1. Streichquartett | | | | Quartet | | | |
4. Streichquartett | | | | Quartet | | | |
24 Duos für Violine und Violoncello | | | | | | | |
180 beats per minute | | | | | | | |
Absences | | | | Opera | | | |
Adagio and Fugue in C minor, K. 546 | | | | | | | |
Air | | | | | | | |
Andante aus der Klarinettensonate von Felix Mendelssohn Bartholdy | | | | | | | |
Antiphon for Orchestra Groups | | | | | | | |
Arche | | | | Oratorio | | | |
Arche: I. Fiat lux / Es werde licht | | | | | | | |
Arche: II. Sintflut | | | | | | | |
Arche: III. Die liebe | | | | | | | |
Arche: IV. Dies irae | | | | | | | |
Arche: V. Dona nobis pacem | | | | | | | |
Armonica | | | | | | | |
Babylon | | | | Opera | | | |
Babylon Suite | | | | Suite | | | |
Cantus | | | | | | | |
Choralquartett | | | | Quartet | | | |
Clarinet Concertino in E-flat major, J. 109, op. 26: I. Adagio ma non troppo | | | | | | | |
Clarinet Concertino in E-flat major, J. 109, op. 26: II. Andante | | | | | | | |
Clarinet Concertino in E-flat major, J. 109, op. 26: III. Allegro | | | | | | | |
Con brio | | | | Overture | | | |
Concerto for Clarinet in A major, K. 622: I. Allegro | | | | | | | |
Concerto for Clarinet in A major, K. 622: II. Adagio | | | | | | | |
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | | | | | | | |
Danse macabre | | | | | | | |
Das heiße Herz | | | | Song-cycle | | | |
Das heiße Herz: I. Der arme Kaspar | | | | Song | | | |
Das heiße Herz: II. Spätes Liebeslied | | | | Song | | | |
Das heiße Herz: III. Liebeslied | | | | Song | | | |
Das heiße Herz: IV. Hab’ ein Ringlein am Finger | | | | Song | | | |
Das heiße Herz: V. Eifersucht | | | | Song | | | |
Das heiße Herz: VI. Das Fräulein stand am Meere | | | | Song | | | |
Das heiße Herz: VII. Kartenspiel | | | | Song | | | |
Das heiße Herz: VIII. Einsam will ich untergehn | | | | Song | | | |
Der Freischütz: Ouvertüre | | | | Overture | | | |
Dialogue de l’ombre double: I. Sigle initial | | | | | | | |
Dialogue de l’ombre double: II. Strophe 1 | | | | | | | |
Dialogue de l’ombre double: III. Transition 1 & II | | | | | | | |
Dialogue de l’ombre double: IV. Strophe II | | | | | | | |
Dialogue de l’ombre double: IX. Transition IV & V | | | | | | | |
Dialogue de l’ombre double: V. Transition II & III | | | | | | | |
Dialogue de l’ombre double: VI. Strophe III | | | | | | | |
Dialogue de l’ombre double: VII. Transition III & IV | | | | | | | |
Dialogue de l’ombre double: VIII. Strophe IV | | | | | | | |
Dialogue de l’ombre double: X. Strophe V | | | | | | | |
Dialogue de l’ombre double: XI. Transition V & VI | | | | | | | |
Dialogue de l’ombre double: XII. Strophe VI | | | | | | | |
Dialogue de l’ombre double: XIII. Sigle Final | | | | | | | |
Die Hebriden, op. 26 | | | | Overture | | | |
Drei Schattentänze | | | | | | | |
Drei Schattentänze: I. Echo Tanz | | | | | | | |
Drei Schattentänze: II. (Under)Water Dance | | | | | | | |
Drei Schattentänze: III. Danse africaine | | | | | | | |
Duett-Concertino for Clarinet, Bassoon and Strings: I. Allegro moderato | | | | | | | |
Duett-Concertino for Clarinet, Bassoon and Strings: II. Andante | | | | | | | |
Duett-Concertino for Clarinet, Bassoon and Strings: III. Rondo. Allegro ma non troppo | | | | | | | |
Duos for Violin and Cello, Book 1 | | | | | | | |
Duos for Violin and Cello, Book 1: I. Tempo giusto | | | | | | | |
Duos for Violin and Cello, Book 1: II. Alla breve, ma pesante | | | | | | | |
Duos for Violin and Cello, Book 1: III. Lento un poco andante | | | | | | | |
Duos for Violin and Cello, Book 1: IV. Sehr markiert | | | | | | | |
Duos for Violin and Cello, Book 1: IX. Calmo | | | | | | | |
Duos for Violin and Cello, Book 1: V. Frage | | | | | | | |
Duos for Violin and Cello, Book 1: VI. Scherzando (un poco sostenuto) | | | | | | | |
Duos for Violin and Cello, Book 1: VII. Andante cantabile | | | | | | | |
Duos for Violin and Cello, Book 1: VIII. Tempo giusto | | | | | | | |
Duos for Violin and Cello, Book 1: X. Dunkler Tanz | | | | | | | |
Duos for Violin and Cello, Book 1: XI. Gigue | | | | | | | |
Duos for Violin and Cello, Book 1: XII. Kanon-Fragment | | | | | | | |
Duos for Violin and Cello, Book 1: XIII. Vier Strophen vom Heimweh | | | | | | | |
Duos for violin and cello, book 2: I. Capriccio | | | | | | | |
Duos for violin and cello, book 2: II. Canto | | | | | | | |
Duos for violin and cello, book 2: III. Petit ballet mécanique (Pas de deux) | | | | | | | |
Duos for violin and cello, book 2: IV. Choral | | | | | | | |
Duos for violin and cello, book 2: IX. Lamento | | | | | | | |
Duos for violin and cello, book 2: V. Moderato un poco allegretto | | | | | | | |
Duos for violin and cello, book 2: VI. Tanz mit quinten und sexten | | | | | | | |
Duos for violin and cello, book 2: VII. Ängstlich, zögernd | | | | | | | |
Duos for violin and cello, book 2: VIII. Valse bavariose | | | | | | | |
Duos for violin and cello, book 2: X. Deciso, con brio | | | | | | | |
Duos for violin and cello, book 2: XI. Toccantina all'inglese | | | | | | | |
Elegie | | | | | | | |
Elf Humoresken | | | | | | | |
Elf Humoresken: I. Kinderlied. Semplice | | | | | | | |
Elf Humoresken: II. Fast zu ernst. Mesto | | | | | | | |
Elf Humoresken: III. Anfangs lebhaft. Agitato, poco rubato | | | | | | | |
Elf Humoresken: IV. Waldszene. Belebt | | | | | | | |
Elf Humoresken: IX. Glocken. Rall, poco a poco | | | | | | | |
Elf Humoresken: V. Choral. Sostenuto | | | | | | | |
Elf Humoresken: VI. Warum? Auf der Hut, sehr langsam | | | | | | | |
Elf Humoresken: VII. Intermezzo. Prestissimo | | | | | | | |
Elf Humoresken: VIII. Zerrinnendes Bild. Moltissimo rubato, quasi improvisando | | | | | | | |
Elf Humoresken: X. Lied im Traume. Ruhig, bewegt | | | | | | | |
Elf Humoresken: XI. Mit Humor und Feinsinn | | | | | | | |
Étude digitale | | | | | | | |
Fantasie | | | | | | | |
Fantasiestücke für Klarinette und Klavier, op. 73, Nr. 1: Zart und mit Ausdruck | | | | | | | |