| conducted |
---|
1985-12 | Samuel Chapter | Susan Larson, Collage New Music, John Harbison | 11:49 |
1993-12-15 | Three City Blocks: Fervent & resolute | “The President’s Own” United States Marine Band | 6:31 |
1993-12-15 | Three City Blocks: Tough, driving | “The President’s Own” United States Marine Band | 4:26 |
1993-12-15 | Three City Blocks: With relentless energy | “The President’s Own” United States Marine Band | 4:17 |
| liner notes |
---|
| Angels Hide Their Faces: Dawn Upshaw Sings Bach and Purcell | Dawn Upshaw | |
| composed |
---|
1961 | Duo for Flute and Piano | | |
1961 | Duo for Flute and Piano: I. Fanfare | | |
1961 | Duo for Flute and Piano: II. Lullaby | | |
1961 | Duo for Flute and Piano: III. Intermezzo | | |
1961 | Duo for Flute and Piano: IV. Dithyramb | | |
1961 | Duo for Flute and Piano: V. Sonata and Coda | | |
1965 | Confinement | | |
1977 | Concerto for Piano | | |
1978 | Samuel Chapter | | |
1980 | Concerto for Violin | | |
1980 | Concerto for Violin: I. | | |
1980 | Concerto for Violin: II. | | |
1980 | Concerto for Violin: III. | | |
1982 | Mirabai Songs | | |
1982 | Mirabai Songs: I. It's True, I Went to the Market | | |
1982 | Mirabai Songs: II. All I Was Doing Was Breathing | | |
1982 | Mirabai Songs: III. Why Mira Can't Go Back to Her Old House | | |
1982 | Mirabai Songs: IV. Where Did You Go? | | |
1982 | Mirabai Songs: V. The Clouds | | |
1982 | Mirabai Songs: VI. Don't Go, Don't Go | | |
1983 | Ulysses | | |
1983 | Ulysses: Ulysses' Bow | | |
1983 | Ulysses: Ulysses' Bow: Interlude II: While the Suitors Sleep | | |
1983 | Ulysses: Ulysses' Bow: Interlude III: Penelope's Dream | | |
1983 | Ulysses: Ulysses' Bow: Interlude IV: The Ritual of Purification | | |
1983 | Ulysses: Ulysses' Bow: Interlude: Ulysses and Argos | | |
1983 | Ulysses: Ulysses' Bow: Prelude: Premonition | | |
1983 | Ulysses: Ulysses' Bow: Scene I: Ulysses' Return | | |
1983 | Ulysses: Ulysses' Bow: Scene II: The Suitors | | |
1983 | Ulysses: Ulysses' Bow: Scene III: Penelope | | |
1983 | Ulysses: Ulysses' Bow: Scene IV: The Trail of the Bow | | |
1983 | Ulysses: Ulysses' Bow: Scene V: Reunion | | |
1983 | Ulysses: Ulysses' Raft | | |
1985 | Four Songs of Solitude | | |
1985 | Four Songs of Solitude: I. | | |
1985 | Four Songs of Solitude: II. | | |
1985 | Four Songs of Solitude: III. | | |
1985 | Four Songs of Solitude: IV. | | |
1985 | Piano Sonata no. 1 | | |
1985 | Remembering Gatsby | | |
1986 | The Flight into Egypt | | |
1987 | String Quartet no. 2 | | |
1987 | String Quartet no. 2: I. Fantasia: Poco largo | | |
1987 | String Quartet no. 2: II. Concerto: Allegro, leggiero | | |
1987 | String Quartet no. 2: III. Aria and Recitative: Andante cantabile | | |
1987 | String Quartet no. 2: IV. Sonata: Allegro moderato | | |
1987 | String Quartet no. 2: V. Chorale Fantasia: Vivo | | |
1987 | Symphony no. 2 | | |
1987 | Symphony no. 2: I. Dawn: Luminoso | | |
1987 | Symphony no. 2: II. Daylight: Con brio, non pesante | | |
