| ’S Wonderful | | | | Song | | | 1 |
| 20th Century Blues | | | | | | | |
| 20th Century Blues | | | | Song | | | |
| 90 Minutes Is a Long, Long Time | | | | Song | | | |
| A Bar on the Piccola Marina | | | | Song | | | |
| A Dream of Youth (The Dream Is Over) | | | | Song | | | |
| A Room With a View | | | | Song | | | |
| After the Ball | | | | Operetta | | | |
| After the Ball: All My Life Ago | | | | Song | | | |
| After the Ball: Aria | | | | Song | | | |
| After the Ball: Clear Bright Morning | | | | Song | | | |
| After the Ball: Crème de la crème | | | | Song | | | |
| After the Ball: Faraway Land | | | | Song | | | |
| After the Ball: I Knew that You Would be My Love | | | | Song | | | |
| After the Ball: Light Is the Heart | | | | Song | | | |
| After the Ball: London at Night | | | | Song | | | |
| After the Ball: May I Have the Pleasure | | | | Song | | | |
| After the Ball: Mr. Hopper's Chanty | | | | Song | | | |
| After the Ball: Oh, What a Century It's Been | | | | Song | | | |
| After the Ball: Quartette | | | | Song | | | |
| After the Ball: Reprise: London at Night | | | | Song | | | |
| After the Ball: Something on a Tray | | | | Song | | | |
| After the Ball: Sweet Day | | | | Song | | | |
| After the Ball: Why Is It the Woman Who Pays | | | | Song | | | |
| Alice Is at It Again | | | | Song | | | |
| Any Little Fish | | | | Song | | - GW02764082 (APRA ID)
- 390007106 (ASCAP ID)
- (show 13 more)
- 001642 335 87 (SUISA ID)
| |
| Anything Goes | | | | Song | | - 4255065 (AGADU ID)
- 4255067 (AGADU ID)
- (show 36 more)
- 000022 180 51 (SUISA ID)
| |
| Ballerina | | | | Song | | - 4263122 (AGADU ID)
- 5422859 (APA ID)
- (show 25 more)
- 000096 937 59 (SUISA ID)
| |
| Beatnik Love Affair | | | | Song | | | |
| Begin the Beguine | | | | Song | | - 991131 (ACAM ID)
- 4267441 (AGADU ID)
- (show 31 more)
- 000010 518 56 (SUISA ID)
| |
| Bitter Sweet | | | | Operetta | | | |
| Bitter Sweet (medley) | | | | | | | |
| Bitter Sweet, Act I: I’ll See You Again | | | | Song | | | |
| Bitter Sweet, Act I: If You Could Only Come With Me (Carl Linden) | | | | Song | | | |
| Bitter Sweet, Act I: Tell Me What Is Love? (Sarah and Chorus) | | | | Song | | | |
| Bitter Sweet, Act I: The Call of Life (The Marchioness of Shayne and Chorus) | | | | Song | | | |
| Bitter Sweet, Act II: Dear Little Cafe (Sari and Carl) | | | | Song | | | |
| Bitter Sweet, Act II: Kiss Me (Manon and Chorus) | | | | Song | | | |
| Bitter Sweet, Act II: Ladies of the Town (Lotte, Freda, Hansi and Gussie) | | | | Song | | | |
| Bitter Sweet, Act II: Tokay (Carl, Officers and Chorus) | | | | Song | | | |
| Bitter Sweet, Act II. If Love Were All | | | | Song | | | |
| Bitter Sweet, Act III: Finale | | | | | | | |
| Bitter Sweet, Act III: We All Wear A Green Carnation (Bertram Sellick, Lord Henry Jade, Vernon Craft and Cedrick Ballantyne) | | | | Song | | | |
| Bitter Sweet, Act III: Zigeuner | | | | Song | | | |
| Bitter Sweet: Overture | | | | Overture | | | |
| Bright was the Day | | | | Song | | | |
| Cavalcade | | | | Play | | | |
| Cavalcade: Dialogue: Toast to England | | | | | | | |
| Cavalcade: Lover of My Dreams | | | | Song | | | |
| Charleston | | | | Song | | | |
| Chase Me Charlie | | | | Song | | | |
| Cochran's 1931 Revue | | | | Musical | | | |
| Come the Wild, Wild Weather | | | | Song | | | |
| Come to Me | | | | Song | | | |
| Conversation Piece | | | | Musical | | | |
| Conversation Piece: Act One | | | | | | | |
| Conversation Piece: Act One. A cloud has passed across the sun | | | | | | | |
| Conversation Piece: Act One. Dialogue: Go and dress | | | | | | | |
| Conversation Piece: Act One. Dialogue: Good morning, Rose | | | | | | | |
