", said the shotgun to the head.": "A kiss." | | | | | | | |
", said the shotgun to the head.": "From the top down." | | | | | | | |
", said the shotgun to the head.": "Have you ever been." | | | | | | | |
", said the shotgun to the head.": "Here is a love uncharted." | | | | | | | |
", said the shotgun to the head.": "I came to know her." | | | | | | | |
", said the shotgun to the head.": "I have commited myself." | | | | | | | |
", said the shotgun to the head.": "I will now pray." | | | | | | | |
", said the shotgun to the head.": "Most beloved." | | | | | | | |
", said the shotgun to the head.": "O my friends." | | | | | | | |
", said the shotgun to the head.": "Said the shotgun." | | | | | | | |
", said the shotgun to the head.": "Unbound she made her residence." | | | | | | | |
", said the shotgun to the head.": "What happens to a society." | | | | | | | |
", said the shotgun to the head.": "What is the cost of freedom." | | | | | | | |
21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) | | - Berliner Symphoniker, Orchestre Symphonique de Dresde, Festivalový orchestr Praha, London Festival Orchestra, Philharmonia Slavonica, Julian Armstrong, Cesare Cantieri, Edvard Kronau, Alfred Scholz, Pavel Urbanek
- Royal Philharmonic Orchestra, Walter Weller
- [unknown]
- Isaac Stern, Columbia Symphony Orchestra, Milton Katims
- (show 61 more)
| | | | | |
Aria for Soprano & Orchestra in A major, K. 418: "Vorrei spiegarvi, oh Dio" | | | | Aria | | | |
Aria for Soprano and Orchestra in F major, K. 538: Allegro “Ah se in ciel, benigne stelle” | | | | Aria | | | |
Ariodant, Act III: "Oh, Dieux! Ecoutez ma prière" (Edgard) | | | | | | | |
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato | | | | | | | |
Carmen Suite no. 1: II. Aragonaise. Allegro vivo | | | | | | | |
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Julius Baker, New York Philharmonic, Leonard Bernstein
- (show 90 more)
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Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato | | | | | | | |
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Nemzeti Filharmonikus zenekar, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Emil Edlinger, Alfred Scholz, János Sándor
- [unknown]
- Royal Philharmonic Orchestra, Louis Clark
- New York Philharmonic, Leonard Bernstein
- (show 92 more)
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Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia | | | | | - Latin
- French, Old (842-ca.1400)
| | |
Concerto pour violon et orchestre: I. Appassionato | | | | | | | |
Concerto pour violon et orchestre: II. Largo | | | | | | | |
Concerto pour violon et orchestre: III. Allegramente | | | | | | | |
Danse macabre, op. 40 | | | | Symphonic poem | | | |
Der Rosenkavalier (Suite), TrV 227d, AV 145 | | | | Suite | | | |
Die lustige Witwe: Akt I. Dialog: „Also bitte, Njegus, ich bin hier” / Nr. 4 Auftrittslied „O Vaterland, du machst bei Tag” ... „Da geh' ich zu Maxim” (Danilo) | | - Peter Alexander
- Plácido Domingo, English Chamber Orchestra, Julius Rudel
- Berliner Philharmoniker, Herbert von Karajan
- Sir John Eliot Gardiner, Wiener Philharmoniker, Monteverdi Choir, Bryn Terfel, Barbara Bonney, Bo Skovhus, Cheryl Studer, Rainer Trost, Karl-Magnus Fredriksson & Heinz Zednik
- (show 27 more)
| | Aria | | | |
Die tote Stadt: Akt I. „Glück, das mir verblieb” (Marietta's Lied) | | | | Aria | | | |
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) | | | | Aria | | | |
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) | | | | Aria | | | |
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) | | | | Aria | | | |
Émilie Suite: I. Pressentiments | | | | | | | |
Émilie Suite: II. Interlude I | | | | | | | |
Émilie Suite: III. Principia | | | | | | | |
Émilie Suite: IV. Interlude II | | | | | | | |
Émilie Suite: V. Contre l'oubli | | | | | | | |
Guillaume Tell : Ouverture | | | | Overture | | | |
Hamlet : Acte II, scène 1. Chanson bacchique « Ô vin, dissipe la tristesse » (Hamlet, chœur, Marcellus, Horatio) | | | | Aria | | | |
Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar" (Idomeneo) | | | | | | | |
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) | | | | Aria | | | |
Il sogno di Scipione, K. 126: Act I No. 2 Aria "Lieve sono al par del vento" (Fortuna) | | | | | | | |
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) | | - Giorgio Zancanaro, Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini
- Sherrill Milnes, Philharmonia Orchestra, Zubin Mehta
- Coro del Teatro alla Scala di Milano, Rolando Panerai, Nicola Zaccaria, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Leonard Warren, RCA Victor Symphony Orchestra, Renato Cellini
- (show 57 more)
| | Aria | | | |
In media res for large symphony orchestra | | | | | | | |
