| vocals |
---|
1961 | Love, Look Away | | Marilyn Horne and Orchestra | 2:26 |
1963-07 | Giulio Cesare: Act I. "Priva son d'ogni conforti" (Cornelia) | mezzo-soprano vocals | Marilyn Horne, London Symphony Orchestra, Richard Bonynge | 4:55 |
1964-05-08 – 1964-05-12 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro assai – Andante maestoso – Allegro energico, sempre ben marcato | mezzo-soprano vocals | Joan Sutherland, Marilyn Horne, James King, Martti Talvela, Wiener Philharmoniker, Hans Schmidt‐Isserstedt | 25:46 |
1964-07-14 | Norma: Atto II. “ Mira, o Norma” … “Sì fino all’ore estreme” | mezzo-soprano vocals | Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 7:57 |
1964 | L'Italiana in Algeri: Cruda Sorte! | mezzo-soprano vocals | Marilyn Horne | 4:49 |
1964 | La Cenerentola: Nacqui All'affanno... Non Piu Mesta | mezzo-soprano vocals | Marilyn Horne | 7:35 |
1964 | Norma: “Mira, o Norma” … “Sì, fino all’ore estreme” | mezzo-soprano vocals [Adalgisa] | Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 7:57 |
1964 | Norma: Atto I, scena 1. “Deh! proteggimi, o Dio!“ (Adalgisa) | mezzo-soprano vocals [Adalgisa] | Marilyn Horne, London Symphony Orchestra, Richard Bonynge | 2:12 |
1964 | Norma: Atto I, scena 1. “Eccola! va, mi lascia, ragion non odo” (Pollione, Adalgisa) | mezzo-soprano vocals [Adalgisa] | John Alexander, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | 1:38 |
1964 | Norma: Atto I, scena 1. “Sgombra è la sacra selva, compuito il rito” (Adalgisa) | mezzo-soprano vocals [Adalgisa] | John Alexander, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | 4:08 |
1964 | Norma: Atto I, scena 1. “Va, crudele, al Dio spietato” (Pollione, Adalgisa) | mezzo-soprano vocals [Adalgisa] | John Alexander, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | 8:55 |
1964 | Norma: Atto I, scena 2. “Adalgisa!” (Norma, Adalgisa) | mezzo-soprano vocals [Adalgisa] | Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 3:56 |
1964 | Norma: Atto I, scena 2. “Ah! si, fa core, abbracciami” (Norma, Adalgisa) | mezzo-soprano vocals [Adalgisa] | Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 4:16 |
1964 | Norma: Atto I, scena 2. “Ma di', l'amato quale fra noi si noma?” (Norma, Adalgisa, Pollione) | mezzo-soprano vocals [Adalgisa] | John Alexander, Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 1:31 |
1964 | Norma: Atto I, scena 2. “Norma! de' tuoi rimproveri” (Norma, Adalgisa, Pollione) | mezzo-soprano vocals [Adalgisa] | John Alexander, Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 3:04 |
1964 | Norma: Atto I, scena 2. “Oh non tremare” (Norma, Adalgisa, Pollione) | mezzo-soprano vocals [Adalgisa] | John Alexander, Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 1:40 |
1964 | Norma: Atto I, scena 2. “Oh! di qual sei tu vittima” (Norma, Adalgisa, Pollione) | mezzo-soprano vocals [Adalgida] | John Alexander, Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 1:23 |
1964 | Norma: Atto I, scena 2. “Oh! qual traspare orribile” (Norma, Adalgisa, Pollione) | mezzo-soprano vocals [Adalgisa] | John Alexander, Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 1:21 |
1964 | Norma: Atto I, scena 2. “Oh! rimembranza!” (Norma, Adalgisa) | mezzo-soprano vocals [Adalgisa] | Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 4:51 |
1964 | Norma: Atto I, scena 2. “Perfido!” (Norma, Adalgisa, Pollione) | mezzo-soprano vocals [Adalgisa] | John Alexander, Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 1:23 |
