| conducted |
|---|
| 1975-11 | Homenaje a Federico García Lorca | Philharmonia Orchestra, Eduardo Mata | 11:02 |
| 1975-11 | Sensemaya | Philharmonia Orchestra, Eduardo Mata | 6:05 |
| 1977 – 1993 | Billy The Kid Suite: I. Introduction: The Open Prairie - Street In A Frontier Town - Mexican Dance And Finale | Aaron Copland | 9:47 |
| 1978-06 | Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: I. Allegro | James Galway, Marisa Robles, London Symphony Orchestra, Eduardo Mata | 10:39 |
| 1978-06 | Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino | James Galway, Marisa Robles, London Symphony Orchestra, Eduardo Mata | 9:08 |
| 1978-06 | Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: III. Rondeau. Allegretto grazioso, ma non troppo presto, però non troppo adagio. Così-così-con molto garbo ed espressione | James Galway, Marisa Robles, London Symphony Orchestra, Eduardo Mata | 8:47 |
| 1979 | Daphnis et Chloé: Scene 1: Dance of the Young Girls Around Daphnis | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 1: Daphnis Reasserts His Love for Chloé | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 1: Dorcon's Advance to Chloé | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 1: Dorcon's Grotesque Dance | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 1: Entrance of Daphnis and Chloé | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 1: Entrance of the Temptress Lyceion and Dance of Veils | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 1: Invocation to Pan by the Nymphs and the Prayer of Daphnis | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 1: Invocation to the Nymphs | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 1: The Dorcon-Daphnis Dance Contest for a Kiss From Chloé | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 1: The Gracious Dance of Daphnis | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 1: The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 1: The Triumph of Daphnis and the Ecstatic Union With Chloé | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 2: Bryaxis Orders Chloé to Be Brought Forward and to Dance | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 2: Chloé's Dance of Supplication | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 2: Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone With a Shining Crown | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 2: Interlude | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 2: The Orgiastic Dance of the Pirates | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 3: Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs / Girls Dressed as Bacchantes Enter With Tambourines | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 3: Daphnis and Chloé Are Reunited | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 3: Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloé Act Out the Story | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 3: Pan (Daphnis) Fashions a Flute From Some Reeds, on Which He Declares His Love for Syrinx (Chloé) | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 3: Sunrise. Daphnis Prostrate at the Grotto of the Nymphs | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1979 | Daphnis et Chloé: Scene 3: Young Men Invade the Scene, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers | Dallas Symphony Orchestra, Eduardo Mata | ?:?? |
| 1980-03-27 – 1980-03-28 | Alborada del gracioso | Dallas Symphony Orchestra, Eduardo Mata | 7:24 |
| 1980-03-27 – 1980-03-28 | Bolero | Dallas Symphony Orchestra, Eduardo Mata | 14:49 |
| 1980-03-27 – 1980-03-28 | Rapsodie espagnole: Feria | Dallas Symphony Orchestra, Eduardo Mata | 5:52 |
| 1980-03-27 – 1980-03-28 | Rapsodie espagnole: Habanera | Dallas Symphony Orchestra, Eduardo Mata | 2:54 |
| 1980-03-27 – 1980-03-28 | Rapsodie espagnole: Malagueña | Dallas Symphony Orchestra, Eduardo Mata | 2:03 |
