| ... Not Being Sundered | | | | | | | |
| A che congiuri | | | | Song | | | |
| Acis and Galatea, HWV 49: Act I, no. 2. Choir "Oh the pleasure of the plains!" | | - Norma Burrowes, Paul Elliott, Willard White, Anthony Rolfe Johnson, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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| Acis and Galatea, HWV 49: Act I, no. 3. Recitative "Ye verdant plains and woody mountains" (Galatea) | | | | | | | |
| Acis and Galatea, HWV 49: Act I, no. 4. Aria "Hush, ye pretty warbling quire!" (Galatea) | | | | Aria | | | |
| Acis and Galatea, HWV 49: Act I, no. 7a. Recitative "Oh! Didst thou know the pains of absent love" (Galatea) | | | | | | | |
| Acis and Galatea, HWV 49: Act I, no. 8. Aria "As when the dove laments her love" (Galatea) | | | | Aria | | | |
| Acis and Galatea, HWV 49: Act I, no. 9a. Duet "Happy we" (Galatea, Acis) | | | | | | | |
| Acis and Galatea, HWV 49: Act II, no. 10. Choir "Wretched lovers!" | | - Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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| Acis and Galatea, HWV 49: Act II, no. 12a. Recitativo "Whither, fairest, art thou running" (Polyphemus) | | | | | | | |
| Acis and Galatea, HWV 49: Act II, no. 16a. Recitativo "Cease, oh cease, thou gentle youth" (Galatea) | | | | | | | |
| Acis and Galatea, HWV 49: Act II, no. 17. Trio "The flocks shall leave the mountains" (Galatea, Acis, Polyphemus) | | | | | | | |
| Acis and Galatea, HWV 49: Act II, no. 19. Choir "Mourn, all ye muses!" | | - Norma Burrowes, Anthony Rolfe Johnson, Paul Elliott, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Regent Chamber Choir, Andrew Lucas, City of London Sinfonia, Gary Cole
- (show 2 more)
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| Acis and Galatea, HWV 49: Act II, no. 20a. Solo with Choir "Must I my Acis still bemoan" (Galatea, choir) | | - Norma Burrowes, Martyn Hill, Paul Elliott, Anthony Rolfe Johnson, Willard White, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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| Acis and Galatea, HWV 49: Act II, no. 20c. Recitativo "'Tis done" (Galatea) | | | | | | | |
| Acis and Galatea, HWV 49: Act II, no. 21. Aria "Heart, the seat of soft delight" (Galatea) | | | | Aria | | | |
| Acis and Galatea, HWV 49: Act II, no. 22. Choir "Galatea, dry thy tears" | | - Norma Burrowes, Paul Elliott, Anthony Rolfe Johnson, Willard White, Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
- Ama Deus Ensemble, Valentin Radu
- Dunedin Consort & Players, John Butt
- Philomusica of London, Sir Adrian Boult
- John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King
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| An die Entfernte | | | | Song | | | |
| An Sie | | | | Song | | | |
| Ascanio in Alba, K. 111: Act I, Scene III. No. 6 Coro "Venga, de' sommi eroi" (Coro di Pastore) Recitativo "Ma qual canto risona?" (Ascanio, Fauno) No. 7 Coro "Venga, de' sommi eroi" (Coro di pastori) | | - Vocaal Ensemble Coqu, Musica ad Rhenum, Jed Wentz
- Rupert Huber, Arleen Augér, Aγνή Mπάλτσα, Salzburger Kammerchor, Leopold Hager, Mozarteum Orchester Salzburg
- Maaike Beekman, Claron McFadden, Musica ad Rhenum, Jed Wentz
- Concerto Armonico, Jacques Grimbert
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| Ascanio in Alba, K. 111: Act I, Scene III. No. 8 Aria "Se il labbro più non dice" (Fauno) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Ma tu, chi sei, che ignoto qui t'aggiri fra noi? (Fauno, Ascanio) | | | | | | | |
| Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Quanto soavi al core de la tua stirpe" (Ascanio, Fauno) | | | | | | | |
| Ascanio in Alba, K. 111: Act II, Scene II-III. Recitativi "Cerco di loco in loco... Silvia, ove sei?" (Ascanio, Silvia, Fauno) | | - Arleen Augér, Aγνή Mπάλτσα, Edith Mathis, Mozarteum Orchester Salzburg, Leopold Hager
