Sir Malcolm Sargent (conductor)

~ Person

Works

Work	Writers	Artists	ISWC	Type	Lyrics languages	Attributes	Rating
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass)	George Frideric Handel (German‐British baroque composer) (composer)	Justino Díaz, English Chamber Orchestra, Johannes Somary David Thomas, Academy of Ancient Music, Christopher Hogwood John Tomlinson, The English Concert, Trevor Pinnock Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner (show 73 more)			English
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass)	George Frideric Handel (German‐British baroque composer) (composer)	Justino Díaz, English Chamber Orchestra, Johannes Somary John Tomlinson, The English Concert, Trevor Pinnock David Thomas, Academy of Ancient Music, Christopher Hogwood Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner (show 70 more)		Aria	English
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”	George Frideric Handel (German‐British baroque composer) (composer)	Barry Manilow Scholars Baroque Ensemble Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras (show 147 more)			English
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)	George Frideric Handel (German‐British baroque composer) (composer)	Academy of Ancient Music, Christopher Hogwood English Chamber Orchestra, Johannes Somary Academy of St Martin in the Fields, Sir Neville Marriner The English Concert, Trevor Pinnock (show 115 more)			[No lyrics]
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)	George Frideric Handel (German‐British baroque composer) (composer)	Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood Helen Donath, London Philharmonic Orchestra, Karl Richter Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt Sara Macliver, Orchestra of the Antipodes, Antony Walker (show 77 more)			English
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)	George Frideric Handel (German‐British baroque composer) (composer)	Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood Helen Donath, London Philharmonic Orchestra, Karl Richter Margaret Price, English Chamber Orchestra, Johannes Somary Georg Friedrich Händel (show 65 more)			English
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano)	George Frideric Handel (German‐British baroque composer) (composer)	Margaret Price, English Chamber Orchestra, Johannes Somary Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood Helen Donath, London Philharmonic Orchestra, Karl Richter Arleen Augér, The English Concert, Trevor Pinnock (show 73 more)			English
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”	George Frideric Handel (German‐British baroque composer) (composer)	Amor Artis Chorale, English Chamber Orchestra, Johannes Somary Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood London Philharmonic Orchestra, Karl Richter Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner (show 104 more)			English
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano)	George Frideric Handel (German‐British baroque composer) (composer)	Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti Arleen Augér, The English Concert, Trevor Pinnock Judith Nelson, Academy of Ancient Music, Christopher Hogwood Margaret Price, English Chamber Orchestra, Johannes Somary (show 94 more)		Aria	English
Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto)	George Frideric Handel (German‐British baroque composer) (composer)	Yvonne Minton, English Chamber Orchestra, Johannes Somary Judith Nelson, Academy of Ancient Music, Christopher Hogwood The English Concert, Trevor Pinnock Helen Watts, London Symphony Orchestra, Sir Colin Davis (show 76 more)			English
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)	George Frideric Handel (German‐British baroque composer) (composer)	Yvonne Minton, Margaret Price, English Chamber Orchestra, Johannes Somary Judith Nelson, Academy of Ancient Music, Christopher Hogwood April Cantelo, London Philharmonic Orchestra, Walter Süsskind Elsie Morison, Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent (show 93 more)		Aria	English