Koncert za trobento in orkester | | | | Concerto | | | |
König Lear, op. 20 | | | | Symphonic poem | | | |
L'Heure espagnole: Scène X. « Voilà ce que j'appelle une femme charmante » | | | | | | | |
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) | | | | | | | |
La Fille du régiment : Acte I, Scène 11. Final “Pour mon âme” (Tonio) | | | | | | | |
La Vestale : Acte III. « Qu’ai je vu ! quels apprêts ! quel spectacle d’horreur ! » … No. 14. Air « Non, non, je vis » (Licinius) | | - Stanislas de Barbeyrac, Les Talens Lyriques, Christophe Rousset
- Francisco Araiza, Münchner Rundfunkorchester, Gustav Kuhn
- Jean Mollien, Orchestre Radio Lyrique, Jean-Paul Kreder
- Chœurs de l'O.R.T.F., Micheline Grancher, Renée Mazella, Jean Mollien, Joseph Peyron, André Vessières, Orchestre Radio-Lyrique, Jean-Paul Kreder
- (show 5 more)
| | Aria | | | |
Le Carnaval romain, ouverture pour orchestre, op. 9 | | | | Overture | | | |
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte) | | | | | | | |
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) | | | | Aria | | | |
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) | | | | | | | |
Le Postillon de Lonjumeau, Acte I. "Mes amis, écoutez l'histoirë (Chapelou, Le Chœur, Le Marquis, Les Paysannes) | | | | | | | |
Leichte Kavallerie: Ouvertüre | | | | Overture | | | 5 |
Les Contes d’Hoffmann : Acte I (Prologue). Chanson « Il était une fois à la cour d’Eisenach » (Hoffmann, les étudiants, Nathanaël) | | - André Charlet, Plácido Domingo, Pedro di Proenza, Choeur du Brassus, Chœur Pro Arte de Lausanne, Chœur de la Suisse Romande, Orchestre de la Suisse Romande, Richard Bonynge
- Jacques Jouineau, Chœur de Radio France, Plácido Domingo, Robin Leggate, Orchestre national de France, Seiji Ozawa
- Chœur René Duclos, Nicolai Gedda, André Mallabrera, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
- Jean Laforge, Chœur René Duclos, Nicolai Gedda, André Mallabrera, Orchestre de la Société des Concerts du Conservatoire, André Cluytens
- (show 24 more)
| | Aria | | | |
Lohengrin : Acte III. Récit du Graal « Aux bords lointains dont nul mortel n'approche » (Lohengrin) | | | | | | | |
Lohengrin, WWV 75: Akt III. Vorspiel | | | | | | | |
Otello: Atto I. No. 2. Cavatina “Ah sì, per voi già sento” (Otello, Jago) … Cabaletta “Amor, dirada il nembo” (Otello, Jago, Coro) | | - Michael Spyres, The Transylvania State Philharmonic Choir, Giorgio Trucco, Virtuosi Brunensis, Antonino Fogliani
- Bruce Ford, Juan José Lopera, Philharmonia Orchestra, David Parry
- Bruce Ford, Geoffrey Mitchell Choir, Juan José Lopera, Philharmonia Orchestra, David Parry
- Ambrosian Singers, José Carreras, Gianfranco Pastine, Philharmonia Orchestra, Jesús López Cobos
- (show 2 more)
| | | | | |
Pagliacci: Prologo. “Si può? Si può?” (Tonio) | | | | Aria | | | |
Poème, op. 25 | | | | | | | |
Quatre instants: I. Attende | | | | | | | |
Quatre instants: II. Douleur | | | | | | | |
Quatre instants: III. Parfum de l'instant | | | | | | | |
Quatre instants: IV. Résonances | | | | | | | |
Radetzky‐Marsch, op. 228 | | | | | | | |
Recitative and Aria for Soprano & Orchestra in C minor, K. 272: "Ah, lo previdi… Ah, t'invola agl'occhi miei" | | | | Aria | | | |
Recitative and Aria for Soprano & Orchestra in G major, K. 217: “Voi avete un cor fedele” | | | | Aria | | | |
Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka) | | | | | | | |
Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso | | | | | | | |
Symphonie fantastique, op. 14: I. Rêveries, passions | | | | | | | |
Symphonie fantastique, op. 14: II. Un bal | | | | | | | |
Symphonie fantastique, op. 14: III. Scène aux champs | | | | | | | |
Symphonie fantastique, op. 14: IV. Marche au supplice | | | | | | | |
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat | | | | | | | 5 |
Symphony no. 1 in G major, op. 23: I. Allegro moderato grazioso | | | | | | | |
Symphony no. 1 in G major, op. 23: II. Allegretto alla Marcia | | | | | | | |
Symphony no. 1 in G major, op. 23: III. Vivace scherzoso | | | | | | | |
Symphony no. 1 in G major, op. 23: IV. Allegro vivo | | | | | | | |
Symphony no. 2: I. ♩ = 116 | | | | | | | |
Symphony no. 2: II. ♩ = 52 | | | | | | | |
Symphony no. 2: III. ♩ = 112 | | | | | | | |
Symphony no. 2: IV. ♩ = 50 | | | | | | | |
Symphony no. 3 | | | | Symphony | | | |
Symphony no. 5 in B-flat major, op. 100: I. Andante | | | | | | | |
Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | | | | | | | |
Symphony no. 5 in B-flat major, op. 100: III. Adagio | | | | | | | |
Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | | | | | | | |
Terra memoria | | | | | | | |
The Year 1812, Festival Overture in E-flat major, op. 49 | | | | Overture | | | 3.5 |
Zaide, K. 336b/344 (fragment): Akt I. No. 3 Arie "Ruhe sanft, mein holdes Leben" (Zaide) | | | | | | | |