| arranged |
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| It Came Upon the Midnight Clear | | | Choir of King’s College, Cambridge | 3:33 |
| vocals |
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1888-10-05 | The Pirates of Penzance: Introduction | | spoken vocals | Douglas Fairbanks, Jr. & Arthur Sullivan | 2:59 |
| composed |
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| The Mikado (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) | | | Gilbert & Sullivan | |
| The Mikado (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) | | | Gilbert & Sullivan | |
| The Pirates of Penzance: Revamped and Revisited | | | Adrian D. Holmes | |
| arranged |
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| It Came Upon the Midnight Clear | | | | |
| It Came Upon the Midnight Clear | | | | |
| It Came Upon the Midnight Clear | | | | |
| NOEL | | | | |
| composed |
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1861 | The Tempest | | | | |
1861 – 1862 | The Tempest: No. 1. Introduction | | | | |
1861 – 1862 | The Tempest: No. 4. Prelude to Act III | | | | |
1861 – 1862 | The Tempest: No. 6. Banquet Dance | | | | |
1861 – 1862 | The Tempest: No. 7. Overture to Act IV | | | | |
1861 – 1862 | The Tempest: No. 10. Dance of Nymphs and Reapers | | | | |
1861 – 1862 | The Tempest: No. 11. Prelude to Act V | | | | |
1861 – 1862 | The Tempest: No. 12c. Epilogue | | | | |
1863 – 1866 | Symphony in E major “Irish” | | | | |
1863 – 1866 | Symphony in E major “Irish”: I. Andante - Allegro, ma non troppo vivace | Arthur Sullivan | | | |
1863 – 1866 | Symphony in E major “Irish”: II. Andante espressivo | Arthur Sullivan | | | |
1863 – 1866 | Symphony in E major “Irish”: III. Allegretto - Moderato - Tempo primo | Arthur Sullivan | | | |
1863 – 1866 | Symphony in E major “Irish”: IV. Allegro vivace e con brio | Arthur Sullivan | | | |
1864 | L’Île enchantée | | | | |
1864 | L’Île enchantée: No. 2. Dance of Nymphs and Satyrs - Pas de Châles | | | | |
1866 | Overture in C major “In Memoriam” | | | | |
1867 | Marmion Overture | Arthur Sullivan | | | |
1871 | Onward Christian Soldiers | | | | |
1871 | Onward Christian Soldiers | | | | |
1871 | Onward, Christian Soldiers | | | | |
1871 | The Merchant of Venice | Arthur Sullivan | | | |
1871 | Thespis | Arthur Sullivan | | | |
1872 | Come Ye Faithful, Raise The Strain | | | | |
1872 | Te Deum | | | | |
1872 | Te Deum: O Lord, save Thy people (soprano, chorus) | | | | |
1872 | Te Deum: The Glorious Company of the Apostles (chorus) | | | | |
1872 | Te Deum: To Thee Cherubim (soprano, chorus) | | | | |
1872 | Te Deum: Vouchsafe, O Lord (chorus) | | | | |
1872 | Te Deum: We believe that Thou shalt come (chorus) | | | | |
1872 | Te Deum: We praise Thee, O God (chorus) | | | | |
1872 | Te Deum: When Thou tookest upon Thee (soprano) | | | | |
1872 – 1873 | The Light of the World | | | | |
1875 | Trial by Jury | Arthur Sullivan | | | |
1876 | My Dearest Heart | | | | |
1877 | Henry VIII | Arthur Sullivan | | | |
1877 | The Sorcerer: Act II. “Happy Are We in Our Loving Frivolity” (Chorus) | Arthur Sullivan | | | |
1879 | The Pirates of Penzance | Arthur Sullivan | | | |
1880 | The Martyr of Antioch | | | | |
1881 | Patience | Arthur Sullivan | | | |
1886 | The Golden Legend | | | | |
1890 – 1891 | Ivanhoe | | | | |
1893 | Imperial March | | | | |
1893 | Utopia, Limited | | | | |
1896 | The Grand Duke | | | | |
1899 | The Rose of Persia | | | | |
– 1877-01-13 | The Lost Chord | Sir Arthur Sullivan | | | |
