¡Mira! (from "La Habanera") | | | | Song | | | |
6 Études de concert, op. 35: II. Automne. Lento | | | | | | | |
A Night on Bare Mountain | | | | Symphonic poem | | | |
A Night on the Bare Mountain | | | | Symphonic poem | | | |
Adagio for Strings and Organ in G minor | | | | | | | |
Adagio from the Toccata, Adagio, and Fugue in C major, BWV 564 | | | | | | | |
Adoramus Te | | | | | | | |
Air | | | | | | | |
Also sprach Zarathustra, op. 30: I. Einleitung | | | | | | | |
An American in Paris | | | | Symphonic poem | | | |
Andante cantabile | | | | | | | |
Andante cantabile, TH 63, ČW 348 | | | | | | | |
Aria from Overture no. 3, BWV 1068 | | | | | | | |
Arioso | | | | | | | |
Autumnal Sketch, op. 8 | | | | | | | |
Baal Shem: I. Vidui | | | | | | | |
Baal Shem: II. Nigun | | | | | | | |
Baal Shem: III. Simchas Torah | | | | | | | |
Boléro | | | | Ballet | | | 5 |
Boris Godunov (Symphonic Synthesis) | | | | | | | |
Brideshead Revisited | | | | | | | |
Capriccio italien, op. 45 | | | | | | | |
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Julius Baker, New York Philharmonic, Leonard Bernstein
- (show 87 more)
| | | | | |
Carnival Overture, op. 92, B. 169 | | | | | | | |
Casi un tango | | | | | | | |
Cello Concerto: I. Curtain Raise | | | | | | | |
Cello Concerto: II. There and Back | | | | | | | |
Cello Concerto: III. Three Queries, One Response | | | | | | | |
Cello Concerto: IV. Competitive Chaos | | | | | | | |
Cello Concerto: V. A Single Tone, A Dozen Implications | | | | | | | |
Cello Concerto: VI. One Coin, Two Sides | | | | | | | |
Cello Concerto: VII. Valse Rappelée | | | | | | | |
Cello Concerto: VIII. Adrift | | | | | | | |
Chanson | | | | Song | | | |
Chant du ménestrel, op. 71 | | | | | | | |
Chorale from the Easter Cantata | | | | | | | |
Cinq poèmes de Baudelaire, L. 64, CD 70: III. Le Jet d'eau | | | | | | | |
Concerto Ballata for Cello and Orchestra, op. 108 | | | | Concerto | | | |
Concerto for Piano and Orchestra in F major: I. Allegro | | | | | | | |
Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto | | | | | | | |
Concerto for Piano and Orchestra in F major: III. Allegro agitato | | | | | | | |
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | | | | | | | |
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | | | | | | | |
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | | | | | | | |
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | | | | | | | |
Concerto para violão e pequena orquestra, W501: I. Allegro preciso | | | | | | | |
Concerto para violão e pequena orquestra, W501: II. Andantino e andante | | | | | | | |
Concerto para violão e pequena orquestra, W501: III. Allegretto non troppo | | | | | | | |
Concierto de Aranjuez: I. Allegro con spirito | | | | | | | |
Concierto de Aranjuez: II. Adagio | | | | | | | |
Concierto de Aranjuez: III. Allegro gentile | | | | | | | |
Concierto de estío: II. Siciliana. Andantino | | | | | | | |
Concierto del sur: I. Allegro moderato | | | | | | | |
Concierto del sur: II. Andante | | | | | | | |
Concierto del sur: III. Allegro moderato e festivo | | | | | | | |
Coppélia : Ballet Suite | | | | Suite | | | |
Coppélia : Tableau I, no. 1b. Valse | | | | | | | |
Coppélia : Tableau I, no. 3. Mazurka | | | | | | | |
Coppélia : Tableau I, no. 7a. Czárdás (Danse hongroise) | | | | | | | |
Coppélia : Tableau II, No. 13. Chanson à boire | | | | | | | |
Coppélia : Tableau III, No. 20h. Galop final | | | | | | | |
Dance Partita: I. Baroque I | | | | | | | |
Dance Partita: II. Burlesque | | | | | | | |
Dance Partita: III. Baroque II | | | | | | | |
Dance Partita: IV. Air | | | | | | | |
Dance Partita: V. Baroque III | | | | | | | |
Dance Partita: VI. Folk Dance | | | | | | | |
Dance Partita: VII. Pas d'éclectique | | | | | | | |
Dance Partita: VIII. Baroque IV | | | | | | | |
Dapheneo | | | | Song | | | |
December Chrysanthemum, op. 52b | | | | | | | |
Deux Séjours: I. Fontvielle, Provence | | | | | | | |
Deux Séjours: II. Portofino, Italy | | | | | | | |
Devuélveme el corazón | | | | Song | | | |
Die Geschöpfe des Prometheus, op. 43: Ouverture | | | | | | | |
Die Walküre: Magic Fire Music | | | | | | | |
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro | | | | Overture | | | |
Ein feste Burg is unser Gott | | | | | | | |
Elegie in G for Strings | | | | | | | |
En una noche así (from the film "Carnival in Costa Rica") | | | | Song | | | |
Excerpt from Das Rheingold: Entrance of the Gods into Valhalla | | | | | | | |
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt | | | | | | | |
Fatum, op. 77 | | | | Symphonic poem | | | |
Faust: Ballet Music no. 1 | | | | | | | |
Flute Concerto with Tango | | | | Concerto | | | |
Flute Concerto with Tango: I. Quasi presto | | | | | | | |
Flute Concerto with Tango: II. Cadenza. Andante rubato | | | | | | | |
Flute Concerto with Tango: III. Fantasia | | | | | | | |
Flute Concerto with Tango: IV. Tango inconclusivo | | | | | | | |
Flute Concerto with Tango: V. Allegro comodo | | | | | | | |
Fugue in C minor, no. 2, BWV 847 | | | | | | | |
Fugue in G minor, BWV 578 ("Little") | | | | | | | |
Geistliches Lied, BWV 478 “Komm, süßer Tod” | | | | | | | |
Hamlet Suite, op. 116a: II. Ball at the Palace | | | | | | | |
Hamlet Suite, op. 116a: III. The Ghost | | | | | | | |
Hamlet Suite, op. 116a: IV. In the Garden | | | | | | | |
Hamlet Suite, op. 116a: V. Scene of the Poisoning | | | | | | | |
Hamlet Suite, op. 116a: VI. Arrival and Scene of the Players | | | | | | | |
Hamlet Suite, op. 116a: VII. Ophelia | | | | | | | |
Hamlet Suite, op. 116a: VIII. Duel and Death of Hamlet | | | | | | | |