| holds phonographic copyright (℗) for |
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1988 | Traveller | | | Billy Currie with guest Steve Howe | 3:21 |
| instruments |
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| Ain't Misbehavin' | Billy Curry | violin | Tiger Lily | 3:14 |
| Ain't Misbehavin' | Billy Curry | piano | Tiger Lily | 3:14 |
| Airlift | | keyboard | Billy Currie with guest Steve Howe | 6:03 |
| Airlift | | viola | Billy Currie with guest Steve Howe | 6:03 |
| Blue Light | | keyboard | Ultravox | 3:12 |
| Blue Light | | violin | Ultravox | 3:12 |
| Conversation | | violin | Gary Numan | 7:38 |
| Corkscrew | | viola | Steve Howe | 3:58 |
| Corkscrew | | keyboard | Steve Howe | 3:58 |
| Dancing With Tears in My Eyes | | keyboard | Ultravox | 4:55 |
| Dangerous Rhythm | | keyboard | Ultravox | 4:18 |
| Dislocation | | keyboard | Ultravox | 2:58 |
| Dislocation | | violin | Ultravox | 2:58 |
| English Home | | viola | Billy Currie with guest Steve Howe | 4:54 |
| English Home | | keyboard | Billy Currie with guest Steve Howe | 4:54 |
| Fine Line | | keyboard | Steve Howe | 3:26 |
| Fine Line | | viola | Steve Howe | 3:26 |
| From a Place Where Time Runs Slow | | keyboard | Steve Howe | 3:43 |
| From a Place Where Time Runs Slow | | viola | Steve Howe | 3:43 |
| Hint Hint | | viola | Steve Howe | 3:28 |
| Hint Hint | | keyboard | Steve Howe | 3:28 |
| I Can’t Stay Long | | violin | Ultravox | 4:20 |
| I Can’t Stay Long | | keyboard | Ultravox | 4:20 |
| I Want to Be a Machine | | keyboard | Ultravox | 7:23 |
| India | | keyboard | Billy Currie | 5:20 |
| India | | viola | Billy Currie | 5:20 |
| Just for a Moment | | keyboard | Ultravox | 3:11 |
| Just for a Moment | | violin | Ultravox | 3:11 |
| Life at Rainbow’s End (for All the Tax Exiles on Main Street) | | keyboard | Ultravox | 3:44 |
| Maximum Acceleration | | keyboard | Ultravox | 3:56 |
| Maximum Acceleration | | violin | Ultravox | 3:56 |
| Monkey Jive | Billy Curry | violin | Tiger Lily | 3:36 |
| Monkey Jive | Billy Curry | piano | Tiger Lily | 3:36 |
| My Sex | | keyboard | Ultravox | 3:02 |
| Novalis | | viola | Steve Howe | 2:26 |
| Novalis | | keyboard | Steve Howe | 2:26 |
| Over‐Soul | | keyboard | Billy Currie with guest Steve Howe | 3:20 |
| Over‐Soul | | viola | Billy Currie with guest Steve Howe | 3:20 |
| Perfect Flight | | viola | Billy Currie with guest Steve Howe | 4:46 |
| Perfect Flight | | keyboard | Billy Currie with guest Steve Howe | 4:46 |
| Quiet Men | | violin | Ultravox | 4:12 |
| Quiet Men | | keyboard | Ultravox | 4:12 |
| Rakaia River (Mountains to Sea) | | viola | Billy Currie | 5:10 |
| Rakaia River (Mountains to Sea) | | keyboard | Billy Currie | 5:10 |
| Running the Human Race | | keyboard | Steve Howe | 4:23 |
| Running the Human Race | | viola | Steve Howe | 4:23 |
| Saturday Night in the City of the Dead | | keyboard | Ultravox | 2:36 |
| Sensitive Chaos | | keyboard | Steve Howe | 4:24 |
| Sensitive Chaos | | viola | Steve Howe | 4:24 |
| Slip Away | | keyboard | Ultravox | 4:18 |
| Slow Motion | | keyboard | Ultravox | 3:32 |
| Slow Motion | | violin | Ultravox | 3:32 |
| Some of Them | | violin | Ultravox | 2:33 |
| Some of Them | | keyboard | Ultravox | 2:33 |
