A Mind of Winter | | | | | | | |
Altitude | | | | | | | |
Antara | | | | | | | |
At First Light | | | | | | | |
At First Light: I. | | | | | | | |
At First Light: II. | | | | | | | |
At First Light: III. | | | | | | | |
Canon and Fugue from The Art of Fugue | | | | | | | |
Concerto for Orchestra | | | | Concerto | | | |
Dance Figures | | | | | | | |
Duet | | | | | | | |
Into the Little Hill | | | | | | | |
Kameny | | | | | | | |
L'Histoire du Soldat: Deuxième partie : Couplets du Diable | | - Игорь Фёдорович Стравинский
- Boston Symphony Orchestra, Leonard Bernstein
- Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel
- Jean Cocteau, Jean-Marie Fertey, Anne Tonietti, Maurice André, Ulysse Delécluse, Joachim Gut, Henri Helaerts, Manoug Parikian, Charles Peschier, Roland Schnorkh, Igor Markevitch
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L'Histoire du Soldat: Première partie : Musique de la 1ère scène | | | | | | | |
L'Histoire du Soldat: Première partie : Musique de la 2ème scène | | | | | | | |
L’Histoire du Soldat: Deuxième partie : Marche Royale | | | | | | | |
Les Offrandes oubliées, I/5: I. La Croix | | | | | | | |
Les Offrandes oubliées, I/5: II. Le Péché | | | | | | | |
Les Offrandes oubliées, I/5: III. L'Eucharistie | | | | | | | |
Lessons in Love and Violence | | | | Opera | | | |
Lessons in Love and Violence: Part 1, Scene 1: I. It's Nothing to Do With Loving a Man | | | | | | | |
Lessons in Love and Violence: Part 1, Scene 1: II. Not When You Grip My Neck | | | | | | | |
Lessons in Love and Violence: Part 1, Scene 1: III. Don't Call Him Nothing | | | | | | | |
Lessons in Love and Violence: Part 1, Scene 2: I. Who Are These People, Mortimer? | | | | | | | |
Lessons in Love and Violence: Part 1, Scene 2: II. My Husband Died | | | | | | | |
Lessons in Love and Violence: Part 1, Scene 2: III. Bring Me a Cup of Vinegar | | | | | | | |
Lessons in Love and Violence: Part 1, Scene 2: IV. Why Do the Poor Sleep Three in a Bed | | | | | | | |
Lessons in Love and Violence: Part 1, Scene 3: I. How Can I Love You? | | | | | | | |
Lessons in Love and Violence: Part 1, Scene 3: II. Here - Look - Is My Baby King | | | | | | | |
Lessons in Love and Violence: Part 1, Scene 3: III. Please, Everyone Be Seated | | | | | | | |
Lessons in Love and Violence: Part 1, Scene 4: I. I'm Cold. I Was Dreaming | | | | | | | |
Lessons in Love and Violence: Part 1, Scene 4: II. Why Should You Love Him, Tell Me? | | | | | | | |
Lessons in Love and Violence: Part 1, Scene 4: III. Then Stay in the Dark | | | | | | | |
Lessons in Love and Violence: Part 2, Scene 5: I. D'You Like Dogs | | | | | | | |
Lessons in Love and Violence: Part 2, Scene 5: II. Let the Man In | | | | | | | |
Lessons in Love and Violence: Part 2, Scene 5: III. When a Man Will Be Cut Into Pieces | | | | | | | |
Lessons in Love and Violence: Part 2, Scene 6: I. Drumming - I Can Hear Drumming | | | | | | | |
Lessons in Love and Violence: Part 2, Scene 6: II. Oh, I Am a Bad Person | | | | | | | |
Lessons in Love and Violence: Part 2, Scene 6: III. Take It, Mortimer | | | | | | | |
Lessons in Love and Violence: Part 2, Scene 6: IV. Here - Look, Is the Living King | | | | | | | |
Lessons in Love and Violence: Part 2, Scene 6: V. Why Do I Feel Nothing | | | | | | | |
