“E lucevan le stelle” (from Tosca) | | - Academy of St Martin in the Fields, Sir Neville Marriner
- Yuri Ogawa, Eric Couëffé, Marc Minier, Diego Modena
- Mitch Dalton, Academy of St Martin in the Fields, Sir Neville Marriner
- Ron Carter, Billy Childs, Grover Washington, Jr., Orchestra of St. Luke’s, Robert Freedman
- (show 5 more)
| | Aria | | | |
“O soave fanciulla” (from La bohème) | | | | | | | |
6 Romances, op. 6: No. 6. Нет, только тот, кто знал / None but the Lonely Heart | | | | | | | |
7 arie con tromba sola: No. 1. "Si suoni la tromba" | | | | Aria | | | |
7 arie con tromba sola: No. 3. "Con voce festiva" | | | | Aria | | | |
7 arie con tromba sola: No. 4. "Rompe sprezza" | | | | Aria | | | |
7 arie con tromba sola: No. 6. "Mio tesoro" | | | | Aria | | | |
12 Contredances for Orchestra, WoO 14: No. 1 in C major | | | | | | | |
12 Contredances for Orchestra, WoO 14: No. 2 in A major | | | | | | | |
12 Contredances for Orchestra, WoO 14: No. 3 in D major | | | | | | | |
12 Contredances for Orchestra, WoO 14: No. 4 in B-flat major | | | | | | | |
12 Contredances for Orchestra, WoO 14: No. 5 in E-flat major | | | | | | | |
12 Contredances for Orchestra, WoO 14: No. 6 in C major | | | | | | | |
12 Contredances for Orchestra, WoO 14: No. 7 in E-flat major | | | | | | | |
12 Contredances for Orchestra, WoO 14: No. 8 in C major | | | | | | | |
12 Contredances for Orchestra, WoO 14: No. 9 in A major | | | | | | | |
12 Contredances for Orchestra, WoO 14: No. 10 in C major | | | | | | | |
12 Contredances for Orchestra, WoO 14: No. 11 in G major | | | | | | | |
12 Contredances for Orchestra, WoO 14: No. 12 in E-flat major | | | | | | | |
Agon: Double Pas de quatre | | | | | | | |
Agon: First Pas de trois. Coda | | | | | | | |
Agon: First Pas de trois. Gaillarde | | | | | | | |
Agon: First Pas de trois. Interlude | | | | | | | |
Agon: First Pas de trois. Saraband Step | | | | | | | |
Agon: Pas de quatre | | | | | | | |
Agon: Prélude | | | | | | | |
Agon: Second Pas de trois. Bransle double | | | | | | | |
Agon: Second Pas de trois. Bransle gay | | | | | | | |
Agon: Second Pas de trois. Bransle simple | | | | | | | |
Agon: Second Pas de trois. Four Duos | | | | | | | |
Agon: Second Pas de trois. Four Trios. Coda | | | | | | | |
Agon: Second Pas de trois. Interlude | | | | | | | |
Agon: Second Pas de trois. Pas de deux. Coda | | | | | | | |
Agon: Triple Pas de quatre | | | | | | | |
American Songs | | | | | | | |
American Songs: I Wonder as I Wander / Mary Had a Baby / Oh Mary, What You Gonna Name That Pretty Little Baby? / Who Was Mary? Mary Was Queen of Galilee / Sister Mary Had-A but One Child / Go Tell It on the Mountain | | | | | | | |
Après un rêve, op. 7 no. 1 | | | | | | | |
Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner" | | | | Aria | | | |
Armida: Atto II. “Ah! sì, godete amanti” | | | | | | | |
Armida: Atto II. “Gli augei tra fronde e fronde” | | | | | | | |
Armida: Atto II. “La fresca età sen fugge” | | | | | | | |
Armida: Atto II. N. 10 Finale secondo “D'amore al dolce impero” (Armida, coro) | | | | | | | |
Ave Maria, D. 839 | | | | | | | |
Bali Ha’i | | | | Song | | - 4262762 (AGADU ID)
- 6364802 (AGADU ID)
- (show 27 more)
- 000044 830 16 (SUISA ID)
| |
Bianca e Falliero: Atto II, scena XI. Quartet: “Cielo, il mio labbro ispira” (Bianca, Falliero, Contareno, Capellio) | | - Baurzhan Anderzhanov, Cinzia Forte, Kenneth Tarver, Victoria Yarovaya, Virtuosi Brunensis, Antonino Fogliani
- Concert Chorale of New York, Maria Fortuna, Marilyn Horne, Chris Merritt, Henry Runey, Orchestra of St. Luke’s, Sir Roger Norrington
| | | | | |
Burlesque de Don Quixotte, TWV 55G10: I. Ouverture | | | | | | | |
Burlesque de Don Quixotte, TWV 55G10: II. The Awakening of Quixote | | | | | | | |
Burlesque de Don Quixotte, TWV 55G10: III. His Attack on the Windmills | | | | | | | |
Burlesque de Don Quixotte, TWV 55G10: IV. Sighs of Love for the Princess Dulcinea | | | | | | | |
Burlesque de Don Quixotte, TWV 55G10: V. Sancho Panza tossed in a Blanket | | | | | | | |
Burlesque de Don Quixotte, TWV 55G10: VI. The Gallop of Rosinante / The Gallop of Sancho's Donkey | | | | | | | |
Burlesque de Don Quixotte, TWV 55G10: VII. Quixote Asleep | | | | | | | |
Cäcilie, op. 27 no. 2 | | | | Song | | | |
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": I. Choir "Europa stet!" | | - Coro della Radio Svizzera, Lugano, Robert Gierlach, Jeremy Ovenden, Francesca Pedaci, Alla Simoni, Orchestra della Svizzera italiana, Diego Fasolis
- City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
- Norbert Balatsch, Paolo Lucci, Coro dell’Accademia Nazionale di Santa Cecilia, Coro di voci bianche dell’Arcum, 정명훈
- Gregory Cross, The Collegiate Chorale, Jan Opalach, Vagabond Children's Ensemble, Orchestra of St. Luke’s, Robert Bass
- (show 2 more)
| | | | | |
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!" | | - Coro della Radio Svizzera, Lugano, Robert Gierlach, Jeremy Ovenden, Francesca Pedaci, Alla Simoni, Orchestra della Svizzera italiana, Diego Fasolis
- Peter Hoare, Stephen Gadd, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
- Norbert Balatsch, Paolo Lucci, Coro dell’Accademia Nazionale di Santa Cecilia, Coro di voci bianche dell’Arcum, Franz Hawlata, Timothy Robinson, 정명훈
- The Collegiate Chorale, Vagabond Children's Ensemble, Krista Bennion Feeney, Orchestra of St. Luke’s, Robert Bass
- (show 2 more)
| | | | | |
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna) | | - Coro della Radio Svizzera, Lugano, Robert Gierlach, Jeremy Ovenden, Francesca Pedaci, Alla Simoni, Orchestra della Svizzera italiana, Diego Fasolis
- Claire Rutter, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
- Norbert Balatsch, Paolo Lucci, Coro dell’Accademia Nazionale di Santa Cecilia, Coro di voci bianche dell’Arcum, Ľuba Orgonášová, 정명훈
- Elizabeth Futral, The Collegiate Chorale, Vagabond Children's Ensemble, Deborah Voigt, Orchestra of St. Luke’s, Robert Bass
- (show 2 more)
| | | | | |
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin) | | - Coro della Radio Svizzera, Lugano, Robert Gierlach, Jeremy Ovenden, Francesca Pedaci, Alla Simoni, Orchestra della Svizzera italiana, Diego Fasolis
- Matilde Wallevik, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
- Norbert Balatsch, Paolo Lucci, Coro dell’Accademia Nazionale di Santa Cecilia, Coro di voci bianche dell’Arcum, Iris Vermillion, 정명훈
- Elizabeth Futral, The Collegiate Chorale, Vagabond Children's Ensemble, Deborah Voigt, Orchestra of St. Luke’s, Robert Bass
- (show 2 more)
| | | | | |
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin) | | - Coro della Radio Svizzera, Lugano, Robert Gierlach, Jeremy Ovenden, Francesca Pedaci, Alla Simoni, Orchestra della Svizzera italiana, Diego Fasolis
- Claire Rutter, Matilde Wallevik, Peter Hoare, Stephen Gadd, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
- Orchestra of St. Luke’s, Robert Bass
- Norbert Balatsch, Paolo Lucci, Franz Hawlata, Ľuba Orgonášová, Timothy Robinson, Iris Vermillion, 정명훈
- (show 2 more)
| | | | | |
Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen" | | - Coro della Radio Svizzera, Lugano, Robert Gierlach, Jeremy Ovenden, Francesca Pedaci, Alla Simoni, Orchestra della Svizzera italiana, Diego Fasolis
- Westminster Boys' Choir, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
- Norbert Balatsch, Paolo Lucci, Coro dell’Accademia Nazionale di Santa Cecilia, Coro di voci bianche dell’Arcum, 정명훈
- The Collegiate Chorale, Vagabond Children's Ensemble, Orchestra of St. Luke’s, Robert Bass
- (show 2 more)
| | | | | |
Cantique de Noël “Minuit chrétiens” | | | | Song | | | |
Capriccio for Piano and Orchestra: I. Presto | | | | | | | |
Capriccio for Piano and Orchestra: II. Andante rapsodico | | | | | | | |
Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo giusto | | | | | | | |
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
- (show 43 more)
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Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: II. Andante | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
- (show 41 more)
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Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- London Symphony Orchestra, André Previn
- Academy of St Martin in the Fields, Sir Neville Marriner, Anne Queffélec, Imogen Cooper
- (show 55 more)
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Concerto for 2 Violins in D minor, BWV 1043: I. Vivace | | - Joseph Brezina, Feliz Elias, Alberto Tozzi, Tomasco Vecchi, Camerata Labacensis, Camerata Romana, London Symphony Orchestra, Musici di San Marco, Eugen Duvier, Francesco Macci
- [unknown]
- Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
- Trevor Pinnock, Simon Standage, Elizabeth Wilcock, The English Concert
- (show 141 more)
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Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto | | - Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
- Joseph Brezina, Feliz Elias, Alberto Tozzi, Tomasco Vecchi, Camerata Romana, Musici di San Marco, Eugen Duvier, Francesco Macci, Alfred Scholz
- [unknown]
- Maurice Hasson, Henryk Szeryng, Academy of St Martin in the Fields, Neville Marriner
- (show 165 more)
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Concerto for 2 Violins in D minor, BWV 1043: III. Allegro | | - Joseph Brezina, Feliz Elias, Alberto Tozzi, Tomasco Vecchi, Camerata Labacensis, Camerata Romana, Musici di San Marco, Eugen Duvier, Francesco Macci
- Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
- [unknown]
- David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Sir Eugene Goossens
- (show 135 more)
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Concerto for 3 Violins in D major, BWV 1064R: I. Allegro | | - Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists
- Christopher Hirons, Monica Huggett, Catherine Mackintosh, Academy of Ancient Music, Christopher Hogwood
- Christoph Poppen, Bach‐Collegium Stuttgart, Helmuth Rilling
- Freiburger Barockorchester, Thomas Hengelbrock
- (show 17 more)
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Concerto for 3 Violins in D major, BWV 1064R: II. Adagio | | - Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists
- Christopher Hirons, Monica Huggett, Catherine Mackintosh, Academy of Ancient Music, Christopher Hogwood
- Christoph Poppen, Bach‐Collegium Stuttgart, Helmuth Rilling
- Freiburger Barockorchester, Thomas Hengelbrock
- (show 17 more)
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Concerto for 3 Violins in D major, BWV 1064R: III. Allegro | | - Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists
- Christopher Hirons, Monica Huggett, Catherine Mackintosh, Academy of Ancient Music, Christopher Hogwood
- Christoph Poppen, Bach‐Collegium Stuttgart, Helmuth Rilling
- Freiburger Barockorchester, Thomas Hengelbrock
- (show 16 more)
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Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto": I. Allegro | | - Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert
- Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld
- Academy of St Martin in the Fields, Murray Perahia
- Yehudi Menuhin, William Bennett, George Malcolm, Bath Festival Orchestra
- (show 44 more)
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Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto": II. Adagio, ma non tanto e dolce | | - Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert
- Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld
- Academy of St Martin in the Fields, Murray Perahia
- Yehudi Menuhin, William Bennett, George Malcolm, Bath Festival Orchestra
- (show 46 more)
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Concerto for Flute, Violin, Harpsichord, Strings and Continuo in A minor, BWV 1044 "Triple Concerto": III. Alla breve | | - Lisa Beznosiuk, Trevor Pinnock, Simon Standage, The English Concert
- Marieke Schneemann, Elisabeth Perry, Menno van Delft, Netherlands Bach Ensemble, Krijn Koetsveld
- Academy of St Martin in the Fields, Murray Perahia
- Yehudi Menuhin, William Bennett, George Malcolm, Bath Festival Orchestra
- (show 43 more)
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Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054: I. Allegro | | | | | | | |
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054: II. Adagio e piano sempre | | | | | | | |
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054: III. Allegro | | | | | | | |
Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058: I. Allegro | | | | | | | |
Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058: II. Andante | | | | | | | |
Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058: III. Allegro assai | | | | | | | |
Concerto for Lute in D major, RV 93: I. Allegro giusto | | | | | | | |
Concerto for Lute in D major, RV 93: II. Largo | | | | | | | |
Concerto for Lute in D major, RV 93: III. Allegro | | | | | | | |
Concerto for Mandolin in C major, RV 425: I. Allegro | | | | | | | |
Concerto for Mandolin in C major, RV 425: II. Largo | | | | | | | |
Concerto for Mandolin in C major, RV 425: III. Allegro | | | | | | | |
Concerto for Piano and Orchestra in F major: I. Allegro | | | | | | | |
Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto | | | | | | | |
Concerto for Piano and Orchestra in F major: III. Allegro agitato | | | | | | | |
Concerto for Piano and Orchestra no. 23 in A major, K. 488: I. Allegro | | | | | | | |
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) | | | | | | | |
Concerto for Piano and Orchestra no. 23 in A major, K. 488: III. Allegro assai | | | | | | | |
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: I. Allegro | | | | | | | |
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: II. Andantino | | | | | | | |
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: III. Rondeau. Presto – Adagio & Menuetto. Cantabile – Tempo primo | | | | | | | |
Concerto for two recorders and two oboes in B-flat major, TWV 54:B2: I. Andante | | | | | | | |
Concerto for two recorders and two oboes in B-flat major, TWV 54:B2: II. Presto | | | | | | | |
Concerto for two recorders and two oboes in B-flat major, TWV 54:B2: III. Cantabile | | | | | | | |