| 1980-03-27 – 1980-03-28 | Rapsodie espagnole: Prélude a la nuit | Dallas Symphony Orchestra, Eduardo Mata | 4:09 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: Auf dem anger: Chramer, gip die varwe mir | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 3:19 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: Auf dem anger: Floret silva nibilis | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 3:14 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: Auf dem anger: Reie – Swaz hie gat umbe – Chume, chume, geselle min – Swaz hie gat umbe | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 4:18 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: Auf dem anger: Tanz | London Symphony Orchestra, Eduardo Mata | 1:41 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: Auf dem anger: Were die werlt alle min | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 0:53 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: Blanziflor et Helena: Ave formosissima | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 1:43 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: Fortuna Imperatix Mundi: Fortune plango vulnera | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 2:56 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: Fortuna Imperatix Mundi: O Fortuna | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 2:48 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: Fortuna Imperatix Mundi: O Fortuna | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 2:51 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: I. Primo vere: Ecce gratum | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 2:48 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: I. Primo vere: Omnia sol temperat | Håkan Hagegård, London Symphony Orchestra, Eduardo Mata | 2:17 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: I. Primo vere: Veris leta facies | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 3:31 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: II. In taberna: Ego sum abbas | Håkan Hagegård, London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 1:43 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: II. In taberna: Estuans interius | Håkan Hagegård, London Symphony Orchestra, Eduardo Mata | 2:29 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: II. In taberna: In taberna quando sumus | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 3:03 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: II. In taberna: Olim lacus colueram | John Aler, London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 3:41 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: III. Cours d’amours: Amor volat undique | Barbara Hendricks, The Boys’ Choir of St. Paul’s Cathedral, London Symphony Orchestra, Eduardo Mata | 3:13 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: III. Cours d’amours: Circa mea pectora | Håkan Hagegård, London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 2:12 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: III. Cours d’amours: Dies, nox et omnia | Håkan Hagegård, London Symphony Orchestra, Eduardo Mata | 2:21 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: III. Cours d’amours: Dulcissme | Barbara Hendricks, London Symphony Orchestra, Eduardo Mata | 0:36 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: III. Cours d’amours: In trutina mentis dubia | Barbara Hendricks, London Symphony Orchestra, Eduardo Mata | 2:13 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: III. Cours d’amours: Si puer cum puellula | Håkan Hagegård, London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 0:54 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: III. Cours d’amours: Stetit puella | Barbara Hendricks, London Symphony Orchestra, Eduardo Mata | 1:40 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: III. Cours d’amours: Tempus est iocundum | Håkan Hagegård, Barbara Hendricks, London Symphony Chorus, The Boys’ Choir of St. Paul’s Cathedral, London Symphony Orchestra, Eduardo Mata | 2:22 |
| 1980-12-15 – 1980-12-17 | Carmina Burana: III. Cours d’amours: Veni, veni, venias | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 0:59 |
| 1980-12-15 – 1980-12-17 | Conclusion | John Aler, Håkan Hagegård, Barbara Hendricks, London Symphony Chorus, St Paul’s Cathedral Choir, London Symphony Orchestra, Eduardo Mata | 32:16 |
| 1980-12-15 – 1980-12-17 | Part 1 | Håkan Hagegård, London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | 27:25 |
| 1986 | Danzón cubano | Dallas Symphony Orchestra, Eduardo Mata | 7:53 |
| 1986 | El Salón México | Dallas Symphony Orchestra, Eduardo Mata | 10:50 |
| 1987 | Jupiter (Der Überbringer der Freude) | Dallas Symphony Orchestra, Eduardo Mata | 9:08 |
