| “Quando me’n vo’” (Musetta’s Waltz from La bohème) | | | | | | | |
| Alfonso und Estrella, D. 732: Akt I. Arie “Sei mir gegrüßt, o Sonne” (Froila) | | | | Aria | | | |
| Alfonso und Estrella, D. 732: Akt II. Rezitativ und Arie “O sing mir, Vater” … “Der Jäger ruhte hingegossen!” (Alfonso, Froila) | | | | Aria | | | |
| Antiphon for Orchestra Groups | | | | | | | |
| Apollo: Scene 2. Coda | | | | | | | |
| Aria for Soprano & Orchestra in A major, K. 418: "Vorrei spiegarvi, oh Dio" | | | | Aria | | | |
| Armida, Hob. XXVIII:12: Atto II | | | | | | | |
| Armide, Wq. 45: Acte II. "Venez sécondez mes désirs" | | | | | | | |
| Armide, Wq. 45: Acte III. "Ah! si la liberté me doit être ravie" | | | | | | | |
| Armide, Wq. 45: Acte V. Scene 4. Aria "Le perfide Renaud me fuit" | | | | Aria | | | |
| Asyla, op. 17: I | | | | | | | |
| Asyla, op. 17: II | | | | | | | |
| Asyla, op. 17: III. Ecstasio | | | | | | | |
| Asyla, op. 17: IV | | | | | | | |
| Ballades, op. 10: No. 1 in D minor "Edward" | | | | | | | |
| Ballades, op. 10: No. 2 in D major. Andante | | | | | | | |
| Ballades, op. 10: No. 3 in B minor. Intermezzo. Allegro | | | | | | | |
| Ballades, op. 10: No. 4 in B major. Andante con moto | | | | | | | |
| Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!" | | | | | | | |
| Billy Budd: Act I, Scene I. "Christ! the poor chap" | | | | | | | |
| Billy Budd: Act I, Scene I. "Come along kid! Come along!" | | | | | | | |
| Billy Budd: Act I, Scene I. "First man forward!" | | | | | | | |
| Billy Budd: Act I, Scene I. "Guard boat! Indomitable!" | | | | | | | |
| Billy Budd: Act I, Scene I. "I heard, your honour!" | | | | | | | |
| Billy Budd: Act I, Scene I. "Pull, my bantams!" | | - Eric Garrett, Norman Lumsden, Bryan Drake, David Bowman, Nigel Rogers, Delme Bryn-Jones, Robert Tear, Robert Bowman, Ambrosian Opera Chorus, Wandsworth School Boys’ Choir, London Symphony Orchestra, Benjamin Britten
- Benjamin Britten
- London Symphony Orchestra, Daniel Harding
| | | | | |
| Billy Budd: Act I, Scene I. "Starry Vere we call him" | | | | | | | |
| Billy Budd: Act I, Scene I. "What's that? What's those whistles?" | | | | | | | |
| Billy Budd: Act I, Scene I. "Your name?" | | | | | | | |
| Billy Budd: Act I, Scene II. "Ay, at Spithead" | | | | | | | |
| Billy Budd: Act I, Scene II. "Boy!" | | | | | | | |
| Billy Budd: Act I, Scene II. "Gentlemen, the King!" | | | | | | | |
| Billy Budd: Act I, Scene II. "We are, sir. Claggart is an able one" | | | | | | | |
| Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!" | | | | | | | |
| Billy Budd: Act I, Scene III. "Blow her away" | | | | | | | |
| Billy Budd: Act I, Scene III. "Come here. Remember your promise" | | | | | | | |
| Billy Budd: Act I, Scene III. "Dansker, old friend, glad to see you" | | | | | | | |
| Billy Budd: Act I, Scene III. "Hi! You...a...a..." | | - Peter Glossop, Owen Brannigan, Gregory Dempsey, David Bowman, Robert Bowman, Michael Langdon, James Newby, Ambrosian Opera Chorus, London Symphony Orchestra, Benjamin Britten
- Benjamin Britten
- London Symphony Orchestra, Daniel Harding
| | | | | |
| Billy Budd: Act I, Scene III. "Over the water" | | | | | | | |
| Billy Budd: Act I, Scene III. "We're off to Samoa" | | | | | | | |
| Billy Budd: Act II, Scene I. "Deck ahoy!" | | | | | | | |
| Billy Budd: Act II, Scene I. "I don't like the look of the mist" | | | | | | | |
| Billy Budd: Act II, Scene I. "O this cursed mist!" | | | | | | | |
| Billy Budd: Act II, Scene I. "There you are again, Master-at-arms" | | | | | | | |
| Billy Budd: Act II, Scene I. "Who'll volunteer to board 'em" | | | | | | | |
| Billy Budd: Act II, Scene I. "With great regret I must disturb your honour" | | | | | | | |
| Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!" | | | | | | | |
| Billy Budd: Act II, Scene II. "Gentlemen, William Budd here" | | | | | | | |
| Billy Budd: Act II, Scene II. "God o' mercy!" | | | | | | | |
| Billy Budd: Act II, Scene II. "I accept their verdict" | | | | | | | |
| Billy Budd: Act II, Scene II. "Master-at-arms and foretopman" | | | | | | | |
