| 3 Orchestral Songs: I. "Leise Düfte" | | | | | | | |
| 3 Orchestral Songs: II. Kunfttag III "Nun wird es wieder Lenz" | | | | | | | |
| 3 Orchestral Songs: III. "O sanftes Glühn der Berge" | | | | | | | |
| 3 Poems: I. Vorfrühling | | | | | | | |
| 3 Poems: II. Nachtgebet der Braut | | | | | | | |
| 3 Poems: III. Fromm | | | | | | | |
| 3 Songs from "Viae inviae" by Hildegard Jone, op. 23: I. "Das dunkle Herz, das in sich lauscht" | | | | | | | |
| 3 Songs from "Viae inviae" by Hildegard Jone, op. 23: II. "Es stürzt aus Höhen Frische" | | | | | | | |
| 3 Songs from "Viae inviae" by Hildegard Jone, op. 23: III. "Herr Jesus mein" | | | | | | | |
| 3 Songs on Poems by Ferdinand Avenarius: I. Gefunden "Nun wir uns lieben, rauscht mein stolzes Glück" | | | | | | | |
| 3 Songs on Poems by Ferdinand Avenarius: II. Gebet "Ertrage du's, laß schneiden dir den Schmerz" | | | | | | | |
| 3 Songs on Poems by Ferdinand Avenarius: III. Freunde "Schmerze und Freuden reift jede Stunde" | | | | | | | |
| 3 Songs on Poems by Hildgard Jone, op. 25: I. "Wie bin ich froh" | | | | | | | |
| 3 Songs on Poems by Hildgard Jone, op. 25: II. "Des Herzens Purpurvogel fliegt durch Nacht" | | | | | | | |
| 3 Songs on Poems by Hildgard Jone, op. 25: III. "Sterne, Ihr silbernen Bienen der Nacht" | | | | | | | |
| 3 Songs, op. 18: I. "Schatzerl klein": Sehr ruhig | | - Christiane Oelze, Ensemble intercontemporain, Pierre Boulez
- Halina Łukomska, Colin Bradley, John Williams, Pierre Boulez
- SCHOLA HEIDELBERG, Susanne Heilig, Hubert Steiner, Walter Nußbaum
- Jennifer Welch‐Babidge, Scott Kuney, Charles Neidich
- Schönberg Ensemble, Reinbert de Leeuw, Dorothy Dorow
| | | | | |
| 3 Songs, op. 18: II. Erlösung "Mein Kind, sieh an": Bewegt | | - Christiane Oelze, Ensemble intercontemporain, Pierre Boulez
- Halina Łukomska, Colin Bradley, John Williams, Pierre Boulez
- SCHOLA HEIDELBERG, Susanne Heilig, Hubert Steiner, Walter Nußbaum
- Jennifer Welch‐Babidge, Scott Kuney, Charles Neidich
- Schönberg Ensemble, Reinbert de Leeuw, Dorothy Dorow
| | | | | |
| 3 Songs, op. 18: III. "Ave, Regina coelorum": Langsam | | - Christiane Oelze, Ensemble intercontemporain, Pierre Boulez
- Halina Łukomska, Colin Bradley, John Williams, Pierre Boulez
- SCHOLA HEIDELBERG, Susanne Heilig, Hubert Steiner, Walter Nußbaum
- Jennifer Welch‐Babidge, Scott Kuney, Charles Neidich
- Schönberg Ensemble, Reinbert de Leeuw, Dorothy Dorow
| | | | | |
| 3 Traditional Rhymes, op. 17: I. "Armer Sünder, du": Gemächlich | | | | | | | |
| 3 Traditional Rhymes, op. 17: II. "Liebste Jungfrau, wir sind dein": Fließend | | | | | | | |
| 3 Traditional Rhymes, op. 17: III. "Heiland, unsre Missetaten": Langsam | | | | | | | |
| 4 Songs on Poems by Stefan George: I. "Erwachen aus dem tiefsten traumes-schooße" | | | | | | | |
| 4 Songs on Poems by Stefan George: II. Kunfttag I | | | | | | | |
| 4 Songs on Poems by Stefan George: III. Trauer I | | | | | | | |
| 4 Songs on Poems by Stefan George: IV. "Das lockere Saatgefilde lechzet krank" | | | | | | | |
| 4 Songs, op. 12: I. "Der Tag ist vergangen" | | | | | | | |
| 4 Songs, op. 12: II. Die geheimnisvolle Flöte | | | | | | | |
| 4 Songs, op. 12: III. "Schien mir's, als ich sah die Sonne" | | | | | | | |
| 4 Songs, op. 12: IV. Gleich und gleich | | | | | | | |
| 5 Canons, op. 16: I. "Christus factus est": Rasch | | | | | | | |
| 5 Canons, op. 16: II. “Dormi Jesu, mater ridet”: Ruhig | | | | | | | |
| 5 Canons, op. 16: III. "Crux fidelis": Langsam | | | | | | | |
| 5 Canons, op. 16: IV. "Asperges me, Domine": Sehr lebhaft | | | | | | | |
| 5 Canons, op. 16: V. "Crucem tuam adoramus, Domine" | | | | | | | |
| 5 Sacred Songs, op. 15: I. "Das Kreuz, das mußt' er tragen": Getragen | | | | | | | |
| 5 Sacred Songs, op. 15: II. Morgenlied: "Steht auf, ihr lieben Kinderlein": Zart bewegt | | | | | | | |
