| vocals |
|---|
| 1968-11 | Der Rosenkavalier, Op. 59: Act I. "Mein lieber Hippolyte" | soprano vocals [Annina] | Norbert Balatsch, Régine Crespin, Murray Dickie, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | 3:43 |
| 1968-11 | Der Rosenkavalier, Op. 59: Act II. "Blamage! Mir auseinander meine Eh'" | soprano vocals [Annina] | Norbert Balatsch, Helen Donath, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Yvonne Minton, Otto Wiener, Wiener Philharmoniker, Sir Georg Solti | 2:32 |
| 1968-11 | Der Rosenkavalier, Op. 59: Act II. "Herr Baron von Lerchenau!" | soprano vocals [Annina] | Norbert Balatsch, Murray Dickie, Helen Donath, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Yvonne Minton, Wiener Philharmoniker, Sir Georg Solti | 5:28 |
| 1968-11 | Der Rosenkavalier, Op. 59: Act II. "Mord! Mord! Mein Blut!" | soprano vocals [Annina] | Norbert Balatsch, Helen Donath, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Emmy Loose, Yvonne Minton, Wiener Philharmoniker, Sir Georg Solti | 2:01 |
| 1968-11 | Der Rosenkavalier, Op. 59: Act II. "Ohne mich, ohne mich jeder Tag dir so bang" | soprano vocals [Annina] | Norbert Balatsch, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | 6:24 |
| 1968-11 | Der Rosenkavalier, Op. 59: Act III. "Da und da und da und da!" | soprano vocals [Annina] | Norbert Balatsch, Anton Dermota, Murray Dickie, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Yvonne Minton, Franz Setzer, Nikolaus Simkowsky, Friedrich Strack, Adolf Tomaschek, Wiener Philharmoniker, Sir Georg Solti | 4:06 |
| 1968-11 | Der Rosenkavalier, Op. 59: Act III. "Leopold, wir gehn!" | soprano vocals [Annina] | Norbert Balatsch, Anton Dermota, Murray Dickie, Anne Howells, Manfred Jungwirth, Konzertvereinigung Wiener Staatsopernchor, Hans Reautschnigg, Franz Setzer, Nikolaus Simkowsky, Friedrich Strack, Adolf Tomaschek, Wiener Philharmoniker, Sir Georg Solti | 2:16 |
| 1969-10 | Les Troyens: Act I: No. 8 Ottetto et double choeur: "Châtiment effroyable!" | mezzo-soprano vocals [Ascagne] | Elizabeth Bainbridge, Chorus of the Royal Opera House, Covent Garden, Peter Glossop, Anne Howells, David Lennox, Berit Lindholm, Anthony Raffell, Pierre Thau, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 6:20 |
| 1969-10 | Les Troyens: Act III: No. 27 Récitatif: "Auguste reine, un peuple" | mezzo-soprano vocals [Ascagne] | Anne Howells, Anthony Raffell, Josephine Veasey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:33 |
| 1969-10 | Les Troyens: Act IV: No. 36 Récitatif et septuor: "Mais bannissons" - "Tout n'est que paix" | mezzo-soprano vocals [Ascagne] | Heather Begg, Chorus of the Royal Opera House, Covent Garden, Anne Howells, Ian Partridge, Anthony Raffell, Roger Soyer, Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 5:18 |
| 1971-12-09 – 1972-11-25 | Parsifal: Zweiter Aufzug. "Hier war das Tosen!" (Blumenmädchen) | mezzo-soprano vocals [Klingsors Blumenmädchen] | Wiener Philharmoniker, Sir Georg Solti | 2:13 |
| 1971-12-09 – 1972-11-25 | Parsifal: Zweiter Aufzug. "Ihr schönen Kinder, musst' ich sie nicht schlagen?" (Parsifal, Blumenmädchen) | mezzo-soprano vocals [Klingsors Blumenmädchen] | Wiener Philharmoniker, Sir Georg Solti | 2:20 |
| 1971-12-09 – 1972-11-25 | Parsifal: Zweiter Aufzug. "Komm, komm, holder Knabe!" (Blumenmädchen, Parsifal) | mezzo-soprano vocals [Klingsors Blumenmädchen] | Wiener Philharmoniker, Sir Georg Solti | 5:53 |
