Choräle, S. 506a: No. 6. O Haupt voll Blut und Wunden | | | | | | | |
Choräle, S. 506a: No. 7. O Lamm Gottes | | | | | | | |
Choräle, S. 506a: No. 8. O Traurigkeit | | | | | | | |
Choräle, S. 506a: No. 9. Vexilla regis | | | | | | | |
Choräle, S. 506a: No. 10. Was Gott tut, das ist wohlgetan | | | | | | | |
Choräle, S. 506a: No. 11. Wer nur den lieben Gott lässt walten? | | | | | | | |
Chöre zu Herders Entfesseltem Prometheus, S. 69 | | | | Cantata | | | |
Chöre zu Herders Entfesseltem Prometheus, S. 69: I. Overtüre | | | | | | | |
Chöre zu Herders Entfesseltem Prometheus, S. 69: II. Chor der Oceaniden | | | | | | | |
Chöre zu Herders Entfesseltem Prometheus, S. 69: III. Chor der Tritonen | | | | | | | |
Chöre zu Herders Entfesseltem Prometheus, S. 69: IV. Chor der Dryaden | | | | | | | |
Chöre zu Herders Entfesseltem Prometheus, S. 69: IX. Schluss-Chor: Chor der Musen | | | | | | | |
Chöre zu Herders Entfesseltem Prometheus, S. 69: V. Chor der Schnitter | | | | | | | |
Chöre zu Herders Entfesseltem Prometheus, S. 69: VI. Chor der Winzer | | | | | | | |
Chöre zu Herders Entfesseltem Prometheus, S. 69: VII. Chor der Unterirdischen | | | | | | | |
Chöre zu Herders Entfesseltem Prometheus, S. 69: VIII. Chor der Unsichtbaren | | | | | | | |
Christmas Again | | | | | | | |
Christus ist geboren II, S. 32/1 | | | | | | | |
Christus ist geboren II, S. 32/2 | | | | | | | |
Christus ist geboren II, S. 32/3 | | | | | | | |
Christus, S. 3 | | | | Oratorio | | | |
Christus, S. 3: I. Oratorium in Nativitate Domini | | | | | | | |
Christus, S. 3: I. Oratorium in Nativitate Domini: 1. Introduction | | | | | | | |
Christus, S. 3: I. Oratorium in Nativitate Domini: 2. Pastorale and Herald Angel's Song | | | | | | | |
Christus, S. 3: I. Oratorium in Nativitate Domini: 3. Stabat Mater speciosa | | | | | | | |
Christus, S. 3: I. Oratorium in Nativitate Domini: 4. Pastoral Music at the Manger | | | | | | | |
Christus, S. 3: I. Oratorium in Nativitate Domini: 5. March of the Three Magi | | | | | | | |
Christus, S. 3: II. Post Epiphaniam | | | | | | | |
Christus, S. 3: II. Post Epiphaniam: 1. The Beatitudes | | | | | | | |
Christus, S. 3: II. Post Epiphaniam: 2. The Lord's Prayer | | | | | | | |
Christus, S. 3: II. Post Epiphaniam: 3. The Founding of the Church | | | | | | | |
Christus, S. 3: II. Post Epiphaniam: 4. The Miracle | | | | | | | |
Christus, S. 3: II. Post Epiphaniam: 5. Ride Into Jerusalem | | | | | | | |
Christus, S. 3: III. Passio et resurrectio | | | | | | | |
Christus, S. 3: III. Passio et resurrectio: 1. Tristis est anima mea | | | | | | | |
Christus, S. 3: III. Passio et resurrectio: 2. Stabat Mater dolorosa | | | | | | | |
Christus, S. 3: III. Passio et resurrectio: 3. O filii et filiae | | | | | | | |
Christus, S. 3: III. Passio et resurrectio: 4. Resurrexit | | | | | | | |
Cinq chœurs, S. 18 | | | | | | | |
Comment, disaient-ils, S. 276/1 | | | | Song | | | |
Comment, disaient-ils, S. 276/2 | | | | Song | | | |
Comment, disaient-ils, S. 535 | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124 | | | | Concerto | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | | | | | | | |
Concerto for Piano and Orchestra no. 2 in A major, S. 125 | | | | Concerto | | | |
Concerto for Piano and Orchestra no. 2 in A major, S. 125: Adagio sostenuto assai - Allegro agitato assai | | | | | | | |
Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro animato | | | | | | | |
Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro deciso - Marziale, un poco meno allegro | | | | | | | |
Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro moderato | | | | | | | |
Concerto pathétique, S. 258 | | | | Concerto | | | |
Concerto pathétique, S. 258 | | | | Concerto | | | |
Concerto pathétique, S. 258 | | | | Concerto | | | |
Concerto pathétique, S. 258 | | | | Concerto | | | |
Concerto pathétique, S. 365a | | | | Concerto | | | |
Concerto sans orchestre, S. 524a | | | | | | | |
Consolation in C-sharp minor, S. 171a no. 3 | | | | | | | |
Consolation in D-flat major, S. 171a no. 4: Quasi adagio | | | | | | | |
Consolation in D-flat major, S. 172 no. 3: Lento placido | | | | | | | |
Consolation in D-flat major, S. 172 no. 3: Lento placido | | | | | | | |
Consolation in D-flat major, S. 172 no. 4: Quasi adagio | | | | | | | |
Consolation in E major, S. 171a no. 1: Andante con moto | | | | | | | |
Consolation in E major, S. 171a no. 2: Un poco più mosso | | | | | | | |
Consolation in E major, S. 171a no. 5: Andantino | | | | | | | |
Consolation in E major, S. 171a no. 6: Allegretto | | | | | | | |
Consolation in E major, S. 172 no. 1: Andante con moto | | | | | | | |
Consolation in E major, S. 172 no. 2: Un poco più mosso | | | | | | | |
Consolation in E major, S. 172 no. 5: Andantino | | | | | | | |
Consolation in E major, S. 172 no. 6: Allegretto sempre cantabile | | | | | | | |
Consolation no. 3 in D-flat | | | | | | | |
Consolations, 672d | | | | | | | |
Consolations, S. 171a | | | | | | | |
Consolations, S. 172 | | | | | | | |
Coro di festa e marcia funebre de Don Carlos, S. 435 | | | | | | | |
Csárdás macabre, S. 224 | | | | | | | |
Csárdás macabre, S. 617 | | | | | | | |
Csárdás obstiné, S. 618 | | | | | | | |
Cujus animam, S. 682 | | | | Aria | | | |
Dall'alma Roma, S. 36 | | | | | | | |
Danse des sylphes de La damnation de Faust de Hector Berlioz, S. 474a | | | | | | | |
Danse des Sylphes, S. 475 | | | | | | | |
Danse macabre | | | | | | | |
Danse macabre, S. 555, R. 240 | | | | | | | |
Dante fragment, S. 701e | | | | | | | |
Dantes Sonett "Tanto gentile e tanto onesta", S. 479 | | | | | | | |
Danza sacra e duetto finale d’Aida, S. 436 | | | | | | | |
Das Grab und die Rose, S. 285 | | | | Song | | | |
Das Sterbeglöcklein, S. 563 no. 3 | | | | | | | |
Das Wandern, S. 565 no. 1 | | | | | | | |
Das Wandern, S. 565 no. 1 bis | | | | | | | |
De Profundis, S. 121a | | - Magyar Rádió Szimfonikus Zenekara, Karl Anton Rickenbacher, Leslie Howard
- Louis Lortie, Residentie Orchestra The Hague, George Pehlivanian
- Louis Lortie, Residence Orchestra The Hague, George Pehlivanian
- Goran Filipec, Kodály Philharmonic Orchestra, Imre Kollár
- Philip Thomson, Hungarian State Orchestra, Kerry Stratton
| | | | | |
Dem Andenken Petöfis, S. 195 | | | | | | | |
Dem Andenken Petöfis, S. 195ii | | | | | | | |
Dem Andenken Petöfis, S. 614 | | | | | | | |
Den Cypressen der Villa d'Este, S. 162b | | | | | | | |
Den Cypressen der Villa d'Este, S. 162b/1 | | | | | | | |
Den Schutz-Engeln, S. 162a/1 | | | | | | | |
Den Schutz-Engeln, S. 162a/i | | | | | | | |