| 1987 | Mars (Der Überbringer des Krieges) | Dallas Symphony Orchestra, Eduardo Mata | 7:42 |
| 1987 | Merkur (Der geflügelte Bote) | Dallas Symphony Orchestra, Eduardo Mata | 4:05 |
| 1987 | Neptun (Der Mystische) | Dallas Symphony Orchestra, Eduardo Mata | 8:31 |
| 1987 | Saturn (Der Überbringer des Alters) | Dallas Symphony Orchestra, Eduardo Mata | 10:15 |
| 1987 | Uranus (Der Zauberer) | Dallas Symphony Orchestra, Eduardo Mata | 6:37 |
| 1987 | Venus (Die Überbringer des Friedens) | Dallas Symphony Orchestra, Eduardo Mata | 8:56 |
| 1988 | Coronation March | Пётр Ильич Чайковский | 5:16 |
| 1988 | Cossack Dance from 'Mazeppa' | Пётр Ильич Чайковский | 3:58 |
| 1988 | March Slav | Dallas Symphony Orchestra | 11:28 |
| 1988 | Ouverture solennelle 1812, Op. 49 | Dallas Symphony Orchestra, Eduardo Mata | 14:36 |
| 1988 | Romeo & Juliet (Fantasy Overture) | Dallas Symphony Orchestra, Eduardo Mata | 20:58 |
| 1992-04-16 – 1992-04-17 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Ivan Moravec, Dallas Symphony Orchestra, Eduardo Mata | 15:22 |
| 1992-04-16 – 1992-04-17 | Piano Concerto in A minor, op. 54: II. Intermezzo: Andantino grazioso | Ivan Moravec, Dallas Symphony Orchestra, Eduardo Mata | 5:47 |
| 1992-04-16 – 1992-04-17 | Piano Concerto in A minor, op. 54: III. Allegro vivace | Ivan Moravec, Dallas Symphony Orchestra, Eduardo Mata | 9:58 |
| 1992-11 | Concerto Grosso for String Quartet and Orchestra: I. Moderato | Orquesta Sinfónica Simón Bolívar, Eduardo Mata, Cuarteto Latinoamericano | 8:38 |
| 1992-11 | Concerto Grosso for String Quartet and Orchestra: II. Lento | Orquesta Sinfónica Simón Bolívar, Eduardo Mata, Cuarteto Latinoamericano | 8:30 |
| 1992-11 | Concerto Grosso for String Quartet and Orchestra: III. Allegro | Orquesta Sinfónica Simón Bolívar, Eduardo Mata, Cuarteto Latinoamericano | 9:28 |
| 1992-11 | Pampeana no. 3: I. Adagio contemplativo | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | 6:30 |
| 1992-11 | Pampeana no. 3: II. Impetuosamente | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | 6:32 |
| 1992-11 | Pampeana no. 3: III. Largo con poetica | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | 6:33 |
| 1992-11 | Redes: Part I. Setting Out to Fish | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | 3:11 |
| 1992-11 | Redes: Part I. The Child’s Funeral | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | 3:50 |
| 1992-11 | Redes: Part I. The Fishermen | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | 2:29 |
| 1992-11 | Redes: Part II. The Fight | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | 4:18 |
| 1992-11 | Redes: Part II. The Return of the Fishermen with Their Dead Friend | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | 2:36 |
| 1992-11 | Sensemayá | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | 7:03 |
| 1993-01-14 – 1993-01-16 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | Ivan Moravec, Dallas Symphony Orchestra, Eduardo Mata | 21:23 |
| 1993-01-14 – 1993-01-16 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | Ivan Moravec, Dallas Symphony Orchestra, Eduardo Mata | 13:33 |
| 1993-01-14 – 1993-01-16 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro non troppo | Ivan Moravec, Dallas Symphony Orchestra, Eduardo Mata | 11:39 |
| 1993-05 | Passacaglia for Orchestra, P 159 (after Passacaglia and Fugue in C minor, BWV 582 - orchestrated by Leopold Stokowski (1882–1977)) | Dallas Symphony Orchestra, Eduardo Mata | 12:19 |
| 1993-07 | La vida breve: Act I, 1st Tableau. Scene 1 | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | 7:35 |
| 1993-07 | La vida breve: Act I, 1st Tableau. Scene 2 | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | 5:15 |
| 1993-07 | La vida breve: Act I, 1st Tableau. Scene 3 | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | 4:22 |
| 1993-07 | La vida breve: Act I, 1st Tableau. Scene 4 | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | 0:48 |
| 1993-07 | La vida breve: Act I, 1st Tableau. Scene 5 | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | 2:56 |
| See all 359 relationships |
| conducted |
|---|
| Prokofiev - Lieutenant Kije Suite, Love for Three Oranges Suite / Stravinsky - Suites nos. 1 and 2 for Small Orchestra | Prokofiev, Stravinsky; Dallas Symphony Orchestra, Eduardo Mata | |
