4:10 |
| 2017-05 | Ich habe genug, BWV 82: Aria (Vivace): Ich freue mich auf meinen Tod | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 3:35 |
| 2017-05 | Ich habe genug, BWV 82: Aria: Ich habe genug | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 6:51 |
| 2017-05 | Ich habe genug, BWV 82: Aria: Schlummert ein | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 9:05 |
| 2017-05 | Ich habe genug, BWV 82: Recitative: Ich habe genug | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 1:06 |
| 2017-05 | Ich habe genug, BWV 82: Recitative: Mein Gott, wenn kömmt das schöne: Nun! | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 0:40 |
| 2017-05 | Lamento: Ach, daß ich Wassers g’nug hätte | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 7:13 |
| 2017-05 | Mi palpita il cor, HWV 132c: Aria (Allegro): Se un di m’adora | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 3:18 |
| 2017-05 | Mi palpita il cor, HWV 132c: Aria (Lamento): Ho tanti affanni in petto | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 6:14 |
| 2017-05 | Mi palpita il cor, HWV 132c: Recitative: Clori, di te mi lagno | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 0:49 |
| 2017-05 | Mi palpita il cor, HWV 132c: Recitative: Mi palpita il cor / Allegro: Agitata è l’alma mia / Recitative: Tormento e gelosia | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 2:06 |
| 2017-05 | Pianti, sospiri e dimandar mercede, RV 676: Aria (Allegro molto): Cor ingrato dispietato | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 3:35 |
| 2017-05 | Pianti, sospiri e dimandar mercede, RV 676: Aria (Larghetto): Lusiga è del nocchier | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 4:15 |
| 2017-05 | Pianti, sospiri e dimandar mercede, RV 676: Recitative: O ingannato nocchiero | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 1:08 |
| 2017-05 | Pianti, sospiri e dimandar mercede, RV 676: Recitative: Pianti, sospiri e dimandar mercede | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 0:59 |
| 2017-05 | Siete rose rugiadose, HWV 162: Aria (Largo): Siete rose rugiadose | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 5:09 |
| 2017-05 | The Choice of Hercules, HWV 69: Air (Largo e mezzo piano): Yet Can I Hear That Dulcet Lay | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 4:23 |
| 2017-05 | The Choice of Hercules, HWV 69: Recitative: Oh Cease, Enchanting Siren! | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 0:18 |
| 2017-05 | Trauermusik: Aria: Schlage doch, gewünschte Stunde | countertenor vocals | Bejun Mehta, Akademie für Alte Musik Berlin | 6:46 |
| If God Be for Us | soprano vocals [boy soprano] | Bejun Mehta, Principals Of The Los Angeles Chamber Orchestra | 3:36 |
| Radamisto: Aria: Ombra cara di mia sposa (II, 2) | countertenor vocals | Rosemary Joshua, Bejun Mehta, Freiburger Barockorchester, René Jacobs | 9:34 |
| Rodelinda: Con rauco mormorio (II, 5) | countertenor vocals | Rosemary Joshua, Bejun Mehta, Freiburger Barockorchester, René Jacobs | 7:15 |
| Rodelinda: Fra tempeste funeste (II, 4) | countertenor vocals | Rosemary Joshua, Bejun Mehta, Freiburger Barockorchester, René Jacobs | 4:49 |
| Sosarme: Duetto: Per le porte del tormento (II, 8) | countertenor vocals | Rosemary Joshua, Bejun Mehta, Freiburger Barockorchester, René Jacobs | 9:38 |