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy”	George Frideric Handel (German‐British baroque composer) (composer)	Amor Artis Chorus, English Chamber Orchestra, Johannes Somary The Philadelphia Orchestra, Eugene Ormandy Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis (show 79 more)			English
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God”	George Frideric Handel (German‐British baroque composer) (composer)	Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner Georg Friedrich Händel The English Concert Choir, The English Concert, Trevor Pinnock Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood (show 81 more)			English
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)	George Frideric Handel (German‐British baroque composer) (composer)	Yvonne Minton, English Chamber Orchestra, Johannes Somary Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult Margaret Cable, Taverner Choir, Taverner Players, Andrew Parrott Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent (show 87 more)		Aria	English
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs”	George Frideric Handel (German‐British baroque composer) (composer)	The English Concert Choir, The English Concert, Trevor Pinnock Amor Artis Chorale, English Chamber Orchestra, Johannes Somary Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury (show 80 more)			English
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes”	George Frideric Handel (German‐British baroque composer) (composer)	The English Concert Choir, The English Concert, Trevor Pinnock The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury Amor Artis Chorus, English Chamber Orchestra, Johannes Somary Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood (show 81 more)			English
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”	George Frideric Handel (German‐British baroque composer) (composer)	The English Concert Choir, The English Concert, Trevor Pinnock London Philharmonic Orchestra, Karl Richter Amor Artis Chorale, English Chamber Orchestra, Johannes Somary Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner (show 86 more)			English
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor)	George Frideric Handel (German‐British baroque composer) (composer)	Alexander Young, English Chamber Orchestra, Johannes Somary Simon Preston, Christ Church Cathedral Choir, Oxford, Paul Elliott, Academy of Ancient Music, Christopher Hogwood Atlanta Symphony Orchestra Chamber Chorus, Jon Humphrey, Atlanta Symphony Orchestra, Robert Shaw Howard Crook, The English Concert, Trevor Pinnock (show 70 more)			English
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”	George Frideric Handel (German‐British baroque composer) (composer)	Amor Artis Chorus, English Chamber Orchestra, Johannes Somary Simon Preston, Christ Church Cathedral Choir, Oxford, Paul Elliott, Academy of Ancient Music, Christopher Hogwood Atlanta Symphony Orchestra Chamber Chorus, Jon Humphrey, Atlanta Symphony Orchestra, Robert Shaw The English Concert Choir, The English Concert, Trevor Pinnock (show 73 more)			English
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor)	George Frideric Handel (German‐British baroque composer) (composer)	Howard Crook, The English Concert, Trevor Pinnock Stuart Burrows, London Philharmonic Orchestra, Karl Richter Alexander Young, English Chamber Orchestra, Johannes Somary Paul Elliott, Judith Nelson, Academy of Ancient Music, Christopher Hogwood (show 67 more)			English
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)	George Frideric Handel (German‐British baroque composer) (composer)	Howard Crook, The English Concert, Trevor Pinnock Stuart Burrows, London Philharmonic Orchestra, Karl Richter Alexander Young, English Chamber Orchestra, Johannes Somary Paul Elliott, Judith Nelson, Academy of Ancient Music, Christopher Hogwood (show 67 more)			English
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano)	George Frideric Handel (German‐British baroque composer) (composer)	Alexander Young, English Chamber Orchestra, Johannes Somary Arleen Augér, The English Concert, Trevor Pinnock Paul Elliott, Judith Nelson, Academy of Ancient Music, Christopher Hogwood Lynne Dawson, The Brandenburg Consort, Stephen Cleobury (show 66 more)			English
