7 canciones populares españolas: Asturiana | Martha Senn, Orquesta Sinfónica Simón Bolívar, Eduardo Mata | | | 2:30 | |
7 canciones populares españolas: Canción | Martha Senn, Orquesta Sinfónica Simón Bolívar, Eduardo Mata | | | 1:04 | |
7 canciones populares españolas: El paño moruno | Martha Senn, Orquesta Sinfónica Simón Bolívar, Eduardo Mata | | | 1:18 | |
7 canciones populares españolas: Jota | Martha Senn, Orquesta Sinfónica Simón Bolívar, Eduardo Mata | | | 2:55 | |
7 canciones populares españolas: Nana | Martha Senn, Orquesta Sinfónica Simón Bolívar, Eduardo Mata | | | 1:23:07 | |
7 canciones populares españolas: Polo | Martha Senn, Orquesta Sinfónica Simón Bolívar, Eduardo Mata | | | 1:42 | |
7 canciones populares españolas: Seguidilla murciana | Martha Senn, Orquesta Sinfónica Simón Bolívar, Eduardo Mata | | | 1:28 | |
1812 Overture | Dallas Symphony; Eduardo Mata | | | 14:38 | |
A Night on Bald Mountain | Dallas Symphony Orchestra, Eduardo Mata | | | 11:26 | |
A Night On Bare Mountain | Dallas Symphony Orchestra, Eduardo Mata | | | 11:26 | |
Alborada del gracioso | Dallas Symphony Orchestra, Eduardo Mata | | | 7:24 | |
Alexander Nevsky Cantata: I. Russia under the Mongolian yoke | Dallas Symphony Orchestra, Eduardo Mata | | | 3:03 | |
Alexander Nevsky Cantata: II. Song about Alexander Nevsky | Dallas Symphony Chorus, Dallas Symphony Orchestra, Eduardo Mata | | | 3:50 | |
Alexander Nevsky Cantata: III. The crusaders in Pskov | Dallas Symphony Chorus, Dallas Symphony Orchestra, Eduardo Mata | | | 7:28 | |
Alexander Nevsky Cantata: IV. Arise, ye Russian people | Dallas Symphony Chorus, Dallas Symphony Orchestra, Eduardo Mata | | | 2:30 | |
Alexander Nevsky Cantata: V. The battle on ice | Dallas Symphony Chorus, Dallas Symphony Orchestra, Eduardo Mata | | | 12:59 | |
Alexander Nevsky Cantata: VI. Field of the dead | Mariana Paunova, Dallas Symphony Orchestra, Eduardo Mata | | | 7:13 | |
Alexander Nevsky Cantata: VII. Alexander's entry into Pskov | Dallas Symphony Chorus, Dallas Symphony Orchestra, Eduardo Mata | | | 5:20 | |
An American in Paris | Dallas Symphony Orchestra, Eduardo Mata | | | 17:31 | |
Bachianas brasileiras no. 2: I. El canto del campesino | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | | | 5:45 | |
Bachianas brasileiras no. 2: II. El canto de nuestra tierra | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | | | 5:17 | |
Bachianas brasileiras no. 2: III. Recuerdo del desierto | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | | | 5:07 | |
Bachianas brasileiras no. 2: IV. El pequeño tren del campesino brasileño | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | | | 4:37 | |
Billy the Kid: Billy's Death (Lento moderato) | Dallas Symphony Orchestra, Eduardo Mata | | | 1:07 | |
Billy the Kid: Celebration: After Billy's Capture (Allegro) | Dallas Symphony Orchestra, Eduardo Mata | | | 2:08 | |
Billy the Kid: Gun Battle (Allegro) | Dallas Symphony Orchestra, Eduardo Mata | | | 2:02 | |
Billy the Kid: Introduction: The Open Prairie (Lento maestoso) | Dallas Symphony Orchestra, Eduardo Mata | | | 3:15 | |
Billy the Kid: Mexican Dance and Finale (Moderato) | Dallas Symphony Orchestra, Eduardo Mata | | | 3:18 | |
Billy the Kid: Prairie Night : Card Game at Night (Molto moderato) | Dallas Symphony Orchestra, Eduardo Mata | | | 3:20 | |
Billy the Kid: Street in a Frontier Town (Moderato) | Dallas Symphony Orchestra, Eduardo Mata | | | 3:22 | |
Billy the Kid: The Open Prairie again | Dallas Symphony Orchestra, Eduardo Mata | | | 1:46 | |
Bolero | Dallas Symphony Orchestra, Eduardo Mata | | | 14:49 | |
Bolero ( les uns et les autres c. Lelouch) | Dallas Symphony Orchestra & Eduardo Mata | | | 14:51 | |