| 1971-12-09 – 1972-11-25 | Parsifal: Zweiter Aufzug. "Parsifal! Weile!" (Kundry, Parsifal, Blumenmädchen) | mezzo-soprano vocals [Klingsors Blumenmädchen] | Wiener Philharmoniker, Sir Georg Solti | 7:01 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act I. “So please you, sir, we much regret” | mezzo-soprano vocals [Pitti-Sing] | Richard van Allan, Chorus of the Welsh National Opera, Anne Howells, Marie McLaughlin, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | 1:56 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act I. “Three little maids from school are we” | mezzo-soprano vocals [Pitti-Sing] | Chorus of the Welsh National Opera, Anne Howells, Marie McLaughlin, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | 1:33 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act II. “Braid the raven hair” | mezzo-soprano vocals [Pitti-Sing] | Chorus of the Welsh National Opera, Anne Howells, Orchestra of the Welsh National Opera, Charles Mackerras | 3:25 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act II. “Brightly dawns our wedding day” | mezzo-soprano vocals [Pitti-Sing] | Nicholas Folwell, Anne Howells, Marie McLaughlin, Anthony Rolfe Johnson, Orchestra of the Welsh National Opera, Charles Mackerras | 3:58 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act II. “For he’s gone and married Yum-Yum” | mezzo-soprano vocals [Pitti-Sing] | Donald Adams, Richard van Allan, Chorus of the Welsh National Opera, Nicholas Folwell, Anne Howells, Marie McLaughlin, Felicity Palmer, Anthony Rolfe Johnson, Richard Suart, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | 1:54 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act II. “See how the Fates their gifts allot” | mezzo-soprano vocals [Pitti-Sing] | Donald Adams, Richard van Allan, Anne Howells, Felicity Palmer, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | 2:03 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act II. “The criminal cried as he dropped him down” | mezzo-soprano vocals [Pitti-Sing] | Richard van Allan, Chorus of the Welsh National Opera, Anne Howells, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | 3:25 |
| 1991-09-02 – 1991-09-04 | The Mikado: Act II. “The flowers that bloom in the spring” | mezzo-soprano vocals [Pitti-Sing] | Richard van Allan, Anne Howells, Marie McLaughlin, Anthony Rolfe Johnson, Richard Suart, Orchestra of the Welsh National Opera, Charles Mackerras | 1:36 |
| 1991-11 | Symphony no. 8 in E-flat major, Part I: Accende lumen sensibus | alto vocals [Alto II] and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 4:23 |
| 1991-11 | Symphony no. 8 in E-flat major, Part I: Gloria Patri Domino | alto vocals [Alto II] and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 2:17 |
| 1991-11 | Symphony no. 8 in E-flat major, Part I: Imple superna gratia | alto vocals [Alto II] and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 3:48 |
| 1991-11 | Symphony no. 8 in E-flat major, Part I: Infirma nostri corporis | alto vocals [Alto II] and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 6:11 |
| 1991-11 | Symphony no. 8 in E-flat major, Part I: Veni, Creator Spiritus | alto vocals [Alto II] and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 3:54 |
| 1991-11 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Alles Vergängliche | alto vocals [Alto II] and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 6:22 |
