Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 44 more)
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Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 44 more)
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Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 44 more)
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Don Quixote, op. 35: Variation VI: Dulcinea | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 44 more)
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Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 45 more)
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Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 44 more)
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Don Quixote, op. 35: Variation X: The Duel and Return Home | | - Ulrich Koch, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan
- Paul Tortelier, Max Rostal, Staatskapelle Dresden, Rudolf Kempe
- Antônio Meneses, Wolfram Christ, Berliner Philharmoniker, Herbert von Karajan
- (show 44 more)
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Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre | | | | Overture | | | |
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo | | | | | | | |
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace | | | | | | | |
Elijah, op. 70, Part I | | | | | | | |
Elijah, op. 70, Part II | | | | | | | |
En saga, op. 9 | | | | Symphonic poem | | | |
Eros (op 70, no. 1) | | | | Song | | | |
Et håb, op. 26 no. 1 | | | | Song | | | |
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” | | - Berliner Philharmoniker, Herbert von Karajan
- Birgit Nilsson, Orchester der Bayreuther Festspiele, Karl Böhm
- Kirsten Flagstad, Philharmonia Orchestra, Wilhelm Furtwängler
- Walter Berry, Chor der Deutschen Oper Berlin, Helga Dernesch, Christa Ludwig, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan
- (show 121 more)
| | Aria | | | |
Fantasia on a Theme by Thomas Tallis | | | | | | | |
Fantasia on British Sea Songs: III. The Saucy Arethusa | | | | | | | |
Fantasia on British Sea Songs: IV. Tom Bowling | | | | | | | |
Fantasia on British Sea Songs: V. Jack’s the Lad (Hornpipe) | | | | | | | |
Fantasia on British Sea Songs: VI. Farewell ye Spanish Ladies | | | | | | | |
Finlandia, op. 26 | | | | Symphonic poem | | | |
Fire digte, op. 21: Det første møte | | | | | | | |
Fra Monte Pincio, op. 39 no. 1 | | | | | | | |
Greensleeves | | | | Song | | | |
H.M.S. Pinafore: Act I Finale, no. 12 “Oh Joy, Oh Rapture Unforeseen” (Josephine, Hebe, Ralph) | | | | | | | |
H.M.S. Pinafore: Act I, no. 1, Chorus, “We Sail the Ocean Blue”, (Sailors) | | | | Song | | | |
H.M.S. Pinafore: Act I, no. 2 “I’m Called Little Buttercup” (Buttercup, Boatswain) | | | | Song | | | |
H.M.S. Pinafore: Act I, no. 4 “I Am the Captain of the Pinafore” (Captain, Sailors) | | | | Song | | | |
H.M.S. Pinafore: Act I, no. 4 “My Gallant Crew, Good Morning…” (Captain, Sailors) | | | | | | | |
H.M.S. Pinafore: Act I, Recitative and Song “Hail! Men-o’-War’s Men” / “I’m Called Little Buttercup” (Buttercup, Boatswain) | | | | Song | | | |
H.M.S. Pinafore: Act II, no. 18a “He Is an Englishman” (Boatswain, Ensemble) | | | | | | | |
H.M.S. Pinafore: Act II, No. 21, Finale, “Oh Joy, Oh Rapture Unforeseen” (Josephine, Ralph, Hebe, Dick, Captain Corcoran, Buttercup, Sir Joseph, Company) | | | | | | | |
H.M.S. Pinafore: Overture | | | | Overture | | | |
Hark! The Herald Angels Sing | | | | Song | | | |
Have Mercy, Lord on Me | | | | | | | |
Hawaiian Lullaby | | | | Song | | | |
Henry V Suite | | | | Suite | | | |
Henry V Suite: Agincourt Song | | | | Suite | | | |
Henry V Suite: Passacaglia: The Death of Falstaff | | | | Suite | | | |
Henry V Suite: Prelude: The Globe | | | | Suite | | | |
Henry V Suite: Touch her soft lips and part | | | | Suite | | | |
Humoresque | | | | | | | |
Il barbiere di Siviglia: Sinfonia | | | | Overture | | | |
Il signor Bruschino: Sinfonia | | | | Overture | | | |
Il viaggio a Reims: Overture | | | | Overture | | | |
In dulci jubilo | | | | | | | |
Iolanthe: Act I, no. 6, Chorus, “Loudly Let the Trumpets Bray” (Peers) | | | | | | | |
Iolanthe: Act I, no. 7 “The Law Is the True Embodiment” (Lord Chancellor, Chorus of Peers) | | | | Song | | | |
Iolanthe: Act I, no. 12 “When I Went to the Bar” (Lord Chancellor) | | | | Song | | | |
Iolanthe: Act II, no. 14 “When All Night Long a Chap Remains” (Private Willis) | | | | Song | | | |
Iolanthe: Act II, no. 16 “When Britain Really Ruled the Waves” (Lord Mountararat, Chorus) | | | | Song | | | |
Iolanthe: Act II, no. 18 “Oh, Foolish Fay” (Queen, Chorus of Fairies) | | | | | | | |
Iolanthe: Act II, no. 20 “Love, Unrequited, Robs Me of My Rest…” (Lord Chancellor) | | | | | | | |
Iolanthe: Act II, no. 21 “If You Go In You’re Sure to Win” (Tolloller, Mountararat, Lord Chancellor) | | | | | | | |
Iolanthe: Act II, No. 22, Duet “If We’re Weak Enough to Tarry” (Phyllis, Strephon) | | | | | | | |
Iolanthe: Act II, No. 25, Finale, “Soon as We May, Off and Away” (Ensemble) | | - Gilbert & Sullivan
