[unknown work by Mozart] | | | | | | | |
6 Klavierstücke, op. 118: Nr. 2. Intermezzo in A-Dur. Andante teneramente | | | | | | | |
6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato | | | | | | | |
10 Preludes, op. 23: No. 5 in G minor: Alla marcia | | | | | | | |
10 Woodland Sketches, op. 51, no. 1: To a Wild Rose | | | | | | | 5 |
12 pieces, op. 40 no. 2: Chanson triste | | | | | | | |
13 Preludes, op. 32: No. 10 in B minor: Lento | | | | | | | |
A Song of Love | | | | | | | |
Allegretto in C minor, D. 915 | | | | | | | |
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto | | | | | | | |
Berceuse in D-flat major, op. 57 | | | | | | | |
Choral “Schaffs mit mir, Gott”, BWV 514 | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | | | | | | | |
Consolation in D-flat major, S. 172 no. 3: Lento placido | | | | | | | |
Consolation in E major, S. 172 no. 1: Andante con moto | | | | | | | |
Corona | | | | Song | | | |
Corona | | | | | | | |
Country Gardens | | | | Song | | - W-000209623 (BUMA/STEMRA ID)
- 20584AP (PRS tune code)
- (show 2 more)
- 221343 (SPA ID)
| |
Crossing | | | | | | | |
Dolly Suite, op. 56: I. Berceuse | | | | | | | |
Fantaisie-impromptu in C-sharp minor, op. 66 | | | | | | - 0O5-1326-3 (JASRAC ID)
- C-sharp minor (Key)
| |
For Away | | | | | | | |
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte | | | | | | | |
Impromptu in A-flat major, op. 90, D. 899: No. 4. Allegretto | | | | | | | |
Impromptu in G-flat major, op. 90 no. 3, D. 899 no. 3. Andante | | | | | | | |
Impromptu no. 1 in A-flat major, op. 29: Allegro assai | | | | | | | |
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” | | | | Song | | | |
Keqrops | | | | | | | |
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen | | | | | | | |
Kinderszenen, op. 15: No. 7. Träumerei | | | | | | | |
Klavierstück in F-sharp major, S. 192 no. 4. Andantino | | | | | | | |
Klavírní skladby, op. 7: IV. Idylky: No. 1. Moderato - No. 2. Tempo comodo | | | | | | | |
Kraanerg | | | | Ballet | | | |
Le Petit Nègre, L. 114, CD 122 | | | | | | | |
Les yeux clos | | | | | | | |
Les yeux clos II | | | | | | | |
Litany | | | | | | | |
Lyriske stykker, hefte V, op. 54: No. 4: Notturno | | | | | | | |
Main Theme | | | | | | | |
Mandolin Serenade | | | | | | | |
March and Scherzo from The Love for Three Oranges, op. 33ter | | | | | | | |
Marche in D major, BWV Anh. 122, H. 1/1 | | | | | | | |
Mazurka no. 13 in A minor, op. 17 no. 4 | | | | | | | |
Mazurka no. 17 in B-flat minor, op. 24 no. 4 | | | | | | | |
Mazurka no. 21 in C-sharp minor, op. 30 no. 4 | | | | | | | |
Mazurka no. 41 in C-sharp minor, op. 63 no. 3 | | | | | | | |
Menuet in G minor, BWV Anh. 115 | | | | | | | |
Menuett in d-Moll, BWV Anh. 132 | | | | | | | |
Minuet for Keyboard in F major | | | | | | | |
Minuet for Keyboard in G major, K. 1e / 1 (Minuet) "Notenbuch für Nannerl Mozart" no. 62: Minuet / Minuet for Keyboard in C major, K. 1f / 1 (Trio) "Notenbuch für Nannerl Mozart" no. 63: Minuet | | | | | | | |
Minuet in A major | | | | | | | |
Minuet in C major | | | | | | | |
Minuet in D major | | | | | | | |
Minuet in G major, BWV Anh. 114 | | | | | | | |
