| 5 Lieder, op. 49: Nr. 4. Wiegenlied | | | | | | | |
| Abide With Me | | | | Song | | | |
| Alcina, HWV 34: Atto I. "Tornami a vagheggiar" (Morgana) | | | | Aria | | | |
| Angels We Have Heard on High | | | | Song | | | 4 |
| Aria, BWV 508 “Bist du bei mir” | | | | Aria | | | |
| Auf Flügeln des Gesanges, op. 34 Nr. 2 | | | | | | | |
| Ave Maria | | | | Song | | | |
| Ave Maria | | | | Song | | | |
| Away in a Manger | | | | Song | | | |
| Cantata: Ricercar I (Soprano) The Maidens Came | | - Yvonne Kenny, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Ruby Hughes, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
| | | | | |
| Cantata: Westron Wind (Soprano and Tenor) | | - Yvonne Kenny, John Aler, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Ruby Hughes, Nicholas Mulroy, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
| | | | | |
| Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) | | - Nadine Sautereau, Jane Berbié, Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Teresa Berganza, Plácido Domingo, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado
- Marilyn Horne, Marcia Baldwin, Colette Boky, Metropolitan Opera Orchestra, Leonard Bernstein
- Monique Linval, Geneviève Macaux, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
- (show 57 more)
| | | | | |
| Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) | | - Robert Massard, Jane Berbié, Nadine Sautereau, Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- [unknown]
- Bryn Terfel, London Symphony Orchestra, Barry Wordsworth
- Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- (show 109 more)
| | | | | |
| Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès) | | - Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre de l’Opéra national de Paris, Georges Prêtre
- Maria Callas, Nadine Sautereau, Jean‐Paul Vauquelin, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Monique Linval, Geneviève Macaux, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
- (show 43 more)
| | | | | |
| Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès) | | - Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Metropolitan Opera Orchestra, Leonard Bernstein
- Gordon Sandison, Teresa Berganza, Geoffrey Pogson, Yvonne Kenny, Alicia Nafé, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Berliner Philharmoniker, Herbert von Karajan
- (show 21 more)
| | | | | |
| Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, chœur) | | - Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, Yvonne Kenny, Sherrill Milnes, Alicia Nafé, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
- Giorgio Lamberti, Graciela Alperyn, Ann Liebeck, Dalia Schaechter, Slovak Philharmonic Chorus, Alan Titus, Slovak Radio Symphony Orchestra, Alexander Rahbari
- Metropolitan Opera Orchestra, Leonard Bernstein
- Wilhelm Pitz, Konzertvereinigung Wiener Staatsopernchor, Monique Linval, Geneviève Macaux, Robert Merrill, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
- (show 22 more)
| | | | | |
| Carmen : Acte IV. No. 25 « À deux cuartos ! » (Chœur, Zuniga, Moralès, Frasquita, Mercédès) | | - Jacques Mars, Orchestre de l’Opéra national de Paris, Georges Prêtre
- Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Frederick Guthrie, Luisa Ribacchi, Graziella Sciutti, Enzo Sordello, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan
- Berliner Philharmoniker, Herbert von Karajan
- (show 30 more)
| | | | | |
| Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
| Carol of the Drum | | | | Song | | - 5054110 (AACIMH ID)
- 5038573 (ACAM ID)
- (show 49 more)
- 000029 710 13 (SUISA ID)
| |
| Chants d'Auvergne: Première Série: No. 2. Baïlèro | | | | Song | | | |
| Conversation Piece: Act One. I’ll Follow My Secret Heart | | | | Song | | - 4789944 (AGADU ID)
- 4887615 (AGADU ID)
- (show 19 more)
- 000092 630 04 (SUISA ID)
| |
| Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) | | | | | | | |
| Danny Boy | | | | Song | | | |
| Deborah, HWV 51: Act I, Scene I, No. II. Recitative "O Barak, favour’d of the skies" (Deborah, Barak) | | | | | | | |
| Deborah, HWV 51: Act I, Scene I, No. III. Duet "Where do thy ardours raise me?" (Barak, Deborah) | | | | | | | |
| Deborah, HWV 51: Act I, Scene I, No. IX. Recitative "Ye sons of Israel, cease your fears" (Deborah) | | | | | | | |
| Deborah, HWV 51: Act I, Scene I, No. VII. Recitative "By that adorable decree" (Deborah) | | | | | | | |
| Deborah, HWV 51: Act I, Scene II, No. I. Recitative "O Deborah! Where’er I turn" (Jael, Deborah) | | | | | | | |
| Deborah, HWV 51: Act I, Scene II, No. II. Air "Choirs of Angels, all around thee" (Deborah) | | | | | | | |