| Conversation Piece: Act One. Dialogue: I am the Duchess of Beneden | | | | | | | |
| Conversation Piece: Act One. Dialogue: It is a very nice day, is it not? | | | | | | | |
| Conversation Piece: Act One. Dialogue: Mademoiselle will be with you in a moment | | | | | | | |
| Conversation Piece: Act One. Dialogue: My dear Julia! | | | | | | | |
| Conversation Piece: Act One. Dialogue: The Marquis of Sheere | | | | | | | |
| Conversation Piece: Act One. Dialogue: The seventh! | | | | | | | |
| Conversation Piece: Act One. I’ll Follow My Secret Heart | | | | Song | | - 4789944 (AGADU ID)
- 4887615 (AGADU ID)
- (show 19 more)
- 000092 630 04 (SUISA ID)
| |
| Conversation Piece: Act One. Overture | | | | | | | |
| Conversation Piece: Act One. Quartet: Charming! Charming! Charming! | | | | | | | |
| Conversation Piece: Act One. Regency rakes | | | | | | | |
| Conversation Piece: Act One. Soldiers! | | | | | | | |
| Conversation Piece: Act One. Spoken Introduction, dialogue: Imagine a summer evening if you please | | | | | | | |
| Conversation Piece: Act One. Spoken Introduction: Bows are exchanged | | | | | | | |
| Conversation Piece: Act One. Spoken Introduction: Ladies and Gentlemen | | | | | | | |
| Conversation Piece: Act One. Spoken Introduction: The mother and father of dear Lord Sheere | | | | | | | |
| Conversation Piece: Act One. Spoken Introduction: The Regent and his retinue | | | | | | | |
| Conversation Piece: Act One. Spoken Introduction: The scene is laid in Brighton by the sea | | | | | | | |
| Conversation Piece: Act One. Spoken Introduction: Through the darkening trees comes a lady in green | | | | | | | |
| Conversation Piece: Act One. Spoken Introduction: We British are an island race / There's always something fishy about the French | | | | | | | |
| Conversation Piece: Act One. You ask me to have a discrete heart | | | | | | | |
| Conversation Piece: Act Three | | | | | | | |
| Conversation Piece: Act Three. All comedies must come to an end | | | | | | | |
| Conversation Piece: Act Three. And now for a rather charming scene | | | | | | | |
| Conversation Piece: Act Three. Dear Friend (Nevermore) | | | | Song | | - GW00230972 (APRA ID)
- 440011685 (ASCAP ID)
- (show 12 more)
- 002696 656 09 (SUISA ID)
| |
| Conversation Piece: Act Three. I hope I am not intruding | | | | | | | |
| Conversation Piece: Act Three. My dear Paul, such sentimentality | | | | | | | |
| Conversation Piece: Act Three. The following scene is the following day | | | | | | | |
| Conversation Piece: Act Three. What will we speak of? | | | | | | | |
| Conversation Piece: Act Two | | | | | | | |
| Conversation Piece: Act Two. Aria: C'est assez de mensonge | | | | | | | |
| Conversation Piece: Act Two. Aria: Dear friends | | | | Aria | | | |
| Conversation Piece: Act Two. Dialogue: Do you think that is wise? | | | | | | | |
| Conversation Piece: Act Two. Dialogue: Julia, Lord Sheere is our only definite proposal so far | | | | | | | |
| Conversation Piece: Act Two. Dialogue: Thank you, my dear, for being so sweet to me | | | | | | | |
| Conversation Piece: Act Two. Dialogue: There's a lady downstairs to see you | | | | | | | |
| Conversation Piece: Act Two. Dialogue: Well - I hope you are satisfied | | | | | | | |
| Conversation Piece: Act Two. Dialogue: What a charming house | | | | | | | |
| Conversation Piece: Act Two. I'll follow my secret heart (reprise) | | | | | | | |
| Conversation Piece: Act Two. Spoken Introduction: For the benefit of listeners | | | | | | | |
| Conversation Piece: Act Two. Spoken Introduction: Once more the house, so modest, so discreet | | | | | | | |
| Conversation Piece: Act Two. Spoken Introduction: Please try to envisage a social occasion | | | | | | | |
