| 2 Compositions: No. 1. Quasi Prélude: Très modéré | | | | | | | |
| 2 Compositions: No. 2. Quasi Poème: Lent | | | | | | | |
| 2 contrastes, op. 31: No. 1. Grazioso | | | | | | | |
| 2 contrastes, op. 31: No. 2. Antigrazioso | | | | | | | |
| 2 Fairy Tales, op. 8: No. 1. Andantino | | | | | | | |
| 2 Fairy Tales, op. 8: No. 2. Allegro | | | | | | | |
| 2 Poems: No. 1. Allegretto - Fervido | | | | | | | |
| 2 Poems: No. 2. Moderato - Sempre poco rubato | | | | | | | |
| 2 Polonaises, S. 223: no. 2 in E major | | | | | | | |
| 3 Compositions: No. 1. Adagio (Nobilissimo) | | | | | | | |
| 3 Compositions: No. 2. Agitato con passione | | | | | | | |
| 3 Compositions: No. 3. Allegretto grazioso | | | | | | | |
| 3 Etudes: No. 1. Affetamente | | | | | | | |
| 3 Etudes: No. 2. ('Pianissimo') Con dolce maniera | | | | | | | |
| 3 Etudes: No. 3. Burlando | | | | | | | |
| 3 grandes études de piano, op. 76: No. 1. Fantaisie pour la main gauche seule | | | | | | | |
| 3 grandes études de piano, op. 76: No. 2. Introduction, variations et finale pour la main droite seule | | | | | | | |
| 3 grandes études de piano, op. 76: No. 3. Étude à mouvement semblable et perpetuel pour les mains réunies | | | | | | | |
| 3 intermezzi, op. 117: Nr. 1 in Es-Dur. Andante moderato | | | | | | | |
| 3 intermezzi, op. 117: Nr. 2 in b-Moll. Andante non troppo e con molta espressione | | | | | | | |
| 3 intermezzi, op. 117: Nr. 3 in cis-Moll. Andante con moto | | | | | | | |
| 3 morceaux dans le genre pathétique, op. 15 "Souvenirs": I. Aime-moi | | | | | | | |
| 3 morceaux dans le genre pathétique, op. 15 "Souvenirs": II. Le Vent | | | | | | | |
| 3 morceaux dans le genre pathétique, op. 15 "Souvenirs": III. Morte | | | | | | | 5 |
| 4 Pieces for Piano: No. 4. Gigue | | | | | | | |
| 5 Mélodies “de Venise”, op. 58: 1. Mandoline | | | | Song | | | |
| 5 Mélodies “de Venise”, op. 58: 2. En sourdine | | | | Song | | | |
| 5 Preludes: No. 1. Andante affettuoso | | | | | | | |
| 5 Preludes: No. 2. Allegretto con moto | | | | | | | |
| 5 Preludes: No. 3. Lento | | | | | | | |
| 5 Preludes: No. 4. Lento | | | | | | | |
| 5 Preludes: No. 5. Lento - Rubato | | | | | | | |
| 6 moments musicaux, op. 16: No. 2. Allegretto in E-flat minor | | | | | | | |
| 10 Variations on a Prelude of Chopin in C minor, BV 213a | | | | | | | |
| 12 études dans tous les tons mineurs, op. 39: No. 4. Symphony for solo piano: I. Allegro moderato | | | | Étude | | | |
| 12 études dans tous les tons mineurs, op. 39: No. 5. Symphony for solo piano: II. Marche funèbre: Andantino | | | | Étude | | | |
| 12 études dans tous les tons mineurs, op. 39: No. 6. Symphony for solo piano: III. Menuet | | | | Étude | | | |
| 12 études dans tous les tons mineurs, op. 39: No. 7. Symphony for solo piano: IV. Finale: Presto | | | | Étude | | | |
| 12 études dans tous les tons mineurs, op. 39: No. 8. Concerto for solo piano: I. Allegro assai | | | | Étude | | | |
| 12 études dans tous les tons mineurs, op. 39: No. 9. Concerto for solo piano: II. Adagio | | | | Étude | | | |
| 12 études dans tous les tons mineurs, op. 39: No. 10. Concerto for solo piano: III. Allegretto alla barbaresca | | | | Étude | | | |
| 12 études dans tous les tons mineurs, op. 39: No. 12. Le Festin d'Ésope | | | | Étude | | | |
| 12 Études in All the Minor Keys | | | | | | | |
| 12 Études in All the Minor Keys: No. 1 in A minor. Triple Étude (after Chopin) | | | | Étude | | - 904335155 (ASCAP ID)
- 12201183 (BMI ID)
- (show 4 more)
- 004607 977 22 (SUISA ID)
| |
| 12 Études in All the Minor Keys: No. 2 in E minor. Coma Berenices | | | | Étude | | | |
| 12 Études in All the Minor Keys: No. 3 in B minor (after Paganini-Liszt) | | | | Étude | | | |
| 12 Études in All the Minor Keys: No. 4 in C minor. Étude à mouvement perpétuellement semblable (after Alkan) | | | | Étude | | | |
| 12 Études in All the Minor Keys: No. 5 in G minor. Toccata grottesca | | | | Étude | | | |
