... Not Being Sundered | Claron McFadden, Anne La Berge, Frances‐Marie Uitti | | | 1:32 | |
“So You Want To Write A Fugue?” | Glenn Gould, Marie-Thérèse Keller, Jean-Paul Fouchécourt, Harry van der Kamp, Bruno Monsaingeon, Gilles Apap, Gérard Caussé, Alain Meunier & Nicolas Rivenq | | | 5:41 | |
A che congiuri | Claron McFadden, Bart van Oort | | | 4:21 | |
Acis and Galatea, HWV 49a: Part One: Accompagnato “Ye Verdant Plains and Woody Mountains” (Galatea) | Claron McFadden, The King’s Consort, Robert King | | | 0:48 | |
Acis and Galatea, HWV 49a: Part One: Air “As When the Dove” (Galatea) | Claron McFadden, The King’s Consort, Robert King | | | 6:30 | |
Acis and Galatea, HWV 49a: Part One: Air “Hush, Ye Pretty Warbling Quire!” (Galatea) | Claron McFadden, The King’s Consort, Robert King | | | 6:08 | |
Acis and Galatea, HWV 49a: Part One: Chorus “Oh, the Pleasure of the Plains!” | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | | | 5:50 | |
Acis and Galatea, HWV 49a: Part One: Duet “Happy We!” (Galatea & Acis) | John Mark Ainsley, Claron McFadden, The King’s Consort, Robert King | | | 2:45 | |
Acis and Galatea, HWV 49a: Part One: Recitative “Oh! Didst Thou Know the Pains of Absent Love” (Galatea) | Claron McFadden, The King’s Consort, Robert King | | | 0:18 | |
Acis and Galatea, HWV 49a: Part Two: Air “Heart, the Seat of Soft Delight” (Galatea) | Claron McFadden, The King’s Consort, Robert King | | | 4:04 | |
Acis and Galatea, HWV 49a: Part Two: Chorus “Galatea, Dry Thy Tears” | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | | | 3:29 | |
Acis and Galatea, HWV 49a: Part Two: Chorus “Mourn, All Ye Muses! Weep, All Ye Swains!” | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | | | 3:09 | |
Acis and Galatea, HWV 49a: Part Two: Chorus “Wretched Lovers! Fate Has Passed” | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | | | 3:57 | |
Acis and Galatea, HWV 49a: Part Two: Chorus & Solo “Must I My Acis Still Bemoan?” (Galatea) | John Mark Ainsley, Rogers Covey‐Crump, Michael George, Robert Harre-Jones, Claron McFadden, The King’s Consort, Robert King | | | 4:12 | |
Acis and Galatea, HWV 49a: Part Two: Recitative “’Tis Done, Thus I Exert My Pow’r Divine” (Galatea) | Claron McFadden, The King’s Consort, Robert King | | | 0:24 | |
Acis and Galatea, HWV 49a: Part Two: Recitative “Cease, O Cease, Thou Gentle Youth” (Galatea) | Claron McFadden, The King’s Consort, Robert King | | | 0:26 | |
Acis and Galatea, HWV 49a: Part Two: Recitative “Whither, Fairest, Art Thou Running?” (Polyphemus & Galatea) | Michael George, Claron McFadden, The King’s Consort, Robert King | | | 0:57 | |
Acis and Galatea, HWV 49a: Part Two: Trio “The Flocks Shall Leave the Mountains” (Galatea, Acis & Polyphemus) | John Mark Ainsley, Michael George, Claron McFadden, The King’s Consort, Robert King | | | 2:30 | |
An die Entfernte | Claron McFadden, Bart van Oort | | | 5:42 | |
An Sie | Claron McFadden, Bart van Oort | | | 3:02 | |
Ascanio in Alba, K. 111: Act I, Scene III. No. 8 Aria "Se il labbro più non dice" (Fauno) | Claron McFadden, Musica ad Rhenum, Jed Wentz | | | 4:35 | |
Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Ma qual canto risona?" (Ascanio & Fauno) | Maaike Beekman, Claron McFadden, Musica ad Rhenum, Jed Wentz | | | 1:17 | |
Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Ma tu, chi sei" (Fauno & Ascanio) | Maaike Beekman, Claron McFadden, Musica ad Rhenum, Jed Wentz | | | 2:10 | |
Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Quanto soavi al core" (Ascanio & Fauno) | Maaike Beekman, Claron McFadden, Musica ad Rhenum, Jed Wentz | | | 2:03 | |
Ascanio in Alba, K. 111: Act II, Scene III. No. 21 Aria "Dal tuo gentil sembiante" (Fauno) | Claron McFadden, Musica ad Rhenum, Jed Wentz | | | 10:52 | |
Ascanio in Alba, K. 111: Act II, Scene III. Recitativo "Silvia, ove sei?" (Silvia, Ascanio, Fauno) | Maaike Beekman, Claron McFadden, Nicola Wemyss, Musica ad Rhenum, Jed Wentz | | | 4:17 | |
Bachianas Brasileiras no. 5: Aria (Cantilena) | Claron McFadden, Cello Octet Conjunto Ibérico, Elias Arizcuren | | | 6:43 | |
Bachianas Brasileiras no. 5: Dansa (Martelo) | Claron McFadden, Cello Octet Conjunto Ibérico, Elias Arizcuren | | | 5:18 | |
Brindisi (From “La Traviata” by Guiseppe Verdi) | Mike del Ferro, Claron McFadden, Metropole Orkest | | | 5:55 | |
By Strauss | Claron McFadden, Anima Eterna Brugge, Jos van Immerseel | | | 2:37 | |
Canticle of the Mother of God | Taverner Consort Choir, Andrew Parrott, Claron McFadden | | | 12:42 | |
Cantilena pro Adventu "Ein' Magd, ein' Dienerin" | Claron McFadden, SWR Rundfunkorchester Kaiserslautern, Paul Goodwin | | | 7:32 | |
Canzone 3. Utinam | Claron McFadden, Ronald Brautigam | | | 3:11 | |
Cinco canciones negras: No. 1. Cuba dentro de un piano | Claron McFadden, Cello Octet Conjunto Ibérico, Elias Arizcuren | | | 5:08 | |
Cinco canciones negras: No. 2. Punto de habanera | Claron McFadden, Cello Octet Conjunto Ibérico, Elias Arizcuren | | | 1:58 | |
Cinco canciones negras: No. 3. Chèvre | Claron McFadden, Cello Octet Conjunto Ibérico, Elias Arizcuren | | | 2:25 | |
Cinco canciones negras: No. 4. Canción de cuna para dormir a un negrito | Claron McFadden, Cello Octet Conjunto Ibérico, Elias Arizcuren | | | 2:56 | |
Cinco canciones negras: No. 5. Canto negro | Claron McFadden, Cello Octet Conjunto Ibérico, Elias Arizcuren | | | 1:17 | |
Come raggio di sol | Claron McFadden, Leo van Doeselaar | | | 3:13 | |
Das Täubchen | Claron McFadden, Bart van Oort | | | 4:16 | |
Das Veilchen im Mai | Claron McFadden, Bart van Oort | | | 1:15 | |
Die Abschiedsträne | Claron McFadden, Bart van Oort | | | 4:20 | |
Die Liebeserklärung | Claron McFadden, Bart van Oort | | | 2:52 | |
Die Natur | Claron McFadden, Bart van Oort | | | 6:16 | |
Dolce speme, del ciel dono | Claron McFadden, Bart van Oort | | | 4:23 | |
E Luceby Le Stelle (From “Tosca” by Giacomo Puccini) | Mike del Ferro, Claron McFadden, Metropole Orkest | | | 6:12 | |
Entr'actes and Sappho Fragments: IX. Cantus II | Claron McFadden, Nash Ensemble | | | 1:02 | |
Entr'actes and Sappho Fragments: VI. Untitled | Claron McFadden, Nash Ensemble | | | 1:52 | |
Entr'actes and Sappho Fragments: VII. Cantus I | Claron McFadden, Nash Ensemble | | | 1:32 | |
Entr'actes and Sappho Fragments: XI. Cantus III | Claron McFadden, Nash Ensemble | | | 0:50 | |
Entr'actes and Sappho Fragments: XIII. Cantus IV | Claron McFadden, Nash Ensemble | | | 3:07 | |
Entr'actes and Sappho Fragments: XIV. Cantus V | Claron McFadden, Nash Ensemble | | | 3:43 | |
Four Songs to e.e. cummings: !Blac | The Barton Workshop, James Fulkerson, Claron McFadden | | | 0:42 | |
Four Songs to e.e. cummings: (Moan) | The Barton Workshop, James Fulkerson, Claron McFadden | | | 0:45 | |
Four Songs to e.e. cummings: (Sitting in a Tree) | The Barton Workshop, James Fulkerson, Claron McFadden | | | 1:16 | |
Four Songs to e.e. cummings: Air | The Barton Workshop, James Fulkerson, Claron McFadden | | | 0:31 | |
