| A Hymn of Praise | | | | | | | |
| Ahavat olam | | | | | | | |
| Choral Trilogy | | | | | | | |
| Choral Trilogy: No. 1, Why Have You Forsaken Me? | | | | | | | |
| Choral Trilogy: No. 2, The Spirit Helps Us | | | | | | | |
| Choral Trilogy: No. 3, Sing a New Song to God | | | | | | | |
| Concerto for Flute and Orchestra | | | | Concerto | | | |
| Concerto for Flute and Orchestra: Cadenza - Introduction to the Third Movement | | | | | | | |
| Concerto for Flute and Orchestra: I. Slowly and Lyrically | | | | | | | |
| Concerto for Flute and Orchestra: II. Fast, Light and Humorous | | | | | | | |
| Concerto for Flute and Orchestra: III. Fast and Very Forceful | | | | | | | |
| Concerto for Guitar and Orchestra | | | | Concerto | | | |
| Concerto for Guitar and Orchestra: I. Very fast and rhythmic | | | | | | | |
| Concerto for Guitar and Orchestra: II. Slowly and expressively – Suddenly faster – Slowly Tempo I again | | | | | | | |
| Concerto for Guitar and Orchestra: III. Fast and with good spirit | | | | | | | |
| Concerto for Piano and Orchestra in F major: I. Allegro | | | | | | | |
| Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto | | | | | | | |
| Concerto for Piano and Orchestra in F major: III. Allegro agitato | | | | | | | |
| Concerto for Piano and Orchestra no. 1 | | | | Concerto | | | |
| Concerto for Piano and Orchestra no. 1: I. Slowly and very free – Very fast | | | | | | | |
| Concerto for Piano and Orchestra no. 1: II. Very slowly | | | | | | | |
| Concerto for Piano and Orchestra no. 1: III. Hard driving | | | | | | | |
| Concerto for Violin and Orchestra | | | | Concerto | | | |
| Concerto for Violin and Orchestra: I. Vigorous | | | | | | | |
| Concerto for Violin and Orchestra: II. Slowly and expressively | | | | | | | |
| Concerto for Violin and Orchestra: III. Cadenza – Fast and with a happy spirit | | | | | | | |
| Concerto for Woodwind Quintet and Orchestra “Shir HaMa’alot” | | | | Concerto | | | |
| Concerto for Woodwind Quintet and Orchestra “Shir HaMa’alot”: I. Fast, rhythmic, and very energetic | | | | | | | |
| Concerto for Woodwind Quintet and Orchestra “Shir HaMa’alot”: II. Slowly and very expressively – Suddenly faster – Slowly again | | | | | | | |
| Concerto for Woodwind Quintet and Orchestra “Shir HaMa’alot”: III. Fast and jubilant | | | | | | | |
| Elegy for Strings | | | | | | | |
| Five Choral Scherzi | | | | | | | |
| Five Choral Scherzi: I. V.B. Nimble, V.B. Quick | | | | | | | |
| Five Choral Scherzi: II. Sucking cider through a straw | | | | | | | |
| Five Choral Scherzi: III. No! | | | | | | | |
| Five Choral Scherzi: IV. The choice | | | | | | | |
| Five Choral Scherzi: V. Tarantella | | | | | | | |
| Grand Tarantelle | | | | | | | |
| Grande Fantaisie triomphale sur l’hymne national brésilien, op. 69 | | | | | | | |
| Harpsichord Sonata | | | | Sonata | | | |
| Harpsichord Sonata: I. Fast, very rhythmic | | | | | | | |
| Harpsichord Sonata: II. Slowly and expressively | | | | | | | |
| Harpsichord Sonata: III. Very fast | | | | | | | |
| How Sweet the Sound | | | | | | | |
| Into the Radiant Boundaries of Light | | | | | | | |
| Into the Radiant Boundaries of Light: I. Delicate and quite fast | | | | | | | |
| Into the Radiant Boundaries of Light: II. Slowly and freely moving | | | | | | | |
