“Che gelida manina!” (from La bohème) | | | | | | | |
“E lucevan le stelle” (from Tosca) | | - Academy of St Martin in the Fields, Sir Neville Marriner
- Yuri Ogawa, Eric Couëffé, Marc Minier, Diego Modena
- Mitch Dalton, Academy of St Martin in the Fields, Sir Neville Marriner
- Ron Carter, Billy Childs, Grover Washington, Jr., Orchestra of St. Luke’s, Robert Freedman
- (show 5 more)
| | Aria | | | |
“O mio babbino caro” (from Gianni Schicchi) | | | | | | | |
“O soave fanciulla” (from La bohème) | | | | | | | |
“Quando me’n vo’” (Musetta’s Waltz from La bohème) | | | | | | | |
“Sì. Mi chiamano Mimì” (from La bohème) | | | | | | | |
“Un bel dì, vedremo” (from Madama Butterfly) | | | | | | | |
4 chansons de Ronsard, op. 223: A Cupidon | | | | Song | | | |
4 chansons de Ronsard, op. 223: À une fontaine | | | | Song | | | |
4 chansons de Ronsard, op. 223: Dieu vous gard’ | | | | Song | | | |
4 chansons de Ronsard, op. 223: Tais-toi, babillarde | | | | Song | | | |
5 Lieder, op. 49: Nr. 4. Wiegenlied | | | | | | | |
5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" | | | | Song | | | |
A Kiss in the Dark (from “Orange Blossoms”) | | | | Song | | - 5016531 (ACAM ID)
- 4482900 (AGADU ID)
- (show 15 more)
- 000124 972 01 (SUISA ID)
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Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) | | | | Aria | | | |
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) | | | | | | | |
An der schönen blauen Donau, op. 314 | | | | | | | 5 |
Babes in Toyland: Act II. March of the Toys | | | | | | | |
Bachianas Brasileiras nº 1, W246: II. Prelúdio (Modinha) | | | | | | | |
Bachianas Brasileiras nº 2, W247: IV. Toccata (O trenzinho do caipira) | | | | | | | |
Bachianas Brasileiras nº 4, W424: I. Prelúdio (Introdução) | | | | | | | |
Bachianas Brasileiras nº 5, W389 | | | | | | | |
Ballet Suite no. 1: II. Dance (from 'The Limpid Stream') | | | | | | | |
Ballet Suite no. 1: V. Waltz-Joke (from 'The Bolt') | | | | | | | |
Ballet Suite no. 1: VI. Galop (from 'The Limpid Stream') | | | | | | | |
Ballet Suite no. 2: III. Polka (from Suite no. 1 for Jazz Orchestra) | | | | | | | |
Ballet Suite no. 3: VI. Galop (from 'The Limpid Stream') | | | | | | | |
Capriccio burlesco | | | | | | | |
Cheryomushki Galop | | | | | | | |
Colonel Bogey | | | | Song | | | |
Concerto for Piano and Orchestra in F major: I. Allegro | | | | | | | |
Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto | | | | | | | |
Concerto for Piano and Orchestra in F major: III. Allegro agitato | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | | | | | | | |
Cuando calienta el sol (Love Me With All Your Heart) | | | | Song | | | |
Die Fledermaus | | | | Operetta | | | |
Die Perlenfischer | | | | Opera | | | |
Eileen: Act III. "Thine Alone" | | | | Song | | | |
El amor brujo: V. Danza del terror | | | | | | | |
El amor brujo: VI. El círculo mágico (Romance del pescador) | | | | | | | |
El amor brujo: VII. A medianoche (Los sortilegios) | | | | | | | |
El cant dels ocells | | | | | | | |
El Capitán | | | | | | | |
El sombrero de tres picos, suite no. 2: III. Danza final (jota) | | | | | | | |
Étude in E major, op. 10 no. 3: Lento ma non troppo | | | | Étude | | - 0O5-1297-6 (JASRAC ID)
- E major (Key)
| |
Façade Suite no. 1: I. Polka | | | | | | | |
Façade Suite no. 1: II. Valse | | | | | | | |
Façade Suite no. 1: III. Swiss Yodeling Song | | | | | | | |
Façade Suite no. 1: IV. Tango - Pasodoblé | | | | | | | |
Façade Suite no. 1: V. Tarantella, Sevillana | | | | | | | |
Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123 | | | | | | | |
Festive Overture, op. 96 | | | | | | | |
Frühlingslied, op. 71 no. 2 | | | | Song | | | |
Gaîté Parisienne: XVII. Cancan | | | | | | | |
Goyescas, H.65: Cuadro III. Interludio | | | | | | | |
Goyescas, H.65: Cuadro III. La maja y el ruiseñor | | | | | | | |
Grand Canyon Suite: III. On the Trail | | | | | | | |
Greensleeves | | | | Song | | | |
Happy (Love Theme from Lady Sings the Blues) | | | | Song | | | |
Hark! The Herald Angels Sing | | | | Song | | | |
Hora Staccato | | | | | | | |
I Crisantemi, SC 65 | | | | | | | |
I Puritani: Atto I. N°9a. Finale I. Polacca “Son vergin vezzosa” (Elvira, Arturo, Enrichetta, Giorgio) | | | | | | | |
I Will Wait for You | | | | Song | | - 5099547 (AACIMH ID)
- 5099547 (ACAM ID)
- (show 53 more)
- 006801 588 33 (SUISA ID)
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Iberia, B. 47: Book II: III. Triana | | | | | | | |
In the Arms of Love | | | | Song | | - 4463316 (AGADU ID)
- 11748001 (AKM ID)
- (show 19 more)
- 000173 755 85 (SUISA ID)
| |
Indian Summer | | | | Song | | | |
It Came Upon the Midnight Clear | | | | Song | | | |
Ivan IV: Acte II. No. 6 Sérénade "Ouvre ton cœur à l'amour qui m'enflamme" (Le Jeune Bulgare) | | | | | | | |
Jalousie “Tango Tzigane” | | | | | | | |
Jeg elsker dig, op. 5 nr. 3 | | | | | | | |
Johannesburg Festival Overture | | | | Overture | | | |
L’Invitation au voyage | | | | Song | | | |
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) | | - [unknown]
- Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda
- Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Nicolaï Ghiaurov, Elizabeth Harwood, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Michel Sénéchal, Berliner Philharmoniker, Herbert von Karajan
- Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Fernando Corena, Gianna D’Angelo, Cesare Siepi, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin
- (show 135 more)
| | Aria | | | |
La bohème: Atto IV. no. 25. “Sono andati? Fingevo di dormire” (Mimì, Rodolfo) | | - Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Mirella Freni, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan
- Maria Callas, Giuseppe Di Stefano, Orchestra del Teatro alla Scala di Milano, Antonino Votto
- Carlo Bergonzi, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Tullio Serafin
- Montserrat Caballé, Plácido Domingo, London Philharmonic Orchestra, Sir Georg Solti
- (show 51 more)
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La canción del olvido: Marinela, Marinela | | | | | | | |
La morena de mi copla | | | | Song | | | |
La sonnambula: Atto II, scena 2. “Ah! Non credea mirarti” (Amina, Elvino) | | | | Aria | | | |
La traviata: Atto I. “Ah, fors’è lui” (Violetta) | | | | Aria | | | |
La traviata: Atto I. “Sempre libera” (Violetta) | | - Ileana Cotrubaș, Plácido Domingo, Bayerisches Staatsorchester, Carlos Kleiber
- Maria Callas, Alfredo Kraus, Orquestra Sinfónica do Teatro Nacional de São Carlos, Franco Ghione
- Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali
- Maria Callas, Orchestra Sinfonica di Torino della RAI, Gabriele Santini
- (show 102 more)
| | Aria | | | |
Le Carnaval des animaux : XII. Fossiles | | - Cristina Ortiz, Pascal Rogé, London Sinfonietta, Charles Dutoit
- Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire
- Orchestre national de la Radiodiffusion française, Süddeutsche Philharmonie, Pierre Carbidier, Hanspeter Gmür
- Amsterdam Symphony Orchestra, Peter Stern
- (show 90 more)
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Le Carnaval des animaux: XIII. Le Cygne | | | | | | | |
Les Chemins de l’amour, FP 106a | | | | Song | | | |
Les Contes d’Hoffmann : Acte II. « Les oiseaux dans la charmille » (Olympia, Spalanzani, Les invités, Hoffmann, Nicklausse, Cochenille) | | | | Aria | | | |
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta) | | - Günter Wagner, Choeur de l'Opéra national du Théâtre de la Monnaie, Ann Murray, Jessye Norman, Mike d’Abo, Orchestre de l’Opéra National du Théâtre Royal de la Monnaie de Bruxelles, Sylvain Cambreling
- Chœur de la Suisse Romande, Chorale du Brassus, Chœur Pro Arte de Lausanne, Joan Sutherland, Huguette Tourangeau, Orchestre de la Suisse Romande, Richard Bonynge
- Montserrat Caballé, Shirley Verrett, New Philharmonia Orchestra, Anton Guadagno
- [unknown]
- (show 72 more)
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Les Contes d’Hoffmann: Barcarolle | | | | | | | |
Les Filles de Cadix | | | | Song | | | |
Les Pêcheurs de perles : «Au fond du temple saint » | | | | | | | |
Let It Snow! Let It Snow! Let It Snow! | | | | Song | | - 4042297 (AACIMH ID)
- 4042297 (ACAM ID)
- (show 35 more)
- 000101 984 21 (SUISA ID)
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Lincoln Portrait | | | | | | | |
Linda di Chamounix: Atto I. No. 3 Recitativo e cavatina “Ah! Tardai troppo” … “O luce di quest'anima” (Linda) | | | | Aria | | | |
Londonderry Air | | | | | | | |
Mack the Knife | | | | Song | | | |
Mad About the Boy | | | | Song | | - 4972112 (AGADU ID)
- 11488676 (APDAYC ID)
- (show 16 more)
- 000062 946 96 (SUISA ID)
| |
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) | | | | Aria | | | |
Malagueña from Andalucia Suite | | | | Song | | - 904121195 (ASCAP ID)
- 949007 (BMI ID)
- 1170906 (COMPASS ID)
- 60 399 894 01 (SACEM ID)
| |
Mignon: Acte II, no. 12ter. Polonaise "Oui! Pour ce soir" ... "Je suis Titania" (Philine) | | | | Aria | | | |