1964 | Norma: Atto I, scena 2. “Vanne, si: mi lascia, indegno” (Norma, Pollione, Adalgisa, coro) | mezzo-soprano vocals [Adalgisa] | John Alexander, Marilyn Horne, London Symphony Chorus, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 2:54 |
1964 | Norma: Atto II, scena 1. “Deh! con te, con te li prendi” (Adalgisa, Norma) | mezzo-soprano vocals [Adalgisa] | Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 3:56 |
1964 | Norma: Atto II, scena 1. “Mi chiami, o Norma!” (Adalgisa, Norma) | mezzo-soprano vocals [Adalgisa] | Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 2:36 |
1964 | Norma: Atto II, scena 1. “Mira, o Norma” (Adalgisa, Norma) | mezzo-soprano vocals [Adalgisa] | Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 5:39 |
1964 | Norma: Atto II, scena 1. “Si, fino all'ore estreme” (Adalgisa, Norma) | mezzo-soprano vocals [Adalgisa] | Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 2:14 |
1965-12 | Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto – Allegro assai (excerpt) | mezzo-soprano vocals | Marilyn Horne, James King, Konzertvereinigung Wiener Staatsopernchor, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Hans Schmidt‐Isserstedt | 2:55 |
1965 | Semiramide: Bel Raggio Lusinghier | mezzo-soprano vocals | Marilyn Horne | 6:59 |
1965 | Tancredi: Di Tanti Palpiti | mezzo-soprano vocals | Marilyn Horne | 2:53 |
1966-01-13 | Semiramide: Atto I. “Alle più calde immagini” | mezzo-soprano vocals | Marilyn Horne, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 3:56 |
1966 | Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum" | contralto vocals | Elly Ameling, Ugo Benelli, Tugomir Franc, Marilyn Horne, Wiener Philharmoniker, István Kertész | 3:50 |
1966 | Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare" | contralto vocals | Elly Ameling, Ugo Benelli, Tugomir Franc, Marilyn Horne, Wiener Philharmoniker, István Kertész | 5:53 |
1966 | Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu" | contralto vocals | Wilhelm Pitz, Elly Ameling, Ugo Benelli, Tugomir Franc, Marilyn Horne, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, István Kertész | 4:12 |
1966 | Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus" | contralto vocals | Wilhelm Pitz, Elly Ameling, Ugo Benelli, Tugomir Franc, Marilyn Horne, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, István Kertész | 5:16 |
1967-10-13 | Carmen : Habanera « L'amour est un oiseau rebelle » | mezzo-soprano vocals [Carmen] | Marilyn Horne, Orchester der Wiener Staatsoper, Henry Lewis | 4:14 |
1967-10-13 | Samson & Delilah : « Mon cœur s'ouvre à ta voix » | mezzo-soprano vocals [Dalila] | Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis | 6:30 |
1967-10-18 – 1967-10-28 | Messa da requiem: Agnus Dei | mezzo-soprano vocals | Chor der Wiener Staatsoper, Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 4:57 |
1967-10-18 – 1967-10-28 | Messa da requiem: Dies Irae: Lacrimosa | mezzo-soprano vocals | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 6:00 |
1967-10-18 – 1967-10-28 | Messa da requiem: Dies Irae: Liber scriptus | mezzo-soprano vocals | Chor der Wiener Staatsoper, Marilyn Horne, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 4:59 |
1967-10-18 – 1967-10-28 | Messa da requiem: Dies Irae: Quid sum miser | mezzo-soprano vocals | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 3:44 |
