2 Rhapsodies, op. 79: No. 2 in G minor. Molto passionato, ma non troppo allegro | | | | | | | |
3 intermezzi, op. 117: Nr. 2 in b-Moll. Andante non troppo e con molta espressione | | | | | | | |
6 Chants polonais, S. 480: 1. Mädchens Wünsch | | | | | | | |
6 Chants polonais, S. 480: 2. Frühling | | | | | | | |
6 Chants polonais, S. 480: 5. Meine Freuden | | | | | | | |
6 Klavierstücke, op. 118: Nr. 3. Ballade in g-Moll. Allegro energico | | | | | | | |
6 Romances, op. 4: no. 3 "In the Silence of the Secret Night" | | | | | | | |
6 Romances, op. 4: no. 4 "Do Not Sing, My Beauty" | | | | | | | |
7 Virtuoso Études | | | | | | | |
7 Virtuoso Etudes after Gershwin: No. 2, Somebody Loves Me | | | | | | | |
7 Virtuoso Etudes after Gershwin: No. 4, Embraceable You | | | | | | | |
7 Virtuoso Etudes after Gershwin: No. 6, I Got Rhythm | | | | | | | |
7 Virtuoso Études: Embraceable You | | | | | | | |
7 Virtuoso Études: Fascinatin' Rhythm | | | | | | | |
7 Virtuoso Études: I Got Rhythm | | | | | | | |
7 Virtuoso Études: Liza | | | | | | | |
7 Virtuoso Études: Oh, Lady Be Good | | | | | | | |
7 Virtuoso Études: Somebody Loves Me | | | | | | | |
7 Virtuoso Études: The Man I Love | | | | | | | |
8 Klavierstücke, op. 76: Nr. 6. Intermezzo in A major: Andante con moto | | | | | | | |
12 Romances, op. 14: no. 5 "These Summer Nights" | | | | | | | |
12 Romances, op. 14: no. 8 "Oh, Do Not Grieve!" | | | | | | | |
12 Romances, op. 21: no. 8 "On the Death of a Linnet" | | | | | | | |
12 Romances, op. 21: no. 12 "How painful for me" in G minor | | | | | | | |
14 Romances, op. 34 no. 1: The Muse | | | | | | | |
14 Romances, op. 34 no. 14: Vocalise | | | | | | | |
15 Romances, op. 26: no. 7 "To the Children" in F major | | | | | | | |
Air and Variations "The Harmonious Blacksmith" | | | | | | | |
An American in Paris | | | | Symphonic poem | | | |
Andante spianato et Grande polonaise brillante in E-flat major, op. 22: II. Grande polonaise brillante. Allegro molto | | | | | | | |
Après un rêve, op. 7 no. 1 | | | | | | | |
Arabesques on “An der schönen, blauen Donau” | | | | | | | |
At the Ball | | | | | | | |
Aufforderung zum Tanze, op. 65 | | | | | | | |
Ballade en Fa dièse majeur, op. 19 | | | | | | | |
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
- (show 43 more)
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Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: II. Andante | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
- (show 41 more)
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Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- London Symphony Orchestra, André Previn
- Academy of St Martin in the Fields, Sir Neville Marriner, Anne Queffélec, Imogen Cooper
- (show 55 more)
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Concerto for Piano and Orchestra in F major: I. Allegro | | | | | | | |
Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto | | | | | | | |
Concerto for Piano and Orchestra in F major: III. Allegro agitato | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 | | | | Concerto | | | 4 |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124 | | | | Concerto | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | | | | | | | |
Concerto for Piano and Orchestra: I. Andante sostenuto | | | | | | | |
Concerto for Piano and Orchestra: II. Molto moderato (molto rubato) | | | | | | | |
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: I. Allegro | | | | | | | |
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: II. Andantino | | | | | | | |
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: III. Rondeau. Presto – Adagio & Menuetto. Cantabile – Tempo primo | | | | | | | |
Concerto for Piano no. 21 in C major, K. 467: I. Allegro | | | | | | | |
Concerto for Piano no. 21 in C major, K. 467: II. Andante | | | | | | | |
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai | | | | | | | |
Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato | | - [unknown]
- Björn Lundgren, Dubravka Tomšič, London Festival Orchestra, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sven Bengtson, Alberto Lizzio, Anton Nanut
- Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
- Lilya Zilberstein, Gothenburg Symphony Orchestra, Neeme Järvi
- (show 162 more)
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Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio | | - [unknown]
- Björn Lundgren, Dubravka Tomšič, Orchestre symphonique de la Radio Ljubljana, London Festival Orchestra, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sven Bengtson, Alberto Lizzio, Anton Nanut
- Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis
- Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein
- (show 141 more)
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Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato | | | | | | | |
Divertimento no. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: III. Minuetto & Trio I & Trio II & Trio III & Coda | | - Orpheus Chamber Orchestra
- Academy of St Martin in the Fields, Neville Marriner
- Kurpfälzisches Kammerorchester Mannheim, Jiri Malát
- Ernani Angelucci, Myron Bloom, The Cleveland Orchestra, George Goslee, Marc Lifschey, Martin Morris, Maurice Sharp, Roy Waas, George Szell
- (show 7 more)
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Dreams, op. 38 no. 5 | | | | | | | |
Etude in C major, op. 23 no. 2 “Staccato” | | | | Étude | | | |
Fantaisie polonaise sur des thèmes originaux, op. 19 | | | | | | | |
Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123 | | | | | | | |
Fantasia on Themes From Glinka's ''A Life for the Tsar'' | | | | | | | |
Flight of the Bumblebee, TN iii/9 | | | | | | | |
Floods of Spring, op. 14 no. 11 | | | | | | | |
Forgotten Melodies, Cycle II, op. 39: No. 1. Meditazione: Introduzione, quasi Cadenza - Meno mosso - Meditamente | | | | | | | |
Forgotten Melodies, Cycle II, op. 39: No. 2. Romanza: Meditamente | | | | | | | |
Forgotten Melodies, Cycle II, op. 39: No. 3. Primavera: Vivace | | | | | | | |
Forgotten Melodies, Cycle II, op. 39: No. 4. Canzona matinata: Allegretto cantando, ma sempre con moto | | | | | | | |
Forgotten Melodies, Cycle II, op. 39: No. 5. Sonata tragica: Allegro risoluto | | | | | | | |
Grand Fantasy on Porgy and Bess | | | | | | | |
Grand Fantasy on Porgy and Bess: Summertime | | | | | | | |
Grande Fantaisie sur l'opéra Semiramide de Rossini, op. 51 | | | | | | | |
Grande Fantaisie sur les motifs de Don Pasquale, op. 67 | | | | | | | |
Hommage à Poulenc | | | | | | | |
Improvisation in the Form of a Theme and Three Variations on "Someone to watch over me" | | | | | | | |
Improvisation in the Form of a Theme and Three Variations on "Someone to watch over me": I. Theme | | | | | | | |
Improvisation in the Form of a Theme and Three Variations on "Someone to watch over me": II. Barcarolle | | | | | | | |
Improvisation in the Form of a Theme and Three Variations on "Someone to watch over me": III. Brazilian Dance | | | | | | | |
Improvisation in the Form of a Theme and Three Variations on "Someone to watch over me": IV. Tango | | | | | | | |
Improvisation, op. 31 no. 1. Andantino, gracile | | | | | | | |
Isoldens Tod | | | | | | | |
Klavierstücke, op. 119: Nr. 2. Intermezzo in e-Moll. Andantino un poco agitato | | | | | | | |
Klavierstücke, op. 119: Nr. 3. Intermezzo in C-Dur. Grazioso e giocoso | | | | | | | |
Largo from the Piano Concerto No. 2 in F minor, Op. 21 | | | | | | | |
Le Rouet d'Omphale | | | | | | | |
Liebesleid, TN iii/5/1 (after Kriesler's Alt-Wiener Tanzweisen No.1) | | | | | | | |
Marche militaire | | | | | | | |
Mélodie de Gluck | | | | | | | |
Mephisto Waltz no. 1, S. 514 "Der Tanz in der Dorfschenke" | | | | | | | |
Mephisto-Polka | | | | | | | |
Mephisto-Polka, S. 217/1 | | | | | | | |
Miscellanea, op. 16 | | | | | | | |
Nocturne no. 1 in B-flat minor, op. 9 no. 1: Larghetto | | | | Song | | | |