1987 | Symphony no. 2: III. Dusk: Poco largo, lambente | | |
1987 | Symphony no. 2: IV. Darkness: Inesorabile | | |
1988 | Fantasy Duo | | |
1988 | November 19, 1828 | | |
1988 | November 19, 1828: I. Introduction: Schubert crosses into the next world | | |
1988 | November 19, 1828: II. Suite: Schubert finds himself in a hall of mirrors | | |
1988 | November 19, 1828: II. Suite: Schubert finds himself in a hall of mirrors: 1. Theme | | |
1988 | November 19, 1828: II. Suite: Schubert finds himself in a hall of mirrors: 2. Écossaise | | |
1988 | November 19, 1828: II. Suite: Schubert finds himself in a hall of mirrors: 3. Moment musical | | |
1988 | November 19, 1828: II. Suite: Schubert finds himself in a hall of mirrors: 4. Impromptu | | |
1988 | November 19, 1828: II. Suite: Schubert finds himself in a hall of mirrors: 5. Valse | | |
1988 | November 19, 1828: III. Rondo: Schubert recalls a rondo fragment from 1816 | | |
1988 | November 19, 1828: IV. Fugue: Schubert continues the fugue subject (S-C-H-U-B-E-R-T) that Sechter assaigned him | | |
1988 | Simple Daylight | | |
1990 | Two Emmanuel Motets | | |
1990 | Two Emmanuel Motets: I. Wherefore I put thee in remembrance | | |
1990 | Two Emmanuel Motets: II. Beloved, let us love one another | | |
1991 | Ave Verum Corpus | | |
1991 | O Magnum Mysterium (Short Setting) | | |
1991 | Oboe Concerto | | |
1991 | Oboe Concerto: I. Aria | | |
1991 | Oboe Concerto: II. Passacaglia | | |
1991 | Oboe Concerto: III. Fantasia | | |
1992 | O Magnum Mysterium (Long Setting) | | |
1993 | Concerning Them Which Are Asleep | | |
1994 | Communion Works | | |
1994 | San Antonio | | |
1994 | San Antonio: I. The Summons | | |
1994 | San Antonio: II. Line Dance | | |
1994 | San Antonio: III. Couples Dance | | |
1995 | Recordare | | |
1996 | Olympic Dances | | |
1996 | Olympic Dances: I. Prelude | | |
1996 | Olympic Dances: II. Epithalamion | | |
1996 | Olympic Dances: III. Variations | | |
1996 | Olympic Dances: IV. Finale | | |
2000 | Partita for Orchestra | | |
2000 | Partita for Orchestra: I. Praeludium-Fantasia | | |
2000 | Partita for Orchestra: II. Rondo-Capriccio | | |
2000 | Partita for Orchestra: III. Aria-Sarabande | | |
2000 | Partita for Orchestra: IV. Courante-Gigue | | |
2002 | Requiem | | |
2002 | Requiem: Part I: I. Introit | | |
2002 | Requiem: Part I: II. Sequence I: Dies irae | | |
2002 | Requiem: Part I: III. Sequence II: Tuba mirum | | |
2002 | Requiem: Part I: IV. Sequence III: Liber scriptus | | |
2002 | Requiem: Part I: V. Sequence IV: Quid sum miser | | |
2002 | Requiem: Part I: VI. Sequence V: Recordare | | |
2002 | Requiem: Part I: VII. Sequence VI: Confutatis - Lacrymosa | | |
2002 | Requiem: Part II: IX. Sanctus | | |
| See all 170 relationships |
| dedicated works |
---|
| Symphony no. 1 | | |
| revised |
---|
1987 | Concerto for Violin | | |
1987 | Concerto for Violin: I. | | |
1987 | Concerto for Violin: II. | | |
1987 | Concerto for Violin: III. | | |