“Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” | | | | | | | |
A Dream, P. 75 | | | | | | | |
A Fancy, P. 5 | | | | | | | |
A Fancy, P. 6 | | | | | | | |
A Fancy, P. 73 | | | | | | | |
A Fantasie, P. 1a | | | | | | | |
A Gaillard (on a galliard by Daniel Bacheler) for lute in C minor, P. 28 | | | | | | | |
A Galliard (upon Walsingham), P. 31 | | | | | | | |
A Galliard, P. 27 | | | | | | | |
A Galliard, P. 35 | | | | | | | |
A Musicall Banquet: Go, My Flock, Go Get You Hence | | | | Song | | | |
A Pilgrimes Solace: No. 6. Were every thought an eye | | | | | | | |
Almain, P. 51 | | | | | | | |
Aloe, P. 68 | | | | | | | |
Als ick u vinde | | | | | | | |
An Almain, P. 49 | | | | | | | |
An Almand, P. 96 | | | | | | | |
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: V. Strike the viol | | - Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- The English Concert, Trevor Pinnock
- The Taverner Choir, Consort & Players, Andrew Parrott
- Raquel Andueza, Christina Pluhar, L’Arpeggiata
- (show 15 more)
| | | | | |
Bonduca, or the British Heroine, Z. 574: “Oh! Lead me to some peaceful gloom” (Bonvica) | | | | | | | |
Bonny Sweet Robin, P. 70 | | | | | | | |
Can She Excuse, P. 42 | | | | | | | |
Cantata no. 26 "Am Sonntage Jubilate" in C minor, TWV 1:356: I. Mesto e sdegnoso | | | | | | | |
Cantata no. 26 "Am Sonntage Jubilate" in C minor, TWV 1:356: II. Allegro | | | | | | | |
Cantata, "Zischet nur, stechet, ihr feurigen Zungen" in G major, TWV 1:1732: 1. Aria 'Zischet nur, stechet, ihr feurigen Zungen' | | | | | | | |
Cantata, "Zischet nur, stechet, ihr feurigen Zungen" in G major, TWV 1:1732: 3. Aria 'Der Himmel ist nicht ohne Sterne' | | | | | | | |
Captaine Digorie Piper his Galiard, P. 19 | | | | | | | |
Captaine Digorie Piper his Pavan, P. 8 | | | | | | | |
Come Again, P. 60 | | | | | | | |
Complainte, P. 63 | | | | | | | |
Concerto in D minor for Viola d'Amore, Lute, Strings and Continuo, RV 540: I. Allegro | | | | | | | |
Concerto in D minor for Viola d'Amore, Lute, Strings and Continuo, RV 540: II. Largo | | | | | | | |
Concerto in D minor for Viola d'Amore, Lute, Strings and Continuo, RV 540: III. Allegro | | | | | | | |
Concerto in F major: I. Allegro | | | | | | | |
Concerto in F major: II. Larghetto | | | | | | | |
Concerto in F major: III. Allegro | | | | | | | |
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: I. Allegro | | | | | | | |
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: II. Andante | | | | | | | |
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: II. Andante | | | | | | | |
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: III. Allegro | | | | | | | |
Coranto, P. 100 | | | | | | | |
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) | | | | | | | |
Dowland's Adieu | | | | | | | |
Dowland's Galliard, P. 20 | | | | | | | |
Dowland's Tears | | | | | | | |
Dr Case's Pavan, P. 12 | | | | | | | |
Essercizii Musici: Solo No. 5 for oboe & continuo in B flat major, TWV 41:B6: I. Adagio | | | | | | | |
Essercizii Musici: Solo No. 5 for oboe & continuo in B flat major, TWV 41:B6: II. Allegro | | | | | | | |
Essercizii Musici: Solo No. 5 for oboe & continuo in B flat major, TWV 41:B6: III. Cantabile | | | | | | | |
Essercizii Musici: Solo No. 5 for oboe & continuo in B flat major, TWV 41:B6: IV. Vivace | | | | | | | |
Essercizii Musici: Solo No. 11 for oboe & continuo in E minor, TWV 41:e6: I. Largo | | | | | | | |
Essercizii Musici: Solo No. 11 for oboe & continuo in E minor, TWV 41:e6: II. Allegro | | | | | | | |
Essercizii Musici: Solo No. 11 for oboe & continuo in E minor, TWV 41:e6: III. Grave | | | | | | | |
Essercizii Musici: Solo No. 11 for oboe & continuo in E minor, TWV 41:e6: IV. Vivace | | | | | | | |
Exulta filia Sion, SV 303 | | | | | | | |
Fantasia | | | | | | | |
Fantasia no. 7, P. 7 | | | | | | | |
Farewell 'In Nomine', P. 4 | | | | | | | |
Farewell, P. 3 | | | | | | | |
Flute Sonata in C major, BWV 1033: II. Allegro | | | | | | | |
Fly swift, ye hours, Z. 369 | | - Max van Egmond, Leonhardt‐Consort, Gustav Leonhardt
- Charles Daniels, The King’s Consort, Robert King
- Jill Feldman, Nigel North, Sarah Cunningham
- Carolyn Sampson, Laurence Cummings, Elizabeth Kenny, Jonathan Manson
- Agnès Mellon, Wieland Kuijken, Christophe Rousset
| | | | | |
Forlorn Hope Fancy, P. 2 | | | | | | | |
Fortune My Foe, P. 62 | | | | | | | |
Fuge g-Moll nach BWV 1000 | | | | | | | |
Galliard in F minor, P. 76 | | | | | | | |
Galliard in G minor, P. 22 "Dowland's First Galliard" | | | | | | | |
Galliard on "Awake sweet love", P. 24 | | | | | | | |
Galliard to Lachrimae, P. 46 | | | | | | | |
Galliard, P. 30 | | | | | | | |
Go From My Window, P. 64 | | | | | | | |
Greensleeves | | | | Song | | | |
If Music Be the Food of Love, Z. 379 | | | | Song | | | |
In Darkness Let Me Dwell | | | | | | | |
Introduction and Variations on a Theme by Mozart, op. 9 | | | | | | | |
King Arthur, Z. 628: Act V. "Fairest isle" | | | | | | | |
La mia Barbara: Pavan & Galliard, P. 95 | | | | | | | |
Lachrimae (alternative version) | | | | | | | |
Lachrimæ Pavan, P. 15 | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Amantis | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Antiquae | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Antiquae Novae | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Coactae | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Gementes | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Tristes | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Verae | | | | | | | |
Lady Hunsdon's Puffe, P. 54 | | | | | | | |
Lady, If You So Spite Me | | | | | | | |
Langton's Galliard, P. 33 | | | | | | | |
Le nuove musiche: 8. Amarilli, mia bella | | | | Madrigal | | | |
Le nuove musiche: 11. Dovrò dunque morire? | | | | Madrigal | | | |
Lord Strang's March, P. 65 | | | | | | | |
Lost is my quiet forever, Z. 502 | | | | Song | | | |
Loth to Departe, P. 69 | | | | | | | |
M. George Whitehead his Almand | | | | | | | |
M. Giles Hobies Galiard, P. 29 | | | | | | | |
M. Henry Noel his Galiard | | | | | | | |
M. John Langtons Pavan, P. 14 | | | | | | | |
Mad Bess of Bedlam, Z. 370 "From Silent Shades and the Elysian Groves" | | | | Song | | | |
Melancholy Galliard, P. 25 | | | | | | | |
Mignarda (Henry Noel's Galliard), P. 34 | | | | | | | |
Mistress White's nothing, P. 56 | | | | | | | |