Funiculí Funiculá | Mike del Ferro, Claron McFadden, Metropole Orkest | | | 6:34 | |
Glaubst du an die Unsterblichkeit der Seele | Schönberg Ensemble, Asko Ensemble, Reinbert de Leeuw, Susan Narucki, Claron McFadden, Tomoko Makuuchi, Lani Poulson, José Scholte, Helena Rasker, Terence Mierau, John van Halteren, Charles Hens, Richard Lloyd-Morgan, James Ottaway, Harry van der Kamp, Johan Leysen | | | 8:04 | |
Herbstlied | Claron McFadden, Bart van Oort | | | 3:38 | |
I Got Rhythm | Claron McFadden, Anima Eterna Brugge, Jos van Immerseel | | | 4:06 | |
Il Trionfo del Tempo e della Verita: Beauty and Pleasure | Claron McFadden, Elisabeth Scholl, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | | | 6:07 | |
Journey to the End of Night: I | The Barton Workshop, James Fulkerson, Claron McFadden | | | 2:12 | |
Journey to the End of Night: II | The Barton Workshop, James Fulkerson, Claron McFadden | | | 1:12 | |
Journey to the End of Night: III | The Barton Workshop, James Fulkerson, Claron McFadden | | | 1:07 | |
Journey to the End of Night: IV | The Barton Workshop, James Fulkerson, Claron McFadden | | | 2:37 | |
King Arthur: Act II. "Come, follow me" | François Bazola, Richard Duguay, Mhairi Lawson, Violaine Lucas, Claron McFadden, Jean-Marie Puissant, Jean-Yves Ravoux, Carys Lloyd Roberts, Les Arts Florissants | | | 2:22 | |
King Arthur: Act II. "Hither, this way, this way bend" | Claron McFadden, Les Arts Florissants | | | 2:06 | |
King Arthur: Act IV. "Two daughters of this aged stream are we" | Claron McFadden, Sandrine Piau, Les Arts Florissants | | | 2:31 | |
King Arthur: Act V. "Saint George" | Claron McFadden, Les Arts Florissants | | | 2:06 | |
Königin de Nacht | The Konrad Koselleck Bigband & Claron McFadden | | | 5:19 | |
Kopernikus, opéra rituel de mort : Part 1 | Schönberg Ensemble, Asko Ensemble, Reinbert de Leeuw, Claron McFadden, Tomoko Makuuchi, Marion van den Akker, Lani Poulson, Karl Daymond, Richard Lloyd-Morgan, Harry van der Kamp, Johan Leysen, Marijke van Kooten, Marieke Schut, Ermo Hartsuijker, Hans Colbers, Harry Sparnaay, Hendrik Jan Lindhout, Toon van Ulsen, Peppie Wiersma | | | 39:22 | |
Kopernikus, opéra rituel de mort : Part 2 | Schönberg Ensemble, Asko Ensemble, Reinbert de Leeuw, Claron McFadden, Tomoko Makuuchi, Marion van den Akker, Lani Poulson, Karl Daymond, Richard Lloyd-Morgan, Harry van der Kamp, Johan Leysen, Marijke van Kooten, Marieke Schut, Ermo Hartsuijker, Hans Colbers, Harry Sparnaay, Hendrik Jan Lindhout, Toon van Ulsen, Peppie Wiersma | | | 21:37 | |
L'allegro il Penseroso ed il Moderato: "Or Let the Merry Bells Round" | Choir of the King’s Consort, Claron McFadden, The King’s Consort, Roy Goodman | | | 4:33 | |
L'Allegro, il Penseroso ed il Moderato: Part One. Air "Come, thou goddess fair and free" | Claron McFadden, The King’s Consort, Robert King | | | 1:30 | |
L'Allegro, il Penseroso ed il Moderato: Part One. Air "Mirth, admin me of thy crew" | Claron McFadden, The King’s Consort, Robert King | | | 3:40 | |
L'Allegro, il Penseroso ed il Moderato: Part One. Air "Straight mine eye hath caught new pleasures" | Claron McFadden, The King’s Consort, Robert King | | | 2:29 | |
L'Allegro, il Penseroso ed il Moderato: Part One. Air & Chorus "Or let the merry bells ring round" | Claron McFadden, Choir of the King’s Consort, The King’s Consort, Robert King | | | 4:40 | |
L'Allegro, il Penseroso ed il Moderato: Part One. Recitative "Hence, loathed Melancholy!" | Paul Agnew, Claron McFadden, The King’s Consort, Robert King | | | 0:29 | |