Boléro (conclusion) | Dallas Symphony Orchestra, Eduardo Mata | | | 5:12 | |
Boléro, M. 81 | Eduardo Mata, Dallas Symphony Orchestra, Howard Dodd | | | 14:48 | |
Capriccio espagnol, op. 34 | Dallas Symphony Orchestra, Eduardo Mata, Eliot Chapo | | | 15:23 | |
Capriccio Espagnol, op. 34: Alborada | Dallas Symphony Orchestra, Eduardo Mata | | | 1:16 | |
Capriccio Italien | Dallas Symphony Orchestra, Eduardo Mata | | | 15:18 | |
Carmina Burana Part 1 [tracks 1-10]: Fortuna Imperatix Mundi: O Fortuna / Fortune plango vulnera / Primo vere: Veris leta facies / Omnia sol temperat / Ecce gratum / Uf dem anger: Tanz / Floret silva nobilis / Chramer, gip die varwe mir / Reie; Swaz hie gat umbe; Chume, chum, geselle min; Swaz hie gat umbe / Were diu werlt alle min | Carl Orff; Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata | | | 27:51 | |
Carmina Burana Part 2 [tracks 11-14]: In taberna: Estuans interius / Olim lacus colueram / Ego sum abbas / In taberna quando sumus | Carl Orff; Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata | | | 11:02 | |
Carmina Burana Part 3 [tracks 15-25]: Cours d'amours: Amor volat undique / Dies, nox et omnia / Stetit puella / Circa mea pectora / Si puer cum puellula / Veni, veni, venias / In trutina mentis dubia / Tempus est iocundum / Dulcissime / Blanziflor et Helena: Ave formosissima / O Fortuna | Carl Orff; Barbara Hendricks, John Aler, Håkan Hagegård, London Symphony Orchestra, London Symphony Chorus, Eduardo Mata | | | 21:12 | |
Carmina Burana: Auf dem anger: Chramer, gip die varwe mir | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 3:19 | |
Carmina Burana: Auf dem anger: Floret silva nibilis | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 3:14 | |
Carmina Burana: Auf dem anger: Reie – Swaz hie gat umbe – Chume, chume, geselle min – Swaz hie gat umbe | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 4:18 | |
Carmina Burana: Auf dem anger: Tanz | London Symphony Orchestra, Eduardo Mata | | | 1:41 | |
Carmina Burana: Auf dem anger: Were die werlt alle min | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 0:53 | |
Carmina Burana: Blanziflor et Helena: Ave formosissima | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 1:43 | |
Carmina Burana: Fortuna Imperatix Mundi: Fortune plango vulnera | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 2:56 | |
Carmina Burana: Fortuna Imperatix Mundi: O Fortuna | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 2:48 | |
Carmina Burana: Fortuna Imperatix Mundi: O Fortuna | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 2:51 | |
Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna (Excalibur J. Borma) | London Symphony Orchestra & Eduardo Mata | | | 2:49 | |
Carmina Burana: I. Primo vere: Ecce gratum | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 2:48 | |
Carmina Burana: I. Primo vere: Omnia sol temperat | Håkan Hagegård, London Symphony Orchestra, Eduardo Mata | | | 2:17 | |
Carmina Burana: I. Primo vere: Veris leta facies | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 3:31 | |
Carmina Burana: II. In taberna: Ego sum abbas | Håkan Hagegård, London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 1:43 | |
Carmina Burana: II. In taberna: Estuans interius | Håkan Hagegård, London Symphony Orchestra, Eduardo Mata | | | 2:29 | |
Carmina Burana: II. In taberna: In taberna quando sumus | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 3:03 | |
Carmina Burana: II. In taberna: Olim lacus colueram | John Aler, London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 3:41 | |