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano)	George Frideric Handel (German‐British baroque composer) (composer)	Alexander Young, English Chamber Orchestra, Johannes Somary Judith Nelson, Academy of Ancient Music, Christopher Hogwood Arleen Augér, The English Concert, Trevor Pinnock Lynne Dawson, The Brandenburg Consort, Stephen Cleobury (show 67 more)			English
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”	George Frideric Handel (German‐British baroque composer) (composer)	Amor Artis Chorus, English Chamber Orchestra, Johannes Somary Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood Frederic Jackson, London Philharmonic Choir, London Philharmonic Orchestra, Walter Süsskind Georg Friedrich Händel (show 76 more)			English
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”	George Frideric Handel (German‐British baroque composer) (composer)	The English Concert Choir, The English Concert, Trevor Pinnock Amor Artis Chorale, English Chamber Orchestra, Johannes Somary London Philharmonic Orchestra, Karl Richter Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford (show 73 more)			English
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)	George Frideric Handel (German‐British baroque composer) (composer)	Margaret Price, English Chamber Orchestra, Johannes Somary Arleen Augér, The English Concert, Trevor Pinnock Lynne Dawson, The Brandenburg Consort, Stephen Cleobury Susan Gritton, Gabrieli Players, Paul McCreesh (show 35 more)		Aria	English	G minor (Key)
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo)	George Frideric Handel (German‐British baroque composer) (composer)	Amor Artis Chorus, English Chamber Orchestra, Johannes Somary The English Concert Choir, The English Concert, Trevor Pinnock The Choir of King’s College, Cambridge, The Brandenburg Consort, Stephen Cleobury Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt (show 25 more)			English	E-flat major (Key)
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)	George Frideric Handel (German‐British baroque composer) (composer)	John Tomlinson, The English Concert, Trevor Pinnock Simon Preston, Christ Church Cathedral Choir, Oxford, David Thomas, Academy of Ancient Music, Christopher Hogwood Justino Díaz, English Chamber Orchestra, Johannes Somary Donald McIntyre, London Philharmonic Orchestra, Karl Richter (show 80 more)			English
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder”	George Frideric Handel (German‐British baroque composer) (composer)	Simon Preston, Christ Church Cathedral Choir, Oxford, David Thomas, Academy of Ancient Music, Christopher Hogwood Amor Artis Chorus, English Chamber Orchestra, Johannes Somary The English Concert Choir, The English Concert, Trevor Pinnock Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis (show 75 more)			English
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor)	George Frideric Handel (German‐British baroque composer) (composer)	Alexander Young, English Chamber Orchestra, Johannes Somary Paul Elliott, Academy of Ancient Music, Christopher Hogwood Howard Crook, The English Concert, Trevor Pinnock John Mark Ainsley, The Brandenburg Consort, Stephen Cleobury (show 74 more)			English
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)	George Frideric Handel (German‐British baroque composer) (composer)	Howard Crook, The English Concert, Trevor Pinnock Alexander Young, English Chamber Orchestra, Johannes Somary Paul Elliott, Academy of Ancient Music, Christopher Hogwood John Wakefield, London Symphony Orchestra, Sir Colin Davis (show 69 more)		Aria	English
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”	George Frideric Handel (German‐British baroque composer) (composer) Charles Jennens (librettist)	Royal Philharmonic Orchestra, Louis Clark [unknown] The English Concert Choir, The English Concert, Trevor Pinnock Tallis Chamber Choir, Scholars Baroque Ensemble, Kevin Mallon (show 273 more)		Song