| Deborah, HWV 51: Act I, Scene IV. Recitative "My charge is to declare" (Herald) / Act I, Scene V, No. I. "Let him approach..." (Deborah, Barak) | | | | | | | |
| Deborah, HWV 51: Act II, No. IV. Recitative "Go frown, Barbarian" (Deborah) | | | | | | | |
| Deborah, HWV 51: Act II, No. V. Air "In Jehovah’s awful sight" (Deborah) | | | | Aria | | | |
| Deborah, HWV 51: Act II, No. XXI. Recitative "Now, Jael, to thy tent retire" (Deborah) | | | | | | | |
| Deborah, HWV 51: Act II, No. XXIII. Recitative "Barak, we now to battle go" (Deborah) | | | | | | | |
| Deborah, HWV 51: Act II, No. XXIV. Duet "Smiling freedom, lovely guest" (Deborah, Barak) | | | | | | | |
| Deborah, HWV 51: Act III, Scene III, No. VI. Recitative "If, Jael, I a right divine" (Deborah) | | | | | | | |
| Deborah, HWV 51: Act III, Scene III, No. VII. Air "The glorious sun shall cease to shed" (Deborah) | | | | | | | |
| Deborah, HWV 51: Act III, Scene III, No. X. Recitative "O great Jehovah! may thy foes" (Deborah) | | | | | | | |
| Deborah: Act II, No. XIII. Recitative "By his great name, and his alone" (Deborah, Sisera) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) | | | | | | | |
| Die lustige Witwe: Akt II. N°12a. Entr'act. Vilja-Lied | | | | | | | |
| Die Zauberflöte, K. 620: Akt I: "Freue dich und fasse Mut, schöner Jungling!" | | | | | | | |
| Die Zauberflöte: Akt I. Dialog „Papageno!” ... „Aha! Das geht mich an” (Drei Damen, Papageno, Tamino) | | - Cvetka Ahlin, Dietrich Fischer‐Dieskau, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
- La Petite Bande, Sigiswald Kuijken
- Mahler Chamber Orchestra, Claudio Abbado
- Marie McLaughlin, Mikael Melbye, Ann Murray, Peter Schreier, Hanna Schwarz, Staatskapelle Dresden, Sir Colin Davis
- (show 12 more)
| | | | | |
| Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) | | - Cvetka Ahlin, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
- Anton Dermota, Erich Kunz, Sena Jurinac, Friedl Riegler, Else Schürhoff, Wiener Philharmoniker, Herbert von Karajan
- English Baroque Soloists, Sir John Eliot Gardiner
- Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm
- (show 43 more)
| | | | | |
| Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) | | - Cvetka Ahlin, Dietrich Fischer‐Dieskau, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
- Walter Berry, Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer
- Erich Kunz, Anton Dermota, Sena Jurinac, Friedl Riegler, Else Schürhoff, Wiener Philharmoniker, Herbert von Karajan
- English Baroque Soloists, Sir John Eliot Gardiner
- (show 39 more)
| | | | | |
| Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) | | - Cvetka Ahlin, Hildegard Hillebrecht, Friedrich Lenz, Roberta Peters, Sieglinde Wagner, Berliner Philharmoniker, Karl Böhm
- Peter Klein, Wilma Lipp, Sena Jurinac, Friedl Riegler, Else Schürhoff, Wiener Philharmoniker, Herbert von Karajan
- Marie McLaughlin, Kurt Moll, Ann Murray, Hanna Schwarz, Luciana Serra, Robert Tear, MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Colin Davis
- Chor der Bayerischen Staatsoper, Kurt Moll, Bayerisches Staatsorchester, Wolfgang Sawallisch
- (show 36 more)
| | | | | |
| Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) | | - Sena Jurinac, Friedl Riegler, Else Schürhoff, Erich Kunz, Anton Dermota, Singverein der Gesellschaft der Musikfreunde in Wien, Wiener Philharmoniker, Herbert von Karajan
- Cvetka Ahlin, Dietrich Fischer‐Dieskau, Hildegard Hillebrecht, Sieglinde Wagner, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm
- English Baroque Soloists, Sir John Eliot Gardiner
- Gueden, Lipp, Simoneau, Berry, Wiener Philharmoniker, Böhm
- (show 29 more)
| | | | | |
| Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) | | | | Aria | | | |
| Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) | | | | Aria | | | |
| Dona nobis pacem: I. Agnus Dei | | - Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Ralph Vaughan Williams
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Carmen Pelton, Nathan Gunn
- Edith Wiens, Brian Rayner Cook, The London Philharmonic, London Philharmonic Choir, Bryden Thomson
- (show 6 more)
| | | | | |
| Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo) | | - Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Ralph Vaughan Williams
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Carmen Pelton, Nathan Gunn
- Edith Wiens, Brian Rayner Cook, The London Philharmonic, London Philharmonic Choir, Bryden Thomson
- (show 6 more)
| | | | | |
| Dona nobis pacem: VI. O man greatly beloved | | - Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Ralph Vaughan Williams
- Atlanta Symphony Orchestra and Chorus, Robert Shaw, Carmen Pelton, Nathan Gunn