| Billy Budd: Act II, Scene II. "Poor fellow, who could save him?" | | | | | | | |
| Billy Budd: Act II, Scene II. "William Budd, you are accused" | | | | | | | |
| Billy Budd: Act II, Scene III. "And farewell to ye, old Rights o' Man!" | | | | | | | |
| Billy Budd: Act II, Scene III. "Here! Baby!" | | | | | | | |
| Billy Budd: Act II, Scene III. “Look!” | | | | | | | |
| Billy Budd: Act II, Scene III. Interlude | | | | | | | |
| Billy Budd: Act II, Scene IV. "According to the Articles of War" | | | | | | | |
| Billy Budd: Act II, Scene IV. "Down all hands!" | | | | | | | |
| Billy Budd: Epilogue. "We committed his body to the deep." | | | | | | | |
| Billy Budd: Prologue. "I am an old man" | | | | | | | |
| Cadenza to Brahms: Violin Concerto op. 77: 1st Movement | | | | | | | |
| Caprice d'après l'etude en forme de Valse de Camille Saint-Saëns, op. 52 | | | | | | | |
| Carmen : Acte III. Récitative « C’est des contrebandiers le refuge ordinaire » (Micaëla, le guide) | | | | | | | |
| Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Julius Baker, New York Philharmonic, Leonard Bernstein
- (show 90 more)
| | | | | |
| Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima | | | | | | | |
| Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | | | | | | | |
| Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | | - Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel
- Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 82 more)
| | Cantata | | | |
| Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna | | | | | | | |
| Carmina Burana: I. Primo vere: III. Veris leta facies | | | | | | | |
| Carmina Burana: I. Primo vere: IV. Omnia Sol temperat | | | | | | | |
| Carmina Burana: I. Primo vere: V. Ecce gratum | | | | | | | |
| Carmina Burana: II. In Taberna: XI. Estuans interius | | | | | | | |
| Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
| Carmina Burana: II. In Taberna: XIII. Ego sum abbas | | | | | | | |
| Carmina Burana: II. In Taberna: XIV. In taberna quando sumus | | | | | | | |
| Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula | | | | | | | |
| Carmina Burana: III. Cour d’amours: XV. Amor volat undique | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Norma Burrowes, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- Ann Archibald, Boys of the Temple Church Choir, London, Royal Philharmonic Orchestra, Richard Cooke
- Lucia Popp, Wandsworth School Boys’ Choir, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 76 more)
| | | | | |
| Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia | | | | | - Latin
- French, Old (842-ca.1400)
| | |
| Carmina Burana: III. Cour d’amours: XVII. Stetit puella | | | | | | | |
| Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora | | | | | - Latin
- German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
| | | | | |
| Carmina Burana: III. Cour d’amours: XXIII. Dulcissime | | | | | | | |
| Carmina Burana: Uf dem Anger: IX. (a) Reie | | | | | | | |
| Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min | | | | | - German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: VI. Tanz | | | | | | | |
| Carmina Burana: Uf dem Anger: VII. Floret silva nobilis | | | | | - Latin
- German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir | | | | | - German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: X. Were diu werlt alle min | | | | | - German, Middle High (ca.1050-1500)
| | |
| Cello Concerto in A major: I. Andante, allegro non troppo | | | | | | | |
| Cello Concerto in A major: II. Andante cantabile | | | | | | | |
| Cello Concerto in A major: III. Allegro risoluto | | | | | | | |
| Cello Concerto in B minor, op. 104: I. Allegro | | | | | | | |
| Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | | | | | | | |
| Cello Concerto in B minor, op. 104: III. Finale | | | | | | | |
| Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato – Andante – Allegro vivo | | | | | | | |
| Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato | | | | | | | |
| Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio | | | | | | | |
