| “O mio babbino caro” from Gianni Schicchi | | | | | | | |
| “Vissi d’arte” from Tosca | | | | | | | |
| (In My) Solitude | | | | Song | | - 4625081 (AGADU ID)
- 1381002 (AKM ID)
- (show 31 more)
- 000448 236 81 (SUISA ID)
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| 2 Pieces for Cello and Piano, op. 2: no. 1. Prélude in F major | | | | | | | |
| 2 Pieces for Cello and Piano, op. 2: no. 2. Danse orientale in A minor | | | | | | | |
| 3 Songs for Voice and Piano, op. 18: no. 1 Nell | | | | Song | | | |
| 3 véritables préludes flasques: No. 1. Sévère réprimande | | | | | | | |
| 3 véritables préludes flasques: No. 2. Seul à la maison | | | | | | | |
| 3 véritables préludes flasques: No. 3. On joue | | | | | | | |
| 5 Mélodies “de Venise”, op. 58: 1. Mandoline | | | | Song | | | |
| 6 Klavierstücke, op. 118: Nr. 2. Intermezzo in A-Dur. Andante teneramente | | | | | | | |
| 6 Romances, op. 4: no. 3 "In the Silence of the Secret Night" | | | | Song | | | |
| 6 Romances, op. 4: no. 4 "Do Not Sing, My Beauty" | | | | Song | | | |
| 6 Romances, op. 8: no. 1 "The Water Lily" | | | | Song | | | |
| 6 Romances, op. 38: no. 5 "The Dream" | | | | Song | | | |
| 7 Virtuoso Études: Embraceable You | | | | | | | |
| 12 petits chorals: No. 1 | | | | | | | |
| 12 petits chorals: No. 2 | | | | | | | |
| 12 petits chorals: No. 3 | | | | | | | |
| 12 petits chorals: No. 4 | | | | | | | |
| 12 petits chorals: No. 5 | | | | | | | |
| 12 petits chorals: No. 6 | | | | | | | |
| 12 petits chorals: No. 7 | | | | | | | |
| 12 petits chorals: No. 8 | | | | | | | |
| 12 petits chorals: No. 9 | | | | | | | |
| 12 petits chorals: No. 10 | | | | | | | |
| 12 petits chorals: No. 11 | | | | | | | |
| 12 petits chorals: No. 12 | | | | | | | |
| 12 Romances, op. 14: no. 5 "These Summer Nights" | | | | Song | | | |
| 12 Romances, op. 21: no. 7 “How Fair This Spot” | | | | Song | | | |
| À la manière de Borodine | | | | | | | |
| À la manière de Chabrier | | | | | | | |
| Adagio for Strings | | | | | | | |
| Allegro | | | | | | | |
| Apparition, L. 53, CD 57 | | | | Song | | | |
| Après un rêve, op. 7 no. 1 | | | | Song | | | 5 |
| Aus Lohengrin, S. 446: No. 3. Lohengrins Verweis an Elsa | | | | | | | |
| Aus Richard Wagner’s “Der Ring des Nibelungen”: 4. Der Ritt der Walküren | | | | | | | |
| Avant-dernières pensées : I. Idylle (à Debussy) | | | | | | | |
| Avant-dernières pensées : II. Aubade (à Paul Dukas) | | | | | | | |
| Avant-dernières pensées : III. Méditation (à Albert Roussel) | | | | | | | |
| Ballade (slave), L. 70, CD 78 | | | | | | | |
| Ballade no. 1 in G minor, op. 23 | | | | | | - 0O5-1249-6 (JASRAC ID)
- G minor (Key)
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| Ballade no. 2, S. 171 | | | | | | | |
| Banalités, FP 107: 2. Hôtel | | | | | | | |
| Barcarolle in F-sharp major, op. 60 | | | | | | | |
| Beau soir, L. 6, CD 84 “Lorsque au soleil couchant les rivières sont roses” | | | | Song | | | |
| Berceuse héroïque, L. 132, CD 140 | | | | | | | |
| Blume und Duft, S. 324 | | | | Song | | | |
| Boîte à musique | | | | | | | |
| Boogie-Woogie Etude | | | | Étude | | | |
| Burleske in D minor, TrV 145 | | | | | | | |
| Cäcilie, op. 27 no. 2 | | | | Song | | | |