| 12 Études in All the Minor Keys: No. 6 in D minor. Esercizio per pianoforte (Omaggio a Domenico Scarlatti) | | | | Étude | | | |
| 12 Études in All the Minor Keys: No. 7 in E-flat minor (after Tchaikovsky, for the left hand alone) | | | | Étude | | | |
| 12 Études in All the Minor Keys: No. 8 in B-flat minor. Erlkönig (after Goethe) | | | | Étude | | | |
| 12 Études in All the Minor Keys: No. 9 in F minor (after Rossini) | | | | Étude | | | |
| 12 Études in All the Minor Keys: No. 10 in F-sharp minor (after Chopin) | | | | Étude | | | |
| 12 Études in All the Minor Keys: No. 11 in C-sharp minor. Minuetto | | | | Étude | | | |
| 12 Études in All the Minor Keys: No. 12 in A-flat minor. Prelude and Fugue | | | | Étude | | | |
| 12 New Etudes: Book 1, no. 1. Fast, furious | | | | | | | |
| 12 New Etudes: Book 1, no. 2. Récitative | | | | | | | |
| 12 New Etudes: Book 1, no. 3. Mirrors | | | | | | | |
| 12 New Etudes: Book 2, no. 1. Scène d'opéra | | | | | | | |
| 12 New Etudes: Book 2, no. 2. Butterflies | | | | | | | 5 |
| 12 New Etudes: Book 2, no. 3. Nocturne | | | | | | | |
| 12 New Etudes: Book 3, no. 1. Premonitions | | | | | | | |
| 12 New Etudes: Book 3, no. 2. Rag infernal (Syncopes apocalyptiques) | | | | | | | |
| 12 New Etudes: Book 3, no. 3. Invention | | | | | | | |
| 12 New Etudes: Book 4, no. 1. Vers le silence | | | | | | | |
| 12 New Etudes: Book 4, no. 2. Hi-Jinks | | | | | | | |
| 12 New Etudes: Book 4, no. 3. Hymne à l'amour | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 10 in E major, S. 244 no. 10 | | | | | | | |
| 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 13 in A minor, S. 244 no. 13 | | | | | | | |
| 48 Esquisses, op. 63: Book 4, no. 10. Le Premier billet doux | | | | | | | |
| 48 Esquisses, op. 63: Book 4, no. 11. Scherzetto | | | | | | | |
| À la Chinoise, op. 39, S060 | | | | | | | |
| Abschied von meinem Silbermannischen Claviere in einem Rondo, Wq. 66, H. 272 | | | | | | | |
| Alleluia, op. 25 | | | | | | | |
| An die Jugend, BV 254: III. Giga, bolero e variazione (Studie nach Mozart) | | | | | | | |
| Andante con variazioni in F-moll, Hob. XVII:6 "Un piccolo divertimento" | | | | | | | |
| Andante from Symphony no. 94 | | | | | | | |
| Apparitions, S. 155: No. 1. Senza lentezza quasi allegretto | | | | | | | |
| Arabesques, op. 42: I. The Isle of Elephantine | | | | | | | |
| Arabesques, op. 42: II. Primal Echo | | | | | | | |
| Arabesques, op. 42: III. Chant of Hindoo Priests | | | | | | | |
| Arabesques, op. 42: IV. Shadowed Waters | | | | | | | |
| Arabesques, op. 42: IX. The Wailing and Raging Wind | | | | | | | |
| Arabesques, op. 42: V. A Melancholy Landscape | | | | | | | |
| Arabesques, op. 42: VI. Pompeian Fresco | | | | | | | |
| Arabesques, op. 42: VII. Passion | | | | | | | |
| Arabesques, op. 42: VIII. Les Basoches | | | | | | | |
| Arioso in C major with 9 Variations, Wq. 118 no. 10, H. 259: Arioso | | | | | | | |
| Arioso in C major with 9 Variations, Wq. 118 no. 10, H. 259: Variation 1 | | | | | | | |
| Arioso in C major with 9 Variations, Wq. 118 no. 10, H. 259: Variation 2 | | | | | | | |
| Arioso in C major with 9 Variations, Wq. 118 no. 10, H. 259: Variation 3 | | | | | | | |
| Arioso in C major with 9 Variations, Wq. 118 no. 10, H. 259: Variation 4 | | | | | | | |
| Arioso in C major with 9 Variations, Wq. 118 no. 10, H. 259: Variation 5 | | | | | | | |
| Arioso in C major with 9 Variations, Wq. 118 no. 10, H. 259: Variation 6 | | | | | | | |
| Arioso in C major with 9 Variations, Wq. 118 no. 10, H. 259: Variation 7 | | | | | | | |
| Arioso in C major with 9 Variations, Wq. 118 no. 10, H. 259: Variation 8 | | | | | | | |
| Arioso in C major with 9 Variations, Wq. 118 no. 10, H. 259: Variation 9 | | | | | | | |
| As três Marias, W411, nº 1: Alnitah | | | | | | | |
| As três Marias, W411, nº 2: Alnilam | | | | | | | |
