| “O mio babbino caro” (from Gianni Schicchi) | | | | | | | |
| 6 Romances, op. 6: No. 6. Нет, только тот, кто знал / None but the Lonely Heart | | | | | | | |
| Après un rêve, op. 7 no. 1 | | | | | | | |
| Aristophanic Suite “The Wasps”: I. Overture | | | | | | | |
| Aristophanic Suite “The Wasps”: II. Entr’acte | | | | | | | |
| Aristophanic Suite “The Wasps”: III. March Past of the Kitchen Utensils | | | | | | | |
| Aristophanic Suite “The Wasps”: IV. Entr’acte | | | | | | | |
| Aristophanic Suite “The Wasps”: V. Ballet and Final Tableau | | | | | | | |
| Ave Maria, D. 839 | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
| Concert Fantasy for Piano and Orchestra, op. 56: I. Quasi Rondo | | | | | | | |
| Concert Fantasy for Piano and Orchestra, op. 56: II. Contrastes | | | | | | | |
| Concerto for Clarinet and Orchestra "Landscape with Blues": I. Senegambia | | | | | | | |
| Concerto for Clarinet and Orchestra "Landscape with Blues": II. Delta Nights | | | | | | | |
| Concerto for Clarinet and Orchestra "Landscape with Blues": III. Philamayork | | | | | | | |
| Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | | | | | | | |
| Concerto for Violin and Orchestra: Quarter note = ca. 58 | | | | | | | |
| Concerto for Violin and Orchestra: Quarter note = ca. 62 | | | | | | | |
| Concerto for Violin and Orchestra: Quarter note = ca. 152 | | | | | | | |
| Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro | | - Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
- [unknown]
- Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser
- Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
- (show 424 more)
| | | | | |
| Concerto per oboe e orchestra no. 1 | | | | Concerto | | | |
| Concerto per oboe e orchestra no. 2 | | | | Concerto | | | |
| Concerto per oboe e orchestra no. 3 | | | | Concerto | | | |
| Concerto Piccolo for piano and orchestra: I. Larghetto - Poco più mosso | | | | | | | |
| Concerto Piccolo for piano and orchestra: II. Andante - A bit slower | | | | | | | |
| Concerto Piccolo for piano and orchestra: III. Allegretto - Più mosso | | | | | | | |
| Double Concerto for Violin and Cello: I. Morning | | | | | | | |
| Double Concerto for Violin and Cello: II. Adam and Eve | | | | | | | |
| Double Concerto for Violin and Cello: III. Mazurka | | | | | | | |
| Double Concerto for Violin and Cello: IV. Staying on Alone | | | | | | | |
| Double Concerto for Violin and Cello: V. Their Accord | | | | | | | |
| Double Concerto for Violin and Cello: VI. Looking | | | | | | | |
| Double Concerto for Violin and Cello: VII. Conversation at Midnight | | | | | | | |
| Double Concerto for Violin and Cello: VIII. Flight | | | | | | | |
| Double Concerto for Violin, Cello and Orchestra: I. Drifting Shadow | | | | | | | |
| Double Concerto for Violin, Cello and Orchestra: II. A Flowering Sacrifice | | | | | | | |
| Double Concerto for Violin, Cello and Orchestra: III. In Expectation | | | | | | | |
| Double Concerto for Violin, Cello and Orchestra: IV. Yearning: A Sweet Torture | | | | | | | |
| Élégie | | | | | | | |
| Estrellita | | | | Song | | | |
| Fantasia on “Greensleeves” | | | | | | | |
| Formosa Seasons for Violin and Strings: I. Summer | | | | | | | |
| Formosa Seasons for Violin and Strings: II. Autumn | | | | | | | |
| Formosa Seasons for Violin and Strings: III. Winter | | | | | | | |
| Formosa Seasons for Violin and Strings: IV. Spring | | | | | | | |
| Four Irish Tales for piano and orchestra: I. The Tides of Manaunaun. Largo | | | | | | | |
| Four Irish Tales for piano and orchestra: II. Exultation. Allegro | | | | | | | |
| Four Irish Tales for piano and orchestra: III. The Harp of Life. Largo | | | | | | | |
| Four Irish Tales for piano and orchestra: IV. The Lilt of the Reel. Allegro | | | | | | | |
| Four Ragtime Dances, S. 43: No. 1. Allegro moderato | | | | | | | |
| Four Ragtime Dances, S. 43: No. 2. Allegro moderato | | | | | | | |
| Four Ragtime Dances, S. 43: No. 3. Allegro | | | | | | | |
| Four Ragtime Dances, S. 43: No. 4. Allegro | | | | | | | |