- Kate Flowers, Beverley Mills, Anne Collins, Thomas Hemsley, Derek Hammond-Stroud, David Hillman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris
- Sir Malcolm Sargent, Full Cast & Chorus
- Phil Blake, Philip Blake-Jones, Philip Creasy, D'Oyly Carte Opera Chorus, Jill Pert, Lawrence Richard, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones
- (show 5 more)
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Iolanthe: Overture | | | | Overture | | | |
Jeg elsker dig, op. 5 nr. 3 | | | | Song | | | |
Jerusalem | | | | | | | 5 |
Judas Maccabaeus, HWV 63: Act II, no. 45: Air "Sound an alarm!" (Judas Maccabaeus) | | - Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- Edward Carroll, New York Philharmonia Virtuosi, Richard Kapp
- Kenneth McKellar, Orchestra of the Royal Opera House, Covent Garden, Sir Adrian Boult
- Cantillation, David Hobson, Sinfonia Australis, Antony Walker
- (show 7 more)
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Karelia-sarja, op. 11 | | | | Suite | | | |
Karelia-sarja, op. 11: I. Intermezzo | | | | | | | |
Karelia-sarja, op. 11: II. Ballade | | | | | | | |
Karelia-sarja, op. 11: III. Alla marcia | | | | | | | |
Konzert für Violine und Orchester D-Dur, op. 77: I. Allegro non troppo | | | | | | | |
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio | | | | | | | |
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace | | | | | | | |
Konzertstück in F minor, op. 79 | | | | Concerto | | | |
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) | | | | Aria | | | |
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” | | - Orchestre philharmonique de l’ORTF, Philharmonia Slavonica, ORF-Symphonic Orchestra, Loic Bertrand, Milan Horvat, Alexander von Pitamic, Alfred Scholz
- Karlheinz Zöller, Berliner Philharmoniker, Herbert von Karajan
- Boston Symphony Orchestra, Charles Munch
- Chicago Symphony Orchestra, Fritz Reiner
- (show 135 more)
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La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” | | | | | | | |
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” | | | | | | | |
Le Cid : Acte III, scène 1. No. 10 Air « Pleurez ! pleurez mes yeux » (Chimène) | | | | Aria | | | |
Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen | | | | | | | |
Lieutenant Kijé Suite, op. 60: I. The Birth of Kijé | | | | | | | |
Lieutenant Kijé Suite, op. 60: II. Romance | | | | | | | |
Lieutenant Kijé Suite, op. 60: III. Kijé's Wedding | | | | | | | |
Lieutenant Kijé Suite, op. 60: IV. Troika | | | | | | | |
Lieutenant Kijé Suite, op. 60: V. The Burial of Kijé | | | | | | | |
Little David, Play on Yo' Harp | | | | Song | | | |
Lullaby | | | | | | | |
Má vlast: I. Vyšehrad, JB 1:112/1 | | | | Symphonic poem | | | |
Má vlast: II. Vltava, JB 1:112/2 | | | | Symphonic poem | | | |
Má vlast: III. Šárka, JB 1:112/3 | | | | Symphonic poem | | | |
Má vlast: IV. Z českých luhů a hájů, JB 1:112/4 | | | | Symphonic poem | | | |
Má vlast: V. Tábor, JB 1:112/5 | | | | Symphonic poem | | | |
Má vlast: VI. Blaník, JB 1:112/6 | | | | Symphonic poem | | | |
Mary Had a Baby | | | | | | | |
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" | | | | | | | |
Mefistofele: Atto III. “L’altra notte in fondo al mare” (Margherita, Faust, Mefistofele) | | | | Aria | | | |
Messiah, HWV 56: Part I, no. 1. Symphony | | | | | | | |
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) | | | | | | | |
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) | | | | Aria | | | |
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” | | - The English Concert Choir, The English Concert, Trevor Pinnock
- Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner
- Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood
- RIAS Chamber Chorus, RIAS Berlin Sinfonietta, Marcus Creed
- (show 108 more)
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Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) | | | | | | | |
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” | | | | Aria | | | |
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” | | | | | | | |
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) | | - Simon Preston, Christ Church Cathedral Choir, Oxford, Carolyn Watkinson, Academy of Ancient Music, Christopher Hogwood
- Anna Reynolds, London Philharmonic Orchestra, Karl Richter
- Yvonne Minton, English Chamber Orchestra, Johannes Somary
- Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki
- (show 80 more)
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Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) | | - The English Concert Choir, Anne Sofie von Otter, The English Concert, Trevor Pinnock
- Simon Preston, Christ Church Cathedral Choir, Oxford, Carolyn Watkinson, Academy of Ancient Music, Christopher Hogwood
- London Philharmonic Orchestra, Karl Richter
- Academy of St. Martin in the Fields Chorus, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 100 more)
| | Aria | | | |