| Someone Else’s Clothes | | keyboard | Ultravox | 4:28 |
| Someone Else’s Clothes | | violin | Ultravox | 4:28 |
| The Inner Battle | | viola | Steve Howe | 3:31 |
| The Inner Battle | | keyboard | Steve Howe | 3:31 |
| The Lonely Hunter | | keyboard | Ultravox | 3:43 |
| The Wild, the Beautiful and the Damned | | keyboard | Ultravox | 5:51 |
| Tracks | | violin | Gary Numan | 2:52 |
| Tracks | | guest and violin | Gary Numan | 2:52 |
| Transportation | | viola | Billy Currie with guest Steve Howe | 8:00 |
| Transportation | | keyboard | Billy Currie with guest Steve Howe | 8:00 |
| Traveller | | keyboard | Billy Currie with guest Steve Howe | 3:21 |
| Traveller | | viola | Billy Currie with guest Steve Howe | 3:21 |
| Turbulence | | keyboard | Steve Howe | 4:59 |
| Turbulence | | viola | Steve Howe | 4:59 |
| Vienna | | keyboard and violin | Ultravox | 4:38 |
| Vienna | | keyboard | Ultravox | 4:48 |
| Vienna | | viola | Ultravox | 4:48 |
| When You Walk Through Me | | keyboard | Ultravox | 4:19 |
| When You Walk Through Me | | violin | Ultravox | 4:19 |
| While Rome's Burning | | viola | Steve Howe | 4:26 |
| While Rome's Burning | | keyboard | Steve Howe | 4:26 |
| Wide Boys | | keyboard | Ultravox | 3:16 |
| Yellow Pearl | | synthesizer [arp synthesizer] | Philip Lynott | 4:06 |
| performed |
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| All Stood Still | | | Ultravox | 4:14 |
| Artificial Life | | | Ultravox | 4:49 |
| Astradyne | | | Ultravox | 5:25 |
| Blocks on Blocks | | | Visage | 4:00 |
| Blue Light | | | Ultravox | 3:19 |
| Face to Face | | | Ultravox | 5:50 |
| Fade to Grey | | | Visage | 4:02 |
| Hiroshima Mon Amour | | | Ultravox | 3:42 |
| Hiroshima Mon Amour | | | Ultravox | 8:53 |
| I Can’t Stay Long | | | Ultravox | 3:41 |
| Just for a Moment | | | Ultravox | 4:43 |
| Liquid | | | Ultravox | 5:45 |
| Malpaso Man | | | Visage | 4:15 |
| Mind of a Toy | | | Visage | 4:28 |
| Moon Over Moscow | | | Visage | 4:01 |
| Mr X | | | Ultravox | 6:30 |
| New Europeans | | | Ultravox | 3:51 |
| Passing Strangers | | | Ultravox | 5:11 |
| Private Lives | | | Ultravox | 4:42 |
| Quiet Man | | | Ultravox | 3:44 |
| Quiet Men | | | Ultravox | 4:02 |
| Rockwrok | | | Ultravox | 4:08 |
| Sleepwalk | | | Ultravox | 4:49 |
| Slip Away | | | Ultravox | 3:50 |
| Slow Motion | | | Ultravox | 3:15 |
| Slow Motion | | | Ultravox | 3:36 |
| Some of Them | | | Ultravox | 2:35 |
| Someone Else’s Clothes | | | Ultravox | 4:53 |
| Tar | | | Visage | 3:32 |
| The Dancer | | | Visage | 3:40 |
| The King’s Lead Hat | | | Ultravox | 4:50 |
| The Man Who Dies Everyday | | | Ultravox | 5:21 |
| The Steps | | | Visage | 3:15 |
| Theme 80 | | | Ultravox | 1:07 |
| Vienna | | | Ultravox | 5:25 |
| Visa‐age | | | Visage | 4:20 |
| Visage | | | Visage | 3:53 |
| Walk Away | | | Ultravox | 3:30 |
| Western Promise | | | Ultravox | 4:44 |
| Young Savage | | | Ultravox | 3:45 |
| instruments |
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| Quartet | | keyboard, synthesizer and violin | Ultravox | |
| Quartet | | keyboard, synthesizer and violin | Ultravox | |
| Quartet | | keyboard, synthesizer and violin | Ultravox | |
| Quartet | | keyboard, synthesizer and violin | Ultravox | |
| Vienna | | piano | Ultravox | |