| Four Sea Interludes from 'Peter Grimes', op. 33a: I. Dawn: Lento e tranquillo | | | | | | | |
| Four Sea Interludes from 'Peter Grimes', op. 33a: II. Sunday Morning: Allegro spiritoso | | | | | | | |
| Four Sea Interludes from 'Peter Grimes', op. 33a: III. Moonlight: Andante comodo e rubato | | | | | | | |
| Four Sea Interludes from 'Peter Grimes', op. 33a: IV. Storm: Presto con fuoco | | | | | | | |
| Gipsy Songs, op. 55: IV. Songs My Mother Taught Me | | | | Song | | | |
| Gradus | | | | | | | |
| Introduction et Rondo capriccioso en la mineur pour violon et orchestre, op. 28 | | | | Concerto | | | |
| Kinderszenen, op. 15: Träumerei | | | | | | | |
| L’elisir d’amore: “Una furtiva lagrima” | | | | | | | |
| La Muse et le Poète, op. 132 | | - Ulf Hoelscher, Ralph Kirshbaum, New Philharmonia Orchestra, Pierre Dervaux
- Gautier Capuçon, Renaud Capuçon, Orchestre philharmonique de Radio France, Lionel Bringuier
- Joshua Bell, Steven Isserlis, NDR Elbphilharmonie Orchester, Christoph Eschenbach
- Antje Weithaas, Natalie Clein, BBC Scottish Symphony Orchestra, Andrew Manze
- (show 7 more)
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| Le Poème de l'extase, op. 54 "Symphony no. 4" | | | | Symphonic poem | | | |
| Les Pêcheurs de perles : « Je crois entendre encore » | | | | | | | |
| Lied ohne Worte A-Dur, op. 62 Nr. 6 | | | | | | | |
| Lied ohne Worte G-Dur, op. 62 Nr. 1 | | | | | | | |
| Morgen!, op. 27 no. 4 | | | | Song | | | |
| Myrsky, op. 109: I Näytös, Nro. 4: Tuulten kuoro | | | | | | | |
| Myrsky, op. 109: Nro. 1: Alkusoitto | | | | Overture | | | |
| Nocturne no. 20 in C-sharp minor | | | | | | | |
| Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” | | | | Ballet | | | |
| Pacific Rim | | | | | | | |
| Passacaglia from Peter Grimes, op. 33b | | | | | | | |
| Piano Concerto no. 1 in B-flat minor, op. 32: I. Allegro patetico | | | | | | | |
| Piano Concerto no. 1 in B-flat minor, op. 32: II. Allegro assai | | | | | | | |
| Piano Concerto no. 1 in B-flat minor, op. 32: III. Allegro non tanto - Allegro patetico (Come prima) | | | | | | | |
| Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante | | | | | | | |
| Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo | | | | | | | |
| Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco | | | | | | | |
| Piano Concerto no. 4 in D minor, op. 70: I. Moderato assai | | | | | | | |
| Piano Concerto no. 4 in D minor, op. 70: II. Andante | | | | | | | |
| Piano Concerto no. 4 in D minor, op. 70: III. Allegro | | | | | | | |
| Piano Concerto: I. Polyharmony | | | | | | | |
| Piano Concerto: II. Tone Cluster | | | | | | | |
| Piano Concerto: III. Counter Rhythm | | | | | | | |
| Robert Browning Overture, S. 27 | | | | Overture | | | |
| Rusalka, op. 114: Song to the Moon | | | | | | | |
| Schwanengesang, D. 957: IV. Ständchen | | | | | | | |
| Siete canciones populares españolas, G. 40, nº 5: Nana | | - Avi Avital, Ralf Benesch, איתמר דוארי, Efraín Oscher, Zvi Plesser, Sacha Rattle, Klaus Stoll, Sarah Verrue
- Elinor Frey, David Fung
- Joshua Bell, Orchestra of St. Luke’s, Michael Stern
- Jan Vogler, Ismo Eskelinen
- (show 17 more)
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| Sinfonia da Requiem, op. 20: I. Lachrymosa. Andante ben misurato | | | | | | | |
| Sinfonia da Requiem, op. 20: II. Dies irae. Allegro con fuoco | | | | | | | |
| Sinfonia da Requiem, op. 20: III. Requiem aeternam. Andante molto tranquillo | | | | | | | |
| Sinfonia nro 7 C-duuri, op. 105 | | | | Symphony | | | |
| Sinfonietta for chamber orchestra: I. Larghetto | | | | | | | |
| Sinfonietta for chamber orchestra: II. Scherzo. Presto - Poco meno mosso - Tempo I | | | | | | | |
| Sinfonietta for chamber orchestra: III. Marked Passages. Allegro non troppo - Poco meno mosso - Tempo I - Presto | | | | | | | |
| Stormen Suite no. 1, op. 109 no. 2 | | | | Suite | | | |
| Stormen Suite no. 1, op. 109 no. 2: I. Der Eichbaum | | | | | | | |
| Stormen Suite no. 1, op. 109 no. 2: II. Humoreske | | | | | | | |