L'Allegro, il Penseroso ed il Moderato: Part Three. Air "Come, with gentle hand restrain" | Claron McFadden, The King’s Consort, Robert King | | | 1:45 | |
L'Allegro, il Penseroso ed il Moderato: Part Two. Air "And ever against eating cares" | Claron McFadden, The King’s Consort, Robert King | | | 2:51 | |
L'Allegro, il Penseroso ed il Moderato: Part Two. Air "Orpheus' self may heave his head" | Claron McFadden, The King’s Consort, Robert King | | | 2:30 | |
L'anima Del Filosofo (Orfeo Ed Euridice), Hob. 28:13 / Act III / Al Tuo Seno Fortunato (Aria - Genio) | Claron McFadden, La Stagione Frankfurt, Michael Schneider | | | 6:54 | |
La Donna È Mobile (From “Rigoletto” by Giuseppe Verdi) | Mike del Ferro, Claron McFadden, Metropole Orkest | | | 4:20 | |
La Verita | Claron McFadden, Bart van Oort | | | 4:43 | |
Leggiarde ninfe | Claron McFadden, Bart van Oort | | | 2:27 | |
Les Indes galantes : Nouvelle entrée (Les Sauvages), Scène 2. "L'inconstance ne doit blesser" / Scène 3. "Nous suivons sur nos bords" | Bernard Deletré, Claron McFadden, Howard Crook, Les Arts Florissants, William Christie | | | 3:41 | |
Les Indes galantes : Nouvelle entrée (Les Sauvages), Scène 3. "L'habitant des bords de la Seine" | Nicolas Rivenq, Bernard Deletré, Claron McFadden, Les Arts Florissants, William Christie | | | 2:40 | |
Les Indes galantes : Nouvelle entrée (Les Sauvages), Scène 3. "La terre, les cieux et les mers" / "Le cœurs change à son gré" | Claron McFadden, Howard Crook, Les Arts Florissants, William Christie | | | 2:21 | |
Les Indes galantes : Nouvelle entrée (Les Sauvages), Scène 4. Prélude, qui annonce la fête | Nicolas Rivenq, Bernard Deletré, Claron McFadden, Howard Crook, Les Arts Florissants, William Christie | | | 2:02 | |
Les Indes galantes : Nouvelle entrée (Les Sauvages), Scène 5. "Sur nos bords l'amour vole" / "Hymen, viens nous unir" | Nicolas Rivenq, Claron McFadden, Les Arts Florissants, William Christie | | | 3:03 | |
Les Indes galantes : Nouvelle entrée (Les Sauvages), Scène 6. "Forêts paisibles" | Nicolas Rivenq, Claron McFadden, Les Arts Florissants, William Christie | | | 2:31 | |
Les Indes galantes : Nouvelle entrée (Les Sauvages), Scène 6. Prélude / "Régnez, Plaisirs et Jeux" | Claron McFadden, Les Arts Florissants, William Christie | | | 3:16 | |
Les Indes galantes : Prologue, Scène 1. "Vous, qui d'hébé" | Claron McFadden, Les Arts Florissants, William Christie | | | 3:46 | |
Les Indes galantes : Prologue, Scène 2. "Amants sûrs de plaire" | Claron McFadden, Les Arts Florissants, William Christie | | | 3:25 | |
Les Indes galantes : Prologue, Scène 2. "Musettes, résonnez" | Claron McFadden, Les Arts Florissants, William Christie | | | 3:39 | |
Les Indes galantes : Prologue, Scène 4. Hébé et sa suite / Scène 5. L'Amour et sa suite, Hébé / "Pour remplacer les cœurs" / "Ranimez vos flambeaux" | Claron McFadden, Isabelle Poulenard, Les Arts Florissants, William Christie | | | 4:52 | |
Les Indes galantes : Prologue, Scène 5. "Traversez les plus vastes mers" | Claron McFadden, Isabelle Poulenard, Les Arts Florissants, William Christie | | | 3:59 | |
Les Indes galantes: Danse du grand calumet de la paix / Fôrets paisibles | Les Arts Florissants, Claron McFadden, Nicolas Rivenq, William Christie | | | 4:37 | |
Liebe | Claron McFadden, Bart van Oort | | | 4:34 | |
Lieberson Madrigal: I. Chorale | Claron McFadden, Marie-Thérèse Keller, Jean-Paul Fouchécourt, Harry van der Kamp, Emile Naoumoff & Nicolas Rivenq | | | 0:58 | |