– 1892 | Haddon Hall | | | | |
| (I Am the Very Model of a) Scientist Salarian | Sir Arthur Sullivan | | | |
| 5 Shakespeare Songs | | | | |
| 5 Shakespeare Songs: No. 1, Orpheus with His Lute | | | | |
| 5 Shakespeare Songs: No. 2, O Mistress Mine | | | | |
| 5 Shakespeare Songs: No. 3, Sigh No. More, Ladies | | | | |
| 5 Shakespeare Songs: No. 4, The Willow Song | | | | |
| 5 Shakespeare Songs: No. 5, Rosalind | | | | |
| A Life That Lives for You | | | | |
| A Shadow | | | | |
| A Sullivan Fantasy | | | | |
| A Very Stable Genius | | | | |
| Absent-Minded Beggar March | | | | |
| An Idyll | | | | |
| Arabian Love Song | | | | |
| Bid Me at Least Good-Bye (Version for Voice & Piano) | | | | |
| Birds in the Night | | | | |
| Cello Concerto in D major | | | | |
| Cello Concerto in D major: I. Allegro moderato | | | | |
| Cello Concerto in D major: II. Andante espressivo | | | | |
| Cello Concerto in D major: III. Molto vivace | | | | |
| Coming Home | | | | |
| County Guy | | | | |
| Cox and Box | | | | |
| Cox and Box: “Hush’d is the bacon on the grid” (Box) | Arthur Sullivan | | | |
| Cox and Box: “My Hand Upon It” (Box, Cox, Bouncer) | Arthur Sullivan | | | |
| Cox and Box: “My master is punctual always in business” (Cox) | Arthur Sullivan | | | |
| Cox and Box: “Not long ago” (Cox, Box) | Arthur Sullivan | | | |
| Cox and Box: “Rataplan” (Bouncer) | Arthur Sullivan | | | |
| Cox and Box: “Sixes!” (Box, Cox) | Arthur Sullivan | | | |
| Cox and Box: “Stay, Bouncer, stay!” (Cox, Bouncer) | Arthur Sullivan | | | |
| Cox and Box: “The buttercup dwells on the lowly mead” (Cox, Box) | Arthur Sullivan | | | |
| Cox and Box: “Who are you, sir?” (Cox, Box, Bouncer) | Arthur Sullivan | | | |
| Cox and Box: Overture | Arthur Sullivan | | | |
| E tu nol sai (Version for Voice & Piano) | | | | |
| Edward Gray | | | | |
| Ever | | | | |
| Forward Joe Soap’s Army | | | | |
| Give | | | | |
| Golden Days | | | | |
| Guinevere | | | | |
| H.M.S. Pinafore | Arthur Sullivan | | | |
| H.M.S. Pinafore: Act I | Arthur Sullivan | | | |
| H.M.S. Pinafore: Act I Finale, no. 12 “A British Tar (reprise)” (Josephine, Hebe, Relatives, Sailors, Ensemble) | Arthur Sullivan | | | |
| H.M.S. Pinafore: Act I Finale, no. 12 “Can I Survive This Overbearing?…” (Ensemble) | | | | |
| H.M.S. Pinafore: Act I Finale, no. 12 “Can I Survive This Overbearing?” (Ralph, Ensemble) | Arthur Sullivan | | | |
| H.M.S. Pinafore: Act I Finale, no. 12 “Let’s Give Three Cheers for the Sailor’s Bride” (Ensemble) | Arthur Sullivan | | | |
| H.M.S. Pinafore: Act I Finale, no. 12 “Oh Joy, Oh Rapture Unforeseen” (Josephine, Hebe, Ralph) | Arthur Sullivan | | | |
| H.M.S. Pinafore: Act I Finale, no. 12 “This Very Night” (Josephine, Hebe, Ralph, Boatswain, Dick) | Arthur Sullivan | | | |
| H.M.S. Pinafore: Act I, no. 1, Chorus, “We Sail the Ocean Blue”, (Sailors) | | | | |
| H.M.S. Pinafore: Act I, no. 2 “Hail! Men-o’-War’s Men” (Buttercup, Boatswain) | | | | |
| H.M.S. Pinafore: Act I, no. 2 “I’m Called Little Buttercup” (Buttercup, Boatswain) | Arthur Sullivan | | | |
| H.M.S. Pinafore: Act I, no. 2a “But Tell Me Who’s the Youth” (Buttercup, Boatswain) | | | | |
| H.M.S. Pinafore: Act I, no. 3 “The Nightingale” (Ralph, Sailors) | | | | |
| See all 995 relationships |
| revised |
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1862 | The Tempest | | | | |
| wrote |
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| Onward Christian Soldiers | | | | |
| Princess Ida: Act I. “From the Distant Panorama” (Chorus) | | | | |