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)	George Frideric Handel (German‐British baroque composer) (composer)	Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti Arleen Augér, The English Concert, Trevor Pinnock (show 100 more)		Aria	English
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”	George Frideric Handel (German‐British baroque composer) (composer)	Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford Amor Artis Chorus, English Chamber Orchestra, Johannes Somary Frederic Jackson, London Philharmonic Choir, London Philharmonic Orchestra, Walter Süsskind The English Concert Choir, The English Concert, Trevor Pinnock (show 77 more)			English
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass)	George Frideric Handel (German‐British baroque composer) (composer)	Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford Justino Díaz, English Chamber Orchestra, Johannes Somary John Tomlinson, The English Concert, Trevor Pinnock James Milligan, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent (show 77 more)			English
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)	George Frideric Handel (German‐British baroque composer) (composer)	Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford Justino Díaz, English Chamber Orchestra, Johannes Somary Georg Friedrich Händel John Tomlinson, The English Concert, Trevor Pinnock (show 91 more)		Aria	English
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”	George Frideric Handel (German‐British baroque composer) (composer)	London Philharmonic Orchestra, Karl Richter Amor Artis Chorale, English Chamber Orchestra, Johannes Somary Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford The English Concert Choir, The English Concert, Trevor Pinnock (show 91 more)			English
Messiah, HWV 56: Part III, no. 53b. Chorus “Amen”	George Frideric Handel (German‐British baroque composer) (composer)	The Sixteen, Orchestra of The Sixteen, Harry Christophers The Royal Choral Society, Arnold Greir, Royal Philharmonic Orchestra, Sir Malcolm Sargent Les Arts Florissants, William Christie Cantillation, Orchestra of the Antipodes, Antony Walker (show 6 more)		Song	English
Morning Song (Maytime in Sussex), GP 369	Sir Arnold Bax (English composer) (composer)	London Philharmonic Orchestra, Bryden Thomson, Margaret Fingerhut Piers Lane, The Orchestra Now, Leon Botstein Bournemouth Symphony Orchestra, James Judd, Ashley Wass Harriet Cohen, Sir Malcolm Sargent
My Heart Has a Quiet Sadness	Sir Malcolm Sargent (conductor) (composer)
Nocturne and Scherzo	Sir Malcolm Sargent (conductor) (composer)				[No lyrics]
Nocturne for Strings (orchestration by Sargent)	Александр Порфирьевич Бородин (Russian composer) (composer) Sir Malcolm Sargent (conductor) (orchestrator)	The Philadelphia Orchestra, Eugene Ormandy New Philharmonia Orchestra, Sir Arthur Bliss Александр Порфирьевич Бородин Julian Lloyd Webber			[No lyrics]
O Come, All Ye Faithful (English version of Latin “Adeste fideles”)	John Francis Wade (composer, lyricist) Frederick Oakeley (translator)	Frank Sinatra Art Garfunkel Bing Crosby Elvis Presley (show 308 more)	`T-915.721.674-5`	Song	English	9088104 (COMPASS ID) 423373EN (PRS tune code) 4340815C (PRS tune code)
Orb and Sceptre	William Walton (composer and conductor) (composer)	Bournemouth Symphony Orchestra, David Hill Boston Pops Orchestra, John Williams London Symphony Orchestra, André Previn Eastman-Rochester "Pops" Orchestra, Frederick Fennell (show 15 more)
Orchestral Suite no. 3 in D major, BWV 1068: Air on the G String (arranged by M. Sargent)	Johann Sebastian Bach (German Baroque period composer & musician) (composer) Sir Malcolm Sargent (conductor) (orchestrator)	BBC Symphony Orchestra, Leonard Slatkin			[No lyrics]
Oster-Oratorium, BWV 249: I. Sinfonia (catch-all for arrangements)	Johann Sebastian Bach (German Baroque period composer & musician) (composer)	Gordon Hunt, Norrköping Symphony Orchestra & Leslie Pearson Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent Empire Brass, Douglas Major			[No lyrics]
Othello, op. 79: I. Dance	Samuel Coleridge-Taylor (composer, conductor) (composer)	RTÉ Concert Orchestra, Adrian Leaper Samuel Coleridge-Taylor New Symphony Orchestra of London, Sir Malcolm Sargent			[No lyrics]
Othello, op. 79: II. Children's Intermezzo	Samuel Coleridge-Taylor (composer, conductor) (composer)	RTÉ Concert Orchestra, Adrian Leaper Samuel Coleridge-Taylor New Symphony Orchestra of London, Sir Malcolm Sargent			[No lyrics]
Othello, op. 79: III. Funeral March	Samuel Coleridge-Taylor (composer, conductor) (composer)	Samuel Coleridge-Taylor New Symphony Orchestra of London, Sir Malcolm Sargent			[No lyrics]
Othello, op. 79: IV. The Willow Song	Samuel Coleridge-Taylor (composer, conductor) (composer)	Samuel Coleridge-Taylor RTÉ Concert Orchestra, Adrian Leaper New Symphony Orchestra of London, Sir Malcolm Sargent			[No lyrics]
Othello, op. 79: V. Military March	Samuel Coleridge-Taylor (composer, conductor) (composer)	RTÉ Concert Orchestra, Adrian Leaper Samuel Coleridge-Taylor New Symphony Orchestra of London, Sir Malcolm Sargent			[No lyrics]
Patience: Overture	Arthur Sullivan (composer) Eugen d’Albert (composer) (composer)	London Symphony Orchestra, Alexander Faris Pro Arte Orchestra, Sir Malcolm Sargent Gilbert & Sullivan The D’Oyly Carte Opera Company (show 5 more)		Overture	[No lyrics]
Pavane pour une infante défunte (orchestrated version)	Maurice Ravel (classical composer) (composer, orchestrator)	Charles Kavaloski, Boston Symphony Orchestra, Seiji Ozawa [unknown] The Cleveland Orchestra, Pierre Boulez Berliner Philharmoniker, Herbert von Karajan (show 148 more)			[No lyrics]
Perpetuum mobile, op. 257	Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (composer)	[unknown] Berliner Philharmoniker, Herbert von Karajan Wiener Philharmoniker, Willi Boskovsky Vienna Opera Orchestra, Alfred Scholz (show 82 more)			[No lyrics]	E-flat major (Key)
Peter and the Wolf, op. 67	Сергей Сергеевич Прокофьев (Russian composer) (librettist, composer)	Royal Scottish National Orchestra, Neeme Järvi, Lina Prokofiev Rolf Ludwig, Staatskapelle Dresden, Herbert Kegel Patrick Stewart, Orchestre de l’Opéra de Lyon, Kent Nagano Czechoslovak Radio Symphony Orchestra, Ondrej Lenárd (show 83 more)			Russian
Piano Concerto no. 1 in G minor, op. 25	Felix Mendelssohn (composer) (composer)	The Philadelphia Orchestra, Eugene Ormandy Susan Starr, Boston Pops Orchestra, Arthur Fiedler Dame Moura Lympany, Royal Philharmonic Orchestra, Sir Malcolm Sargent		Concerto	[No lyrics]	G minor (Key)
Piano Concerto no. 1, Sz. 83, BB 91: I. Allegro moderato	Béla Bartók (composer) (composer)	Géza Anda, Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti (show 17 more)			[No lyrics]
Piano Concerto no. 1, Sz. 83, BB 91: II. Andante	Béla Bartók (composer) (composer)	Géza Anda, Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti (show 17 more)			[No lyrics]
Piano Concerto no. 1, Sz. 83, BB 91: III. Allegro molto	Béla Bartók (composer) (composer)	Géza Anda, Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay Maurizio Pollini, Chicago Symphony Orchestra, Claudio Abbado Stephen Kovacevich, London Symphony Orchestra, Sir Colin Davis Vladimir Ashkenazy, London Philharmonic Orchestra, Sir Georg Solti (show 17 more)			[No lyrics]
Piano Concerto no. 2 in C minor, op. 18: I. Moderato	Сергей Рахманинов (Russian composer) (composer)	Sviatoslav Richter, Warsaw Philharmonic Orchestra, Stanisław Wisłocki Vladimir Ashkenazy, London Symphony Orchestra, André Previn Сергей Васильевич Рахманинов [unknown] (show 165 more)			[No lyrics]
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto	Сергей Рахманинов (Russian composer) (composer)	Cécile Ousset, City of Birmingham Symphony Orchestra, Simon Rattle Vladimir Ashkenazy, London Symphony Orchestra, André Previn [unknown] Sviatoslav Richter, Warsaw Philharmonic Orchestra, Stanisław Wisłocki (show 170 more)			[No lyrics]
Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando	Сергей Рахманинов (Russian composer) (composer)	Sviatoslav Richter, Warsaw Philharmonic Orchestra, Stanisław Wisłocki Vladimir Ashkenazy, London Symphony Orchestra, André Previn Сергей Васильевич Рахманинов Sergei Rachmaninoff, The Philadelphia Orchestra, Leopold Stokowski (show 149 more)	`T-071.926.821-9`		[No lyrics]	310153545 (ASCAP ID) C-1257183085 (CASH ID) (show 3 more) 747957 (SAYCO ID)
