Relationships

members:Lynton Atkinson (tenor vocals)
Janice Chandler-Eteme (soprano vocals)
Karen Clift (soprano) (soprano vocals)
Richard Croft (tenor) (tenor vocals)
Brad Diamond (tenor vocals)
Dennis Godburn (bassoonist)
Motomi Igarashi
Jeff Mattsey (baritone vocals)
Christopheren Nomura (baritone vocals)
Katherine Winterstein (violin)
Discogs:https://www.discogs.com/artist/1702945 [info]
official homepages:http://www.bostonbaroque.org/ [info]
other databases:http://id.loc.gov/authorities/names/nr94016247 [info]
https://d-nb.info/gnd/1086174240 [info]
https://www.worldcat.org/identities/lccn-nr94016247 [info]
stream for free:https://open.spotify.com/artist/3cSaytzurXc9dRxR4rOesT [info]
Allmusic:https://www.allmusic.com/artist/mn0001576875 [info]
VIAF ID:147493266 [info]
Wikidata:Q4947754 [info]

Appearances

DateTitleCredited asAttributesArtistLength
instruments
Mozart Requiem: Lacrymosa; AmenBoston Baroque, Martin Pearlman4:09
orchestra
1992-01-05 – 1992-01-07Concerto Grosso op. 6: IV. AllegroBoston Baroque, Martin Pearlman2:32
1992-01-05 – 1992-01-07Concerto Grosso op. 6: V. AllegroBoston Baroque, Martin Pearlman2:59
1992-05All they that see him - Tenor RecitativeBoston Baroque, Martin Pearlman0:44
1992-05All We Like Sheep (chorus)Boston Baroque, Martin Pearlman3:22
1992-05And He Shall Purify (chorus)Boston Baroque Orchestra and ChorusBoston Baroque Orchestra and Chorus, Martin Pearlman2:10
1992-05And the Glory of the Lord (chorus)Boston Baroque, Martin Pearlman2:38
1992-05And with his stripes we are healed - ChorusBoston Baroque, Martin Pearlman1:44
1992-05Behold, a Virgin Shall Conceive (alto recitative)Catherine Robbin, Boston Baroque, Martin Pearlman0:22
1992-05Behold, and see if there be any sorrow - Tenor AriosoBoston Baroque, Martin Pearlman1:13
1992-05Behold, I Tell You a Mystery (bass recitative)Victor Ledbetter, Boston Baroque, Martin Pearlman0:33
1992-05But Thanks Be to God (chorus)Boston Baroque, Martin Pearlman2:08
1992-05But thou didst not leave his soul in Hell - Tenor AirBoston Baroque, Martin Pearlman2:42
1992-05Comfort Ye, My People (tenor recitative)Bruce Fowler, Boston Baroque, Martin Pearlman2:48
1992-05Every Valley Shall Be Exalted (tenor air)Bruce Fowler, Boston Baroque, Martin Pearlman3:10
1992-05Hallelujah (chorus)Boston Baroque, Martin Pearlman3:41
1992-05He That Dwelleth in Heaven (tenor recitative)Bruce Fowler, Boston Baroque, Martin Pearlman0:12
1992-05He trusted in God - ChorusBoston Baroque, Martin Pearlman2:16
1992-05He was cut off out of the land of the living - Tenor RecitativeBoston Baroque, Martin Pearlman0:19
1992-05How beautiful are the feet - Soprano AirBoston Baroque, Martin Pearlman2:04
1992-05I Know That My Redeemer Liveth (soprano air)Karen Clift, Boston Baroque, Martin Pearlman5:04
1992-05If God be for us - Soprano AirBoston Baroque, Martin Pearlman4:02
1992-05Let all the angels of God worship him - ChorusBoston Baroque, Martin Pearlman1:26
1992-05Let Us Break Their Bounds Asunder (chorus)Boston Baroque, Martin Pearlman1:41
1992-05Lift Up Your Heads (chorus)Boston Baroque, Martin Pearlman2:54
1992-05O Death, Where Is Thy Sting? (alto & tenor duet)Bruce Fowler, Catherine Robbin, Boston Baroque, Martin Pearlman1:09
1992-05O Thou That Tellest Good Tidings to Zion (alto air & chorus)Catherine Robbin, Boston Baroque, Martin Pearlman5:20