- Edith Wiens, Brian Rayner Cook, The London Philharmonic, London Philharmonic Choir, Bryden Thomson
- (show 7 more)
| | | | | |
| Down by the Salley Gardens | | | | Song | | | |
| Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” | | | | Song | | | |
| Exsultate, jubilate, K. 158a/165: IV. Alleluia | | | | | | | |
| Folksong Arrangements, Volume I: O Can Ye Sew Cushions? | | | | Song | | | |
| Folksong Arrangements, Volume I: The Ash Grove | | | | Song | | | |
| Folksong Arrangements, Volume I: The Trees They Grow So High | | | | Song | | | |
| Folksong Arrangements, Volume III: O Waly, Waly | | | | Song | | | |
| Folksong Arrangements, Volume IV: The Minstrel Boy | | | | Song | | | |
| Four Burns Songs, op. 92 no. 3 "A Birthday Hansel": Wee Willie | | | | Song | | | |
| Four Burns Songs, op. 92 no. 4 "A Birthday Hansel": My Hoggie | | | | Song | | | |
| Four Burns Songs, op. 92 no. 5 "A Birthday Hansel": Afton Water | | | | Song | | | |
| Four Burns Songs, op. 92 no. 6 "A Birthday Hansel": The Winter | | | | Song | | | |
| Gianni Schicchi: “O mio babbino caro” (Lauretta) | | | | Aria | | | 5 |
| Gianni Schicchi: “Oh My Beloved Daddy” | | | | Aria | | | |
| Giuditta: Akt IV. „Meine Lippen, sie küssen so heiss” (Giuditta) | | | | Aria | | | |
| Giulio Cesare in Egitto, HWV 17: Atto II, Scena II, 19. Aria “V’adoro pupille” (Cleopatra) | | | | Aria | | | |
| Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra) | | | | Aria | | | |
| Greensleeves | | | | | | | |
| Gypsy Songs, op. 55: IV. Songs My Mother Taught Me | | | | Song | | | |
| Home! Sweet Home! | | | | Song | | | |
| How Sweet the Answer (The Wren) | | | | | | | |
| I Know Where I'm Goin' | | | | Song | | | |
| I Love Thee (op. 5, no. 3) | | | | Song | | | |
| I'll Walk Beside You | | | | Song | | | |
| Idomeneo: Act III: Ilia's Aria "Gentle zephyrs, soft caressing" | | | | Aria | | | |
| Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta) | | | | | | | |
| Im weißen Rößl: Mein Liebeslied muß ein Walzer sein | | | | Song | | | |
| In Green Ways, op. 43: I. Under the Greenwood Tree | | | | Song | | | |
| In Green Ways, op. 43: II. The Goat Paths | | | | Song | | | |
| In Green Ways, op. 43: III. Merry Margaret | | | | Song | | | |
| In Green Ways, op. 43: IV. Wanderer's Night Song | | | | Song | | | |
| In Green Ways, op. 43: V. On the Merry First of May | | | | Song | | | |
| Joshua, HWV 64: Act III, no. 56. "Oh! had I Jubal's lyre" (Achsah) | | | | Aria | | | |
| King Arthur, Z. 628: Act V. "Fairest isle" | | | | | | | |
| La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) | | | | Aria | | | |
| Les Filles de Cadix | | | | Song | | | |
| Linda From Chamonix: Act I, Scene 4: Linda and Carlo's Love Duet "Linda! Linda!" | | | | | | | |
| Lucio Silla, K. 135: Act II, Scene II. Recitativi "Ah non mai non credea... Qual furor ti trasporta? Cecilio a che t'arresti... Al fiero suon... Ah corri, vola" (Celia, Silla, Cinna, Cecilio) | | - Orchestre du Théâtre Royal de la Monnaie, Sylvain Cambreling
- Helen Donath, Edith Mathis, Peter Schreier, Júlia Várady, Leopold Hager, Mozarteum Orchester Salzburg
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Wolfgang Amadeus Mozart
- Cecilia Bartoli, Yvonne Kenny, Concentus Musicus Wien, Nikolaus Harnoncourt
| | | | | |
| Lucio Silla, K. 135: Act II, Scene III. No. 9 Aria "Quest'improvviso tremito" (Cecilio) | | | | | | | |
| Martha: Akt II. „Letzte Rose“ | | | | | | | |
| Messe solennelle en la majeur, op. 12 : V. Panis Angelicus | | | | Song | | | |
| Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) | | - Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- Helen Donath, London Philharmonic Orchestra, Karl Richter
- Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
- Sara Macliver, Orchestra of the Antipodes, Antony Walker
- (show 77 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) | | | | | | | |
| Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) | | - Margaret Price, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- Helen Donath, London Philharmonic Orchestra, Karl Richter
- Arleen Augér, The English Concert, Trevor Pinnock
- (show 73 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) | | | | Aria | | | |
| Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) | | - Yvonne Minton, Margaret Price, English Chamber Orchestra, Johannes Somary
- Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- April Cantelo, London Philharmonic Orchestra, Walter Süsskind
- Elsie Morison, Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent
- (show 93 more)
| | Aria | | | |
| Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) | | | | | | | |