Pizzicato-Polka	Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (composer) Josef Strauss (composer) (composer)	Vienna Opera Orchestra, Joseph Francek [unknown] Wiener Philharmoniker, Willi Boskovsky Bratislava Radio Symphony Orchestra, Ondrej Lenárd (show 108 more)			[No lyrics]
Pohjolan tytär, op. 49	Jean Sibelius (Finnish composer) (composer) Robert Kajanus (dedication)	New York Philharmonic, Leonard Bernstein Hallé Orchestra, Sir John Barbirolli London Symphony Orchestra, Sir Colin Davis Göteborgs Symfoniker, Neeme Järvi (show 36 more)		Symphonic poem	[No lyrics]
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major	Edward Elgar (composer) (composer) Sir Edward Elgar (dec’d) (publishing)	[unknown] Symfonický orchester Slovenského rozhlasu, Adrian Leaper London Philharmonic Orchestra, Sir Georg Solti Royal Philharmonic Orchestra, Louis Clark (show 133 more)			[No lyrics]	D major (Key)
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major	Edward Elgar (composer) (composer)	[unknown] London Philharmonic Orchestra, Sir Adrian Boult London Philharmonic Orchestra, London Symphony Orchestra, Sir Georg Solti Symfonický orchester Slovenského rozhlasu, Adrian Leaper (show 52 more)			[No lyrics]	G major (Key)
Praise Ye the Lord! (carol based on a Moravian folk tune)	Sir Malcolm Sargent (conductor) (arranger) [traditional] (special purpose artist) (composer) Nesta Sawyer (writer) (lyricist)	Sir Malcolm Sargent & Royal Choral Society		Song	English
Princess Ida: Act I.	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent			English
Princess Ida: Act II. “A Lady Fair, of Lineage High” (Psyche with Cyril, Hilarion and Florian)	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	Josephine Gordon, Bernard Dickerson, Laurence Dale, Richard Jackson, London Symphony Orchestra, Alexander Faris Gilbert & Sullivan The D’Oyly Carte Opera Company D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent			English
Princess Ida: Act II. “And Thus to Empyrean Heights” (Princess and Chorus)	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	Nan Christie, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris Gilbert & Sullivan D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent			English
Princess Ida: Act II. “Come, Mighty Must…” (Lady Blanche)	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent			English
Princess Ida: Act II. “Gently, Gently” (Cyril, Hilarion and Florian)	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	Bernard Dickerson, Laurence Dale, Richard Jackson, London Symphony Orchestra, Alexander Faris Gilbert & Sullivan The D’Oyly Carte Opera Company D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent			English
Princess Ida: Act II. “I Am a Maiden, Cold and Stately” (Cyril, Hilarion and Florian)	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	Bernard Dickerson, Laurence Dale, Richard Jackson, London Symphony Orchestra, Alexander Faris Gilbert & Sullivan The D’Oyly Carte Opera Company D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent			English
Princess Ida: Act II. “Merrily Ring the Luncheon Bell” (Blanche, Cyril and Chorus of Girls)	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	Gilbert & Sullivan Anne Collins, Bernard Dickerson, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris The D’Oyly Carte Opera Company D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent			English
Princess Ida: Act II. “Mighty Maiden With a Mission” (Chorus of Girls)	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris Gilbert & Sullivan The D’Oyly Carte Opera Company D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, James Walker			English
Princess Ida: Act II. “Now Wouldn’t You Like to Rule the Roast” (Melissa and Blanche)	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	Claire Powell, Anne Collins, London Symphony Orchestra, Alexander Faris Gilbert & Sullivan The D’Oyly Carte Opera Company Jane Hill, Di Norton D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent			English
