| “Islamey, Oriental Fantasy”, op. 18 | | | | | | | |
| Akasha (Sky) | | | | Overture | | | |
| Alpenrose, op. 127 | | | | | | | |
| Ballet Suite no. 1: I. Lyric Waltz (from Suite no. 1 for Jazz Orchestra) | | | | | | | |
| Ballet Suite no. 1: II. Dance (from 'The Limpid Stream') | | | | | | | |
| Ballet Suite no. 1: III. Romance (from 'The Limpid Stream') | | | | | | | |
| Ballet Suite no. 1: IV. Polka (from 'The Limpid Stream') | | | | | | | |
| Ballet Suite no. 1: V. Waltz-Joke (from 'The Bolt') | | | | | | | |
| Ballet Suite no. 1: VI. Galop (from 'The Limpid Stream') | | | | | | | |
| Champagner Polka, op. 211 | | | | | | | |
| Citius, altius, fortius! | | | | Overture | | | |
| Colors of Crimson | | | | Symphonic poem | | | |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace | | | | | | | |
| Concerto for Piano no. 21 in C major, K. 467: II. Andante | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 35: I. Moderato nobile | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 35: II. Romance. Andante | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro assai vivace | | | | | | | |
| Concerto for Violin and Orchestra, op. 14: I. Allegro | | | | | | | |
| Concerto for Violin and Orchestra, op. 14: II. Andante | | | | | | | |
| Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo | | | | | | | |
| Der Zigeunerbaron: Ouvertüre | | | | | | | |
| Die Fledermaus: Ouvertüre | | | | Overture | | | |
| Divertissement sur un thème pastoral, op. 49 | | | | | | | |
| Equilateral: I. Breathless | | | | | | | |
| Equilateral: II. Points of Contact | | | | | | | |
| Equilateral: III. Serpentine | | | | | | | |
| Explosionspolka, op. 43 | | | | | | | |
| Fantaisie basque, op. 49 | | | | | | | |
| For the Time Being | | | | | | | |
| Im Krapfenwaldl, op. 336 | | | | | | | |
| Impressions de music-hall, op. 47: I. Girls (French Blues) | | | | | | | |
| Impressions de music-hall, op. 47: II. Little Tich | | | | | | | |
| Impressions de music-hall, op. 47: III. Le numéro espagnol | | | | | | | |
| Impressions de music-hall, op. 47: IV. Clowns musicaux (Les Fratellini) | | | | | | | |
| Izeÿl suite: I. Entrée du roi | | | | | | | |
| Izeÿl suite: II. Entrée des princesses | | | | | | | |
| Izeÿl suite: III. Introduction et lamento | | | | | | | |
| Izeÿl suite: IV. Sérénade à Izéÿl | | | | | | | |
| Kaiser-Walzer, op. 437 | | | | | | | |
| L'eventail de Jeanne: VIII. Pastourelle, FP 45 | | | | | | | |
| Les Animaux modèles, FP 111: I. Le Petit Jour | | | | | | | |
| Les Animaux modèles, FP 111: II. L'ours et les deux compagnons. Très animé | | | | | | | |
| Les Animaux modèles, FP 111: III. La Cigale et la Fourmi | | | | | | | |
| Les Animaux modèles, FP 111: IV. Le Lion Amoureux | | | | | | | |
| Les Animaux modèles, FP 111: V. L'Homme entre deux âges et ses deux maîtresses | | | | | | | |
| Les Animaux modèles, FP 111: VI. La Mort et le Bûcheron | | | | | | | |
| Les Animaux modèles, FP 111: VII. Les Deux Coqs | | | | | | | |
| Les Animaux modèles, FP 111: VIII. Le Repas de Midi | | | | | | | |
| Les Mariés de la Tour Eiffel: III. Discours du général. Polka pour deux cornets à pistons | | | | | | | |
| Les Mariés de la Tour Eiffel: IV. La Baigneuse e Trouville. Carte postale en couleurs | | | | | | | |
| Manhattan Music | | | | | | | |
| Morgenblätter, op. 279 | | | | | | | |
| Oiseaux bleus et sauvages | | | | | | | |
| Perpetuum mobile, op. 257 | | | | | | | |
| Pesther Csárdás, op. 23 | | | | | | | |
| Pictures in the Smoke | | | | | | | |
| Radetzky‐Marsch, op. 228 | | | | | | | |
| Requiem for a Charred Skull | | | | | | | |
| Rosen aus dem Süden, op. 388 | | | | | | | |
| Sinfonietta pour orchestre, FP 141: I. Allegro con fuoco | | | | | | | |
| Sinfonietta pour orchestre, FP 141: II. Molto vivace | | | | | | | |
| Sinfonietta pour orchestre, FP 141: III. Andante cantabile | | | | | | | |
| Sinfonietta pour orchestre, FP 141: IV. Finale. Prestissimo et très gai | | | | | | | |
| Solace | | | | | | | |
| Stream of Limelight | | | | | | | |
| Symphony no. 1 "Fugitive Colours": I. Intarsia | | | | | | | |
| Symphony no. 1 "Fugitive Colours": II. Nocturne (Magenta) | | | | | | | |
| Symphony no. 1 "Fugitive Colours": III. Light:fast | | | | | | | |
| Symphony no. 1 "Fugitive Colours": IV. Viridian | | | | | | | |
| Symphony no. 2 in B minor: I. Allegro | | | | | | | |
| Symphony no. 2 in B minor: II. Scherzo. Prestissimo - Allegretto | | | | | | | |
| Symphony no. 2 in B minor: III. Andante | | | | | | | |
| Symphony no. 2 in B minor: IV. Finale: Allegro | | | | | | | |
| Tectonic | | | | | | | |
| The Linearity of Light | | | | | | | |
| The Night to Sing | | | | | | | |
| Third Suite from the ballet “Gayaneh” for orchestra, op. 55: I. Cotton Harvest | | | | | | | |
| Third Suite from the ballet “Gayaneh” for orchestra, op. 55: II. Dance of the Young Kurds | | | | | | | |
| Third Suite from the ballet “Gayaneh” for orchestra, op. 55: IV. Scene of the Carpetweavers | | | | | | | |
| Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance | | | | | | | |
| Third Suite from the ballet “Gayaneh” for orchestra, op. 55: VI. Gopak | | | | | | | |
| Three Dance Episodes from “On the Town”: II. Lonely Town: Pas de deux | | | | | | | |
| Unter der Enns, op. 121 | | | | | | | |
| Urban Runway | | | | | | | |
| Veritas | | | | | | | |
| Violin Concerto: I. Andante tranquillo | | | | | | | |
| Violin Concerto: II. Presto capriccioso alla napolitana | | | | | | | |
| Violin Concerto: III. Vivace | | | | | | | |
| Waltz from Faust | | | | | | | |