- Maaike Beekman, Musica ad Rhenum, Jed Wentz
- Maaike Beekman, Nicola Wemyss, Musica ad Rhenum, Jed Wentz
- Maaike Beekman, Claron McFadden, Nicola Wemyss, Musica ad Rhenum, Jed Wentz
- Concerto Armonico, Jacques Grimbert
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| Ascanio in Alba, K. 111: Act II, Scene III. No. 21 Aria "Dal tuo gentil sembiante" (Fauno) | | | | | | | |
| Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) | | | | | | | |
| Bachianas Brasileiras nº 5, W389: II. Dansa (Martelo) | | | | | | | |
| By Strauss | | | | Song | | - 320106863 (ASCAP ID)
- 10459011 (COMPASS ID)
- (show 5 more)
- 699806 (STIM ID)
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| Canticle of the Mother of God | | | | | | | |
| Canzone 3. Utinam | | | | | | | |
| Cinco canciones negras, nº 1: Cuba dentro de un piano | | | | Song | | | |
| Cinco canciones negras, nº 2: Punto de habanera | | | | Song | | | |
| Cinco canciones negras, nº 3: Chévere | | | | Song | | | |
| Cinco canciones negras, nº 4: Canción de cuna para dormir a un negrito | | | | Song | | | |
| Cinco canciones negras, nº 5: Canto negro | | | | Song | | | |
| Come raggio di sol | | | | Song | | | |
| Das Täubchen | | | | Song | | | |
| Das Veilchen im Mai | | | | Song | | | |
| Die Abschiedsträne | | | | Song | | | |
| Die Liebeserklärung | | | | Song | | | |
| Die Natur | | | | Song | | | |
| Dolce speme, del ciel dono | | | | Song | | | |
| Dreimal sieben Gedichte aus Albert Girauds »Pierrot lunaire«, op. 21 | | | | Song-cycle | | | 5 |
| Ein Magd, ein' Dienerin (Cantilena pro Adventu), Hob. XXVIId:1 | | | | | | | |
| Entr'actes and Sappho Fragments: IX. Cantus II | | | | | | | |
| Entr'actes and Sappho Fragments: VI. Untitled | | | | | | | |
| Entr'actes and Sappho Fragments: VII. Cantus I | | | | | | | |
| Entr'actes and Sappho Fragments: XI. Cantus III | | | | | | | |
| Entr'actes and Sappho Fragments: XIII. Cantus IV | | | | | | | |
| Entr'actes and Sappho Fragments: XIV. Cantus V | | | | | | | |
| Four Songs to e.e. cummings: !Blac | | | | | | | |
| Four Songs to e.e. cummings: (Moan) | | | | | | | |
| Four Songs to e.e. cummings: (Sitting in a Tree) | | | | | | | |
| Four Songs to e.e. cummings: Air | | | | | | | |
| Glaubst du an die Unsterblichkeit der Seele | | - Schönberg Ensemble, Asko Ensemble, Reinbert de Leeuw
- Schönberg Ensemble, Asko Ensemble, Reinbert de Leeuw, Susan Narucki, Claron McFadden, Tomoko Makuuchi, Lani Poulson, José Scholte, Helena Rasker, Terence Mierau, John van Halteren, Charles Hens, Richard Lloyd-Morgan, James Ottaway, Harry van der Kamp, Johan Leysen
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| Herbstlied | | | | Song | | | |
| I Got Rhythm | | | | Song | | | |
| Journey to the End of the Night: I | | | | | | | |
| Journey to the End of the Night: II | | | | | | | |
| Journey to the End of the Night: III | | | | | | | |
| Journey to the End of the Night: IV | | | | | | | |
| King Arthur, Z. 628: Act II. "Come follow me" | | - François Bazola, Richard Duguay, Mhairi Lawson, Violaine Lucas, Claron McFadden, Jean-Marie Puissant, Jean-Yves Ravoux, Carys Lloyd Roberts, Les Arts Florissants
- Henry Purcell; Sir John Eliot Gardiner, Monteverdi Choir & English Baroque Soloists
- Vox Luminis, Caroline Weynants
- Jean Knibbs, Nigel Beavan,Honor Sheppard, Mark Deller, Paul Elliott, Maurice Bevan, Deller Choir
- Le Concert Spirituel, Véronique Gens, Hervé Niquet
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| King Arthur, Z. 628: Act II. "Hither this way" | | | | | | | |
| King Arthur, Z. 628: Act IV. "Two daughters of this aged stream" | | | | | | | |
| King Arthur, Z.628, Act V: "Saint George, the Patron of Our Isle" | | | | | | | |