| Vienna | | viola | Ultravox | |
| Vienna | | synthesizer [synthesizers] | Ultravox | |
| Vienna | | violin | Ultravox | |
| Vienna | | piano | Ultravox | |
| Vienna | | viola | Ultravox | |
| Vienna | | piano, synthesizer, viola and violin | Ultravox | |
| Vienna | | synthesizer | Ultravox | |
| Vienna | | piano, synthesizer, viola and violin | Ultravox | |
| Vienna | | piano, synthesizer, viola and violin | Ultravox | |
| Vienna | | violin | Ultravox | |
| mixed |
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| Transportation | | | Billy Currie with guest Steve Howe | |
| performed |
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| Transportation | | | Billy Currie with guest Steve Howe | |
| produced |
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| Transportation | | | Billy Currie with guest Steve Howe | |
| wrote |
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| Brilliant | Currie | | Ultravox | |
| composed |
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| Astradyne | | | | |
| I Wanna Be a Kennedy | | | | |
| Mr X | | | | |
| wrote |
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| 3 | | | | |
| A Friend I Call Desire | | | | |
| Accent on Youth | | | | |
| Airlift | | | | |
| All Fall Down | | | | |
| All in One Day | | | | |
| All Stood Still | | | | |
| Alles Klar | | | | |
| Blocks on Blocks | | | | |
| Break Your Back | | | | |
| Cut and Run | | | | |
| Dancing With Tears in My Eyes | | | | |
| Dreams? | | | | |
| Eight Letters | William Currie | | | |
| English Home | | | | |
| Face to Face | | | | |
| Fade to Grey | | | | |
| Frequency 7 | | | | |
| Heart of the Country | | | | |
| Hiroshima Mon Amour | | | | |
| Hosanna (In Excelcis Deo) | | | | |
| Hymn | | | | |
| Hymn | | | | |
| I Never Wanted to Begin | | | | |
| I Remember (Death in the Afternoon) | | | | |
| India | | | | |
| Keep Talking | | | | |
| Lament | | | | |
| Love’s Great Adventure | | | | |
| Malpaso Man | | | | |
| Man of Two Worlds | | | | |
| Mind of a Toy | | | | |
| Mine for Life | | | | |
| Monument | | | | |
| Moon Over Moscow | | | | |
| New Europeans | | | | |
| Night Train | | | | |
| One Small Day | | | | |
| Over-Soul | | | | |
| Overlook | | | | |
| Passing Strangers | | | | |
| Passionate Reply | | | | |
| Paths and Angles | | | | |
| Perfect Flight | | | | |
| Private Lives | | | | |
| Quiet Men | | | | |
| Rage in Eden | | | | |
| Rakaia River (Mountains to Sea) | | | | |
| Reap the Wild Wind | | | | |
| Same Old Story | | | | |
| Serenade | | | | |
| Sleepwalk | | | | |
| Slip Away | | | | |
| Slow Motion | | | | |
| Sound on Sound | | | | |
| Stranger Within | | | | |
| Tar | | | | |
| The Anvil | | | | |
| The Ascent | | | | |
| The Song (We Go) | | | | |
| The Steps | | | | |
| The Thin Wall | | | | |
| The Voice | | | | |
| The Wild, the Beautiful and the Damned | | | | |
| Transportation | | | | |
| Traveller | | | | |
| Vienna | | | | |
| Visa-age | | | | |
| Visage | | | | |
| Visions in Blue | | | | |
| Waiting | | | | |
| We Came to Dance | | | | |
| We Stand Alone | | | | |
| Western Promise | | | | |
| When the Scream Subsides | | | | |
| When the Time Comes | | | | |
| White China | | | | |
| Young Savage | | | | |
| Your Name (Has Slipped My Mind Again) | | | | |