| 5 Sacred Songs, op. 15: III. "In Gottes Namen aufstehn": Gemächlich | | | | | | | |
| 5 Sacred Songs, op. 15: IV. "Mein Weg geht jetzt vorüber": Sehr ruhig | | | | | | | |
| 5 Sacred Songs, op. 15: V. "Fahr hin, o Seel', zu deinem Gott": Doppelcanon in motu cantrario, fließend | | | | | | | |
| 5 Songs from "Der siebente Ring" by Stefan George, op. 3: I. "Dies ist ein Lied" | | | | | | | |
| 5 Songs from "Der siebente Ring" by Stefan George, op. 3: II. "Im windes-weben" | | | | | | | |
| 5 Songs from "Der siebente Ring" by Stefan George, op. 3: III. "An baches Ranft" | | | | | | | |
| 5 Songs from "Der siebente Ring" by Stefan George, op. 3: IV. "Im morgen-taun" | | | | | | | |
| 5 Songs from "Der siebente Ring" by Stefan George, op. 3: V. "Kahl reckt der Baum" | | | | | | | |
| 5 Songs on Poems by Richard Dehmel: I. Ideale Landschaft | | | | | | | |
| 5 Songs on Poems by Richard Dehmel: II. Am Ufer | | | | | | | |
| 5 Songs on Poems by Richard Dehmel: III. Himmelfahrt | | | | | | | |
| 5 Songs on Poems by Richard Dehmel: IV. Nächtliche Scheu | | | | | | | |
| 5 Songs on Poems by Richard Dehmel: V. Helle Nacht | | | | | | | |
| 5 Songs on Poems by Stefan George, op. 4: I. Eingang | | | | | | | |
| 5 Songs on Poems by Stefan George, op. 4: II. "Noch zwingt mich Treue über dir zu wachen" | | | | | | | |
| 5 Songs on Poems by Stefan George, op. 4: III. "Ja heil und dank dir" | | | | | | | |
| 5 Songs on Poems by Stefan George, op. 4: IV. "So ich traurig bin" | | | | | | | |
| 5 Songs on Poems by Stefan George, op. 4: V. "Ihr tratet zu dem Herde" | | | | | | | |
| 8 Early Songs: I. Tief von fern | | | | | | | |
| 8 Early Songs: II. Aufblick | | | | | | | |
| 8 Early Songs: III. Blumengruß | | | | | | | |
| 8 Early Songs: IV. Bild der Liebe | | | | | | | |
| 8 Early Songs: V. Sommerabend | | | | | | | |
| 8 Early Songs: VI. Heiter | | | | | | | |
| 8 Early Songs: VII. Der Tod | | | | | | | |
| 8 Early Songs: VIII. Heimgang in der Frühe | | | | | | | |
| 49 Deutsche Volkslieder, WoO 33: Book VI, no. 42 "In stiller Nacht" | | | | Song | | | |
| Aria for Soprano & Orchestra in E-flat major, K. 73b/78: "Per pietà, bell'idol mio" | | | | Aria | | | |
| Aria for Soprano and Orchestra in C major, K. 582: Andante "Chi sà, chi sà, qual sia" | | | | Aria | | | |
| Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!” | | | | Aria | | | |
| Aria for Soprano and Orchestra in F major, K. 538: Allegro “Ah se in ciel, benigne stelle” | | | | Aria | | | |
| Cantata no. 1, op. 29: I. "Zündender Lichtblitz des Lebens": Getragen - lebhaft | | | | | | | |
| Cantata no. 1, op. 29: II. "Kleiner Flügel Ahornsamen": Leicht bewegt | | | | | | | |
| Cantata no. 1, op. 29: III. "Tönen die seligen Saiten": Ruhig | | | | | | | |
| Cantata no. 2, op. 31: I. "Schweigt auch die Welt": Sehr lebhaft - ruhig | | | | | | | |
| Cantata no. 2, op. 31: II. "Sehr tief verhalten innerst Leben": Sehr verhalten | | | | | | | |
| Cantata no. 2, op. 31: III. "Schöpfen aus Brunnen des Himmels": Sehr bewegt | | - The John Alldis Choir, London Symphony Orchestra, Pierre Boulez
- BBC Singers, Gerald Finley, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez
- Philharmonia Orchestra, Simon Joly Chorale, Robert Craft, Claire Booth, David Wilson-Johnson
| | | | | |
| Cantata no. 2, op. 31: IV. "Leichteste Bürde der Bäume": Sehr lebhaft | | | | | | | |
| Cantata no. 2, op. 31: V. "Feindselig ist das Wort": Sehr mäßig | | - The John Alldis Choir, London Symphony Orchestra, Pierre Boulez
- BBC Singers, Gerald Finley, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez
- Philharmonia Orchestra, Simon Joly Chorale, Robert Craft, Claire Booth, David Wilson-Johnson
| | | | | |
| Cantata no. 2, op. 31: VI. "Gelockert aus dem Schoße": Sehr fließend | | - The John Alldis Choir, London Symphony Orchestra, Pierre Boulez