1992-05Part One, Air: But who may abideCatherine Robbin, Boston Baroque, Martin Pearlman3:58
1992-05Part One, Air: He shall feed His flock like a shepherdKaren Clift, Catherine Robbin, Boston Baroque, Martin Pearlman4:39
1992-05Part One, Air: The people that walked in darknessVictor Ledbetter, Boston Baroque, Martin Pearlman4:06
1992-05Part One, Chor: For unto us a Child is bornBoston Baroque, Martin Pearlman3:36
1992-05Part One, Chor: Glory to the GodBoston Baroque, Martin Pearlman1:46
1992-05Part One, Chor: His yoke is easyBoston Baroque, Martin Pearlman2:16
1992-05Part One, Recitative: And suddenly there was with the angelKaren Clift, Boston Baroque, Martin Pearlman0:16
1992-05Part One, Recitative: And the angel said unto themKaren Clift, Boston Baroque, Martin Pearlman0:35
1992-05Part One, Recitative: For behold, darkness shall cover the earthVictor Ledbetter, Boston Baroque, Martin Pearlman1:49
1992-05Part One, Recitative: Then shall the eyes of the blindKaren Clift, Boston Baroque, Martin Pearlman0:23
1992-05Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon themKaren Clift, Boston Baroque, Martin Pearlman0:33
1992-05Part One, Recitative: Thus saith the LordVictor Ledbetter, Boston Baroque, Martin Pearlman1:24
1992-05Part One, Sym: PastoralBoston Baroque, Martin Pearlman2:53
1992-05Part Two, Air: He was despisedCatherine Robbin, Boston Baroque, Martin Pearlman8:25
1992-05Part Two, Chor: Behold the lamb of GodBoston Baroque, Martin Pearlman2:28
1992-05Rejoice Greatly, o Daughter of Zion (soprano air)Karen Clift, Boston Baroque, Martin Pearlman4:16
1992-05Since by Man Came Death (chorus)Boston Baroque, Martin Pearlman2:05
1992-05SinfoniaBoston Baroque, Martin Pearlman2:54
1992-05Surely he hath borne our griefs (chorus)Boston Baroque, Martin Pearlman1:48
1992-05The Lord Gave the Word (chorus)Boston Baroque, Martin Pearlman1:12
1992-05The Trumpet Shall Sound (bass air)Victor Ledbetter, Boston Baroque, Martin Pearlman8:41
1992-05Their Sound Is Gone Out (chorus)Boston Baroque, Martin Pearlman1:21
1992-05Then Shall Be Brought to Pass (alto recitative)Catherine Robbin, Boston Baroque, Martin Pearlman0:14
1992-05Thou art gone up on high - Alto AirBoston Baroque, Martin Pearlman2:53
1992-05Thou Shalt Break Them (tenor air)Bruce Fowler, Boston Baroque, Martin Pearlman2:05
1992-05Thy rebuke hath broken his heart - Tenor RecitativeBoston Baroque, Martin Pearlman1:31
1992-05Unto which of the angels - Tenor RecitativeBoston Baroque, Martin Pearlman0:15
1992-05Why Do the Nations? (bass air)Victor Ledbetter, Boston Baroque, Martin Pearlman2:41
1992-05Worthy Is the Lamb... Amen (chorus)Boston Baroque, Martin Pearlman7:11
1996-01-03 – 1996-01-05Abdelazer: AirBoston Baroque, Martin Pearlman1:20
1996-01-03 – 1996-01-05Abdelazer: OvertureBoston Baroque, Martin Pearlman3:01
1996-01-03 – 1996-01-05Abdelazer: RoundeauBoston Baroque, Martin Pearlman1:22
1996-01-03 – 1996-01-05Dido and Aeneas: Act I. The Palace: “Ah! Belinda, I am prest with torment”Nancy Maultsby, Boston Baroque, Martin Pearlman3:35
1996-01-03 – 1996-01-05Dido and Aeneas: Act I. The Palace: “Fear no danger to ensue”Sharon Baker, Susannah Waters, Boston Baroque, Martin Pearlman1:31
1996-01-03 – 1996-01-05Dido and Aeneas: Act I. The Palace: “Grief increases by concealing” / “When monarchs unite”Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman0:47
1996-01-03 – 1996-01-05Dido and Aeneas: Act I. The Palace: “If not for mine, for empire’s sake”Russell Braun, Susannah Waters, Boston Baroque, Martin Pearlman1:12
1996-01-03 – 1996-01-05Dido and Aeneas: Act I. The Palace: “See your royal guest appears” / “Cupid only throws the dart”Russell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman1:26
1996-01-03 – 1996-01-05Dido and Aeneas: Act I. The Palace: “Shake the cloud from off your brow” / “Banish sorrow”Susannah Waters, Boston Baroque, Martin Pearlman1:05
1996-01-03 – 1996-01-05Dido and Aeneas: Act I. The Palace: “To the hills and the vales” / The Triumphing DanceBoston Baroque, Martin Pearlman2:08
1996-01-03 – 1996-01-05Dido and Aeneas: Act I. The Palace: “Whence could so much virtue spring”Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman1:46
1996-01-03 – 1996-01-05Dido and Aeneas: Act II. Scene I. The Cave: “But ere we this perform”Donna Ames, Margaret O’Keefe, Boston Baroque, Martin Pearlman1:13
1996-01-03 – 1996-01-05Dido and Aeneas: Act II. Scene I. The Cave: “In our deep vaulted cell” / Echo Dance of the FuriesBoston Baroque, Martin Pearlman2:21
1996-01-03 – 1996-01-05Dido and Aeneas: Act II. Scene I. The Cave: “Ruin’d ere the set of sun?”Donna Ames, Margaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman1:11
1996-01-03 – 1996-01-05Dido and Aeneas: Act II. Scene I. The Cave: Prelude for the Witches / “Wayward sisters”Margaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman2:37
1996-01-03 – 1996-01-05Dido and Aeneas: Act II. Scene II. The Grove: “Behold upon my bending spear” / “Haste, haste to town”Russell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman1:20
1996-01-03 – 1996-01-05Dido and Aeneas: Act II. Scene II. The Grove: “Oft she visits this lone mountain”Sharon Baker, Boston Baroque, Martin Pearlman1:34
1996-01-03 – 1996-01-05Dido and Aeneas: Act II. Scene II. The Grove: “Stay, Prince, and hear”Donna Ames, Russell Braun, Boston Baroque, Martin Pearlman2:24
1996-01-03 – 1996-01-05Dido and Aeneas: Act II. Scene II. The Grove: RitornelleBoston Baroque, Martin Pearlman0:39
1996-01-03 – 1996-01-05Dido and Aeneas: Act II. Scene II. The Grove: Ritornelle / “Thanks to these lonesome vales”Susannah Waters, Boston Baroque, Martin Pearlman3:01
1996-01-03 – 1996-01-05Dido and Aeneas: Act III. Scene I. The Ships: “Our next motion” / “Destruction’s our delight”Laura Tucker, Boston Baroque, Martin Pearlman1:10
1996-01-03 – 1996-01-05Dido and Aeneas: Act III. Scene I. The Ships: “See the flags and streamers curling”Donna Ames, Margaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman0:56
1996-01-03 – 1996-01-05Dido and Aeneas: Act III. Scene I. The Ships: Prelude / “Come away fellow sailors” / The Sailors’ DanceRichard Clement, Boston Baroque, Martin Pearlman2:17
1996-01-03 – 1996-01-05Dido and Aeneas: Act III. Scene I. The Ships: The Witches’ DanceBoston Baroque, Martin Pearlman1:09
1996-01-03 – 1996-01-05Dido and Aeneas: Act III. Scene II. The Palace: “But death, alas, I cannot shun” / “Great minds against themselves conspire”Nancy Maultsby, Boston Baroque, Martin Pearlman1:18
1996-01-03 – 1996-01-05Dido and Aeneas: Act III. Scene II. The Palace: “Thy hand Belinda” / “When I am laid in earth”Nancy Maultsby, Boston Baroque, Martin Pearlman4:09
1996-01-03 – 1996-01-05Dido and Aeneas: Act III. Scene II. The Palace: “With drooping wings ye Cupids come”Boston Baroque, Martin Pearlman4:28