| 1991-11 | Symphony no. 8 in E-flat major, Part II ('Faust', Goethe): Bei der Liebe, die den Füßen | alto vocals [Maria Aegyptiaca] and solo | Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 4:40 |
| 1993-08 – 1994-03 | Susannah: Act I, Scene 1. "I am the Reverend Olin Blich" (Blitch, Elders, Chorus, Mrs. Mclean) | mezzo-soprano vocals | Chœur de l’Opéra de Lyon, Anne Howells, Samuel Ramey, Orchestre de l’Opéra de Lyon, Kent Nagano | 4:44 |
| 1997-06 | The Rake’s Progress: Act One, Scene 2. Chorus: “How sad a song” (Whores, Mother Goose) | soprano vocals [Mother Goose] | Anne Howells, Monteverdi Choir, London Symphony Orchestra, Sir John Eliot Gardiner | 1:05 |
| 1997-06 | The Rake’s Progress: Act One, Scene 2. Recitative and Scene: “Come, Tom” (Shadow, Rakewell, Mother Goose) | soprano vocals [Mother Goose] | Ian Bostridge, Anne Howells, Bryn Terfel, London Symphony Orchestra, Sir John Eliot Gardiner | 3:18 |
| Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti" | | Anne Howells, Robin Leggate, Felicity Lott, Alexander Oliver, Patricia Payne, Samuel Ramey, Deborah Rees, Richard Stilwell, John Tomlinson, Willard White, Academy of St Martin in the Fields, Sir Neville Marriner | 2:36 |
| Le nozze di Figaro, KV 492: Act IV. "Ah tutti contenti" | | Wolfgang Amadeus Mozart | 2:40 |
| Missa in angustiis “Nelson Mass”, Hob. XXII:11 in D minor: Agnus Dei: Agnus Dei qui tollis | soprano vocals | Barbara Bonney, Anne Howells, London Symphony Chorus, Stephen Roberts, Anthony Rolfe Johnson, City of London Sinfonia, Richard Hickox | 3:15 |
| Missa in angustiis “Nelson Mass”, Hob. XXII:11 in D minor: Benedictus | soprano vocals | Barbara Bonney, Anne Howells, London Symphony Chorus, Stephen Roberts, Anthony Rolfe Johnson, City of London Sinfonia, Richard Hickox | 6:35 |
| Missa in angustiis “Nelson Mass”, Hob. XXII:11 in D minor: Credo: Et incarnatus est | soprano vocals | Barbara Bonney, Anne Howells, London Symphony Chorus, Stephen Roberts, Anthony Rolfe Johnson, City of London Sinfonia, Richard Hickox | 4:16 |
| Missa in angustiis “Nelson Mass”, Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | soprano vocals | Barbara Bonney, Anne Howells, London Symphony Chorus, Stephen Roberts, Anthony Rolfe Johnson, City of London Sinfonia, Richard Hickox | 3:37 |
| Missa in angustiis “Nelson Mass”, Hob. XXII:11 in D minor: Gloria: Quoniam | soprano vocals | Barbara Bonney, Anne Howells, London Symphony Chorus, Stephen Roberts, Anthony Rolfe Johnson, City of London Sinfonia, Richard Hickox | 2:52 |
| Missa in angustiis “Nelson Mass”, Hob. XXII:11 in D minor: Kyrie | soprano vocals | Barbara Bonney, Anne Howells, London Symphony Chorus, Stephen Roberts, Anthony Rolfe Johnson, City of London Sinfonia, Richard Hickox | 4:40 |
| Missa in angustiis “Nelson Mass”, Hob. XXII:11 in D minor: Sanctus | soprano vocals | Anne Howells, London Symphony Chorus, City of London Sinfonia, Richard Hickox | 2:25 |
| vocals |
|---|
| L'Ormindo | mezzo-soprano vocals [Erisebe] | Francesco Cavalli, John Wakefield, Peter-Christoph Runge, Isabel Garcisanz, Hanneke van Bork, Jean Allister, Hugues Cuénod, Anne Howells, Jane Berbié, Federico Davia, Richard van Allan, London Philharmonic Orchestra & Raymond Leppard | |
| Missa in angustiis 'Nelsonmesse' | mezzo-soprano vocals | Joseph Haydn; Richard Hickox, City of London Sinfonia, London Symphony Chorus | |