1967-10-18 – 1967-10-28 | Messa da requiem: Dies Irae: Recordare | mezzo-soprano vocals | Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 4:03 |
1967-10-18 – 1967-10-28 | Messa da requiem: Dies Irae: Rex tremendae | mezzo-soprano vocals | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 3:42 |
1967-10-18 – 1967-10-28 | Messa da requiem: Offertorium: Domine, Jesu Christe | mezzo-soprano vocals | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 4:21 |
1967-10-18 – 1967-10-28 | Messa da requiem: Requiem aeternam & Kyrie | mezzo-soprano vocals | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 9:12 |
1967-10-28 | Messa da Requiem: 2g. Recordare | mezzo-soprano vocals | Marilyn Horne, Joan Sutherland, Wiener Philharmoniker, Sir Georg Solti | 4:10 |
1967-10 | Agnus Dei | mezzo-soprano vocals and solo | Chor der Wiener Staatsoper, Marilyn Horne, Joan Sutherland, Wiener Philharmoniker, Sir Georg Solti | 4:53 |
1967-10 | Dies Irae (Concl.) | mezzo-soprano vocals and solo | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 22:40 |
1967-10 | Dies Irae, Part 1 | mezzo-soprano vocals and solo | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 14:05 |
1967-10 | Lux Aeterna | mezzo-soprano vocals and solo | Marilyn Horne, Luciano Pavarotti, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 6:42 |
1967-10 | Messa da Requiem: I. Requiem. Requiem aeternam – Kyrie | mezzo-soprano vocals | Marilyn Horne, Konzertvereinigung Wiener Staatsopernchor, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 9:10 |
1967-10 | Messa da requiem: IId. Dies irae: Liber scriptus | mezzo-soprano vocals | Marilyn Horne, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | 4:58 |
1967-10 | Messa da requiem: IIe. Dies irae: Quid sum miser | mezzo-soprano vocals | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Wiener Philharmoniker, Sir Georg Solti | 3:42 |
1967-10 | Messa da requiem: IIf. Dies irae: Rex tremendae | mezzo-soprano vocals | Marilyn Horne, Konzertvereinigung Wiener Staatsopernchor, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 3:41 |
1967-10 | Messa da requiem: IIg. Dies irae: Recordare | mezzo-soprano vocals | Marilyn Horne, Joan Sutherland, Wiener Philharmoniker, Sir Georg Solti | 4:03 |
1967-10 | Messa da requiem: III. Offertorium - 1. Domine Jesu Christe | mezzo-soprano vocals | Marilyn Horne, Konzertvereinigung Wiener Staatsopernchor, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 4:20 |
1967-10 | Messa da requiem: III. Offertorium - 2. Hostias | mezzo-soprano vocals | Marilyn Horne, Konzertvereinigung Wiener Staatsopernchor, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 5:56 |
1967-10 | Messa da requiem: IIj. Dies irae: Lacrimosa | mezzo-soprano vocals | Marilyn Horne, Konzertvereinigung Wiener Staatsopernchor, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 6:00 |
1967-10 | Messa da requiem: Lux aeterna | mezzo-soprano vocals | Marilyn Horne, Luciano Pavarotti, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 6:40 |
1967-10 | Messa da requiem: V. Agnus dei | mezzo-soprano vocals | Marilyn Horne, Konzertvereinigung Wiener Staatsopernchor, Joan Sutherland, Wiener Philharmoniker, Sir Georg Solti | 4:57 |
1967-10 | Messa da requiem: VI. Lux aeterna | mezzo-soprano vocals | Marilyn Horne, Luciano Pavarotti, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 6:42 |