1996-01-03 – 1996-01-05Dido and Aeneas: Act III. Scene II. The Palace: “Your counsel all is urged in vain”Russell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman3:20
1996-01-03 – 1996-01-05Dido and Aeneas: OvertureBoston Baroque, Martin Pearlman1:50
1996-01-03 – 1996-01-05The Fairy Queen: ChaconneBoston Baroque, Martin Pearlman2:38
1996-01-03 – 1996-01-05The Fairy Queen: Dance for the FairiesBoston Baroque, Martin Pearlman1:05
1996-01-03 – 1996-01-05The Fairy Queen: HornpipeBoston Baroque, Martin Pearlman0:58
1996-01-03 – 1996-01-05The Fairy Queen: OvertureBoston Baroque, Martin Pearlman1:27
1996-01-03 – 1996-01-05The Fairy Queen: RondeauBoston Baroque, Martin Pearlman1:28
1996-01-03 – 1996-01-05The Gordian Knot Unty’d: AirBoston Baroque, Martin Pearlman1:13
1996-01-03 – 1996-01-05The Gordian Knot Unty’d: MinuetBoston Baroque, Martin Pearlman1:33
1996-01-03 – 1996-01-05The Married Beau: Hornpipe on a GroundBoston Baroque, Martin Pearlman1:29
1996-01-03 – 1996-01-05Timon of Athens: Curtain Tune on a GroundBoston Baroque, Martin Pearlman1:59
2003-09-24 – 2003-09-26Suite no. 1 in C major, BWV 1066: Bourrée I & IIMartin Pearlman, Boston Baroque2:16
2003-09-24 – 2003-09-26Suite no. 1 in C major, BWV 1066: CouranteMartin Pearlman, Boston Baroque2:05
2003-09-24 – 2003-09-26Suite no. 1 in C major, BWV 1066: ForlaneMartin Pearlman, Boston Baroque1:25
2003-09-24 – 2003-09-26Suite no. 1 in C major, BWV 1066: Gavotte I & IIMartin Pearlman, Boston Baroque2:58
2003-09-24 – 2003-09-26Suite no. 1 in C major, BWV 1066: Menuet I & IIMartin Pearlman, Boston Baroque2:59
2003-09-24 – 2003-09-26Suite no. 1 in C major, BWV 1066: OuvertureMartin Pearlman, Boston Baroque5:31
2003-09-24 – 2003-09-26Suite no. 1 in C major, BWV 1066: Passepied I & IIMartin Pearlman, Boston Baroque2:50
See all 477 relationships
performed
1997-02-01 – 1997-02-04AntiphonBoston Baroque, Martin Pearlman0:54
1997-02-01 – 1997-02-04AntiphonBoston Baroque, Martin Pearlman0:21
1997-02-01 – 1997-02-04AntiphonBoston Baroque, Martin Pearlman0:31
1997-02-01 – 1997-02-04AntiphonBoston Baroque, Martin Pearlman0:25
1997-02-01 – 1997-02-04AntiphonBoston Baroque, Martin Pearlman0:30
1997-02-01 – 1997-02-04AntiphonBoston Baroque, Martin Pearlman0:27
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / "Domine ad adiuvandum"Martin Pearlman, Boston Baroque2:14
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: II. Psalm 109: Dixit DominusMartin Pearlman, Boston Baroque7:33
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: III. Motet: Nigra sumMartin Pearlman, Boston Baroque3:57
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: IV. Psalm 112: Laudate pueriMartin Pearlman, Boston Baroque5:52
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: IX. Motet: Audi coelumMartin Pearlman, Boston Baroque9:33
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: V. Motet: Pulchra esMartin Pearlman, Boston Baroque4:04
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: VI. Psalm 121: Laetatus sumMartin Pearlman, Boston Baroque6:31
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: VII. Motet: Duo SeraphimMartin Pearlman, Boston Baroque7:02
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: VIII. Psalm 126: Nisi DominusMartin Pearlman, Boston Baroque4:28
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: X. Psalm 147: Lauda JerusalemMartin Pearlman, Boston Baroque4:21
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: XI. Sonata sopra "Sancta Maria, ora pro nobis"Martin Pearlman, Boston Baroque6:38
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: XII. Hymn: Ave maris stellaMartin Pearlman, Boston Baroque8:16
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: XIIIa. Magnificat: Magnificat anima meaMartin Pearlman, Boston Baroque0:48
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: XIIIb. Magnificat: Et exultavitMartin Pearlman, Boston Baroque1:23
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: XIIIc. Magnificat: Quia respexitMartin Pearlman, Boston Baroque1:52
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: XIIId. Magnificat: Quia fecit mihi magnaMartin Pearlman, Boston Baroque1:03
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: XIIIe. Magnificat: Et misericordiaMartin Pearlman, Boston Baroque2:14
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: XIIIf. Magnificat: Fecit potentiamMartin Pearlman, Boston Baroque0:54
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: XIIIg. Magnificat: Deposuit potentes de sedeMartin Pearlman, Boston Baroque2:37
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: XIIIh. Magnificat: Esurientes implevit bonisMartin Pearlman, Boston Baroque1:37
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: XIIIi. Magnificat: Suscepit IsraelMartin Pearlman, Boston Baroque1:19
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: XIIIj. Magnificat: Sicut locutus estMartin Pearlman, Boston Baroque0:58
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: XIIIk. Magnificat: Gloria PatriMartin Pearlman, Boston Baroque3:19
1997-02-01 – 1997-02-04Vespro della Beata Vergine, SV 206: XIIIl. Magnificat: Sicut erat in principioMartin Pearlman, Boston Baroque1:57
Mass in B Minor, BWV 232: Agnus DeiMartin Pearlman, Boston Baroque4:48
Mass in B Minor, BWV 232: BenedictusMartin Pearlman, Boston Baroque4:22
Mass in B Minor, BWV 232: Christe eleisonMartin Pearlman, Boston Baroque4:45
Mass in B Minor, BWV 232: ConfiteorMartin Pearlman, Boston Baroque4:07
Mass in B Minor, BWV 232: Credo in unum DeumMartin Pearlman, Boston Baroque1:40
Mass in B Minor, BWV 232: CrucifixusMartin Pearlman, Boston Baroque2:54
Mass in B Minor, BWV 232: Cum Sancto SpirituMartin Pearlman, Boston Baroque3:33
Mass in B Minor, BWV 232: Domine DeusMartin Pearlman, Boston Baroque5:23
Mass in B Minor, BWV 232: Dona nobis pacemMartin Pearlman, Boston Baroque4:18
Mass in B Minor, BWV 232: Et expectoMartin Pearlman, Boston Baroque2:11
Mass in B Minor, BWV 232: Et in Spiritum SanctumMartin Pearlman, Boston Baroque5:42
Mass in B Minor, BWV 232: Et in terra paxMartin Pearlman, Boston Baroque4:08
Mass in B Minor, BWV 232: Et in unum DominumMartin Pearlman, Boston Baroque4:13
Mass in B Minor, BWV 232: Et Incarnatus estMartin Pearlman, Boston Baroque2:48
Mass in B Minor, BWV 232: Et resurrexitMartin Pearlman, Boston Baroque3:44
Mass in B Minor, BWV 232: Gloria in excelsis DeoMartin Pearlman, Boston Baroque1:42
Mass in B Minor, BWV 232: Gratias agimus tibiMartin Pearlman, Boston Baroque3:07
Mass in B Minor, BWV 232: Kyrie eleisonMartin Pearlman, Boston Baroque9:27
Mass in B Minor, BWV 232: Kyrie eleisonMartin Pearlman, Boston Baroque3:08
Mass in B Minor, BWV 232: Laudamus teMartin Pearlman, Boston Baroque4:16