- BBC Singers, Gerald Finley, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez
- Philharmonia Orchestra, Simon Joly Chorale, Robert Craft, Claire Booth, David Wilson-Johnson
| | | | | |
| Carmina Burana: III. Cour d’amours: XV. Amor volat undique | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Norma Burrowes, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- Ann Archibald, Boys of the Temple Church Choir, London, Royal Philharmonic Orchestra, Richard Cooke
- Lucia Popp, Wandsworth School Boys’ Choir, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 76 more)
| | | | | |
| Carmina Burana: III. Cour d’amours: XVII. Stetit puella | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
| | | | | |
| Carmina Burana: III. Cour d’amours: XXIII. Dulcissime | | | | | | | |
| Der Sommer | | | | Song | | | |
| Die Jahreszeiten, HobXXI/3: Der Frühling: IX. Chor. "Ewiger, mächtiger, gütiger Gott!" (Chor) | | | | | | | |
| Jephtha, HWV 70: Act I, no. 6a. Recitative "Ill suits the voice of love" (Iphis) | | | | | | | |
| Jephtha, HWV 70: Act I, no. 7. Air "Take the heart you fondly gave" (Iphis) | | | | Aria | | | |
| Jephtha, HWV 70: Act I, no. 8. Duet "These labours past, how happy we" (Iphis, Hamor) | | | | | | | |
| Jephtha, HWV 70: Act I, no. 11a. Recitative "Say, my dear mother" (Iphis, Storge) | | | | | | | |
| Jephtha, HWV 70: Act I, no. 12. Air "The smiling dawn of happy days" (Iphis) | | | | Aria | | | |
| Jephtha, HWV 70: Act II, no. 15a. Recitative "'Tis well. Haste, haste, ye maidens" (Iphis) | | | | | | | |
| Jephtha, HWV 70: Act II, no. 16: Air "Tune the soft melodious lute" (Iphis) | | | | Aria | | | |
| Jephtha, HWV 70: Act II, no. 20a. Recitative "Hail, glorious conqueror!" (Iphis) | | | | | | | |
| Jephtha, HWV 70: Act II, no. 21. Air and Chorus: "Welcome, as the cheerful light" (Iphis) | | - Christiane Oelze, RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed
- Lynne Dawson, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner
- Margaret Marshall, Southend Boys’ Choir, Academy of St.-Martin-in-the-Fields, Neville Marriner
- Stavanger Symphony Orchestra, Fabio Biondi
| | Aria | | | |
| Jephtha, HWV 70: Act II, no. 25a. Recitative "Such news flies swift" (Iphis) | | | | | | | |
| Jephtha, HWV 70: Act II, no. 26. Accompagnato "For joys so vast, too little is the price" (Iphis) | | | | | | | |
| Jephtha, HWV 70: Act II, no. 27. Air "Happy they! This vital breath with content" (Iphis) | | | | Aria | | | |
| Jephtha, HWV 70: Act III, no. 33. Accompagnato "Ye sacred priests, whose hands" (Iphis) | | | | | | | |
| Jephtha, HWV 70: Act III, no. 34. Air "Farewell, ye limpid springs and floods" (Iphis) | | | | Aria | | | |
| Jephtha, HWV 70: Act III, no. 42a. Recitative "My faithful Hamor, may that Providence" (Iphis) | | - Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed
- Michael Chance, Lynne Dawson, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
- Paul Esswood, Alfreda Hodgson, Christopher Keyte, Margaret Marshall, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner
- Stavanger Symphony Orchestra, Fabio Biondi
| | | | | |
| Jephtha, HWV 70: Act III, no. 43b. Quintet "All that is in Hamor mine" (Iphis, Hamor, storge, Jephtha, Zebul) | | - John Mark Ainsley, Catherine Denley, Michael George, Axel Köhler, Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed
- Michael Chance, Lynne Dawson, Anne Sofie von Otter, Nigel Robson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
- Paul Esswood, Alfreda Hodgson, Christopher Keyte, Margaret Marshall, Anthony Rolfe Johnson, Academy of St.-Martin-in-the-Fields, Neville Marriner
- Stavanger Symphony Orchestra, Fabio Biondi
| | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls" | | | | | | | |