| edited |
|---|
| Violin Concertos | | Hindemith, Penderecki; Isaac Stern, Leonard Bernstein & Stanisław Skrowaczewski | |
| engineered |
|---|
| Great Marches | | London Philharmonic Orchestra, Sir Adrian Boult, Philadelphia Orchestra, Eugene Ormandy | |
| Piano Trios nos. 1, 2 & 3 / Piano Quartets nos. 1, 2 & 3 | | Johannes Brahms; Isaac Stern, Jaime Laredo, Eugene Istomin, Emanuel Ax, Leonard Rose, Yo‐Yo Ma | |
| Samuel Barber | | Samuel Barber; New York Philharmonic, Thomas Schippers | |
| Symphonies Nos. 1, 2 / Lieder eines fahrenden Gesellen | | Mahler; New York Philharmonic, Columbia Symphony Orchestra, Bruno Walter | |
| Violin Concertos | | Hindemith, Penderecki; Isaac Stern, Leonard Bernstein & Stanisław Skrowaczewski | |
| mastering |
|---|
| Enigma Variations / Pomp and Circumstance Marches nos. 1 - 5 / Crown of India Suite | | Elgar; London Philharmonic Orchestra, Daniel Barenboim | |
| Enigma Variations, op. 36 / Pomp and Circumstance Marches, op. 39 | | Edward Elgar; Philharmonia Orchestra, Andrew Davis | |
| Great Marches | re | London Philharmonic Orchestra, Sir Adrian Boult, Philadelphia Orchestra, Eugene Ormandy | |
| Lute Suites, BWV 995, 996, 997, 999 & 1000 | | Bach; John Williams | |
| Schumann: Symphony no. 2 / Schubert: Symphony no. 8 “Unfinished” | re | Schumann, Schubert; Marlboro Festival Orchestra, Pablo Casals | |
| Slavonic Dances, op. 46 / Slavonic Dances, op. 72 | re | Dvořák; The Cleveland Orchestra, George Szell | |
| mixed |
|---|
| Schumann: Symphony no. 2 / Schubert: Symphony no. 8 “Unfinished” | task: digitally remixed for CD | Schumann, Schubert; Marlboro Festival Orchestra, Pablo Casals | |
| produced |
|---|
| Great Marches | | London Philharmonic Orchestra, Sir Adrian Boult, Philadelphia Orchestra, Eugene Ormandy | |
| Greatest Hits | | George Frideric Handel | |
| Lute Suites, BWV 995, 996, 997, 999 & 1000 | | Bach; John Williams | |
| Piano Trios nos. 1, 2 & 3 / Piano Quartets nos. 1, 2 & 3 | | Johannes Brahms; Isaac Stern, Jaime Laredo, Eugene Istomin, Emanuel Ax, Leonard Rose, Yo‐Yo Ma | |
| Pini di Roma / Fontane di Roma / Feste romane | | Ottorino Respighi; The Philadelphia Orchestra, Eugene Ormandy | |
| Pini di Roma / Fontane di Roma / Feste romane | | Ottorino Respighi; The Philadelphia Orchestra, Eugene Ormandy | |
| Samuel Barber | | Samuel Barber; New York Philharmonic, Thomas Schippers | |
| Schumann: Symphony no. 2 / Schubert: Symphony no. 8 “Unfinished” | | Schumann, Schubert; Marlboro Festival Orchestra, Pablo Casals | |
| Symphonies Nos. 1, 2 / Lieder eines fahrenden Gesellen | | Mahler; New York Philharmonic, Columbia Symphony Orchestra, Bruno Walter | |
| The Duruflé Album | | Maurice Duruflé; Voices of Ascension Chorus & Orchestra | |
| The Royal Edition, no. 21 of 100: Symphony no. 4 / Academic Festival Overture / Tragic Overture | | Brahms; New York Philharmonic, Leonard Bernstein | |
| The Royal Edition, no. 21 of 100: Symphony no. 4 / Academic Festival Overture / Tragic Overture | | Brahms; New York Philharmonic, Leonard Bernstein | |
| Tod und Verklärung / Sinfonia Domestica / Tanz der Sieben Schleier | | Strauss; Cleveland Orchestra, George Szell, Philadelphia Orchestra, Eugene Ormandy | |
| Violin Concertos | | Hindemith, Penderecki; Isaac Stern, Leonard Bernstein & Stanisław Skrowaczewski | |