Lessons in Love and Violence: Part 2, Scene 7: I. What Is the Music? | | | | | | | |
Lessons in Love and Violence: Part 2, Scene 7: II. Let Me Explain to You the Entertainment | | | | | | | |
Marsyas. Rhapsodie für Trompete mit Schlagzeug und Orchester | | | | Concerto | | | |
Palimpsest I | | | | | | | |
Palimpsest II | | | | | | | |
Palimpsests | | | | | | | |
Panorama | | | | | | | |
Piano Figures | | | | | | | |
Piano Sonata | | | | Sonata | | | |
Piano Sonata: I. Vivace | | | | | | | |
Piano Sonata: II. Lento | | | | | | | |
Piano Sonata: III. Allegro straziando | | | | | | | |
Ringed by the Flat Horizon | | | | | | | |
Shadowlines | | | | | | | |
Shadowlines: I. Cantabile | | | | | | | |
Shadowlines: II. Wild | | | | | | | |
Shadowlines: III. Scherzando | | | | | | | |
Shadowlines: IV. Tempestoso | | | | | | | |
Shadowlines: V. Very freely, solemn and spacious | | | | | | | |
Shadowlines: VI. Gently flowing, flexible | | | | | | | |
Sometime Voices | | | | | | | |
Song Offerings: First Song | | | | | | | |
Song Offerings: Fourth Song | | | | | | | |
Song Offerings: Second Song | | | | | | | |
Song Offerings: Third Song | | | | | | | |
Sudden Time | | | | | | | |
Three Consorts | | | | | | | |
Three Consorts: I. In Nomine in Six Parts | | | | | | | |
Three Consorts: II. Fantazia VII | | | | | | | |
Three Consorts: III. Fantazia Upon One Note | | | | | | | |
Three Inventions | | | | | | | |
Three Inventions: No. 1 | | | | | | | |
Three Inventions: No. 2 | | | | | | | |
Three Inventions: No. 3 | | | | | | | |
Three Miniatures | | | | | | | |
Three Miniatures: No. 1. A Lullaby for Lalit | | | | | | | |
Three Miniatures: No. 2. A Canon for Sally | | | | | | | |
Three Miniatures: No. 3. Lauer Lied | | | | | | | |
Three Studies for Solo Piano | | | | | | | |
Three Studies for Solo Piano: I. Fantasy on Iambic Rhythm | | | | | | | |
Three Studies for Solo Piano: II. Meditation on Haydn's Name | | | | | | | |
Three Studies for Solo Piano: III. Relativity Rag | | | | | | | |
Viola, Viola | | | | | | | |
Written on Skin | | | | Opera | | | |
Written on Skin: Part One: Scene I: Chorus of Angels | | | | | | | |
Written on Skin: Part One: Scene Il: The Protector, Agnès and the Boy | | | | | | | |
Written on Skin: Part One: Scene Ill: Chorus of Angels | | | | | | | |
Written on Skin: Part One: Scene IV: Agnès and the Boy | | | | | | | |
Written on Skin: Part One: Scene V: The Protector and the Visitors – John and Marie | | | | | | | |
Written on Skin: Part One: Scene Vl: Agnès and the Boy | | | | | | | |
Written on Skin: Part Three: Scene Xl: The Protector, Agnès and the Boy | | | | | | | |
Written on Skin: Part Three: Scene Xll: The Protector and Agnès | | | | | | | |
Written on Skin: Part Three: Scene Xlll: Chorus of Angels and the Protector | | | | | | | |
Written on Skin: Part Three: Scene XlV: The Protector and Agnès | | | | | | | |
Written on Skin: Part Three: Scene XV: The Boy / Angel 1 | | | | | | | |
Written on Skin: Part Two: Scene IX: The Protector and the Boy | | | | | | | |
Written on Skin: Part Two: Scene Vll: The Protector's Bad Dream | | | | | | | |
Written on Skin: Part Two: Scene Vlll: The Protector and Agnès | | | | | | | |