Princess Ida: Act II. “The Woman of the Wisest Wit” (Psyche, Melissa, Cyril, Hilarion and Florian)	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	Gilbert & Sullivan Josephine Gordon, Claire Powell, Bernard Dickerson, Laurence Dale, Richard Jackson, London Symphony Orchestra, Alexander Faris The D’Oyly Carte Opera Company D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent			English
Princess Ida: Act II. “The World Is but a Broken Toy” (Princess, Cyril, Hilarion and Florian)	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	Nan Christie, Bernard Dickerson, Laurence Dale, Richard Jackson, London Symphony Orchestra, Alexander Faris Gilbert & Sullivan The D’Oyly Carte Opera Company D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent			English
Princess Ida: Act II. “Towards the Empyrean Heights” (Lady Psyche, Melissa, Sacharissa and Chorus of Girls)	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	Nan Christie, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris Gilbert & Sullivan The D’Oyly Carte Opera Company D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent			English
Princess Ida: Act II. “Would You Know the Kind of Maid?” (Cyril)	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	Gilbert & Sullivan Bernard Dickerson, London Symphony Orchestra, Alexander Faris The D’Oyly Carte Opera Company D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent			English
Princess Ida: Act II. 10. “Minerva! oh, hear me!” … “Oh, goddess wise” (Princess)	Arthur Sullivan (composer) (composer) W.S. Gilbert (librettist) (librettist)	Gilbert & Sullivan Nan Christie, London Symphony Orchestra, Alexander Faris The D’Oyly Carte Opera Company D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent		Aria	English
Princess Ida: Act II. Finale. “Oh, Joy! Our Chief Is Saved…” (Princess, Hildebrand, Melissa, Psyche, Blanche, Cyril, Hilarion, Florian, Arac, Guron, Scynthius and Chorus)	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	Nan Christie, Neil Howlett, Claire Powell, Josephine Gordon, Anne Collins, Bernard Dickerson, Laurence Dale, Richard Jackson, Tano Rea, Peter Savidge, Christopher Booth-Jones, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent			English
Princess Ida: Act III.	Arthur Sullivan (composer) (composer) William Gilbert (librettist)	D’Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent			English
Princess Ida: Overture	Arthur Sullivan (composer) (composer)	London Symphony Orchestra, Alexander Faris Pro Arte Orchestra, Sir Malcolm Sargent The Royal Philharmonic Orchestra, Sir Malcolm Sargent Gilbert & Sullivan (show 4 more)		Overture	[No lyrics]
Romance for Harmonica (for Harmonica, Piano, and Strings)	Ralph Vaughan Williams (English composer) (composer)	Larry Adler, Eric Gritton, BBC Symphony Orchestra, Sir Malcolm Sargent			[No lyrics]	D-flat major (Key)
Romance for Harmonica	Larry Adler (dedication) Ralph Vaughan Williams (English composer) (composer)	Tommy Reilly, Academy of St Martin in the Fields, Sir Neville Marriner Larry Adler, Eric Gritton, BBC Symphony Orchestra, Sir Malcolm Sargent			[No lyrics]	D-flat major (Key)
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)	Пётр Ильич Чайковский (Russian romantic composer) (revised by, composer) Милий Алексеевич Балакирев (composer, pianist, conductor) (dedication)	[unknown] Henry Mancini Deutsches Symphonie‐Orchester Berlin, The English Philharmonic Orchestra, Ljubljana Radio Symphony Orchestra, London Festival Orchestra, London Philharmonia Orchestra, Philharmonic Orchestra London, Musici di San Marco, New Philharmonic Orchestra London, New Philharmonia Orchestra London, Royal Promenade Orchestra, Rundfunk‐Sinfonieorchester Berlin, Simfonični orkester RTV Slovenija, Alfred Gehardt, Alfred Scholz, Laurence Siegel, Nodar Tsatishvili, George Ralph Warren, Peter Wohlert Royal Philharmonic Orchestra, Louis Clark (show 176 more)		Symphonic poem	[No lyrics]	B minor (Key)
