6 Gesänge, op. 86: No. 3. Die Liebende schreibt | | | | Song | | | |
Andante spianato et Grande polonaise brillante in E-flat major, op. 22: I. Andante spianato | | | | | | | |
Andante spianato et Grande polonaise brillante in E-flat major, op. 22: II. Grande polonaise brillante. Allegro molto | | | | | | | |
Auf Flügeln des Gesanges, op. 34 Nr. 2 | | | | | | | |
Bailecito | | | | | | | |
Boîte à musique | | | | | | | |
Cello Sonata no. 1 in B-flat major, op. 45: I. Allegro vivace | | | | | | | |
Cello Sonata no. 1 in B-flat major, op. 45: III. Allegro assai | | | | | | | |
Cello Sonata no. 2 in D major, op. 58: I. Allegro assai vivace | | | | | | | |
Cello Sonata no. 2 in D major, op. 58: II. Allegretto scherzando | | | | | | | |
Cello Sonata no. 2 in D major, op. 58: III. Adagio | | | | | | | |
Cello Sonata no. 2 in D major, op. 58: IV. Molto allegro e vivace | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | | | | | | | |
Congada | | | | | | | |
Danses andalouses: I. Ritmo | | | | | | | |
Danses andalouses: II. Sentimiento | | | | | | | |
Danses andalouses: III. Gracia (El vito) | | | | | | | |
Danzas argentinas, op. 2: I. Danza del viejo boyero | | | | | | | |
Danzas argentinas, op. 2: II. Danza de la moza donosa | | | | | | | |
Danzas argentinas, op. 2: III. Danza del gaucho matrero | | | | | | | |
Elegante Canyenguito | | | | | | | |
Fantasia in F minor, op. 103, D. 940 | | | | | | | |
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): I. Ondine | | | | | | | |
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): II. Le Gibet | | | | | | | |
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): III. Scarbo | | | | | | | |
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 3 in F major: Allegretto | | | | | | | |
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace | | | | | | | |
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 17 in F-sharp minor: Andantino – Vivace | | | | | | | |
Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 20 in E minor: Poco allegretto – Vivace | | | | | | | |
Introduction and Polonaise brillante for cello & piano in C major, op. 3 | | | | | | | |
Jeux d’enfants, op. 22 : II. La Toupie | | | | | | | |
Jeux d’enfants, op. 22 : III. La Poupée | | | | | | | |
Jeux d’enfants, op. 22 : VI. Trompette et Tambour | | | | | | | |
Jeux d’enfants, op. 22 : VIII. Les Quatre Coins | | | | | | | |
Jeux d’enfants, op. 22 : XI. Petit Mari, petite Femme | | | | | | | |
Jeux d’enfants, op. 22 : XII. Le Bal | | | | | | | |
La Valse | | | | | | | |
Lied ohne Worte A‐Dur, op. 62 Nr. 6 | | | | | | | |
Lied ohne Worte G-Dur, op. 62 Nr. 1 | | | | | | | |
Lied ohne Worte, op. 109 | | | | | | | |
Ma mère l’Oye: I. Pavane de la Belle au bois dormant | | | | | | | |
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête | | | | | | | |
Nocturne no. 1 in B-flat minor, op. 9 no. 1: Larghetto | | | | Song | | | |
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante | | | | | | | |
Nocturne no. 3 in B major, op. 9 no. 3: Allegretto | | | | | | | |
Nocturnes, L. 91, CD 98: I. Nuages | | | | | | | |
Nocturnes, L. 91, CD 98: II. Fêtes | | | | | | | |
Partita no. 1 in B-flat major, BWV 825: I. Prelude | | | | | | | |
Partita no. 1 in B-flat major, BWV 825: II. Allemande | | | | | | | |
Partita no. 1 in B-flat major, BWV 825: III. Courante | | | | | | | |
Partita no. 1 in B-flat major, BWV 825: IV. Sarabande | | | | | | | |
Partita no. 1 in B-flat major, BWV 825: V. Menuet I | | | | | | | |
Partita no. 1 in B-flat major, BWV 825: VI. Menuet II | | | | | | | |
Partita no. 1 in B-flat major, BWV 825: VII. Gigue | | | | | | | |
Piano Sonata no. 50 in D major, Hob. XVI:37: I. Allegro con brio | | | | | | | |
Piano Sonata no. 50 in D major, Hob. XVI:37: II. Largo e sostenuto | | | | | | | |
Piano Sonata no. 50 in D major, Hob. XVI:37: III. Finale: Presto ma non troppo | | | | | | | |
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) | | | | | | | |
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) | | | | | | | |
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) | | | | | | | |
Pictures at an Exhibition: No. 1 “Gnomus” | | | | | | | |
Pictures at an Exhibition: No. 2 “Il vecchio castello” | | | | | | | |
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) | | | | | | | |
Pictures at an Exhibition: No. 4 “Bydło” | | | | | | | |
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] | | | | | | | |
Pictures at an Exhibition: No. 6 “Samuel” Goldenberg und “Schmuÿle” | | | | | | | |
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) | | | | | | | |
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” | | | | | | | |
Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] | | | | | | | |
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) | | | | | | | |
Pictures at an Exhibition: Promenade (1st) | | | | | | | |
Pictures at an Exhibition: Promenade (2nd) | | | | | | | |
Rondo capriccioso, op. 14 | | | | Song | | | |
Scaramouche, op. 165b: I. Vif | | | | | | | |
Scaramouche, op. 165b: II. Modéré | | | | | | | |
Scaramouche, op. 165b: III. Brazileira (Mouvement de samba) | | | | | | | |
Schilflied "Auf dem Teich, dem regungslosen", op. 71 no. 4 | | | | Song | | | |
Serenade in C major, op. 48: I. Pezzo in forma di Sonatina | | | | | | | |
Serenade in C major, op. 48: II. Waltz. Moderato - Tempo di valse | | | | | | | |
Serenade in C major, op. 48: III. Élégie. Larghetto elegiaco | | | | | | | |
Serenade in C major, op. 48: IV. Finale. Tema russo | | | | | | | |
Sonata de alta gracia no. 3 | | | | Sonata | | | |
Sonata de alta gracia no. 5 | | | | Sonata | | | |
Sonata for Cello and Piano in G minor, op. 65: III. Largo | | | | | | | |
Sonata for Piano with 4 Hands in B-flat major, K. 186c/358: I. Allegro | | | | | | | |
Sonata for Piano with 4 Hands in B-flat major, K. 186c/358: II. Adagio | | | | | | | |
Sonata for Piano with 4 Hands in B-flat major, K. 186c/358: III. Molto presto | | | | | | | |
Sonata for two pianos, FP 156: I. Prologue (Extremement lent et calme) | | | | | | | |
Sonata for two pianos, FP 156: II. Allegro molto (Très rythmé) | | | | | | | |
Sonata for two pianos, FP 156: III. Andante lyrico (Lentement) | | | | | | | |
Sonata for two pianos, FP 156: IV. Epilogue (Allegro giocoso) | | | | | | | |
Sonate Nr. 1 G-Dur für Klavier und Violine, op. 78 „Regenlied-Sonate“: II. Adagio | | | | | | | |
Suleika, op. 34 Nr. 4 | | | | | | | |
Two Spanish Dances from La vida breve: No. 1 | | | | | | | |
Two Spanish Dances from La vida breve: No. 2 | | | | | | | |
Variationen concertantes D-dur, op. 17: Thema | | | | | | | |
Variationen concertantes D-dur, op. 17: Variation I | | | | | | | |
Variationen concertantes D-dur, op. 17: Variation II | | | | | | | |