Franz Liszt (Hungarian composer, pianist and conductor)

~ Person

Relationships

children:Daniel Liszt (son of Frans)
Cosima Wagner
romantically involved with:Charlotte von Hagn (ended)
romantically involved with:Marie d'Agoult
Carolyne zu Sayn-Wittgenstein
principal conductor for:Hofkapelle Weimar (from 1842-11-02 until 1861-08)
students:Károly Aggházy (ended)
Eugen d’Albert (composer) (ended)
Agathe Backer-Grøndahl (ended)
Carl Baermann (the son, pianist) (ended)
Franz Bendel (Bohemian German pianist and composer) (ended)
Otis Bardwell Boise (ended)
Hans von Bülow (ended)
Louis Coenen (Dutch 19th century pianist & composer) (ended)
Amy Fay (pianist, 1844-1928) (ended)
Robert Fischhof (ended)
Henri Gobbi (ended)
Salomon Jadassohn (ended)
Karl Klindworth (ended)
Martin Krause (ended)
Carl Lachmund (ended)
Frederic Lamond (ended)
William Mason (American composer) (ended)
Sophie Menter (ended)
Max Meyer-Olbersleben (ended)
Caroline Montigny-Rémaury (ended)
Carlyle Petersilea (ended)
Laura Rappoldi-Kahrer (ended)
Theodor Ratzenberger (ended)
Alfred Reisenauer (ended)
Julius Reubke (ended)
Julie Rivé-King (ended)
Martha von Sabinin (ended)
Max Van de Sandt (ended)
Emil von Sauer (pianist) (ended)
Ingeborg Bronsart von Schellendorf (ended)
Hans Bronsart Von Schellendorff (ended)
Александр Зилоти (ended)
Carl Stasny (pianist and teacher) (ended)
August Stradal (ended)
Carl Tausig (ended)
István Thomán (pianist) (ended)
Anton Urspruch (ended)
Marc Véronge de la Nux (ended: piano)
Pauline Viardot (French mezzo and composer) (ended: piano)
Józef Wieniawski (ended)
Giovanni Sgambati (from 1862 to ????)
Rafael Joseffy (from 1870 until 1871)
Géza Zichy (from 1873 to ????)
Juliusz Zarębski (composer and pianist) (from 1874 to ????)
Adele aus der Ohe (from 1877 until 1884)
Moriz Rosenthal (classical pianist and composer, 1862-1946) (from 1878 until 1879)
Arthur Friedheim (Russian-born pianist, 1859-1932) (from 1880 to ????)
José Vianna da Motta (in 1885)
Conrad Ansorge (from 1885 until 1886)
Bernhard Stavenhagen (from 1885 until 1886)
teachers:Carl Czerny (composer) (ended)
Antoine Reicha (composer, also known as Anton Reicha, Antonín Reicha, Antonín Rejcha) (ended)
Antonio Salieri (composer) (ended)
inspired the name of:Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra)
inspired the name of:Liszt Ferenc Zeneművészeti Egyetem in Budapest, Hungary
has catalogue:The Music of Liszt
picture:https://commons.wikimedia.org/wiki/File:Ary_Scheffer_-_Franz_Liszt.jpg [info]
https://commons.wikimedia.org/wiki/File:Franz_Liszt_1858.jpg [info]
purchase music for mail-order:US: B004WO9J9I [info]
purchase music for download:https://itunes.apple.com/us/artist/id263190 [info]
IMDb:https://www.imdb.com/name/nm0006172/ [info]
Discogs:https://www.discogs.com/artist/226461 [info]
biographies:http://www.pbs.org/wnet/gperf/education/liszt.html [info]
other databases:http://id.loc.gov/authorities/names/n79079048 [info]
http://musicmoz.org/Composition/Composers/L/Liszt,_Franz/ [info]
http://snaccooperative.org/ark:/99166/w6dp4v3n [info]
http://soundtrackcollector.com/composer/3138/ [info]
https://adp.library.ucsb.edu/names/102432 [info]
https://catalogue.bnf.fr/ark:/12148/cb139773750 [info]
https://d-nb.info/gnd/118573527 [info]
https://nla.gov.au/nla.party-906123 [info]
https://openlibrary.org/works/OL403805A [info]
https://rateyourmusic.com/artist/franz_liszt [info]
https://www.ibdb.com/person.php?id=12067 [info]
https://www.worldcat.org/identities/lccn-n79079048 [info]
BBC Music:https://www.bbc.co.uk/music/artists/2cd475bb-1abd-40c4-9904-6d4b691c752c [info] (until 2020-11-19)
VGMdb:https://vgmdb.net/artist/7146 [info]
stream for free:https://www.deezer.com/artist/11472 [info]
stream for free (as Franz Liszt):https://open.spotify.com/artist/1385hLNbrnbCJGokfH2ac2 [info]
Allmusic:https://www.allmusic.com/artist/mn0000742285 [info]
VIAF ID:64199483 [info]
Wikidata:Q41309 [info]
IMSLP:imslp: Category:Liszt, Franz [info]
Songkick:https://www.songkick.com/artists/420553 [info]
streaming page:https://tidal.com/artist/3901476 [info]

Appearances

DateTitleCredited asAttributesArtistLength
arranged
"Aus tiefer Noth schrei ich zu Dir"Zuzana Ferjenčíková6:24
"Regina Coeli"Zuzana Ferjenčíková3:34
Adagio aus der 4. Sonate für Violine und CembaloZuzana Ferjenčíková4:20
Agnus Dei aus dem RequiemZuzana Ferjenčíková4:40
Am Grabe Richard WagnersZuzana Ferjenčíková2:49
Chi mi frena from ‘Lucia di Lammermoor’Alfred Brendel5:31
Einleitung und Fuge aus der Kantate "Ich hatte viel Bekümmernis"Zuzana Ferjenčíková4:47
Kirchliche Fest-Ouverture über den Choral "Ein feste Burg ist unser Gott" op. 31additionalZuzana Ferjenčíková9:09
Marche nuptiale et variationsadditionalVladimir Horowitz6:09
Pilgerchor aus "Tannhäuser"Zuzana Ferjenčíková6:25
Widmung ("Dedication")Arthur Rubinstein3:36
魔王Franz Lisztシューベルト feat.BEMANI Sound Team "ノートルダム尊道"2:10
arranged
1848Le carnaval de Pest, S. 379 (for piano trio)
1860 – 1872Orpheus, S. 672a (for organ)
1865Evocation à la Chapelle Sixtine, S. 658 (for organ)
1872Einleitung zur Legende von der heiligen Elisabeth, S. 663a (for organ)
1873Walther von der Vogelweide, S. 345/3a (for tenor solo, violin and piano)
1874Preludio (Excelsior!), S. 500 (for piano)
1874 – 1875Preludio (Excelsior!), S. 666 (for organ)
1876 – 1877Réminiscences de Don Juan, S. 656 (for two pianos)
1877 – 1882Angelus! Prière aux anges gardiens, S. 672c (for organ)
1883Am Grabe Richard Wagners, S. 202 (for solo piano)
1883Am Grabe Richard Wagners, S. 267 (for organ)
1883Die Trauergondel (La lugubre gondola), S. 134 (for cello and piano)
1883Die Trauergondel (La lugubre gondola), S. 134b (for violin and piano)
1884Nun danket alle Gott, S. 674c (for organ)
1886Die Vätergruft, S. 371 (for voice and orchestra)
“Wanderer” Fantasy in C major, S565a (edited by Liszt)
“Wanderer” Fantasy in C major, S565a: I. Allegro con fuoco ma non troppo (edited by Liszt)
“Wanderer” Fantasy in C major, S565a: II. Adagio (edited by Liszt)
“Wanderer” Fantasy in C major, S565a: III. Presto (edited by Liszt)
“Wanderer” Fantasy in C major, S565a: IV. Allegro (edited by Liszt)
2 Stücke aus Tannhäuser und Lohengrin, S. 634b (for piano four hands)
À la Chapelle Sixtine, S. 633 (for piano four hands)
A magyarok Istene, S. 345a (for baritone, male chorus and military band)
A magyarok Istene, S. 381a (for violin and piano)
A magyarok Istene, S. 543 (for solo piano)
A magyarok Istene, S. 543bis (for piano left hand)
A magyarok Istene, S. 674 (for organ or harmonium)
A magyarok Istene, S. 755a (for piano four hands)
Adagio vom Bach, S. 661
Adagio, 672d/2 (for organ or harmonium)
Agnus Dei della Messa da Requiem di Giuseppe Verdi, S. 675c (for organ, Liszt)
Am Rhein, im schönen Strome, S. 531 no. 2 (for solo piano)
Andante Finale und Marsch aus der Oper König Alfred, S. 421
Andante finale und Marsch aus der Oper König Alfred, S. 421: Nr. 1. Andante finale
Andante finale und Marsch aus der Oper König Alfred, S. 421: Nr. 2. Marsch
Andante from "Aus tiefer Noth schrei ich zu Dir", S. 660/2
Andante religioso, S. 261aadditional
Andantino, 672d/3 (for organ or harmonium)
Angiolin, S. 531 no. 6 (for solo piano)
Aria "Erbarme dich" (for voice, violin and organ, Liszt)
Aria "Jerusalem, die du tötest die Propheten" (for voice and organ, Liszt)
Aus der Ungarischen Krönungsmesse, S. 381 (for violin and piano)
Aus der Ungarischen Krönungsmesse, S. 381: I. Benedictus (for violin and piano)
Aus der Ungarischen Krönungsmesse, S. 381: II. Offertorium (for violin and piano)
Aus der Ungarischen Krönungsmesse, S. 501 (for solo piano)
Aus der Ungarischen Krönungsmesse, S. 501: I. Benedictus (for solo piano)
Aus der Ungarischen Krönungsmesse, S. 501: II. Offertorium (for solo piano)
Aus der Ungarischen Krönungsmesse, S. 581 (for piano four hands)
Aus der Ungarischen Krönungsmesse, S. 581: I. Benedictus (for piano four hands)
Aus der Ungarischen Krönungsmesse, S. 581: II. Offertorium (for piano four hands)
Aus der Ungarischen Krönungsmesse, S. 678 (for violin and organ)
Aus der Ungarischen Krönungsmesse, S. 678: I. Benedictus (for violin and organ)
Aus der Ungarischen Krönungsmesse, S. 678: II. Offertorium (for violin and organ)
Ave Maria (d'Arcadelt), S. 659 (for organ)
Ave Maria (Ellens dritter Gesang), S. 557d (for solo piano, Liszt, first version)
Ave Maria II, S. 667c (for harmonium)
Ave Maria II, S. 681 (for voice and organ or harmonium)
Ave Maria in D major, S. 504/1 (for solo piano)
Ave Maria in D-flat major, S. 504/2 (for solo piano)
Ave Maria IV in G major, S. 545 (for solo piano)
Ave Maria IV, S. 674b (for organ)
Ave maris stella, S. 506 (for solo piano)
Ave maris stella, S. 668a (for harmonium)
Ave maris stella, S. 669 no. 2 (for organ)
Ave maris stella, S. 680 (for voice and harmonium)
Ave verum corpus de Mozart, S. 674d (for organ, Liszt)
Bénédiction et serment de Benvenuto Cellini, S. 628 (for piano four hands)
Benedictus aus der Ungarischen Krönungsmesse, S. 362 (for violin and orchestra)
Bevezetés és magyar induló, S. 573
Buch der Lieder für Piano allein I, S. 531
Buch der Lieder für Piano allein II
Bülow-Marsch, S. 619 (for piano four hands)
Bülow-Marsch, S. 657b (for 2 pianos, 8 hands)
Bunte Reihe, S. 484
Bunte Reihe, S. 484: No. 1. Scherzo in C major
Bunte Reihe, S. 484: No. 2. Erinnerung in C minor
Bunte Reihe, S. 484: No. 3. Mazurka in D-flat major
Bunte Reihe, S. 484: No. 4. Tanz in C-sharp minor
Bunte Reihe, S. 484: No. 5. Kinderlied in D major
Bunte Reihe, S. 484: No. 6. Capriccio in D minor
Bunte Reihe, S. 484: No. 7. Bolero in E-flat major
Bunte Reihe, S. 484: No. 8. Elegie in E-flat minor
Bunte Reihe, S. 484: No. 9. Marsch in E major
Bunte Reihe, S. 484: No. 10. Toccata in E minor
Bunte Reihe, S. 484: No. 11. Gondellied in F major
Bunte Reihe, S. 484: No. 12. Im Sturm in F minor
Bunte Reihe, S. 484: No. 13. Romanze in F-sharp major
Bunte Reihe, S. 484: No. 14. Allegro agitato in F-sharp minor
Bunte Reihe, S. 484: No. 15. Menuetto in G major
Bunte Reihe, S. 484: No. 16. Étude in G minor
Bunte Reihe, S. 484: No. 17. Intermezzo in A-flat major
Bunte Reihe, S. 484: No. 18. Serenade in G-sharp minor
Bunte Reihe, S. 484: No. 19. Ungarisch in A major
Bunte Reihe, S. 484: No. 19bis. Ungarisch (fantasy on the theme of no. 19)
Bunte Reihe, S. 484: No. 20. Tarantelle in A minor
Bunte Reihe, S. 484: No. 21. Impromptu in B-flat major
Bunte Reihe, S. 484: No. 22. In russischer Weise in B-flat minor
Bunte Reihe, S. 484: No. 23. Lied in B major
Bunte Reihe, S. 484: No. 24. Capriccio in B minor
Cantico del Sol di San Francesco d'Assisi, S. 499 (for solo piano)
See all 495 relationships
composed
1827-05-27Scherzo in G minor, S. 153
1829-06-17Largo en si mineur, S. 692p/1
1830 – 1856Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
1830 – 1856Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso
1830 – 1856Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio
1830 – 1856Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato
1830 – 1856Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato
1833Harmonies poétiques et religieuses, S. 154
1833L'Idée fixe, S. 470a no. 1
1834Grande Fantaisie Symphonique on themes from Berlioz's "Lélio" for Piano and Orchestra, S. 120
1834 – 1835De Profundis, S. 121a
1835Duo-Sonata, S. 127
1835Duo-Sonata, S. 127: I. Moderato
1835Duo-Sonata, S. 127: II. Tema con variazioni
1835Duo-Sonata, S. 127: III. Allegretto
1835Duo-Sonata, S. 127: IV. Allegro con brio
1835Réminiscences de "La Juive", S. 409a
1836Réminiscences des Puritains, S. 390/1
1836Réminiscences des Puritains, S. 390/2
1837Fantasie über Themen aus Beethoven's Ruinen von Athen, S. 388b (for solo piano, first version)
1837 – 1849Années de pèlerinage : Deuxième année : Italie, S. 161
1838 – 1840Études d’exécution transcendante d’après Paganini, S. 140
1838 – 1840Études d’exécution transcendante d’après Paganini, S. 140: No. 1 in G minor
1838 – 1840Études d’exécution transcendante d’après Paganini, S. 140: No. 2 in E-flat major
1838 – 1840Études d’exécution transcendante d’après Paganini, S. 140: no. 3 in A-flat minor “La campanella”
1838 – 1840Études d’exécution transcendante d’après Paganini, S. 140: No. 4 in E major
1838 – 1840Études d’exécution transcendante d’après Paganini, S. 140: No. 5 in E major “La Chasse”
1838 – 1840Études d’exécution transcendante d’après Paganini, S. 140: No. 5 in E major “La Chasse” (catch-all for arrangements)
1838 – 1840Études d’exécution transcendante d’après Paganini, S. 140: No. 6 in A minor
1839Maometto II de Rossini, "Fantaisie", S. 421b
1839 – 1861Concerto for Piano and Orchestra no. 2 in A major, S. 125 (single movement)
1840-12-22Album-Leaf, "Dublin", S. 164r
1840Freischütz Fantasie, S. 451
1840Im Rhein, im schönen Strome, S. 272/1 (for voice and piano, first version)
1840Morceau de salon (étude de perfectionnement), S. 142
1841-11-03Album-Leaf, "Düsseldorf Preludio", S. 163f/2
1841Album-Leaf, "Ave Maria", S. 164q
1841Réminiscences de Don Juan, S. 418 (for piano solo)
1841Réminiscences de Don Juan, S. 656 (for two pianos)
1842Gebet, S. 667b
1842Oh! quand je dors, S. 282/1 (for voice and piano, first version)
1842Was Liebe sei, S. 288/1 (1st version)
1842Was Liebe sei, S. 288/2 (2nd version)
1842Was Liebe sei, S. 288/3 (3rd version)
1843Die tote Nachtigall, S. 291/1 (1st version)
1843Die tote Nachtigall, S. 291/2 (2nd version)
1843Du bist wie eine Blume, S. 287/1
1843Du bist wie eine Blume, S. 287/2
1843Morgens steh' ich auf und frage, S. 290 (first version)
1843Morgens steh’ ich auf und frage, S. 290 (third version)
1843Morgens steh’ ich auf und frage, S. 290 (second version)
1844Bist du, S. 277/1 (first version)
1844Bist du, S. 277/2 (second version)
1844Die Vätergruft, S. 281 (for voice and piano, second version, first published 2012)
1844Die Vätergruft, S. 281 (for voice and piano)
1844Die Vätergruft, S. 371 (for voice and orchestra)
1844Enfant, si j’étais roi, S. 283/1 (for voice and piano, first version)
1844Freudvoll und leidvoll, S. 280/1 (first setting, first version)
1844Freudvoll und leidvoll, S. 280/2 (first setting, second version)
1844S’il est un charmant gazon, S. 284/1 (for voice and piano, first version)
1844Vergiftet sind mein Lieder, S. 289/2 (second version)
1844Wo weilt er?, S. 295 (second version)
1845Es rauschen die Winde, S. 294/1
1845Lieder aus Schillers Wilhelm Tell, S. 292a (first version)
1845Lieder aus Schillers Wilhelm Tell, S. 292a: Nr. 1. Der Fischerknabe (first version)
1845Lieder aus Schillers Wilhelm Tell, S. 292a: Nr. 2. Der Hirt (first version)
1845Lieder aus Schillers Wilhelm Tell, S. 292a: Nr. 3. Der Alpenjäger
1845Wer nie sein Brot mit Tränen aß, S. 297/1 (1st version)
1845Wer nie sein Brot mit Tränen aß, S. 297/2 (2nd version)
1845 – 1849Trois études de concert, S. 144
1846Capriccio alla turca sur des motifs de Beethoven, S. 388
1846 – 1852Fantasia on Hungarian Folk Melodies for piano and orchestra, S. 123
1846 – 1852Soirées de Vienne, S. 427
1846 – 188519 Hungarian Rhapsodies, S. 244 / R. 106
1847Harmonies poétiques et religieuses, S. 172a
1847Harmonies poétiques et religieuses, S. 172a: No. 1. Élevez-vous, voix de mon âme
1847Harmonies poétiques et religieuses, S. 172a: No. 2. Hymne du matin
1847Harmonies poétiques et religieuses, S. 172a: No. 3. Hymne de la nuit
1847Isten veled, S. 299/1
1847Isten veled, S. 299/2
1847Le carnaval de Pest, S. 379 (for piano trio)
1847Le Juif errant, S. 300
1848Die Macht der Musik, S. 302 (second version)
1848Kling leise, mein Lied, S. 301/1 (first version)
1848Les Préludes, S. 97
1848Weimars Toten, S. 303
1848 – 1854Années de pèlerinage : Première année : Suisse, S. 160
1848 – 1854Ce qu’on entend sur la montagne, S. 635 (for two pianos)
1849Du bist wie eine Blume, S. 287/2additional
1849Enfant, si j’étais roi, S. 283/2 (for voice and piano, second version)
1849Freudvoll und leidvoll, S. 280/2 (first setting, second version)additional
1849Tasso: Lamento e Trionfo (for organ, Süda)
1849Tasso: Lamento e Trionfo, S. 96
1849 – 1854Tasso: Lamento e Trionfo, S. 636 (for two pianos)
1849 – 1859S’il est un charmant gazon, S. 284/2 (for voice and piano, second version)
1849 – 1861Concerto for Piano and Orchestra no. 2 in A major, S. 125: Adagio sostenuto assai - Allegro agitato assai
1849 – 1861Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro animato
1849 – 1861Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro deciso - Marziale, un poco meno allegro
1849 – 1861Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro moderato
1850Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”
See all 1,691 relationships
dedicated works
3 morceaux dans le genre pathétique, op. 15 "Souvenirs"
6 Poèmes, op. 15
12 Études d'exécution transcendante, op. 11
Der Barbier von Bagdad
Études, op. 10
Fantasy in C major, op. 17
In the Steppes of Central Asia
Piano Concerto in C-sharp minor, op. 30
Piano Concerto no. 1 in B-flat minor, op. 32
Piano Trio no. 4 in B minor, op. 2, CFF 114
Sonate Nr. 3 a-moll op. 23
Sonate pour piano
Symphony no. 2 in F-sharp minor, op. 16 "In memory of Liszt"
Symphony no. 3 in C minor “avec orgue”, op. 78
Tamara
instruments arranged
1833Symphonie fantastique, S. 470 (for piano solo, Liszt)piano
1833Symphonie fantastique, S. 470: I. Rêveries - Passions (for piano solo, Liszt)piano
1833Symphonie fantastique, S. 470: II. Un bal (for piano solo, Liszt)piano
1833Symphonie fantastique, S. 470: III. Scène aux champs (for piano solo, Liszt)piano
1833Symphonie fantastique, S. 470: IV. Marche au supplice (for piano solo, Liszt)piano
1833Symphonie fantastique, S. 470: V. Songe d’une nuit de sabbat (for piano solo, Liszt)piano
1837Lob der Tränen, S. 557piano
1837Symphony no. 5 in C minor, S. 463a (for piano solo, Liszt)piano
1837Symphony no. 5 in C minor, S. 463a: I. Allegro con brio (for piano solo, Liszt)piano
1837Symphony no. 5 in C minor, S. 463a: II. Andante con moto (- Più mosso - Tempo I) (for piano solo, Liszt)piano
1837Symphony no. 5 in C minor, S. 463a: III. Scherzo (- Trio - Scherzo - Trio - Scherzo) (for piano solo, Liszt)piano
1837Symphony no. 5 in C minor, S. 463a: IV. Allegro - Tempo I. Scherzo - Allegro - Presto (for piano solo, Liszt)piano
1837Symphony no. 6 in F major, S. 463b "Pastorale" (for piano solo, Liszt)piano
1837Symphony no. 6 in F major, S. 463b "Pastorale": I. Exposition des sentimens à l'aspect des campagnes riantes. Allegro ma non troppo (for piano solo, Liszt)piano
1837Symphony no. 6 in F major, S. 463b "Pastorale": II. Scène au bord du ruisseau. Andante molto moto (for piano solo, Liszt)piano
1837Symphony no. 6 in F major, S. 463b "Pastorale": III. Scherzo. Lustige Zusammensein der Landleute - Allegro - Allegro - Da capo, tutto - Tempo I (for piano solo, Liszt)piano
1837Symphony no. 6 in F major, S. 463b "Pastorale": IV. Grande tempête. Allegro (for piano solo, Liszt)piano
1837Symphony no. 6 in F major, S. 463b “Pastorale”: V. Sentiments de joie et de reconnaissance après la tempête. Allegretto (for piano solo, Liszt)piano
1837Symphony no. 7 in A major, S. 463d (for piano solo, Liszt)piano
1837Symphony no. 7 in A major, S. 463d: I. Poco sostenuto - Vivace (for piano solo, Liszt)piano
1837Symphony no. 7 in A major, S. 463d: II. Allegretto (for piano solo, Liszt)piano
1837Symphony no. 7 in A major, S. 463d: III. Presto - Assai meno presto (- Da capo tutto) - Presto - Assai meno presto - Presto (for piano solo, Liszt)piano
1837Symphony no. 7 in A major, S. 463d: IV. Allegro con brio (for piano solo, Liszt)piano
1837 – 1838Auf dem Wasser zu singen, S. 558 Nr. 2 (for piano solo, Liszt)piano
1837 – 1838Erlkönig, S. 558 Nr. 4 (for piano solo, Liszt)piano
1837 – 1838Ständchen von Shakespeare, S. 558 Nr. 9 (for piano solo, Liszt)piano
1838Overture de l’opera “Guillaume Tell”, S. 552, R. 237 (for piano solo, Liszt)piano
1838 – 1839Schwanengesang, S. 560 (for solo piano, Liszt)piano
1838 – 1839Schwanengesang, S. 560: No. 1. Die Stadt (for solo piano, Liszt)piano
1838 – 1839Schwanengesang, S. 560: No. 2. Das Fischermädchen (for solo piano, Liszt)piano
1838 – 1839Schwanengesang, S. 560: No. 3. Aufenthalt (for solo piano, Liszt)piano
1838 – 1839Schwanengesang, S. 560: No. 4. Am Meer (for solo piano, Liszt)piano
1838 – 1839Schwanengesang, S. 560: No. 5. Abschied (for solo piano, Liszt)piano
1838 – 1839Schwanengesang, S. 560: No. 7. Ständchen (for solo piano, Liszt)piano
1838 – 1839Schwanengesang, S. 560: No. 8. Ihr Bild (for solo piano, Liszt)piano
1838 – 1839Schwanengesang, S. 560: No. 9. Frühlingssehnsucht (for solo piano, Liszt)piano
1838 – 1839Schwanengesang, S. 560: No. 10. Liebesbotschaft (for solo piano, Liszt)piano
1838 – 1839Schwanengesang, S. 560: No. 11. Der Atlas (for solo piano, Liszt)piano
1838 – 1839Schwanengesang, S. 560: No. 12. Der Doppelgänger (for solo piano, Liszt)piano
1838 – 1839Schwanengesang, S. 560: No. 13. Die Taubenpost (for solo piano, Liszt)piano
1838 – 1839Schwanengesang, S. 560: No. 14. Kriegers Ahnung (for solo piano, Liszt)piano
1839Adelaïde, S. 466a (for solo piano, Liszt, first version)piano
1839Winterreise, S. 561 (for solo piano, Liszt)piano
1839Winterreise, S. 561: Nr. 1. Gute Nacht (for solo piano, Liszt)piano
1839Winterreise, S. 561: Nr. 2. Die Nebensonnen (for solo piano, Liszt)piano
1839Winterreise, S. 561: Nr. 3. Mut (for solo piano, Liszt)piano
1839Winterreise, S. 561: Nr. 4. Die Post (for solo piano, Liszt)piano
1839Winterreise, S. 561: Nr. 5. Erstarrung (for solo piano, Liszt)piano
1839Winterreise, S. 561: Nr. 6. Wasserfluth (for solo piano, Liszt)piano
1839Winterreise, S. 561: Nr. 7. Der Lindenbaum (for solo piano, Liszt)piano
1839Winterreise, S. 561: Nr. 8. Der Leiermann (for solo piano, Liszt)piano
1839Winterreise, S. 561: Nr. 9. Täuschung (for solo piano, Liszt)piano
1839Winterreise, S. 561: Nr. 10. Das Wirthshaus (for solo piano, Liszt)piano
1839Winterreise, S. 561: Nr. 11. Der stürmische Morgen (for solo piano, Liszt)piano
1839Winterreise, S. 561: Nr. 12. Im Dorfe (for solo piano, Liszt)piano
1840Adélaïde, S. 466b (for solo piano, Liszt, second version)piano
1843Marche funèbre de la Symphonie héroïque de Beethoven, S. 463epiano
1844Die Forelle, S. 563 no. 6 (for solo piano, Liszt)piano
1844Die Forelle, S. 564 (for piano, Liszt - second version)piano
1844Lebe Wohl!, S. 563 no. 1 (for solo piano, Liszt)piano
1846Das Wandern, S. 565 no. 1 (for solo piano, Liszt)piano
1846Die Forelle, S. 564 (for piano, Liszt - second version)additional and piano
1850Preludes and Fugues by J. S. Bach, S. 462: No. 1 in A minor, BWV 543 (for piano, Liszt)piano
1850Preludes and Fugues by J. S. Bach, S. 462: No. 1 in A minor, BWV 543: Fugue (for piano, Liszt)piano
1850Preludes and Fugues by J. S. Bach, S. 462: No. 1 in A minor, BWV 543: Prelude (for piano, Liszt)piano
1857 – 18606 Chants polonais, S. 480piano
1857 – 18606 Chants polonais, S. 480: 1. Mädchens Wünsch (Życzenie (#1) in Chopin's Polish Songs)piano
1857 – 18606 Chants polonais, S. 480: 2. Frühling (Wiosna (#2) in Chopin's Polish Songs)piano
1857 – 18606 Chants polonais, S. 480: 3. Das Ringlein (Pierścień (#14) in Chopin's Polish Songs)piano
1857 – 18606 Chants polonais, S. 480: 4. Bacchanal (Hulanka (#4) in Chopin's Polish Songs)piano
1857 – 18606 Chants polonais, S. 480: 5. Meine Freuden (Moja pieszczotka (#12) in Chopin's Polish Songs)piano
1857 – 18606 Chants polonais, S. 480: 6. Heimkehr (Narzeczony (#15) in Chopin's Polish Songs)piano
1863 – 1864Symphony no. 6 in F major, S. 463c “Pastorale”: V. Hirtengesang “Frohe, dankbare Gefühle nach dem Sturm”. Allegretto (for piano solo, Liszt)piano
– 1865Totentanz, S. 525, R. 188 (for solo piano)piano
– 1865Totentanz, S. 652 (for two pianos)piano
12 Lieder von Franz Schubert, S. 558piano
Adelaïde von Beethoven, S. 466 (for solo piano, Liszt, final version)piano
Adelaïde von Beethoven, S. 466: I. Einsam wandelt dein Freundpiano
Adelaïde von Beethoven, S. 466: II. Einst, o Wunder!piano
Agnus Dei della Messa da Requiem di Giuseppe Verdi, S. 437 (for solo piano, Liszt)piano
An die ferne Geliebte, S. 469 (for solo piano, Liszt)piano
An die ferne Geliebte, S. 469: No. 1. Auf dem Hügel sitz ich spähend (for solo piano, Liszt)piano
An die ferne Geliebte, S. 469: No. 2. Wo die Berge so blau (for solo piano, Liszt)piano
An die ferne Geliebte, S. 469: No. 3. Leichte Segler in den Höhen (for solo piano, Liszt)piano
An die ferne Geliebte, S. 469: No. 4. Diese Wolken in den Höhen (for solo piano, Liszt)piano
An die ferne Geliebte, S. 469: No. 5. Es kehret der Maien (for solo piano, Liszt)piano
An die ferne Geliebte, S. 469: No. 6. Nimm sie hin denn dieser Lieder (for solo piano, Liszt)piano
Ave verum corpus de Mozart, S. 461a (for piano solo, Liszt)piano
Beethovens Lieder von Goethe, S. 468piano
Beethovens Lieder von Goethe, S. 468: No. 1. Mignon (for solo piano, Liszt)piano
Beethovens Lieder von Goethe, S. 468: No. 2. Mit einem gemalten Bande (for solo piano, Liszt)piano
Beethovens Lieder von Goethe, S. 468: No. 3. Freudvoll und leidvoll (for solo piano, Liszt)piano
Beethovens Lieder von Goethe, S. 468: No. 4. Es war einmal ein König (for solo piano, Liszt)piano
Beethovens Lieder von Goethe, S. 468: No. 5. Wonne der Wehmut (for solo piano, Liszt)piano
Beethovens Lieder von Goethe, S. 468: No. 6. Die Trommel gerühret (for solo piano, Liszt)piano
Beethovens Septett, S. 465 (for solo piano, Liszt)piano
Beethovens Septett, S. 465: I. Adagio - Allegro con brio (for solo piano, Liszt)piano
Beethovens Septett, S. 465: II. Adagio cantabile (for solo piano, Liszt)piano
Beethovens Septett, S. 465: III. Tempo di menuetto (for solo piano, Liszt)piano
Beethovens Septett, S. 465: IV. Andante con variazioni (for solo piano, Liszt)piano
See all 277 relationships
orchestrated
1851Polonaise brillante, S. 367 (for piano and orchestra, Liszt)
6 Hungarian Rhapsodies for Orchestra, S. 359
À la Chapelle Sixtine, S. 360 (for orchestra)
Abschied, S. 375 no. 6 (orchestrated by Liszt)