Mass in B Minor, BWV 232: Osanna in ExcelsisMartin Pearlman, Boston Baroque2:42
Mass in B Minor, BWV 232: Osanna in ExcelsisMartin Pearlman, Boston Baroque2:41
Mass in B Minor, BWV 232: Patrem OmnipotentemMartin Pearlman, Boston Baroque1:59
Mass in B Minor, BWV 232: Qui sedes ad dextram PatrisMartin Pearlman, Boston Baroque4:19
Mass in B Minor, BWV 232: Qui tollis peccata mundiMartin Pearlman, Boston Baroque2:56
Mass in B Minor, BWV 232: Quoniam tu solus sanctusMartin Pearlman, Boston Baroque4:42
Mass in B Minor, BWV 232: SanctusMartin Pearlman, Boston Baroque5:06
Messiah: Part Two "And With His Stripes We Are Healed"Boston Baroque Orchehstra & ChorusMartin Pearlman, Boston Baroque Orchehstra & Chorus5:11
vocals
1996-01-03 – 1996-01-05Dido and Aeneas: Act I. The Palace: “Fear no danger to ensue”choir vocalsSharon Baker, Susannah Waters, Boston Baroque, Martin Pearlman1:31
1996-01-03 – 1996-01-05Dido and Aeneas: Act I. The Palace: “Grief increases by concealing” / “When monarchs unite”choir vocalsNancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman0:47
1996-01-03 – 1996-01-05Dido and Aeneas: Act I. The Palace: “See your royal guest appears” / “Cupid only throws the dart”choir vocalsRussell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman1:26
1996-01-03 – 1996-01-05Dido and Aeneas: Act I. The Palace: “Shake the cloud from off your brow” / “Banish sorrow”choir vocalsSusannah Waters, Boston Baroque, Martin Pearlman1:05
1996-01-03 – 1996-01-05Dido and Aeneas: Act I. The Palace: “To the hills and the vales” / The Triumphing Dancechoir vocalsBoston Baroque, Martin Pearlman2:08
1996-01-03 – 1996-01-05Dido and Aeneas: Act II. Scene I. The Cave: “In our deep vaulted cell” / Echo Dance of the Furieschoir vocalsBoston Baroque, Martin Pearlman2:21
1996-01-03 – 1996-01-05Dido and Aeneas: Act II. Scene I. The Cave: “Ruin’d ere the set of sun?”choir vocalsDonna Ames, Margaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman1:11
1996-01-03 – 1996-01-05Dido and Aeneas: Act II. Scene I. The Cave: Prelude for the Witches / “Wayward sisters”choir vocalsMargaret O’Keefe, Laura Tucker, Boston Baroque, Martin Pearlman2:37
1996-01-03 – 1996-01-05Dido and Aeneas: Act II. Scene II. The Grove: “Behold upon my bending spear” / “Haste, haste to town”choir vocalsRussell Braun, Nancy Maultsby, Susannah Waters, Boston Baroque, Martin Pearlman1:20
1996-01-03 – 1996-01-05Dido and Aeneas: Act II. Scene II. The Grove: Ritornelle / “Thanks to these lonesome vales”choir vocalsSusannah Waters, Boston Baroque, Martin Pearlman3:01
1996-01-03 – 1996-01-05Dido and Aeneas: Act III. Scene I. The Ships: “Our next motion” / “Destruction’s our delight”choir vocalsLaura Tucker, Boston Baroque, Martin Pearlman1:10
1996-01-03 – 1996-01-05Dido and Aeneas: Act III. Scene I. The Ships: Prelude / “Come away fellow sailors” / The Sailors’ Dancechoir vocalsRichard Clement, Boston Baroque, Martin Pearlman2:17
1996-01-03 – 1996-01-05Dido and Aeneas: Act III. Scene II. The Palace: “But death, alas, I cannot shun” / “Great minds against themselves conspire”choir vocalsNancy Maultsby, Boston Baroque, Martin Pearlman1:18
1996-01-03 – 1996-01-05Dido and Aeneas: Act III. Scene II. The Palace: “With drooping wings ye Cupids come”choir vocalsBoston Baroque, Martin Pearlman4:28
Mozart Requiem: Lacrymosa; Amenchoir vocalsBoston Baroque, Martin Pearlman4:09