A Mass of Life, part I: I. ‘O Du mein Wille, Du Wende aller Not!’ | | | | | | | |
A Mass of Life, part I: II. ‘Erhebt eure Herzen, meine Bruder...’ | | | | | | | |
A Mass of Life, part I: III. ‘In dein Auge schaute ich jüngst, O Leben.’ | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
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A Mass of Life, part I: IV. ‘Wehe mir!’ – | | - The Bach Choir, Alan Opie, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- London Philharmonic Choir, Benjamin Luxon, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
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A Mass of Life, part I: V. ‘Nacht ist es...’ | | - The Bach Choir, Alan Opie, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- London Philharmonic Choir, Benjamin Luxon, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
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A Mass of Life, part II: I. ‘Herauf! Nun herauf, du großer Mittag!’ | | - The Bach Choir, Andrew Kennedy, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Bournemouth Symphony Orchestra, Richard Hickox
- Bergen Philharmonic Choir, Edvard Grieg Kor, Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Bergen Philharmonic Orchestra, Sir Mark Elder
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A Mass of Life, part II: II. ‘Süße Leier! Ich liebe deinen Ton...!’ | | | | | | | |
A Mass of Life, part II: III. ‘La, la, la!...’ | | - The Bach Choir, Alan Opie, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- London Philharmonic Orchestra, Sir Charles Groves
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
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A Mass of Life, part II: IV. ‘Heißer Mittag schläft auf den Fluren.’ – | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
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A Mass of Life, part II: On the Mountains: Andante – | | | | | | | |
A Mass of Life, part II: V. ‘Gottes Weh ist tiefer...’ – | | - Alan Opie, Bournemouth Symphony Orchestra, David Hill, The Bach Choir
- Bournemouth Symphony Orchestra, Richard Hickox
- London Philharmonic Choir, Benjamin Luxon, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
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A Mass of Life, part II: VI. ‘Kommt. Laßt uns jetzt wandeln!’ | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
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A Night on Bald Mountain | | | | Symphonic poem | | | |
A Night on Bare Mountain | | | | Symphonic poem | | | |
A Night on the Bare Mountain | | | | Symphonic poem | | | |
A Suite on English Folk Tunes, op. 90 "A Time There Was": I. Cakes and Ale | | | | | | | |
A Suite on English Folk Tunes, op. 90 "A Time There Was": II. The Bitter Withy | | | | | | | |
A Suite on English Folk Tunes, op. 90 "A Time There Was": III. Hankin Booby | | | | | | | |
A Suite on English Folk Tunes, op. 90 "A Time There Was": IV. Hunt the Squirrel | | | | | | | |
A Suite on English Folk Tunes, op. 90 "A Time There Was": V. Lord Melbourne | | | | | | | |
A Symphonic Mass: 1. Kyrie | | | | | | | |
A Symphonic Mass: 2. Gloria | | | | | | | |
A Symphonic Mass: 3. Credo | | | | | | | |
A Symphonic Mass: 4. Offertorium | | | | | | | |
A Symphonic Mass: 5. Sanctus and Benedictus | | | | | | | |
A Symphonic Mass: 6. Agnus Dei | | | | | | | |
A Village Romeo and Juliet, Scene 5: IV. The walk to the Paradise Garden | | | | | | | |
Aallottaret, op. 73 | | | | Symphonic poem | | | |
Abschiedsserenade: I. Adagio | | | | | | | |
Abschiedsserenade: II. Moderato | | | | | | | |
Acceleration | | | | | | | |
Adagio from the Toccata, Adagio, and Fugue in C major, BWV 564 | | | | | | | |
Adoramus Te | | | | | | | |
Air | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Adagio molto espressivo | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Allegro leggiero | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Allegro marcato | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Allegro scherzando e leggiero | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Andante | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Andante molto tranquillo | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Energico | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Finale. Allegro molto marcato - Pomposo - Prestissimo - Andante molto tranquillo | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Maestoso | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Poco allegro, ma tranquillo | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Poco andante | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Poco tranquillo - Tema. Andantino espressivo | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Presto | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Tempo di Menuetto | | | | | | | |
An Old Norwegian Folksong with Variations, op. 51: Tempo di Valse | | | | | | | |
Andante cantabile | | | | | | | |
Andante for Cello and Orchestra | | | | | | | |
Aria from Overture no. 3, BWV 1068 | | | | | | | |
Arioso | | | | | | | |
Aristophanic Suite “The Wasps”: I. Overture | | | | | | | |
Arraché | | | | | | | |
At the Tabard Inn | | | | Overture | | | |
Aufforderung zum Tanz, op. 65 | | | | | | | |
Autumnal Sketch, op. 8 | | | | | | | |
Balulalow | | | | | | | |
Beckus the Dandipratt, op. 5 | | | | Overture | | | |
Belshazzar’s Feast: I. Thus spake Isaiah | | - London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- London Symphony Chorus, London Symphony Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 11 more)