| Into the Radiant Boundaries of Light: III. Fast and rhythmic | | | | | | | |
| Judah's Song of Praise | | | | | | | |
| La Favorita (grande fantaisie triomphale), RO 95, op. 68 | | | | | | | |
| Let Us Rejoice | | | | | | | |
| Man lebt nur einmal | | | | Suite | | | |
| Man lebt nur einmal: I. Rumble | | | | | | | |
| Man lebt nur einmal: II. Schleier-Walzer | | | | | | | |
| Man lebt nur einmal: III. Erratische Rumba | | | | | | | |
| Man lebt nur einmal: IV. Pavane | | | | | | | |
| Man lebt nur einmal: V. Tarantella | | | | | | | |
| Marcha triunfal y final de opera, RO 157 | | | | | | | |
| Marche Solennelle, RO 154 | | | | | | | |
| My Beloved Is Mine | | | | | | | |
| Ports of Call | | | | Suite | | | |
| Ports of Call: I. Marseille: With a happy spirit | | | | | | | |
| Ports of Call: II. Alexandria: Slowly and expressively | | | | | | | |
| Ports of Call: III. Salonika: With wild abandon | | | | | | | |
| Ports of Call: IV. Haifa: With a slow lilt | | | | | | | |
| Ports of Call: V. Valencia: Fast and exuberant | | | | | | | |
| Psalm 23 | | | | | | | |
| Rhapsody in Blue | | | | | | - 5263348 (APA ID)
- 2275432 (APDAYC ID)
- (show 21 more)
- 000116 925 06 (SUISA ID)
| 4 |
| Sonata for Unaccompanied Cello | | | | Sonata | | | |
| Sonata for Unaccompanied Cello: I. Prelude (Allegro molto) | | | | | | | |
| Sonata for Unaccompanied Cello: II. Song with Variant (Lento) | | | | | | | |
| Sonata for Unaccompanied Cello: III. Scherzo (Allegro scherzando) | | | | | | | |
| Sonata for Unaccompanied Cello: IV. Slow March (Andante maestoso) | | | | | | | |
| Sonata for Unaccompanied Cello: V. Toccata (Allegro con fuoco) | | | | | | | |
| Sonata for Unaccompanied Flute | | | | Sonata | | | |
| Sonata for Unaccompanied Flute: I. Fast but Very Gently Flowing | | | | | | | |
| Sonata for Unaccompanied Flute: II. Slowly but With Great Intensity | | | | | | | |
| Sonata for Unaccompanied Flute: III. Variations on Brian Boru's March | | | | | | | |
| Symphony no. 1 | | | | Symphony | | | |
| Symphony no. 1: I. Gently moving | | | | | | | |
| Symphony no. 1: II. Very slowly | | | | | | | |
| Symphony no. 1: III. Vigorous and very rhythmic | | | | | | | |
| Symphony no. 2 | | | | Symphony | | | |
| Symphony no. 2 "À Montevideo", RO 257 | | | | Symphony | | | |
| Symphony no. 2: I. Quite slowly – Fast | | | | | | | |
| Symphony no. 2: II. Slowly | | | | | | | |
| Symphony no. 2: III. Fast and triumphant | | | | | | | |
| The Road to Terpsichore | | | | | | | |
| The Road to Terpsichore: I. Fast and wild | | | | | | | |
| The Road to Terpsichore: II. Free, quite relaxed, but stately | | | | | | | |
| The Road to Terpsichore: III. Like a waltz | | | | | | | |
| The Road to Terpsichore: IV. Like a tango, with verve, and very rhythmic | | | | | | | |
| The Road to Terpsichore: V. Like a tarantella, fast and furious | | | | | | | |
| Time, You Old Gypsy Man | | | | Song | | | |
| To Speak to Our Time | | | | | | | |
| To Speak to Our Time: No. 1, Prelude I | | | | | | | |
| To Speak to Our Time: No. 2, Chor Der Wandernden | | | | | | | |
| To Speak to Our Time: No. 3, Interlude I | | | | | | | |
| To Speak to Our Time: No. 4, Psalm 121 | | | | | | | |
| To Speak to Our Time: No. 5, Interlude II | | | | | | | |