Minuet in G major, BWV Anh. 116 | | | | | | | |
Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor | | | | | | | |
Musette in D major, BWV Anh. 126 | | | | | | | |
Nocturne no. 1 in B-flat minor, op. 9 no. 1: Larghetto | | | | Song | | | |
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante | | | | | | | |
Nocturne no. 3 in B major, op. 9 no. 3: Allegretto | | | | | | | |
Nocturne no. 4 in F major, op. 15 no. 1: Andante cantabile | | | | | | | |
Nocturne no. 5 in F-sharp major, op. 15 no. 2: Larghetto | | | | | | | |
Nocturne no. 6 in G minor, op. 15 no. 3: Lento | | | | | | | |
Nocturne no. 7 in C-sharp minor, op. 27 no. 1: Larghetto | | | | | | | |
Nocturne no. 8 in D-flat major, op. 27 no. 2: Lento sostenuto | | | | | | | |
Nocturne no. 9 in B major, op. 32 no. 1: Andantino sostenuto | | | | | | | |
Nocturne no. 10 in A-flat major, op. 32 no. 2: Lento | | | | | | | |
Nocturne no. 11 in G minor, op. 37 no. 1: Andante sostenuto | | | | | | | |
Nocturne no. 12 in G major, op. 37 no. 2: Andantino | | | | | | | |
Nocturne no. 13 in C minor, op. 48 no. 1: Lento | | | | | | | |
Nocturne no. 14 in F-sharp minor, op. 48 no. 2: Andantino | | | | | | | |
Nocturne no. 15 in F minor, op. 55 no. 1: Andante | | | | | | | |
Nocturne no. 16 in E-flat major, op. 55 no. 2: Lento | | | | | | | |
Nocturne no. 17 in B major, op. 62 no. 1: Andante | | | | | | | |
Nocturne no. 18 in E major, op. 62 no. 2: Lento | | | | | | | |
Nocturne no. 19 in E minor, op. 72 no. 1: Andante | | | | | | | |
Nocturne no. 20 in C-sharp minor "Reminiscence", op. posth. 1 no. 16, B. 49, KKIVa/16 | | | | | | | |
Nocturne no. 21 in C minor, op. posth. 2 no. 8, B. 108, KK IVb/8 | | | | | | | |
O Ewigkeit, du Donnerwort, BWV 513 | | | | | | | |
Pause ininterrompue | | | | | | | |
Pause ininterrompue: I. Slowly, Sadly and as If to Converse With | | | | | | | |
Pause ininterrompue: II. Quietly and With a Cruel Reverberation | | | | | | | |
Piano | | | | | | | |
Piano and Orchestra | | | | | | | |
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | | | | | | | |
Piano Distance | | | | | | | |
Piano Four Hands | | | | | | | |
Piano Three Hands | | | | | | | |
Polonaise in A major, op. 40 no. 1 “Military” | | | | | | | |
Prélude no. 15 in D-flat major, op. 28: Sostenuto | | | | | | | |
Prélude no. 20 in C minor, op. 28: Largo | | | | | | | |
Préludes, Livre I, L. 117, CD 125: I. Danseuses de Delphes. Lent et grave | | | | | | | |
Préludes, Livre I, L. 117, CD 125: II. Voiles. Modéré | | | | | | | |
Préludes, Livre I, L. 117, CD 125: III. Le Vent dans la plaine. Animé | | | | | | | |
Préludes, Livre I, L. 117, CD 125: IV. «Les sons et les parfums tournent dans l'air du soir». Modéré | | | | | | | |
Préludes, Livre I, L. 117, CD 125: IX. La sérénade interrompue. Modérément animé | | | | | | | |
Préludes, Livre I, L. 117, CD 125: V. Les collines d'Anacapri. Très modéré | | | | | | | |
Préludes, Livre I, L. 117, CD 125: VI. Des pas sur la neige. Triste et lent | | | | | | | |
Préludes, Livre I, L. 117, CD 125: VII. Ce qu'a vu le vent d'ouest. Animé et tumultueux | | | | | | | |
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif | | | | | | | |