|
conductor |
|
1937-04-16 |
Crown Imperial: Coronation March
|
BBC Symphony Orchestra, Sir Adrian Boult
|
|
1940-04-09 |
Fantasia on a Theme by Thomas Tallis
|
BBC Symphony Orchestra, Sir Adrian Boult
|
|
1943-04-05 |
Violin Concerto in D: I. Allegro non troppo
|
Johannes Brahms
|
|
1943-04-05 |
Violin Concerto in D: II. Adagio
|
Johannes Brahms
|
|
1943-04-05 |
Violin Concerto in D: III. Allegro giocoso, ma non troppo vivace
|
Johannes Brahms
|
|
1943 |
Piano Concerto in B flat major, Op. 58: I. Allegro con brio (Liverpool Philharmonic Orchestra feat. conductor: Sir Adrian Boult)
|
Arthur Bliss
|
|
1943 |
Piano Concerto in B flat major, Op. 58: II. Adagietto (Liverpool Philharmonic Orchestra feat. conductor: Sir Adrian Boult)
|
Arthur Bliss
|
|
1943 |
Piano Concerto in B flat major, Op. 58: III. Andante maestoso - Molto vivo (Liverpool Philharmonic Orchestra feat. conductor: Sir Adrian Boult)
|
Arthur Bliss
|
|
1945-01-02 – 1945-01-05 |
The Planets Suite for Orchestra, Op. 32: I. Mars, the Bringer of War
|
BBC Symphony Orchestra, Sir Adrian Boult
|
|
1945-01-02 – 1945-01-05 |
The Planets Suite for Orchestra, Op. 32: II. Venus, the Bringer of Peace
|
BBC Symphony Orchestra, Sir Adrian Boult
|
|
1945-01-02 – 1945-01-05 |
The Planets Suite for Orchestra, Op. 32: III. Mercury, the Winged Messenger
|
BBC Symphony Orchestra, Sir Adrian Boult
|
|
1945-01-02 – 1945-01-05 |
The Planets Suite for Orchestra, Op. 32: IV. Jupiter, the Bringer of Jollity
|
BBC Symphony Orchestra, Sir Adrian Boult
|
|
1945-01-02 – 1945-01-05 |
The Planets Suite for Orchestra, Op. 32: V. Saturn, the Bringer of Old Age
|
BBC Symphony Orchestra, Sir Adrian Boult
|
|
1945-01-02 – 1945-01-05 |
The Planets Suite for Orchestra, Op. 32: VI. Uranus, the Magician
|
BBC Symphony Orchestra, Sir Adrian Boult
|
|
1945-01-02 – 1945-01-05 |
The Planets Suite for Orchestra, Op. 32: VII. Neptune, the Mystic
|
BBC Symphony Orchestra, Sir Adrian Boult
|
|
1955 |
Violin Concerto in D minor, op. 47: I. Allegro moderato
|
Yehudi Menuhin, London Philharmonic Orchestra, Sir Adrian Boult
|
|
1955 |
Violin Concerto in D minor, op. 47: II. Adagio di molto
|
Yehudi Menuhin, London Philharmonic Orchestra, Sir Adrian Boult
|
|
1955 |
Violin Concerto in D minor, op. 47: III. Allegro ma non tanto
|
Yehudi Menuhin, London Philharmonic Orchestra, Sir Adrian Boult
|
|
1957-01-04 |
Schottische Fantasie für Violine mit Orchester und Harfe, Op. 46: I. Einleitung: Grave
|
Max Bruch
|
|
1957-01-04 |
Schottische Fantasie für Violine mit Orchester und Harfe, Op. 46: II. Adagio cantabile
|
Max Bruch
|
|
1957-01-04 |
Schottische Fantasie für Violine mit Orchester und Harfe, Op. 46: III. Allegro - Tanz - Animato - Adagio - Tempo I - Adagio
|
Max Bruch
|
|
1957-01-04 |
Schottische Fantasie für Violine mit Orchester und Harfe, Op. 46: IV. Andante sostenuto - Più animato
|
Max Bruch
|
|
1957-01-04 |
Schottische Fantasie für Violine mit Orchester und Harfe, Op. 46: V. Finale
|
Max Bruch
|
|
1958-12-18 – 1958-12-20 |
Piano Concerto III. Allegro brillante
|
Արամ Խաչատրյան
|
|
1958-12-18 – 1958-12-20 |
Piano Concerto: I. Allegro ma non troppo e maestoso
|
Արամ Խաչատրյան
|
|
1958-12-18 – 1958-12-20 |
Piano Concerto: II. Andante con anima
|
Արամ Խաչատրյան
|
|
1959 |
Sérénade mélancolique
|
Tchaikovsky
|
|
1961-08 |
And suddenly...