Angélus ! Prière aux anges gardiens, S. 378 (for string orchestra or quintet)
Concerto pathétique, S. 365a (for piano and orchestra, Reuss/Liszt)additional
Der Doppelgänger, S. 375 no. 5 (orchestrated by Liszt)
Deux légendes, S. 113a (for orchestra)
Deux légendes, S. 113a: St. François d'Assise: la prédication aux oiseaux (for orchestra)
Deux légendes, S. 113a: St. François de Paule: marchant sur les flots (for orchestra)
Die drei Zigeuner, S. 374 (for voice and orchestra)
Die junge Nonne, S. 375 no. 1 (orchestrated by Liszt)
Erlkönig, S. 375 no. 4 (orchestrated by Liszt)
Fantasy in C major, S. 366 “Wanderer” (for piano and orchestra, Liszt)
Fantasy in C major, S. 366 “Wanderer”: I. Allegro con fuoco (for piano and orchestra, Liszt)
Fantasy in C major, S. 366 “Wanderer”: II. Adagio (for piano and orchestra, Liszt)
Fantasy in C major, S. 366 “Wanderer”: III. Presto (for piano and orchestra, Liszt)
Fantasy in C major, S. 366 “Wanderer”: IV. Allegro (for piano and orchestra, Liszt)
Festvorspiel, S. 356 (for orchestra)
Gretchen am Spinnrade, S. 375 no. 2 (orchestrated by Liszt)
Hexaméron, S. 365b (for piano and orchestra)
Hexaméron, S. 365b: I. Introduction. Extrêmement lent (for piano and orchestra)
Hexaméron, S. 365b: II. Tema. Allegro marziale (for piano and orchestra)
Hexaméron, S. 365b: III. Variation I. Ben marcato (for piano and orchestra)
Hexaméron, S. 365b: IV. Variation II. Moderato (for piano and orchestra)
Hexaméron, S. 365b: IX. Finale. Molto vivace quasi prestissimo (for piano and orchestra)
Hexaméron, S. 365b: V. Variation III di bravura - Ritornello (for piano and orchestra)
Hexaméron, S. 365b: VI. Variation IV. Legato e grazioso (for piano and orchestra)
Hexaméron, S. 365b: VII. Variation V. Vivo e brillante - Fuocoso molto energico - Lento quasi recitativo (for piano and orchestra)
Hexaméron, S. 365b: VIIIa. Variation VI. Largo (for piano and orchestra)
Hexaméron, S. 365b: VIIIb. Coda (for piano and orchestra)
Huldigungsmarsch, S. 357 (for orchestra)
Hungarian Rhapsody for Orchestra no. 1 in F minor, S. 359/1
Hungarian Rhapsody for Orchestra no. 2 in C minor, S. 359/2 (orch. Liszt/Doppler)
Hungarian Rhapsody for Orchestra no. 3 in D major, S. 359/3
Hungarian Rhapsody for Orchestra no. 4 in D minor, S. 359/4 (for orchestra; Liszt/Doppler)
Hungarian Rhapsody for Orchestra no. 5 in E minor, S. 359/5
Hungarian Rhapsody for Orchestra no. 6 in D-flat major "Carnival in Pest", S. 359/6
Jeanne d'Arc au bûcher, S. 373/1 (for voice and orchestra, first version)
Jeanne d'Arc au bûcher, S. 373/2 (for voice and orchestra, second version)
Lieder von Schubert, S. 375
Märsche von Franz Schubert, S. 363
Mephisto Waltz no. 2, S. 111 (for orchestra)
Mignons Lied, S. 375 no. 3 (orchestrated by Liszt)
Pio IX, S. 361 (for orchestra)
Vexilla regis prodeunt, S. 355 (for orchestra)
Vom Fels zum Meer!, S. 358 (for orchestra)
Weimars Volkslied, S. 359a (for orchestra)
revised
1849Wer nie sein Brot mit Tränen aß, S. 297/2 (2nd version)
1854 – 1855Was Liebe sei, S. 288/2 (2nd version)
1854 – 1855Was Liebe sei, S. 288/3 (3rd version)
1859 – 1862Der 13. Psalm, S. 13 (for tenor, choir and orchestra)
1862Berceuse, S. 174/2 (second version)
1870 – 1879Die tote Nachtigall, S. 291/2 (2nd version)
1874Anima Christi sanctifica me, S. 46/2 (second version)
1878 – 1879Was Liebe sei, S. 288/3 (3rd version)
1879Isten veled, S. 299/2
1883La lugubre gondola, S. 199a/ii
1885La lugubre gondola, S. 200/2 (for piano solo, La lugubre gondola II in 4/4)
Dem Andenken Petöfis, S. 195ii (revised version)
Réminiscences des Puritains, S. 390/2
works premiered
1857-11-07Eine Symphonie zu Dantes Divina Commedia, S. 109
wrote
1843Ländler in As für Klavier