1967-10 | Offertorio | mezzo-soprano vocals and solo | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 10:08 |
1967-10 | Requiem | mezzo-soprano vocals and solo | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | 9:05 |
1967-10 | Samson et Dalila : Acte II. « Mon cœur s'ouvre à ta voix » (Softly Awakes My Heart) | mezzo-soprano vocals | Marilyn Horne, The Vienna Opera Orchestra, Henry Lewis | 6:30 |
1967-10 | Schlafe, mein Liebster (Christmas Oratorio) | mezzo-soprano vocals | Marilyn Horne, Vienna Cantata Orchestra, Henry Lewis | 9:56 |
1967 | Requiem: “Recordare” | mezzo-soprano vocals | Marilyn Horne, Joan Sutherland, Wiener Philharmoniker, Sir Georg Solti | 4:05 |
1967 | Rodelinda: “Dove sei (Art thou troubled)“ | mezzo-soprano vocals | Marilyn Horne | 6:52 |
1968-05-29 | L’italiana in Algeri: Atto 1. “Ai capricci della sorte” | mezzo-soprano vocals [Isabella] | Marilyn Horne, Walter Monachesi, Orchestra di Torino della RAI, Carlo Franci | 6:40 |
1968-05-29 | L’italiana in Algeri: Atto 1. “Cruda sorte! Amor tiranno!” | mezzo-soprano vocals [Isabella] | Marilyn Horne, Guido Mazzini, Walter Monachesi, Orchestra di Torino della RAI, Carlo Franci | 4:38 |
1968-05-29 | L’italiana in Algeri: Atto 1. “Dite: chi è quella femmina?” | mezzo-soprano vocals [Isabella] | Piero Bottazzo, Rosina Cavicchioli, Marilyn Horne, Guido Mazzini, Walter Monachesi, Mario Petri, Giuliana Tavolaccini, Orchestra di Torino della RAI, Carlo Franci | 5:11 |
1968-05-29 | L’italiana in Algeri: Atto 1. “Già ci siam. Tanto fa” | mezzo-soprano vocals [Isabella] | Marilyn Horne, Guido Mazzini, Walter Monachesi, Orchestra di Torino della RAI, Carlo Franci | 1:13 |
1968-05-29 | L’italiana in Algeri: Atto 1. “Oh! che muso, che figura!…” | mezzo-soprano vocals [Isabella] | Marilyn Horne, Mario Petri, Orchestra di Torino della RAI, Carlo Franci | 4:18 |
1968-05-29 | L’italiana in Algeri: Atto 1. “Pria di dividerci da voi” | mezzo-soprano vocals [Isabella] | Piero Bottazzo, Rosina Cavicchioli, Marilyn Horne, Guido Mazzini, Walter Monachesi, Mario Petri, Giuliana Tavolaccini, Orchestra di Torino della RAI, Carlo Franci | 3:44 |
1968-05-29 | L’italiana in Algeri: Atto 1. “Viva, viva il flagel delle donne” | mezzo-soprano vocals [Isabella] | Marilyn Horne, Guido Mazzini, Walter Monachesi, Mario Petri, Coro di Torino della RAI, Orchestra di Torino della RAI, Carlo Franci | 2:33 |
1968-05-29 | L’italiana in Algeri: Atto 1. “Vo’ star con mia nipote” | mezzo-soprano vocals [Isabella] | Marilyn Horne, Guido Mazzini, Walter Monachesi, Mario Petri, Orchestra di Torino della RAI, Carlo Franci | 2:15 |
1968-05-29 | L’italiana in Algeri: Atto 2. “Amici, in ogni evento” | mezzo-soprano vocals [Isabella] | Marilyn Horne, Coro di Torino della RAI, Orchestra di Torino della RAI, Carlo Franci | 1:37 |
1968-05-29 | L’italiana in Algeri: Atto 2. “Dei Pappataci s’avanza il coro” | mezzo-soprano vocals [Isabella] | Piero Bottazzo, Marilyn Horne, Walter Monachesi, Mario Petri, Coro di Torino della RAI, Orchestra di Torino della RAI, Carlo Franci | 3:13 |
1968-05-29 | L’italiana in Algeri: Atto 2. “Ehi! …Caffè…” | mezzo-soprano vocals [Isabella] | Piero Bottazzo, Marilyn Horne, Walter Monachesi, Mario Petri, Giuliana Tavolaccini, Orchestra di Torino della RAI, Carlo Franci | 3:08 |