| Cantique (Laetare anima mea), op. 77 no. 1 | | | | | | | |
| Canzonetta spagnuola "En medio a mis colores, ay" | | | | Song | | | |
| Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) | | | | Aria | | | |
| Carnaval, op. 9 | | | | | | | |
| Carnet d'esquisses et de croquis : Arrière-propos | | | | | | | |
| Carnet d'esquisses et de croquis : Esquisses & sketch montmartois No. 1. Petit prélude de la "Mort de monsieur Mouche" | | | | | | | |
| Carnet d'Esquisses et de Croquis: Esquisses "Le grand singe" | | | | | | | |
| Carnet d'Esquisses et de Croquis: Le Prisonnier maussade | | | | | | | |
| Caro mio ben | | | | Aria | | | |
| Casta Diva (from Norma) | | | | | | | |
| Chansons de Bilitis, L. 90, CD 97 : La Chevelure «Il m’a dit «Cette nuit d’ai rêvé»» | | | | Song | | | |
| Chansons de Bilitis, L. 90, CD 97 : La Flûte de Pan «Pour le jour des Hyacinthies» | | | | Song | | | |
| Chansons de Bilitis, L. 90, CD 97 : Le Tombeau des naïades: «Le long du bois couvert de givre» | | | | Song | | | |
| Chapitres tournés en tous sens : I. Celle qui parle trop | | | | | | | |
| Chapitres tournés en tous sens : II. Le Porteur de grosses pierres | | | | | | | |
| Chapitres tournés en tous sens : III. Regrets des enfermés | | | | | | | |
| Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum | | | | | | | |
| Children’s Corner, L. 113: II. Jimbo’s Lullaby | | | | | | | |
| Children’s Corner, L. 113: III. Serenade for the Doll | | | | | | | |
| Children’s Corner, L. 113: IV. The Snow is Dancing | | | | | | | |
| Children’s Corner, L. 113: V. The Little Shepherd | | | | | | | |
| Children’s Corner, L. 113: VI. Golliwogg’s Cake-Walk | | | | | | | |
| Cinco canciones negras, nº 5: Canto negro | | | | Song | | | |
| Cinéma | | | | | | | |
| Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") : I. Préambule | | | | | | | |
| Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") : II. Coquecigrue | | | | | | | |
| Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") : III. Chasse | | | | | | | |
| Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") : IV. Fanfaronnade | | | | | | | |
| Cinq Grimaces (pour "Le Songe d'une Nuit d'Été") : V. Retraite (pour sortir) | | | | | | | |
| Cinq Nocturnes : No. 1. Doux et calme | | | | | | | |
| Cinq Nocturnes : No. 2. Simplement | | | | | | | |
| Cinq Nocturnes : No. 3. Un peu mouvementé | | | | | | | |
| Cinq Nocturnes : No. 4. ♪ = 92 | | | | | | | |
| Cinq Nocturnes : No. 5. ♩‧ = 60 | | | | | | | |
| Clair de lune, op. 46 no. 2 | | | | Song | | | |
| Concertino pour Piano et Orchestre | | | | | | | |
| Concertino pour piano et orchestre: I. Presto leggiero | | | | | | | |
| Concertino pour piano et orchestre: II. Lent | | | | | | | |
| Concertino pour piano et orchestre: III. Allegretto | | | | | | | |
| Concertino pour piano et orchestre: IV. Rondeau | | | | | | | |
| Concerto for Piano and Orchestra for the Left Hand in D major | | | | Concerto | | | |
| Concerto for Piano and Orchestra in F major: I. Allegro | | | | | | | |
| Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto | | | | | | | |
| Concerto for Piano and Orchestra in F major: III. Allegro agitato | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato | | | | | | | |
