| instruments |
---|
| Mozart Requiem: Lacrymosa; Amen | | | Boston Baroque, Martin Pearlman | 4:09 |
| orchestra |
---|
1992-01-05 – 1992-01-07 | Concerto Grosso op. 6: IV. Allegro | | | Boston Baroque, Martin Pearlman | 2:32 |
1992-01-05 – 1992-01-07 | Concerto Grosso op. 6: V. Allegro | | | Boston Baroque, Martin Pearlman | 2:59 |
1992-05 | All they that see him - Tenor Recitative | | | Boston Baroque, Martin Pearlman | 0:44 |
1992-05 | All We Like Sheep (chorus) | | | Boston Baroque, Martin Pearlman | 3:22 |
1992-05 | And He Shall Purify (chorus) | Boston Baroque Orchestra and Chorus | | Boston Baroque Orchestra and Chorus, Martin Pearlman | 2:10 |
1992-05 | And the Glory of the Lord (chorus) | | | Boston Baroque, Martin Pearlman | 2:38 |
1992-05 | And with his stripes we are healed - Chorus | | | Boston Baroque, Martin Pearlman | 1:44 |
1992-05 | Behold, a Virgin Shall Conceive (alto recitative) | | | Catherine Robbin, Boston Baroque, Martin Pearlman | 0:22 |
1992-05 | Behold, and see if there be any sorrow - Tenor Arioso | | | Boston Baroque, Martin Pearlman | 1:13 |
1992-05 | Behold, I Tell You a Mystery (bass recitative) | | | Victor Ledbetter, Boston Baroque, Martin Pearlman | 0:33 |
1992-05 | But Thanks Be to God (chorus) | | | Boston Baroque, Martin Pearlman | 2:08 |
1992-05 | But thou didst not leave his soul in Hell - Tenor Air | | | Boston Baroque, Martin Pearlman | 2:42 |
1992-05 | Comfort Ye, My People (tenor recitative) | | | Bruce Fowler, Boston Baroque, Martin Pearlman | 2:48 |
1992-05 | Every Valley Shall Be Exalted (tenor air) | | | Bruce Fowler, Boston Baroque, Martin Pearlman | 3:10 |
1992-05 | Hallelujah (chorus) | | | Boston Baroque, Martin Pearlman | 3:41 |
1992-05 | He That Dwelleth in Heaven (tenor recitative) | | | Bruce Fowler, Boston Baroque, Martin Pearlman | 0:12 |
1992-05 | He trusted in God - Chorus | | | Boston Baroque, Martin Pearlman | 2:16 |
1992-05 | He was cut off out of the land of the living - Tenor Recitative | | | Boston Baroque, Martin Pearlman | 0:19 |
1992-05 | How beautiful are the feet - Soprano Air | | | Boston Baroque, Martin Pearlman | 2:04 |
1992-05 | I Know That My Redeemer Liveth (soprano air) | | | Karen Clift, Boston Baroque, Martin Pearlman | 5:04 |
1992-05 | If God be for us - Soprano Air | | | Boston Baroque, Martin Pearlman | 4:02 |
1992-05 | Let all the angels of God worship him - Chorus | | | Boston Baroque, Martin Pearlman | 1:26 |
1992-05 | Let Us Break Their Bounds Asunder (chorus) | | | Boston Baroque, Martin Pearlman | 1:41 |
1992-05 | Lift Up Your Heads (chorus) | | | Boston Baroque, Martin Pearlman | 2:54 |
1992-05 | O Death, Where Is Thy Sting? (alto & tenor duet) | | | Bruce Fowler, Catherine Robbin, Boston Baroque, Martin Pearlman | 1:09 |
1992-05 | O Thou That Tellest Good Tidings to Zion (alto air & chorus) | | | Catherine Robbin, Boston Baroque, Martin Pearlman | 5:20 |
1992-05 | Part One, Air: But who may abide | | | Catherine Robbin, Boston Baroque, Martin Pearlman | 3:58 |
1992-05 | Part One, Air: He shall feed His flock like a shepherd | | | Karen Clift, Catherine Robbin, Boston Baroque, Martin Pearlman | 4:39 |
1992-05 | Part One, Air: The people that walked in darkness | | | Victor Ledbetter, Boston Baroque, Martin Pearlman | 4:06 |
1992-05 | Part One, Chor: For unto us a Child is born | | | Boston Baroque, Martin Pearlman | 3:36 |
1992-05 | Part One, Chor: Glory to the God | | | Boston Baroque, Martin Pearlman | 1:46 |
1992-05 | Part One, Chor: His yoke is easy | | | Boston Baroque, Martin Pearlman | 2:16 |
1992-05 | Part One, Recitative: And suddenly there was with the angel | | | Karen Clift, Boston Baroque, Martin Pearlman | 0:16 |
1992-05 | Part One, Recitative: And the angel said unto them | | | Karen Clift, Boston Baroque, Martin Pearlman | 0:35 |
1992-05 | Part One, Recitative: For behold, darkness shall cover the earth | | | Victor Ledbetter, Boston Baroque, Martin Pearlman | 1:49 |
1992-05 | Part One, Recitative: Then shall the eyes of the blind | | | Karen Clift, Boston Baroque, Martin Pearlman | 0:23 |
1992-05 | Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon them | | | Karen Clift, Boston Baroque, Martin Pearlman | 0:33 |
1992-05 | Part One, Recitative: Thus saith the Lord | | | Victor Ledbetter, Boston Baroque, Martin Pearlman | 1:24 |
1992-05 | Part One, Sym: Pastoral | | | Boston Baroque, Martin Pearlman | 2:53 |
1992-05 | Part Two, Air: He was despised | | | Catherine Robbin, Boston Baroque, Martin Pearlman | 8:25 |
1992-05 | Part Two, Chor: Behold the lamb of God | | | Boston Baroque, Martin Pearlman | 2:28 |
1992-05 | Rejoice Greatly, o Daughter of Zion (soprano air) | | | Karen Clift, Boston Baroque, Martin Pearlman | 4:16 |
1992-05 | Since by Man Came Death (chorus) | | | Boston Baroque, Martin Pearlman | 2:05 |
1992-05 | Sinfonia | | | Boston Baroque, Martin Pearlman | 2:54 |
1992-05 | Surely he hath borne our griefs (chorus) | | | Boston Baroque, Martin Pearlman | 1:48 |
1992-05 | The Lord Gave the Word (chorus) | | | Boston Baroque, Martin Pearlman | 1:12 |
1992-05 | The Trumpet Shall Sound (bass air) | | | Victor Ledbetter, Boston Baroque, Martin Pearlman | 8:41 |
1992-05 | Their Sound Is Gone Out (chorus) | | | Boston Baroque, Martin Pearlman | 1:21 |
1992-05 | Then Shall Be Brought to Pass (alto recitative) | | | Catherine Robbin, Boston Baroque, Martin Pearlman | 0:14 |
1992-05 | Thou art gone up on high - Alto Air | | | Boston Baroque, Martin Pearlman | 2:53 |
1992-05 | Thou Shalt Break Them (tenor air) | | | Bruce Fowler, Boston Baroque, Martin Pearlman | 2:05 |
1992-05 | Thy rebuke hath broken his heart - Tenor Recitative | | | Boston Baroque, Martin Pearlman | 1:31 |
1992-05 | Unto which of the angels - Tenor Recitative | | | Boston Baroque, Martin Pearlman | 0:15 |
1992-05 | Why Do the Nations? (bass air) | | | Victor Ledbetter, Boston Baroque, Martin Pearlman | 2:41 |
1992-05 | Worthy Is the Lamb... Amen (chorus) | | | Boston Baroque, Martin Pearlman | 7:11 |
1996-01-03 – 1996-01-05 | Abdelazer: Air | | | Boston Baroque, Martin Pearlman | 1:20 |
1996-01-03 – 1996-01-05 | Abdelazer: Overture | | | Boston Baroque, Martin Pearlman | 3:01 |
1996-01-03 – 1996-01-05 | Abdelazer: Roundeau | | | Boston Baroque, Martin Pearlman | 1:22 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act I. The Palace: “Ah! Belinda, I am prest with torment” | | | Nancy Maultsby, Boston Baroque, Martin Pearlman | 3:35 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act I. The Palace: “Fear no danger to ensue” | | | Sharon Baker, Susannah Waters, Boston Baroque, Martin Pearlman | 1:31 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act I. The Palace: “Grief increases by concealing” / “When monarchs unite” | | | Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman | 0:47 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act I. The Palace: “If not for mine, for empire’s sake” | | | Russell Braun, Susannah Waters, Boston Baroque, Martin Pearlman | 1:12 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act I. The Palace: “See your royal guest appears” / “Cupid only throws the dart” | | | Russell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman | 1:26 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act I. The Palace: “Shake the cloud from off your brow” / “Banish sorrow” | | | Susannah Waters, Boston Baroque, Martin Pearlman | 1:05 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act I. The Palace: “To the hills and the vales” / The Triumphing Dance | | | Boston Baroque, Martin Pearlman | 2:08 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act I. The Palace: “Whence could so much virtue spring” | | | Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman | 1:46 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act II. Scene I. The Cave: “But ere we this perform” | | | Donna Ames, Margaret O’Keefe, Boston Baroque, Martin Pearlman | 1:13 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act II. Scene I. The Cave: “In our deep vaulted cell” / Echo Dance of the Furies | | | Boston Baroque, Martin Pearlman | 2:21 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act II. Scene I. The Cave: “Ruin’d ere the set of sun?” | | | Donna Ames, Margaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman | 1:11 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act II. Scene I. The Cave: Prelude for the Witches / “Wayward sisters” | | | Margaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman | 2:37 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act II. Scene II. The Grove: “Behold upon my bending spear” / “Haste, haste to town” | | | Russell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman | 1:20 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act II. Scene II. The Grove: “Oft she visits this lone mountain” | | | Sharon Baker, Boston Baroque, Martin Pearlman | 1:34 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act II. Scene II. The Grove: “Stay, Prince, and hear” | | | Donna Ames, Russell Braun, Boston Baroque, Martin Pearlman | 2:24 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act II. Scene II. The Grove: Ritornelle | | | Boston Baroque, Martin Pearlman | 0:39 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act II. Scene II. The Grove: Ritornelle / “Thanks to these lonesome vales” | | | Susannah Waters, Boston Baroque, Martin Pearlman | 3:01 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act III. Scene I. The Ships: “Our next motion” / “Destruction’s our delight” | | | Laura Tucker, Boston Baroque, Martin Pearlman | 1:10 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act III. Scene I. The Ships: “See the flags and streamers curling” | | | Donna Ames, Margaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman | 0:56 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act III. Scene I. The Ships: Prelude / “Come away fellow sailors” / The Sailors’ Dance | | | Richard Clement, Boston Baroque, Martin Pearlman | 2:17 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act III. Scene I. The Ships: The Witches’ Dance | | | Boston Baroque, Martin Pearlman | 1:09 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act III. Scene II. The Palace: “But death, alas, I cannot shun” / “Great minds against themselves conspire” | | | Nancy Maultsby, Boston Baroque, Martin Pearlman | 1:18 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act III. Scene II. The Palace: “Thy hand Belinda” / “When I am laid in earth” | | | Nancy Maultsby, Boston Baroque, Martin Pearlman | 4:09 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act III. Scene II. The Palace: “With drooping wings ye Cupids come” | | | Boston Baroque, Martin Pearlman | 4:28 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act III. Scene II. The Palace: “Your counsel all is urged in vain” | | | Russell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman | 3:20 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Overture | | | Boston Baroque, Martin Pearlman | 1:50 |
1996-01-03 – 1996-01-05 | The Fairy Queen: Chaconne | | | Boston Baroque, Martin Pearlman | 2:38 |
1996-01-03 – 1996-01-05 | The Fairy Queen: Dance for the Fairies | | | Boston Baroque, Martin Pearlman | 1:05 |
1996-01-03 – 1996-01-05 | The Fairy Queen: Hornpipe | | | Boston Baroque, Martin Pearlman | 0:58 |
1996-01-03 – 1996-01-05 | The Fairy Queen: Overture | | | Boston Baroque, Martin Pearlman | 1:27 |
1996-01-03 – 1996-01-05 | The Fairy Queen: Rondeau | | | Boston Baroque, Martin Pearlman | 1:28 |
1996-01-03 – 1996-01-05 | The Gordian Knot Unty’d: Air | | | Boston Baroque, Martin Pearlman | 1:13 |
1996-01-03 – 1996-01-05 | The Gordian Knot Unty’d: Minuet | | | Boston Baroque, Martin Pearlman | 1:33 |
1996-01-03 – 1996-01-05 | The Married Beau: Hornpipe on a Ground | | | Boston Baroque, Martin Pearlman | 1:29 |
1996-01-03 – 1996-01-05 | Timon of Athens: Curtain Tune on a Ground | | | Boston Baroque, Martin Pearlman | 1:59 |
2003-09-24 – 2003-09-26 | Suite no. 1 in C major, BWV 1066: Bourrée I & II | | | Martin Pearlman, Boston Baroque | 2:16 |
2003-09-24 – 2003-09-26 | Suite no. 1 in C major, BWV 1066: Courante | | | Martin Pearlman, Boston Baroque | 2:05 |
2003-09-24 – 2003-09-26 | Suite no. 1 in C major, BWV 1066: Forlane | | | Martin Pearlman, Boston Baroque | 1:25 |
2003-09-24 – 2003-09-26 | Suite no. 1 in C major, BWV 1066: Gavotte I & II | | | Martin Pearlman, Boston Baroque | 2:58 |
2003-09-24 – 2003-09-26 | Suite no. 1 in C major, BWV 1066: Menuet I & II | | | Martin Pearlman, Boston Baroque | 2:59 |
2003-09-24 – 2003-09-26 | Suite no. 1 in C major, BWV 1066: Ouverture | | | Martin Pearlman, Boston Baroque | 5:31 |
2003-09-24 – 2003-09-26 | Suite no. 1 in C major, BWV 1066: Passepied I & II | | | Martin Pearlman, Boston Baroque | 2:50 |
| See all 477 relationships |
| performed |
---|
1997-02-01 – 1997-02-04 | Antiphon | | | Boston Baroque, Martin Pearlman | 0:54 |
1997-02-01 – 1997-02-04 | Antiphon | | | Boston Baroque, Martin Pearlman | 0:21 |
1997-02-01 – 1997-02-04 | Antiphon | | | Boston Baroque, Martin Pearlman | 0:31 |
1997-02-01 – 1997-02-04 | Antiphon | | | Boston Baroque, Martin Pearlman | 0:25 |
1997-02-01 – 1997-02-04 | Antiphon | | | Boston Baroque, Martin Pearlman | 0:30 |
1997-02-01 – 1997-02-04 | Antiphon | | | Boston Baroque, Martin Pearlman | 0:27 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / "Domine ad adiuvandum" | | | Martin Pearlman, Boston Baroque | 2:14 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: II. Psalm 109: Dixit Dominus | | | Martin Pearlman, Boston Baroque | 7:33 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: III. Motet: Nigra sum | | | Martin Pearlman, Boston Baroque | 3:57 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: IV. Psalm 112: Laudate pueri | | | Martin Pearlman, Boston Baroque | 5:52 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: IX. Motet: Audi coelum | | | Martin Pearlman, Boston Baroque | 9:33 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: V. Motet: Pulchra es | | | Martin Pearlman, Boston Baroque | 4:04 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: VI. Psalm 121: Laetatus sum | | | Martin Pearlman, Boston Baroque | 6:31 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: VII. Motet: Duo Seraphim | | | Martin Pearlman, Boston Baroque | 7:02 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: VIII. Psalm 126: Nisi Dominus | | | Martin Pearlman, Boston Baroque | 4:28 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: X. Psalm 147: Lauda Jerusalem | | | Martin Pearlman, Boston Baroque | 4:21 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XI. Sonata sopra "Sancta Maria, ora pro nobis" | | | Martin Pearlman, Boston Baroque | 6:38 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XII. Hymn: Ave maris stella | | | Martin Pearlman, Boston Baroque | 8:16 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIa. Magnificat: Magnificat anima mea | | | Martin Pearlman, Boston Baroque | 0:48 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIb. Magnificat: Et exultavit | | | Martin Pearlman, Boston Baroque | 1:23 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIc. Magnificat: Quia respexit | | | Martin Pearlman, Boston Baroque | 1:52 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIId. Magnificat: Quia fecit mihi magna | | | Martin Pearlman, Boston Baroque | 1:03 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIe. Magnificat: Et misericordia | | | Martin Pearlman, Boston Baroque | 2:14 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIf. Magnificat: Fecit potentiam | | | Martin Pearlman, Boston Baroque | 0:54 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIg. Magnificat: Deposuit potentes de sede | | | Martin Pearlman, Boston Baroque | 2:37 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIh. Magnificat: Esurientes implevit bonis | | | Martin Pearlman, Boston Baroque | 1:37 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIi. Magnificat: Suscepit Israel | | | Martin Pearlman, Boston Baroque | 1:19 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIj. Magnificat: Sicut locutus est | | | Martin Pearlman, Boston Baroque | 0:58 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIk. Magnificat: Gloria Patri | | | Martin Pearlman, Boston Baroque | 3:19 |
1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIl. Magnificat: Sicut erat in principio | | | Martin Pearlman, Boston Baroque | 1:57 |
| Mass in B Minor, BWV 232: Agnus Dei | | | Martin Pearlman, Boston Baroque | 4:48 |
| Mass in B Minor, BWV 232: Benedictus | | | Martin Pearlman, Boston Baroque | 4:22 |
| Mass in B Minor, BWV 232: Christe eleison | | | Martin Pearlman, Boston Baroque | 4:45 |
| Mass in B Minor, BWV 232: Confiteor | | | Martin Pearlman, Boston Baroque | 4:07 |
| Mass in B Minor, BWV 232: Credo in unum Deum | | | Martin Pearlman, Boston Baroque | 1:40 |
| Mass in B Minor, BWV 232: Crucifixus | | | Martin Pearlman, Boston Baroque | 2:54 |
| Mass in B Minor, BWV 232: Cum Sancto Spiritu | | | Martin Pearlman, Boston Baroque | 3:33 |
| Mass in B Minor, BWV 232: Domine Deus | | | Martin Pearlman, Boston Baroque | 5:23 |
| Mass in B Minor, BWV 232: Dona nobis pacem | | | Martin Pearlman, Boston Baroque | 4:18 |
| Mass in B Minor, BWV 232: Et expecto | | | Martin Pearlman, Boston Baroque | 2:11 |
| Mass in B Minor, BWV 232: Et in Spiritum Sanctum | | | Martin Pearlman, Boston Baroque | 5:42 |
| Mass in B Minor, BWV 232: Et in terra pax | | | Martin Pearlman, Boston Baroque | 4:08 |
| Mass in B Minor, BWV 232: Et in unum Dominum | | | Martin Pearlman, Boston Baroque | 4:13 |
| Mass in B Minor, BWV 232: Et Incarnatus est | | | Martin Pearlman, Boston Baroque | 2:48 |
| Mass in B Minor, BWV 232: Et resurrexit | | | Martin Pearlman, Boston Baroque | 3:44 |
| Mass in B Minor, BWV 232: Gloria in excelsis Deo | | | Martin Pearlman, Boston Baroque | 1:42 |
| Mass in B Minor, BWV 232: Gratias agimus tibi | | | Martin Pearlman, Boston Baroque | 3:07 |
| Mass in B Minor, BWV 232: Kyrie eleison | | | Martin Pearlman, Boston Baroque | 9:27 |
| Mass in B Minor, BWV 232: Kyrie eleison | | | Martin Pearlman, Boston Baroque | 3:08 |
| Mass in B Minor, BWV 232: Laudamus te | | | Martin Pearlman, Boston Baroque | 4:16 |
| Mass in B Minor, BWV 232: Osanna in Excelsis | | | Martin Pearlman, Boston Baroque | 2:42 |
| Mass in B Minor, BWV 232: Osanna in Excelsis | | | Martin Pearlman, Boston Baroque | 2:41 |
| Mass in B Minor, BWV 232: Patrem Omnipotentem | | | Martin Pearlman, Boston Baroque | 1:59 |
| Mass in B Minor, BWV 232: Qui sedes ad dextram Patris | | | Martin Pearlman, Boston Baroque | 4:19 |
| Mass in B Minor, BWV 232: Qui tollis peccata mundi | | | Martin Pearlman, Boston Baroque | 2:56 |
| Mass in B Minor, BWV 232: Quoniam tu solus sanctus | | | Martin Pearlman, Boston Baroque | 4:42 |
| Mass in B Minor, BWV 232: Sanctus | | | Martin Pearlman, Boston Baroque | 5:06 |
| Messiah: Part Two "And With His Stripes We Are Healed" | Boston Baroque Orchehstra & Chorus | | Martin Pearlman, Boston Baroque Orchehstra & Chorus | 5:11 |
| vocals |
---|
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act I. The Palace: “Fear no danger to ensue” | | choir vocals | Sharon Baker, Susannah Waters, Boston Baroque, Martin Pearlman | 1:31 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act I. The Palace: “Grief increases by concealing” / “When monarchs unite” | | choir vocals | Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman | 0:47 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act I. The Palace: “See your royal guest appears” / “Cupid only throws the dart” | | choir vocals | Russell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman | 1:26 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act I. The Palace: “Shake the cloud from off your brow” / “Banish sorrow” | | choir vocals | Susannah Waters, Boston Baroque, Martin Pearlman | 1:05 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act I. The Palace: “To the hills and the vales” / The Triumphing Dance | | choir vocals | Boston Baroque, Martin Pearlman | 2:08 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act II. Scene I. The Cave: “In our deep vaulted cell” / Echo Dance of the Furies | | choir vocals | Boston Baroque, Martin Pearlman | 2:21 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act II. Scene I. The Cave: “Ruin’d ere the set of sun?” | | choir vocals | Donna Ames, Margaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman | 1:11 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act II. Scene I. The Cave: Prelude for the Witches / “Wayward sisters” | | choir vocals | Margaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman | 2:37 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act II. Scene II. The Grove: “Behold upon my bending spear” / “Haste, haste to town” | | choir vocals | Russell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman | 1:20 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act II. Scene II. The Grove: Ritornelle / “Thanks to these lonesome vales” | | choir vocals | Susannah Waters, Boston Baroque, Martin Pearlman | 3:01 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act III. Scene I. The Ships: “Our next motion” / “Destruction’s our delight” | | choir vocals | Laura Tucker, Boston Baroque, Martin Pearlman | 1:10 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act III. Scene I. The Ships: Prelude / “Come away fellow sailors” / The Sailors’ Dance | | choir vocals | Richard Clement, Boston Baroque, Martin Pearlman | 2:17 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act III. Scene II. The Palace: “But death, alas, I cannot shun” / “Great minds against themselves conspire” | | choir vocals | Nancy Maultsby, Boston Baroque, Martin Pearlman | 1:18 |
1996-01-03 – 1996-01-05 | Dido and Aeneas: Act III. Scene II. The Palace: “With drooping wings ye Cupids come” | | choir vocals | Boston Baroque, Martin Pearlman | 4:28 |
| Mozart Requiem: Lacrymosa; Amen | | choir vocals | Boston Baroque, Martin Pearlman | 4:09 |