|
Georg Friedrich Händel
|
|
1961-08 |
And the glory of the Lord
|
Georg Friedrich Händel
|
|
1961-08 |
Behold a virgin shall conceive...O thou that tellest
|
Georg Friedrich Händel
|
|
1961-08 |
Behold I tell you a mystery...The trumpet shall sound
|
Georg Friedrich Händel
|
|
1961-08 |
Comfort ye
|
Georg Friedrich Händel
|
|
1961-08 |
Every valley shall be exalted
|
Georg Friedrich Händel
|
|
1961-08 |
For unto us a child is born
|
Georg Friedrich Händel
|
|
1961-08 |
Hallelujah
|
Georg Friedrich Händel
|
|
1961-08 |
I know that my redeemer liveth
|
Georg Friedrich Händel
|
|
1961-08 |
Let us break their bonds
|
Georg Friedrich Händel
|
|
1961-08 |
Rejoice greatly
|
Georg Friedrich Händel
|
|
1961-08 |
Why do the nations
|
Georg Friedrich Händel
|
|
1961-08 |
Worthy is the lamb...Amen
|
Georg Friedrich Händel
|
|
1965 – 1966 |
Violin Concerto in B minor, op. 61: I. Allegro
|
Yehudi Menuhin, Philharmonia Orchestra, Sir Adrian Boult
|
|
1965 – 1966 |
Violin Concerto in B minor, op. 61: II. Andante
|
Yehudi Menuhin, Philharmonia Orchestra, Sir Adrian Boult
|
|
1965 – 1966 |
Violin Concerto in B minor, op. 61: III. Allegro molto
|
Yehudi Menuhin, Philharmonia Orchestra, Sir Adrian Boult
|
|
1966-12-12 |
Symphony No. 3: I. Molto moderato
|
Ralph Vaughan Williams
|
|
1966-12-12 |
Symphony No. 3: II. Lento moderato
|
Ralph Vaughan Williams
|
|
1966-12-12 |
Symphony No. 3: III. Moderato pesante
|
Ralph Vaughan Williams
|
|
1966-12-12 |
Symphony No. 3: IV. Lento
|
Ralph Vaughan Williams
|
|
1966-12-21 – 1966-12-23 |
The Music Makers Op. 69 (1986 Digital Remaster) (Moderato E Nobilmente)
|
Sir Edward Elgar
|
|
1966-12-21 – 1966-12-23 |
The Music Makers Op. 69 (1986 Digital Remaster): A Breath of Our Inspiration
|
Sir Edward Elgar
|
|
1966-12-21 – 1966-12-23 |
The Music Makers Op. 69 (1986 Digital Remaster): And Therefore To-Day Is Thrilling
|
Sir Edward Elgar
|
|
1966-12-21 – 1966-12-23 |
The Music Makers Op. 69 (1986 Digital Remaster): But We, With Our Dreaming and Singing
|
Sir Edward Elgar
|
|
1966-12-21 – 1966-12-23 |
The Music Makers Op. 69 (1986 Digital Remaster): For We Are Afar With the Dawning
|
Sir Edward Elgar
|
|
1966-12-21 – 1966-12-23 |
The Music Makers Op. 69 (1986 Digital Remaster): Great Hail! We Cry to the Comers
|
Sir Edward Elgar
|
|
1966-12-21 – 1966-12-23 |
The Music Makers Op. 69 (1986 Digital Remaster): They Had No Vision Amazing
|
Sir Edward Elgar
|
|
1966-12-21 – 1966-12-23 |
The Music Makers Op. 69 (1986 Digital Remaster): We Are the Music Makers
|
Sir Edward Elgar
|
|
1966-12-21 – 1966-12-23 |
The Music Makers Op. 69 (1986 Digital Remaster): We, in the Ages Lying
|
Sir Edward Elgar
|
|
1966-12-21 – 1966-12-23 |
The Music Makers Op. 69 (1986 Digital Remaster): With Wonderful Deathless Ditties
|
Sir Edward Elgar
|
|
1966 |
Violin Concerto in B minor, Op. 61: I. Allegro (New Philharmonia Orchestra feat. conductor: Sir Adrian Boult)
|
Sir Edward Elgar
|
|
1966 |
Violin Concerto in B minor, op. 61: II. Andante
|
Yehudi Menuhin, Philharmonia Orchestra, Sir Adrian Boult
|
|
1966 |
Violin Concerto in B minor, Op. 61: III. Allegro molto (New Philharmonia Orchestra feat. conductor: Sir Adrian Boult)
|
Sir Edward Elgar
|
|
1966 |
Violin Concerto in B minor, Op. 61: III. Cadenza (accompagnata: Lento) - Allegro molto (New Philharmonia Orchestra feat. conductor: Sir Adrian Boult)
|
Sir Edward Elgar
|
|
1968 |
Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice - Allegro
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
1968 |
Symphony no. 1 in A-flat major, op. 55: II. Allegro molto
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
1968 |
Symphony no. 1 in A-flat major, op. 55: III. Adagio
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
1968 |
Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
1968 |
Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e Nobilmente
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
1968 |
Symphony no. 2 in E-flat major, op. 63: II. Larghetto
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
1968 |
Symphony no. 2 in E-flat major, op. 63: III. Rondo (Presto)
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
1968 |
Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: I. C.A.E. (L'istesso tempo)
|
Sir Edward Elgar
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: II. H.D.S-P. (Allegro)
|
Sir Edward Elgar
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: III. R.B.T. (Allegretto)
|
Sir Edward Elgar
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: IV. W.M.B. (Allegro di molto)
|
Sir Edward Elgar
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: IX. Nimrod (Adagio)
|
Sir Edward Elgar
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: Theme (Andante)
|
Sir Edward Elgar
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: V. R.P.A. (Moderato)
|
Sir Edward Elgar
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: VI. Ysobel (Andantino)
|
Sir Edward Elgar
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: VII. Troyte (Presto)
|
Sir Edward Elgar
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: VIII. W.N. (Allegretto)
|
Sir Edward Elgar
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: X. Intermezzo: Dorabella (Allegretto)
|
Sir Edward Elgar
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: XI. G.R.S. (Allegro di molto)
|
Sir Edward Elgar
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: XII. B.G.N. (Andante)
|
Sir Edward Elgar
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: XIII. Romanza (Moderato)