| Kopernikus, opéra rituel de mort : Acte I | | - Schönberg Ensemble, Asko Ensemble, Reinbert de Leeuw, Claron McFadden, Tomoko Makuuchi, Marion van den Akker, Lani Poulson, Karl Daymond, Richard Lloyd-Morgan, Harry van der Kamp, Johan Leysen, Marijke van Kooten, Marieke Schut, Ermo Hartsuijker, Hans Colbers, Harry Sparnaay, Hendrik Jan Lindhout, Toon van Ulsen, Peppie Wiersma
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| Kopernikus, opéra rituel de mort : Acte II | | - Schönberg Ensemble, Asko Ensemble, Reinbert de Leeuw, Claron McFadden, Tomoko Makuuchi, Marion van den Akker, Lani Poulson, Karl Daymond, Richard Lloyd-Morgan, Harry van der Kamp, Johan Leysen, Marijke van Kooten, Marieke Schut, Ermo Hartsuijker, Hans Colbers, Harry Sparnaay, Hendrik Jan Lindhout, Toon van Ulsen, Peppie Wiersma
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| L'anima Del Filosofo (Orfeo Ed Euridice), Hob. 28:13 / Act III / Al Tuo Seno Fortunato (Aria - Genio) | | - Joseph Haydn
- Claron McFadden, La Stagione Frankfurt, Michael Schneider
- Azuko Suzuki, Chor des Bayerischen Rundfunks, Helen Donath, Sylvia Greenberg, Paul Hansen, Thomas Quasthoff, Robert Swensen, Münchner Rundfunkorchester, Leopold Hager
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| L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 3. Air “Come, Thou Goddess Fair and Free” (L’Allegro) | | | | | | | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 10. Recitative “Hence, Loathed Melancholy!” (L’Allegro) | | | | | | | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 11. Air “Mirth, Admit Me of Thy Crew” (L’Allegro) | | | | | | | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 20. Air “Straight Mine Eye Hath Caught New Pleasures” (L’Allegro) | | | | | | | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 22. Air & Chorus “Or Let the Merry Bells Ring Round” (L’Allegro, Chorus) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Claron McFadden, Choir of the King’s Consort, The King’s Consort, Robert King
- Choir of the King’s Consort, Claron McFadden, The King’s Consort, Roy Goodman
- Collegium Cartusianum, Peter Neumann
- Leo Jemison, Les Arts Florissants, William Christie
| | | | | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 32. Air “And Ever Against Eating Cares” (L’Allegro) | | | | | | | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55: Part II, no. 33. Air “Orpheus’ Self May Heave His Head” (L’Allegro) | | | | | | | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55: Part III, no. 43. Air “Come, With Gentle Hand Restrain” (Il Moderato) | | | | | | | |
| La Verita | | | | Song | | | |
| Leggiarde ninfe | | | | Song | | | |
| Les Indes galantes: Acte IV "Les Sauvages" | | | | | | | |
| Les Indes galantes: Prologue | | | | | | | |
| Liebe | | | | Song | | | |
| Lied der Spinnerin | | | | Song | | | |
| Mandoline | | | | Song | | | |
| My Life Without Me | | | | | | | |
| Nähe des Geliebten | | | | Song | | | |
| Nine Settings of Lorine Niedecker: I. | | | | | | | |
| Nine Settings of Lorine Niedecker: II. | | | | | | | |
| Nine Settings of Lorine Niedecker: III. | | | | | | | |
| Nine Settings of Lorine Niedecker: IV. | | | | | | | |
| Nine Settings of Lorine Niedecker: IX. For Amelia | | | | | | | |
| Nine Settings of Lorine Niedecker: V. | | | | | | | |
| Nine Settings of Lorine Niedecker: VI. | | | | | | | |
| Nine Settings of Lorine Niedecker: VII. | | | | | | | |
| Nine Settings of Lorine Niedecker: VIII. | | | | | | | |
| On the Sheltering Bars: A Big Event | | | | | | | |
| On the Sheltering Bars: After Love | | | | | | | |
| On the Sheltering Bars: At 3am | | | | | | | |
| On the Sheltering Bars: Fire Roses | | | | | | | |
| On the Sheltering Bars: I Suspect | | | | | | | |
| On the Sheltering Bars: My Bed | | | | | | | |