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Belshazzar’s Feast: IIa. If I forget thee, O Jerusalem | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- John Shirley‐Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn
- Royal Philharmonic Orchestra, André Previn
- (show 6 more)
| | Cantata | | | |
Belshazzar’s Feast: IIb. By the waters of Babylon | | - London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- London Symphony Chorus, London Symphony Orchestra, André Previn
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox
- (show 3 more)
| | Cantata | | | |
Belshazzar’s Feast: III. Babylon was a great city | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- F. Austin Walter, Walter Cassel, Rutgers University Choir, The Philadelphia Orchestra, Eugene Ormandy
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 11 more)
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Belshazzar’s Feast: IV. In Babylon, Belshazzar the King made a great feast | | - Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- Bryn Terfel, BBC Symphony Orchestra, Andrew Davis
- F. Austin Walter, Walter Cassel, Rutgers University Choir, The Philadelphia Orchestra, Eugene Ormandy
- London Philharmonic Choir, Benjamin Luxon, Ralph Downes, London Philharmonic Orchestra, Sir Georg Solti
- (show 4 more)
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Belshazzar’s Feast: IX. The trumpeters and pipers are silent | | | | | | | |
Belshazzar’s Feast: V. Praise ye the God of Gold | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- John Shirley‐Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn
- Royal Philharmonic Orchestra, André Previn
- (show 12 more)
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Belshazzar’s Feast: VI. Thus in Babylon the mighty city | | - London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- London Symphony Chorus, London Symphony Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 11 more)
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Belshazzar’s Feast: VII. And in that same hour, as they feasted | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- John Shirley‐Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn
- (show 11 more)
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Belshazzar’s Feast: VIII. Then sing aloud to God our strength | | - Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- Royal Philharmonic Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox
- (show 11 more)
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Belshazzar’s Feast: X. Then sing aloud to God our strength (reprise) | | - London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- London Symphony Chorus, London Symphony Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 9 more)
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Benedicite | | | | | | | |
Berceuse élégiaque | | | | | | | |
Blessed city, heav'nly Salem | | - The Chapel Choir of Jesus College, Cambridge, The Choir of Jesus College Cambridge, Benjamin Morris, Mark Williams
- Choir of Westminster Abbey, Peter Holder, James OʼDonnell
- Sir Edward Cuthbert Bairstow
- Waynflete Singers, Winchester Cathedral Choir, Timothy Byram-Wigfield, Bournemouth Symphony Orchestra, David Hill
- (show 5 more)
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Blest Pair of Sirens | | | | | | | |
Boris Godunov (Symphonic Synthesis) | | | | | | | |
Brigg Fair, RT vi/16 | | | | Symphonic poem | | | |
Candide: Overture | | | | Overture | | | |
Capriccio italien, op. 45 | | | | | | | |
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima | | | | | | | |
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | | | | | | | |
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | | - Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel
- Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 82 more)
| | Cantata | | | |
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna | | | | | | | |
Carmina Burana: I. Primo vere: III. Veris leta facies | | | | | | | |
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat | | | | | | | |
Carmina Burana: I. Primo vere: V. Ecce gratum | | | | | | | |
Carmina Burana: II. In Taberna: XI. Estuans interius | | | | | | | |
Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
Carmina Burana: II. In Taberna: XIII. Ego sum abbas | | | | | | | |
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus | | | | | | | |
Carmina Burana: III. Cour d’amours: XV. Amor volat undique | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Norma Burrowes, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- Ann Archibald, Boys of the Temple Church Choir, London, Royal Philharmonic Orchestra, Richard Cooke
- Lucia Popp, Wandsworth School Boys’ Choir, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 76 more)
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Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia | | | | | - Latin
- French, Old (842-ca.1400)
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Carmina Burana: III. Cour d’amours: XVII. Stetit puella | | | | | | | |
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora | | | | | - Latin
- German, Middle High (ca.1050-1500)
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Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias | | | | | | | |
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
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Carmina Burana: III. Cour d’amours: XXIII. Dulcissime | | | | | | | |
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
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Carmina Burana: Uf dem Anger: VI. Tanz | | | | | | | |