Rückert Lieder: II. Ich atmet' einen linden Duft	Gustav Mahler (composer) (composer) Friedrich Rückert (German poet) (lyricist)	Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan Gustav Mahler Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson (show 62 more)		Song	German
Ruddigore: Act II. “My eyes are fully open to my awful situation” (Margaret, Sir Ruthven, Sir Despard)	Arthur Sullivan (composer) (composer) W.S. Gilbert (lyricist)	Gilbert & Sullivan Ann Howard, Keith Michell, Vincent Price, London Symphony Orchestra, Alexander Faris Gilbert and Sullivan The Gala Ensemble (show 2 more)
Ruddigore: Overture	Arthur Sullivan (composer) (composer) Geoffrey Toye (arranger)	London Symphony Orchestra, Alexander Faris Gilbert & Sullivan Gilbert and Sullivan Philharmonia Orchestra, Charles Mackerras (show 6 more)		Overture	[No lyrics]
Rule, Britannia!	Thomas Arne (composer) (composer) James Thomson (Scottish poet, 1700-1748) (lyricist)	Royal Philharmonic Orchestra, Louis Clark New York Philharmonic, Leonard Bernstein [unknown] Thomas Arne (show 38 more)			English
Rule, Britannia! (orchestrated by Sargent)	Thomas Arne (composer) (composer) Sir Malcolm Sargent (conductor) (orchestrator) James Thomson (Scottish poet, 1700-1748) (lyricist)	Richard Cooke, Della Jones, Royal Choral Society, BBC Concert Orchestra, Barry Wordsworth Bryn Terfel, BBC Symphony Orchestra, Andrew Davis Anne Collins, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves The Royal Philharmonic Orchestra (show 7 more)		Song	English
Scottish Fantasy in E-flat major, op. 46: I. Introduction. Grave - Adagio cantabile	Max Bruch (composer and conductor) (composer)	Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe Judith Lieber, Itzhak Perlman, Israel Philharmonic Orchestra, Zubin Mehta Itzhak Perlman, New Philharmonia Orchestra, Jesús López Cobos (show 26 more)			[No lyrics]
Scottish Fantasy in E-flat major, op. 46: II. Scherzo. Allegro	Max Bruch (composer and conductor) (composer)	Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe Vanessa‐Mae, London Symphony Orchestra, Viktor Fedotov David Oistrakh, London Symphony Orchestra, Jascha Horenstein (show 25 more)			[No lyrics]
Scottish Fantasy in E-flat major, op. 46: III. Andante sostenuto	Max Bruch (composer and conductor) (composer)	Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe David Oistrakh, London Symphony Orchestra, Jascha Horenstein Judith Lieber, Itzhak Perlman, Israel Philharmonic Orchestra, Zubin Mehta (show 25 more)
Scottish Fantasy in E-flat major, op. 46: IV. Finale. Allegro guerriero	Max Bruch (composer and conductor) (composer)	Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent Kyung Wha-Chung, Royal Philharmonic Orchestra, Rudolf Kempe David Oistrakh, London Symphony Orchestra, Jascha Horenstein Judith Lieber, Itzhak Perlman, Israel Philharmonic Orchestra, Zubin Mehta (show 26 more)			[No lyrics]
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse)	[anonymous] (special purpose artist) (librettist) George Frideric Handel (German‐British baroque composer) (composer)	Jozef Cejka, Capella Istropolitana, Richard Edlinger [unknown] David Daniels, Orchestra of the Age of Enlightenment, Sir Roger Norrington Andreas Scholl, Orchestra of the Age of Enlightenment, Roger Norrington (show 147 more)		Aria	Italian
Sex digte, op. 25: No. 2. En svane (for orchestra)	Edvard Grieg (composer) (composer) Henrik Ibsen (lyricist)	Göteborgs Symfoniker, Neeme Järvi, Barbara Bonney Marianne Hirsti, Rudolf Jansen Jussi Björling [unknown] (show 7 more)		Song	Norwegian
Shéhérazade: I. Asie	Maurice Ravel (classical composer) (composer) Tristan Klingsor (lyricist)	Régine Crespin, Orchestre de la Suisse Romande, Ernest Ansermet London Symphony Orchestra, Claudio Abbado Anne Sofie von Otter, The Cleveland Orchestra, Pierre Boulez Maurice Ravel (show 42 more)		Song	French
Shéhérazade: II. La Flûte enchantée	Maurice Ravel (classical composer) (composer) Tristan Klingsor (lyricist)	Régine Crespin, Orchestre de la Suisse Romande, Ernest Ansermet London Symphony Orchestra, Claudio Abbado Maurice Ravel Maria Ewing, City of Birmingham Symphony Orchestra, Simon Rattle (show 48 more)		Song	French