1968-05-29 | L’italiana in Algeri: Atto 2. “Non sei tu che il grado eletto” | mezzo-soprano vocals [Isabella] | Piero Bottazzo, Marilyn Horne, Walter Monachesi, Mario Petri, Coro di Torino della RAI, Orchestra di Torino della RAI, Carlo Franci | 5:18 |
1968-05-29 | L’italiana in Algeri: Atto 2. “Pensa alla patria” | mezzo-soprano vocals [Isabella] | Marilyn Horne, Coro di Torino della RAI, Orchestra di Torino della RAI, Carlo Franci | 6:28 |
1968-05-29 | L’italiana in Algeri: Atto 2. “Per lui che adoro” | mezzo-soprano vocals [Isabella] | Piero Bottazzo, Marilyn Horne, Walter Monachesi, Mario Petri, Orchestra di Torino della RAI, Carlo Franci | 6:39 |
1968-05-29 | L’italiana in Algeri: Atto 2. “Quando s’abbiglia la donna vuol piacer” | mezzo-soprano vocals [Isabella] | Piero Bottazzo, Rosina Cavicchioli, Marilyn Horne, Giuliana Tavolaccini, Orchestra di Torino della RAI, Carlo Franci | 1:18 |
1968-05-29 | L’italiana in Algeri: Atto 2. “Son l’aure seconde, son placide l’onde” | mezzo-soprano vocals [Isabella] | Piero Bottazzo, Marilyn Horne, Walter Monachesi, Mario Petri, Coro di Torino della RAI, Orchestra di Torino della RAI, Carlo Franci | 4:12 |
1968-05-29 | L’italiana in Algeri: Atto 2. “Ti presento di mia man Ser Taddeo Kaimakan” | mezzo-soprano vocals [Isabella] | Piero Bottazzo, Marilyn Horne, Walter Monachesi, Mario Petri, Giuliana Tavolaccini, Orchestra di Torino della RAI, Carlo Franci | 5:09 |
1969-01-11 | La Damnation de Faust: Quatrième partie: Scène 1. « Au son des trompettes » (Chœur de soldats, Marguerite, Chœur d’étudiants) | mezzo-soprano vocals [Marguerite] | Coro di Roma della RAI, Marilyn Horne, Roger Soyer, Orchestra sinfonica di Roma della RAI, Georges Prêtre | ?:?? |
1969-01-11 | La Damnation de Faust: Quatrième partie: Scène 1. « D’amour l’ardente flamme » (Marguerite) | mezzo-soprano vocals [Marguerite] | Marilyn Horne, Roger Soyer, Orchestra sinfonica di Roma della RAI, Georges Prêtre | ?:?? |
1969-01-11 | La Damnation de Faust: Troisième partie: Scène 1. « Autrefois un roi de Thulé » (Marguerite) | mezzo-soprano vocals [Marguerite] | Marilyn Horne, Orchestra sinfonica di Roma della RAI, Georges Prêtre | ?:?? |
1969-01-11 | La Damnation de Faust: Troisième partie: Scène 1. « Je l’entends ! » (Méphistophélès, Faust, Marguerite) | mezzo-soprano vocals [Marguerite] | Nicolai Gedda, Marilyn Horne, Roger Soyer, Orchestra sinfonica di Roma della RAI, Georges Prêtre | ?:?? |
1969-01-11 | La Damnation de Faust: Troisième partie: Scène 3. « Allons, il est trop tard ! » (Méphistophélès, Marguerite, Faust, Chœur de voisines) | mezzo-soprano vocals [Marguerite] | Coro di Roma della RAI, Nicolai Gedda, Marilyn Horne, Roger Soyer, Orchestra sinfonica di Roma della RAI, Georges Prêtre | ?:?? |
1969-01-11 | La Damnation de Faust: Troisième partie: Scène 3. « Grands dieux ! Que vois‐je ? » (Marguerite, Faust) | mezzo-soprano vocals [Marguerite] | Nicolai Gedda, Marilyn Horne, Orchestra sinfonica di Roma della RAI, Georges Prêtre | ?:?? |
1969-04-11 | L'assedio di Corinto: Atto I. "Del vincitor superbo" / "Guerrieri, a noi s'affida" (Cleomene, Neocle, Jero, Coro) | mezzo-soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Marilyn Horne, Paolo Washington, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 6:16 |
1969-04-11 | L'assedio di Corinto: Atto I. "Di morte il suon mando" / " Là data fè" (Coro, Pamira, Cleomene, Neocle) | mezzo-soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Marilyn Horne, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 4:41 |