|
Sir Edward Elgar
|
|
1970-08-04 – 1970-08-06 |
Variations on an Original Theme ('Enigma'), Op. 36: XIV. Finale: E.D.U. (Allegro)
|
Sir Edward Elgar
|
|
1971 |
Violin Concerto no. 1 in G minor, op. 26: I. Allegro moderato
|
Max Bruch
|
|
1971 |
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
|
Max Bruch
|
|
1971 |
Violin Concerto no. 1 in G minor, op. 26: III. Finale
|
Max Bruch
|
|
1972-08-01 |
Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo
|
Ludwig van Beethoven
|
|
1972-08-01 |
Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso
|
Ludwig van Beethoven
|
|
1972-08-01 |
Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro
|
Ludwig van Beethoven
|
|
1972-08-01 |
Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro
|
Ludwig van Beethoven
|
|
1972-08-01 |
Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto
|
Ludwig van Beethoven
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Be Merciful, Be Gracious (Chorus)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Go in the Name of Angels (Chorus)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: I Can No More; For Now It Comes Again (Gerontius)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Jesu Maria, I Am Near to Death (Gerontius)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Kyrie Eleison (Chorus)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Novissima Hora Est (Gerontius)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Prelude
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Proficiscere, Anima Christiana (Priest)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Rescue Him, o Lord (Chorus)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Rouse Thee, My Fainting Soul (Gerontius)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 1: Sanctus Fortis, Santus Deus (Gerontius)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: All Hail! My Child (Soul, Angel)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: And Now the Threshold (Angel)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Be Merciful, Be Gracious (Chorus)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: But Hark! A Grand Mysterious Harmony (Soul)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Glory to Him (Chorus)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: I See Not Those False Spirits (Soul, Angel)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: I Went to Sleep (Soul of Gerontius)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: It Is the Restless Panting of Their Being (Angel)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Jesu! By That Shuddering Dread (Angel)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Lord, Thou Hast Been Our Refuge (Chorus)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Low-Born Clods of Brute Earth (Chorus)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: My Work Is Done (Angel)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Praise to His Name! (Angel)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Praise to the Holiest (Chorus)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Praise to the Holiest (Chorus)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Softly and Gently (Angel)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Take Me Away (Soul)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: The Mind Bold and Independent (Chorus)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: The Sound Is Like the Rushing of the Wind (Soul)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: They Sing of Thy Approaching Agony (Angel, Soul)
|
Sir Edward Elgar
|
|
1975-05-18 – 1975-07-31 |
The Dream of Gerontius Op. 38 (1986 Digital Remaster), Part 2: Thy Judgement Now Is Near (Angel, Soul)
|
Sir Edward Elgar
|
|
1978-05-12 – 1978-07-31 |
The Planets, Op. 32: I. Mars, the Bringer of War (Allegro)
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
1978-05-12 – 1978-07-31 |
The Planets, Op. 32: II. Venus, the Bringer of Peace (Adagio)
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
1978-05-12 – 1978-07-31 |
The Planets, Op. 32: III. Mercury, the Winged Messenger (Vivace)
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
1978-05-12 – 1978-07-31 |
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Allegro giocoso - Andante maestoso)
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
1978-05-12 – 1978-07-31 |
The Planets, Op. 32: V. Saturn, the Bringer of Old Age (Adagio)
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
1978-05-12 – 1978-07-31 |
The Planets, Op. 32: VI. Uranus, the Magician (Allegro)
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
1978-05-12 – 1978-07-31 |
The Planets, Op. 32: VII. Neptune, the Mystic (Andante)
|
Geoffrey Mitchell Choir, London Philharmonic Orchestra, Sir Adrian Boult
|
|
1980 |
Die Walküre: Ride of the Valkryies
|
Richard Wagner
|
|
|
A London Symphony (Symphony No. 2): I. Lento - Allegro risoluto
|
Ralph Vaughan Williams
|
|
|
A London Symphony (Symphony No. 2): II. Lento
|
Ralph Vaughan Williams
|
|
|
A London Symphony (Symphony No. 2): III. Scherzo (Nocturne): Allegro vivace
|
Ralph Vaughan Williams
|
|
|
A London Symphony (Symphony No. 2): IV. Andante con moto - Maestoso alla marcia
|
Ralph Vaughan Williams
|
|
|
A London Symphony: I. Lento
|
Ralph Vaughan Williams
|
|
|
A Song of Thanksgiving
|
Ralph Vaughan Williams
|
|
|
Academic Festival Overture, Op. 80
|
Johannes Brahms
|
|
|
Academic Festival Overture, Op. 80
|
Johannes Brahms
|
|
|
Alto Rhapsody, Op. 53
|
Johannes Brahms
|
|
|
Apocalypse Now: Die Walküre: Act III: The Ride of the Valkyries
|
Richard Wagner
|
|
|
Becket: Funeral March, "The Martyrdom"
|
Sir Charles Villiers Stanford
|
|
|
Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro
|
Johann Sebastian Bach
|
|
|
Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro
|
Johann Sebastian Bach
|
|
|
Brandenburg Concerto No. 4 in G major, BWV 1049: I. Allegro
|
Johann Sebastian Bach
|
|
|
Brandenburg Concerto No. 4 in G major, BWV 1049: II. Andante
|
Johann Sebastian Bach
|
|
|
Brandenburg Concerto No. 4 in G major, BWV 1049: III. Presto
|
Johann Sebastian Bach
|
|
|
Cello Concerto in E Minor, Op. 85: 3rd Movement: Adagio
|
Sir Edward Elgar
|
|
|
Cello Concerto in E minor, op. 85: I. Adagio - Moderato
|
BBC Symphony Orchestra, Sir Adrian Boult, Pau Casals
|
|
|
Cello Concerto in E minor, Op. 85: I. Adagio - Moderato
|
Paul Tortelier, London Philharmonic Orchestra, Sir Adrian Boult
|
|
|
Cello Concerto in E minor, Op. 85: II. Allegro molto
|
Paul Tortelier, London Philharmonic Orchestra, Sir Adrian Boult
|
|
|
Cello Concerto in E minor, op. 85: II. Lento - Allegro molto
|
Sir Edward Elgar
|
|
|
Cello Concerto in E minor, op. 85: III. Adagio
|
Sir Edward Elgar
|
|
|
Cello Concerto in E minor, Op. 85: III. Adagio
|
Paul Tortelier, London Philharmonic Orchestra, Sir Adrian Boult
|
|
|
Cello Concerto in E minor, Op. 85: IV. Allegro - Moderato - Allegro ma non troppo
|
Paul Tortelier, London Philharmonic Orchestra, Sir Adrian Boult
|
|
|
Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro, ma non troppo
|
BBC Symphony Orchestra, Sir Adrian Boult, Pau Casals
|
|
|
Chanson de matin, Op. 15 No. 2
|
Sir Edward Elgar
|
|
|
Chanson de nuit, Op. 15 No. 1
|
Sir Edward Elgar
|
|
|
Comfort ye my people ... Every valley (Messiah)
|
Georg Friedrich Händel
|
|
|
Concert Overture, Op. 50 "In the South (Alassio)"
|
Sir Edward Elgar
|
|
|
Concerto grosso: I. Intrada: Largo
|
Ralph Vaughan Williams
|
|
|
Concerto grosso: II. Burlesca ostinato: Allegro moderato
|
Ralph Vaughan Williams
|
|
|
Concerto grosso: III. Sarabande: Lento
|
Ralph Vaughan Williams
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Concerto grosso: IV. Scherzo: Allegro, tempo di valse
|
Ralph Vaughan Williams
|
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Concerto grosso: V. March (A la marcia) and Reprise
|
Ralph Vaughan Williams
|
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|
Concerto pour violoncelle, Op. 104: I. Allegro
|
Antonín Dvořák
|
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Concerto pour violoncelle, Op. 104: II. Adagio ma non troppo
|
Antonín Dvořák
|
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Concerto pour violoncelle, Op. 104: III. Finale (Allegro moderato - Andante - Allegro vivo)
|
Antonín Dvořák
|
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|
Concerto symphonique No. 4, Op. 12: Scherzo
|
Henry Charles Litolff
|
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Deeper and deeper still ... Waft her, angels (Jephtha)
|
Georg Friedrich Händel
|
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Der fliegende Holländer: Overture
|
Richard Wagner
|
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Die Meistersinger von Nürnberg: Overture
|
Richard Wagner
|
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Die Walküre: Ride of the Valkries
|
Richard Wagner
|
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Don Quixote, Op 35: Finale: Don Quixote's Death
|
Richard Strauss
|
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Don Quixote, Op 35: Introduction: Don Quixote Sinks into Madness
|
Richard Strauss
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Don Quixote, Op 35: Theme: Don Quixote and Sancho Panza
|
Richard Strauss
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Don Quixote, Op 35: Variation I: The Adventure with the Windmills
|
Richard Strauss
|
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Don Quixote, Op 35: Variation II: The Battle with the Sheep
|
Richard Strauss
|
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Don Quixote, Op 35: Variation III: Discourse between Knight and Squire
|
Richard Strauss
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Don Quixote, Op 35: Variation IV: The Adventure with the Pilgrims
|
Richard Strauss
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Don Quixote, Op 35: Variation IX: The Combat with the two Magicians
|
Richard Strauss
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Don Quixote, Op 35: Variation V: The Knight's Vigil
|
Richard Strauss
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Don Quixote, Op 35: Variation VI: The Meeting with Dulcinea
|
Richard Strauss
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Don Quixote, Op 35: Variation VII: The Ride through the Air
|
Richard Strauss
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Don Quixote, Op 35: Variation VIII: The Voyage in the Enchanted Boat
|
Richard Strauss
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Don Quixote, Op 35: Variation X: The Defeat of Don Quixote
|
Richard Strauss
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Don Quixote, Op. 35: Finale: Don Quixote's Death
|
Jacqueline du Pré, New Philharmonia Orchestra, Sir Adrian Boult
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Don Quixote, Op. 35: Introduction
|
Jacqueline du Pré, New Philharmonia Orchestra, Sir Adrian Boult
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Don Quixote, Op. 35: Theme: The Knight of The Mournful Countenance
|
Jacqueline du Pré, New Philharmonia Orchestra, Sir Adrian Boult
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Don Quixote, Op. 35: Variation I: The Adventure with the Windmills
|
Jacqueline du Pré, New Philharmonia Orchestra, Sir Adrian Boult
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Don Quixote, Op. 35: Variation II: The Battle with the Sheep
|
Jacqueline du Pré, New Philharmonia Orchestra, Sir Adrian Boult
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Don Quixote, Op. 35: Variation III: Discourse Between Knight and Squire
|
Jacqueline du Pré, New Philharmonia Orchestra, Sir Adrian Boult
|
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Don Quixote, Op. 35: Variation IV: The Adventure with the Pilgrims
|
Jacqueline du Pré, New Philharmonia Orchestra, Sir Adrian Boult
|
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Don Quixote, Op. 35: Variation IX: The Combat with the Two Magicians
|
Jacqueline du Pré, New Philharmonia Orchestra, Sir Adrian Boult
|
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Don Quixote, Op. 35: Variation V: The Knight's Vigil
|
Jacqueline du Pré, New Philharmonia Orchestra, Sir Adrian Boult
|
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Don Quixote, Op. 35: Variation VI: The Meeting with Dulcinea
|
Jacqueline du Pré, New Philharmonia Orchestra, Sir Adrian Boult
|
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Don Quixote, Op. 35: Variation VII: The Ride through the Air
|
Jacqueline du Pré, New Philharmonia Orchestra, Sir Adrian Boult
|
|
|
Don Quixote, Op. 35: Variation VIII: The Voyage in the Enchanted Boat
|
Jacqueline du Pré, New Philharmonia Orchestra, Sir Adrian Boult
|
|
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Don Quixote, Op. 35: Variation X: The Defeat of Don Quixote
|
Jacqueline du Pré, New Philharmonia Orchestra, Sir Adrian Boult
|
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|
Dona nobis pacem: I. "Agnus Dei" (lento)
|
Ralph Vaughan Williams
|
|
|
Dona nobis pacem: I. "Agnus Dei" (Lento)
|
Ralph Vaughan Williams
|
|
|
Dona nobis pacem: II. "Beat! beat! drums!" (Allegro moderato)
|
Ralph Vaughan Williams
|
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|
Dona nobis pacem: II. "Beat! Beat! Drums!" (allegro moderato)
|
Ralph Vaughan Williams
|
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|
Dona nobis pacem: III. Reconciliation (andantino)
|
Ralph Vaughan Williams
|
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|
Dona nobis pacem: III. Reconciliation (Andantino)
|
Ralph Vaughan Williams
|
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|
Dona nobis pacem: IV. Dirge for Two Veterans (moderato alla marcia
|
Ralph Vaughan Williams
|
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|
Dona nobis pacem: IV. Dirge for Two Veterans (Moderato alla marcia)
|
Ralph Vaughan Williams
|
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|
Dona nobis pacem: V. "The Angel of Death has been abroad" (l'istesso tempo)
|
Ralph Vaughan Williams
|
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Dona nobis pacem: V. "The Angel of Death has been abroad" (L'istesso tempo)
|
Ralph Vaughan Williams
|
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Dona nobis pacem: VI. "O man greatly beloved"
|
Ralph Vaughan Williams
|
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Dona nobis pacem: VI. "O Man Greatly Beloved"
|
Ralph Vaughan Williams
|
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|
English Folk Song Suite
|
Ralph Vaughan Williams
|
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|
Enigma Variations: Nimrod
|
Sir Edward Elgar
|
|
|
Fantasia (quasi variazione) on the Old 104th Psalm Tune
|
Ralph Vaughan Williams
|
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|
Fantasia & Fugue in C min, BWV 537: I. Fantasia
|
Johann Sebastian Bach orch. Sir Edward Elgar
|
|
|
Fantasia & Fugue in C min, BWV 537: II. Fugue
|
Johann Sebastian Bach orch. Sir Edward Elgar
|
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|
Fantasia and Fugue in C minor, Op. 86: Fantasia
|
Sir Edward Elgar
|
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|
Fantasia and Fugue in C minor, Op. 86: Fugue
|
Sir Edward Elgar
|
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|
Fantasia on 'Greensleeves'
|
Ralph Vaughan Williams
|
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|
Fantasia on a Theme by Thomas Tallis
|
London Philharmonic Orchestra, Sir Adrian Boult
|
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|
Fantasia on a Theme by Thomas Tallis
|
Ralph Vaughan Williams
|
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|
Fantasia on Greensleeves, for harp, flute & strings (arranged by R. Greaves; from the opera "Sir John In Love")
|
Ralph Vaughan Williams
|
|
|
Fantasia on the Old 104th Psalm Tune
|
Ralph Vaughan Williams
|
|
|
Fantasio on a Theme by Thomas Tallis (opening)
|
Ralph Vaughan Williams
|
|
|
Froissart. Overture, Op. 19
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
|
Götterdämmerung: Siegfried's Funeral March
|
Richard Wagner
|
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|
Hamlet: Funeral March
|
Sir William Walton
|
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|
Hear My Prayer ... O for the wings of a Dove
|
Felix Mendelssohn
|
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|
Hymn of Jesus
|
The BBC Symphony Chorus, BBC Symphony Orchestra, Sir Adrian Boult
|
|
|
I rage, I melt, I burn ... O ruddier than the cherry (Acis and Galatea)
|
Georg Friedrich Händel
|
|
|
In the South. Overture, Op. 50
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
|
Introduction and Allegro for strings, Op. 47
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
|
Job, A Masque for Dancing, ballet: Scene 1: Introduction
|
Ralph Vaughan Williams
|
|
|
Job, A Masque for Dancing, ballet: Scene 1: Saraband of the Sons of God
|
Ralph Vaughan Williams
|
|
|
Job, A Masque for Dancing, ballet: Scene 2: Satan's Dance of Triumph
|
Ralph Vaughan Williams
|
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|
Job, A Masque for Dancing, ballet: Scene 3: Minuet of the Sons of Job and Their Wives
|
Ralph Vaughan Williams
|
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|
Job, A Masque for Dancing, ballet: Scene 4: Job's Dream
|
Ralph Vaughan Williams
|
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|
Job, A Masque for Dancing, ballet: Scene 5: Dance of the Three Messengers
|
Ralph Vaughan Williams
|
|
|
Job, A Masque for Dancing, ballet: Scene 6: Dance of Job's Comforters
|
Ralph Vaughan Williams
|
|
|
Job, A Masque for Dancing, ballet: Scene 7: Elihu's Dance of Youth and Beauty
|
Ralph Vaughan Williams
|
|
|
Job, A Masque for Dancing, ballet: Scene 7: Pavane of the Sons of the Morning
|
Ralph Vaughan Williams
|
|
|
Job, A Masque for Dancing, ballet: Scene 8: Altar Dance
|
Ralph Vaughan Williams
|
|
|
Job, A Masque for Dancing, ballet: Scene 8: Galliard of the Sons of the Morning
|
Ralph Vaughan Williams
|
|
|
Job, A Masque for Dancing, ballet: Scene 9: Epilogue
|
Ralph Vaughan Williams
|
|
|
Kindertotenlieder: "In diesem Wetter"
|
Gustav Mahler
|
|
|
Kindertotenlieder: "Nun seh' ich wohl, warum so dunkle Flammen"
|
Gustav Mahler
|
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|
Kindertotenlieder: "Nun will die Sonn' so hell aufgeh'n"
|
Gustav Mahler
|
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|
Kindertotenlieder: "Oft denk' ich, sie sind nur ausgegangen"
|
Gustav Mahler
|
|
|
Kindertotenlieder: "Wenn dein Mütterlein"
|
Gustav Mahler
|
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|
Lieder eines fahrenden Gesellen: "Die zwei blauen Augen von meinem Schatz"
|
Gustav Mahler
|
|
|
Lieder eines fahrenden Gesellen: "Ging heut' morgen übers Feld"
|
Gustav Mahler
|
|
|
Lieder eines fahrenden Gesellen: "Ich hab' ein glühend Messer"
|
Gustav Mahler
|
|
|
Lieder eines fahrenden Gesellen: "Wenn mein Schatz Hochzeit macht"
|
Gustav Mahler
|
|
|
Love in her eyes sits playing (Acis and Galatea)
|
Georg Friedrich Händel
|
|
|
March, "The Dam Busters"
|
Eric Coates
|
|
|
Marche Caprice
|
Frederick Delius
|
|
|
Mars,The Bringer of War from the Planets Suite
|
Gustav Holst
|
|
|
Mass in B minor (excerpts): I. Qui Sedes
|
Johann Sebastian Bach
|
|
|
Mass in B minor (excerpts): II. Agnus Dei
|
Johann Sebastian Bach
|
|
|
Messiah - He Was Despised
|
Georg Friedrich Händel
|
|
|
Messiah: Comfort ye / Ev'ry Valley
|
Georg Friedrich Händel
|
|
|
Messiah: For Unto us a Child is Born
|
Georg Friedrich Händel
|
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|
Messiah: Hallelujah
|
Georg Friedrich Händel
|
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|
Messiah: He was Despised
|
Georg Friedrich Händel
|
|
|
Messiah: How Beautiful are the Feet
|
Georg Friedrich Händel
|
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|
Messiah: I Know That my Redeemer Liveth
|
Georg Friedrich Händel
|
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|
Messiah: The Trumpet Shall Sound
|
Georg Friedrich Händel
|
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|
Messiah: Then Shall the Eyes of the Blind be Opened / He Shall Feed his Flock
|
Georg Friedrich Händel
|
|
|
Messiah: There Were Shepherds / And lo! The Angel of the Lord / And the Angel Said Unto Them / And Suddenly There was With the Angel / Glory to God
|
Georg Friedrich Händel
|
|
|
Messiah: Why do the Nations
|
Georg Friedrich Händel
|
|
|
Messiah: Worthy is the Lamb
|
Georg Friedrich Händel
|
|
|
My arms! ... Sound an alarm (Judas Maccabaeus)
|
Georg Friedrich Händel
|
|
|
Nimrod
|
Sir Edward Elgar
|
|
|
O divine Redeemer
|
Charles-François Gounod
|
|
|
Ombra mai fu (Xerxes)
|
Georg Friedrich Händel
|
|
|
Over the Hills and Far Away, (Children's March)
|
Percy Grainger
|
|
|
Overture in D minor
|
Sir Edward Elgar
|
|
|
Partita: I. Prelude: Andante tranquillo
|
Ralph Vaughan Williams
|
|
|
Partita: II. Scherzo ostinato: Presto
|
Ralph Vaughan Williams
|
|
|
Partita: III. Intermezzo (Homage to Henry Hall)
|
Ralph Vaughan Williams
|
|
|
Partita: IV. Fantasia: Allegro
|
Ralph Vaughan Williams
|
|
|
Piano Concerto No. 1 in F Sharp minor: Allegro vivace
|
Сергей Васильевич Рахманинов
|
|
|
Piano Concerto No. 1 in F Sharp minor: Andante
|
Сергей Васильевич Рахманинов
|
|
|
Piano Concerto No. 1 in F Sharp minor: Vivace
|
Сергей Васильевич Рахманинов
|
|
|
Piano Concerto No. 24 in C minor, K 491: I. Allegro - Cadenza (by Hummel)
|
Wolfgang Amadeus Mozart
|
|
|
Piano Concerto No. 24 in C minor, K 491: II. Larghetto
|
Wolfgang Amadeus Mozart
|
|
|
Piano Concerto No. 24 in C minor, K 491: III. Allegretto - Cadenza (by Previn)
|
Wolfgang Amadeus Mozart
|
|
|
Pomp & Circumstance March No.1 in D
|
London Philharmonic Orchestra
|
|
|
Pomp & Circumstance March No.4 in G
|
Sir Edward Elgar
|
|
|
Procession
|
Herbert Howells
|
|
|
Rejoice greatly (Messiah, ed. Herbage)
|
Georg Friedrich Händel
|
|
|
Serenade for Strings in E minor, Op. 20: I. Allegro piacevole
|
Edward Elgar
|
|
|
Serenade for Strings in E minor, Op. 20: II. Larghetto
|
Edward Elgar
|
|
|
Serenade for Strings in E minor, Op. 20: III. Allegro - Come prima
|
Edward Elgar
|
|
|
Serenade No. 1 in D major, Op. 11: I. Allegro molto
|
Johannes Brahms
|
|
|
Serenade No. 1 in D major, Op. 11: II. Scherzo, Allegro non troppo - Trio, Poco più moto
|
Johannes Brahms
|
|
|
Serenade No. 1 in D major, Op. 11: III. Adagio non troppo
|
Johannes Brahms
|
|
|
Serenade No. 1 in D major, Op. 11: IV. Menuetto I - Menuetto II
|
Johannes Brahms
|
|
|
Serenade No. 1 in D major, Op. 11: V. Scherzo, Allegro
|
Johannes Brahms
|
|
|
Serenade No. 1 in D major, Op. 11: VI. Rondo, Allegro
|
Johannes Brahms
|
|
|
Serenade No. 2 in A major, Op. 16: I. Allegro moderato
|
Johannes Brahms
|
|
|
Serenade No. 2 in A major, Op. 16: II. Scherzo. Vivace
|
Johannes Brahms
|
|
|
Serenade No. 2 in A major, Op. 16: III. Adagio non troppo
|
Johannes Brahms
|
|
|
Serenade No. 2 in A major, Op. 16: IV. Quasi menuetto
|
Johannes Brahms
|
|
|
Serenade No. 2 in A major, Op. 16: V. Rhondo, Allegro
|
Johannes Brahms
|
|
|
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro
|
Wolfgang Amadeus Mozart
|
|
|
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante
|
Wolfgang Amadeus Mozart
|
|
|
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto. Allegro - Trio
|
Wolfgang Amadeus Mozart
|
|
|
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
|
Wolfgang Amadeus Mozart
|
|
|
Serenade to Music
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
|
Serenade to Music
|
Ralph Vaughan Williams
|
|
|
Silent Worship (Ptolemy)
|
Georg Friedrich Händel
|
|
|
Soirées Musicales: March
|
Benjamin Britten
|
|
|
St John Passion (excerpt): I. All is fulfilled
|
Johann Sebastian Bach
|
|
|
Suite No. 1, Op. 28 No. 1: March
|
Gustav Holst
|
|
|
Symphonic Variations for Piano & Orchestra
|
César Franck
|
|
|
Symphony No. 1 ("A Sea Symphony"): I A Song for all seas, all ships: Behold the sea itself
|
Ralph Vaughan Williams
|
|
|
Symphony No. 1 ("A Sea Symphony"): I A Song for all seas, all ships: Flaunt out O sea your separate flags
|
Ralph Vaughan Williams
|
|
|
Symphony No. 1 ("A Sea Symphony"): II. On the Beach at Night alone
|
Ralph Vaughan Williams
|
|
|
Symphony No. 1 ("A Sea Symphony"): III. Scherzo - The Waves
|
Ralph Vaughan Williams
|
|
|
Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: Away O soul
|
Ralph Vaughan Williams
|
|
|
Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: O thou transcendent
|
Ralph Vaughan Williams
|
|
|
Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: O vast Rondure, swimming in space
|
Ralph Vaughan Williams
|
|
|
Symphony No. 1 ("A Sea Symphony"): IV. The Explorers: O we can wait no longer
|
Ralph Vaughan Williams
|
|
|
Symphony No. 1: I. Allegro assai
|
Sir William Walton
|
|
|
Symphony No. 1: II. Presto, con malizia
|
Sir William Walton
|
|
|
Symphony No. 1: III. Andante con malinconia
|
Sir William Walton
|
|
|
Symphony No. 1: IV. Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso
|
Sir William Walton
|
|
|
Symphony No. 5: III. Romanza (Lento)
|
Ralph Vaughan Williams
|
|
|
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Finale (excerpt)
|
The Philadelphia Orchestra, Sir Adrian Boult, Westminster Choir, James Morris
|
|
|
Symphony No. 41 in C major, K. 551 "Jupiter"
|
Wolfgang Amadeus Mozart
|
|
|
Symphony No. 104 - London (Finale)
|
Joseph Haydn
|
|
|
Symphony No. 104, "London": IV. Finale. Spiritoso
|
Joseph Haydn
|
|
|
Tannhauser- Grand March (Act 2)
|
Richard Wagner
|
|
|
Thanks to my brethren ... How vain is man (Judas Maccabaeus)
|
Georg Friedrich Händel
|
|
|
The Birds: Bridal March
|
Sir Charles Hubert Parry
|
|
|
The Lark Ascending (opening)
|
Ralph Vaughan Williams
|
|
|
The Planets-Suite, Op. 32: I. Mars, the Bringer of War: Allegro
|
Gustav Holst
|
|
|
The Planets-Suite, Op. 32: II. Venus, the Bringer of Peace: Adagio
|
Gustav Holst
|
|
|
The Planets-Suite, Op. 32: III. Mecury, the Winged Messenger: Vivace
|
Gustav Holst
|
|
|
The Planets-Suite, Op. 32: IV. Jupiter, the Bringer of Jollity: Allegro giocoso
|
Gustav Holst
|
|
|
The Planets-Suite, Op. 32: V. Saturn, the Bringer of Old Age: Adagio
|
Gustav Holst
|
|
|
The Planets-Suite, Op. 32: VI. Uranus, the Magician: Allegro
|
Gustav Holst
|
|
|
The Planets-Suite, Op. 32: VII. Neptune, the Mystic: Andante
|
Gustav Holst
|
|
|
The Planets, Op. 32: I. Mars, the Bringer of War
|
New Philharmonia Orchestra, Sir Adrian Boult
|
|
|
The Planets, Op. 32: II. Venus, the Bringer of Peace
|
New Philharmonia Orchestra, Sir Adrian Boult
|
|
|
The Planets, Op. 32: III. Mercury, the Winged Messenger
|
New Philharmonia Orchestra, Sir Adrian Boult
|
|
|
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity
|
London Philharmonic Orchestra, Sir Adrian Boult
|
|
|
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity
|
New Philharmonia Orchestra, Sir Adrian Boult
|
|
|
The Planets, Op. 32: Jupiter
|
London Symphony Orchestra, Sir Adrian Boult
|
|
|
The Planets, Op. 32: Neptune
|
London Symphony Orchestra, Sir Adrian Boult
|
|
|
The Planets, Op. 32: V. Saturn, the Bringer of Old Age
|
New Philharmonia Orchestra, Sir Adrian Boult
|
|
|
The Planets, Op. 32: Venus
|
London Symphony Orchestra, Sir Adrian Boult
|
|
|
The Planets, Op. 32: Venus, Neptune, Jupiter
|
London Symphony Orchestra, Sir Adrian Boult
|
|
|
The Planets, Op. 32: Venus, Neptune, Jupiter
|
London Symphony Orchestra, Sir Adrian Boult
|
|
|
The Planets, Op. 32: Venus, Neptune, Jupiter
|
London Symphony Orchestra, Sir Adrian Boult
|
|
|
The Planets, Op. 32: VI. Uranus, the Magician
|
New Philharmonia Orchestra, Sir Adrian Boult
|
|
|
The Planets, Op. 32: VII. Neptune, the Mystic
|
The Ambrosian Singers, New Philharmonia Orchestra, Sir Adrian Boult
|
|
|
The Planets: Jupiter
|
London Philharmonic Orchestra & Sir Adrian Boult
|
|
|
The Wasps, Aristophanic Suite, for orchestra from the incidental music: Overture
|
Ralph Vaughan Williams
|
|
|
The Wasps: March Past of the Kitchen Utensils
|
Ralph Vaughan Williams
|
|
|
Three Bavarian Dances: Lullaby (In Hammersbach): Moderato
|
Sir Edward Elgar
|
|
|
Three Bavarian Dances: The Dance (Sonnenbichi): Allegretto Giocoso
|
Sir Edward Elgar
|
|
|
Three Bavarian Dances: The Marksman (Bei Murnau): Allegro Vivace
|
Sir Edward Elgar
|
|
|
Toward the Unknown Region
|
Ralph Vaughan Williams
|
|
|
Toward the Unknown Region
|
Ralph Vaughan Williams
|
|
|
Tragic Overture, Op. 81
|
Johannes Brahms
|
|
|
Tragic Overture, Op. 81 (feat. orchestra: London Symphony Orchestra)
|
Johannes Brahms
|
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Tristan & Isolde: Prelude
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Richard Wagner
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Variations on a Theme by Haydn, Op. 56a: "Finale": Andante
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Johannes Brahms
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Variations on a Theme by Haydn, Op. 56a: "Thema. Chorale St. Antoni": Andante
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Johannes Brahms
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Variations on a Theme by Haydn, Op. 56a: "Variation I": Poco più animoto
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Johannes Brahms
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Variations on a Theme by Haydn, Op. 56a: "Variation II": Più vivace
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Johannes Brahms
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Variations on a Theme by Haydn, Op. 56a: "Variation III": Con moto
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Johannes Brahms
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Variations on a Theme by Haydn, Op. 56a: "Variation IV": Andante con moto
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Johannes Brahms
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Variations on a Theme by Haydn, Op. 56a: "Variation V": Vivace
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Johannes Brahms
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Variations on a Theme by Haydn, Op. 56a: "Variation VI": Vivace
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Johannes Brahms
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Variations on a Theme by Haydn, Op. 56a: "Variation VII": Grazioso
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Johannes Brahms
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Variations on a Theme by Haydn, Op. 56a: "Variation VIII": Presto non troppo
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Johannes Brahms
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Variations on an Original Theme "'Enigma", op. 36: IX. Nimrod (Adagio)
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London Symphony Orchestra, Sir Adrian Boult
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Violin Concerto in B minor, op. 61: II. Andante
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Yehudi Menuhin, Philharmonia Orchestra, Sir Adrian Boult
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Violin Concerto No. 1 in G minor, Op. 26: I. Allegro moderato
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Max Bruch
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Violin Concerto No. 1 in G minor, Op. 26: II. Adagio
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Max Bruch
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Violin Concerto No. 1 in G minor, Op. 26: III. Finale (Allegro energico)
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Max Bruch
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Where'er you walk (Semele)
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Georg Friedrich Händel
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Messiah (London Philharmonic Choir & Orchestra feat. conductor: Sir Adrian Boult)
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Georg Friedrich Händel
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Overtures & Preludes (feat. conductor: Sir Adrian Boult)
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Richard Wagner
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Peter and the Wolf / Symphony No.1 / Lieutentnt Kijé Suite / The Love of Three Oranges
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Prokofiev; Sir Ralph Richardson
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The Complete Symphonies / Orchestral Works (feat. conductor: Adrian Boult)
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Ralph Vaughan Williams
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The Pilgrim's Progress, with rehearsal sequence (John Noble, London Philharmonic Choir & Orchestra, Sir Adrian Boult)
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Ralph Vaughan Williams
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Vaughan Williams: The Collector's Edition
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Ralph Vaughan Williams
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