1969-04-11 | L'assedio di Corinto: Atto I. "Tua figlia m'e promessa'' / "Destin terrible" (Neocle, Cleomene, Pamira, Coro) | mezzo-soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Marilyn Horne, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 9:10 |
1969-04-11 | L'assedio di Corinto: Atto I. Scena 2 | mezzo-soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Justino Díaz, Giovanni Foiani, Marilyn Horne, Milena Pauli, Beverly Sills, Paolo Washington, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 23:58 |
1969-04-11 | L'assedio di Corinto: Atto II (beginning) | mezzo-soprano vocals | Coro del Teatro alla Scala di Milano, Justino Díaz, Giovanni Foiani, Marilyn Horne, Milena Pauli, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 20:45 |
1969-04-11 | L'assedio di Corinto: Atto II (conclusion) | mezzo-soprano vocals | Coro del Teatro alla Scala di Milano, Justino Díaz, Giovanni Foiani, Marilyn Horne, Milena Pauli, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 20:11 |
1969-04-11 | L'assedio di Corinto: Atto II. "Pamira... Questa altar" (Maometto, Pamira, Neocle) | mezzo-soprano vocals | Justino Díaz, Marilyn Horne, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 5:27 |
1969-04-11 | L'assedio di Corinto: Atto II. "Sian tolti a lui quel ferri" (Maometta, Neocle, Pamira, Omar, Ismene, Coro) | mezzo-soprano vocals | Coro del Teatro alla Scala di Milano, Justino Díaz, Giovanni Foiani, Marilyn Horne, Milena Pauli, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 10:52 |
1969-04-11 | L'assedio di Corinto: Atto III (beginning) | mezzo-soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Marilyn Horne, Piero de Palma, Milena Pauli, Beverly Sills, Paolo Washington, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 25:30 |
1969-04-11 | L'assedio di Corinto: Atto III (conclusion) | mezzo-soprano vocals | Franco Bonisolli, Coro del Teatro alla Scala di Milano, Justino Díaz, Marilyn Horne, Piero de Palma, Milena Pauli, Beverly Sills, Paolo Washington, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 25:45 |
1969-04-11 | L'assedio di Corinto: Atto III. "Avanziam... questo è il luogo" (Neocle, Addrasto) | mezzo-soprano vocals | Marilyn Horne, Piero de Palma, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 15:52 |
1969-04-11 | L'assedio di Corinto: Atto III. "Celeste providenza" (Neocle, Pamira, Cleomene) | mezzo-soprano vocals | Franco Bonisolli, Marilyn Horne, Beverly Sills, Orchestra del Teatro alla Scala di Milano, Thomas Schippers | 5:24 |
| See all 625 relationships |
| vocals |
---|
| Le Prophète | | Meyerbeer; Marilyn Horne, Nicolai Gedda | |
| Lucrezia Borgia | mezzo-soprano vocals | Gaetano Donizetti | |
| Orlando Furioso | mezzo-soprano vocals [Orlando] | Vivaldi; I Solisti Veneti, Claudio Scimone | |
| Requiem | mezzo-soprano vocals and solo | Verdi; Sutherland, Horne, Pavarotti, Talvela, Vienna State Opera Chorus, Vienna Philharmonic, Solti | |
| Semele | mezzo-soprano vocals | George Frideric Handel; Kathleen Battle, Marilyn Horne, Samuel Ramey, John Aler, Sylvia McNair, Michael Chance, John Nelson | |
| Symphony no. 9 "Choral" | contralto vocals | Ludwig van Beethoven; Hans Schmidt‐Isserstedt | |
| Symphony no. 9 "Choral" | contralto vocals | Ludwig van Beethoven; Vienna Philharmonic Orchestra, Hans Schmidt‐Isserstedt, Sutherland, Horne, King, Talvela | |