Carmina Burana: III. Cours d’amours: Amor volat undique | Barbara Hendricks, The Boys’ Choir of St. Paul’s Cathedral, London Symphony Orchestra, Eduardo Mata | | | 3:13 | |
Carmina Burana: III. Cours d’amours: Circa mea pectora | Håkan Hagegård, London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 2:12 | |
Carmina Burana: III. Cours d’amours: Dies, nox et omnia | Håkan Hagegård, London Symphony Orchestra, Eduardo Mata | | | 2:21 | |
Carmina Burana: III. Cours d’amours: Dulcissme | Barbara Hendricks, London Symphony Orchestra, Eduardo Mata | | | 0:36 | |
Carmina Burana: III. Cours d’amours: In trutina mentis dubia | Barbara Hendricks, London Symphony Orchestra, Eduardo Mata | | | 2:13 | |
Carmina Burana: III. Cours d’amours: Si puer cum puellula | Håkan Hagegård, London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 0:54 | |
Carmina Burana: III. Cours d’amours: Stetit puella | Barbara Hendricks, London Symphony Orchestra, Eduardo Mata | | | 1:40 | |
Carmina Burana: III. Cours d’amours: Tempus est iocundum | Håkan Hagegård, Barbara Hendricks, London Symphony Chorus, The Boys’ Choir of St. Paul’s Cathedral, London Symphony Orchestra, Eduardo Mata | | | 2:22 | |
Carmina Burana: III. Cours d’amours: Veni, veni, venias | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 0:59 | |
Carmina Burana: O Fortuna | London Symphony Chorus, London Symphony Orchestra, Eduardo Mata | | | 2:47 | |
Concerto for Harpsichord: I. Allegro | Solistas de México, Eduardo Mata | | | 3:31 | |
Concerto for Harpsichord: II. Lento | Solistas de México, Eduardo Mata | | | 5:44 | |
Concerto for Harpsichord: III. Vivace | Solistas de México, Eduardo Mata | | | 4:42 | |
Concerto Grosso for String Quartet and Orchestra: I. Moderato | Orquesta Sinfónica Simón Bolívar, Eduardo Mata, Cuarteto Latinoamericano | | | 8:38 | |
Concerto Grosso for String Quartet and Orchestra: II. Lento | Orquesta Sinfónica Simón Bolívar, Eduardo Mata, Cuarteto Latinoamericano | | | 8:30 | |
Concerto Grosso for String Quartet and Orchestra: III. Allegro | Orquesta Sinfónica Simón Bolívar, Eduardo Mata, Cuarteto Latinoamericano | | | 9:28 | |
Concerto in G major, K. 622G (after Clarinet Concerto): I. Allegro | James Galway, London Symphony Orchestra, Eduardo Mata | | | 11:58 | |
Concerto in G major, K. 622G (after Clarinet Concerto): II. Adagio | James Galway, London Symphony Orchestra, Eduardo Mata | | | 8:06 | |
Concerto in G major, K. 622G (after Clarinet Concerto): III. Rondo. Allegro | James Galway, London Symphony Orchestra, Eduardo Mata | | | 8:25 | |
Concierto pastoral: I. Allegro | James Galway, Philharmonia Orchestra, Eduardo Mata | | | 7:36 | |
Concierto pastoral: II. Adagio | James Galway, Philharmonia Orchestra, Eduardo Mata | | | 10:31 | |
Concierto pastoral: III. Rondo | James Galway, Philharmonia Orchestra, Eduardo Mata | | | 6:31 | |
Conclusion | John Aler, Håkan Hagegård, Barbara Hendricks, London Symphony Chorus, St Paul’s Cathedral Choir, London Symphony Orchestra, Eduardo Mata | | | 32:16 | |
Cuban Overture | Dallas Symphony Orchestra, Eduardo Mata | | | 9:48 | |
Dallas Symphony / "10" (Ravel: Bolero) | Eduardo Mata | | | 14:55 | |
Danzón cubano | Dallas Symphony Orchestra, Eduardo Mata | | | 7:53 | |
Danzón cubano | Dallas Symphony Orchestra, Eduardo Mata | | | 7:50 | |
Danzón Cubano | Dallas Symphony Orchestra, Eduardo Mata | | | 8:06 | |
Danzón Cubano | Dallas Symphony Orchestra, Eduardo Mata | | | 7:58 | |
Danzon: Batuque | Orquesta Sinfónica Simón Bolívar, Eduardo Mata | | | 3:47 | |
Daphnis et Chloé: Scene 1: Dance of the Young Girls Around Daphnis | Dallas Symphony Orchestra, Eduardo Mata | | | ?:?? | |
Daphnis et Chloé: Scene 1: Daphnis Reasserts His Love for Chloé | Dallas Symphony Orchestra, Eduardo Mata | | | ?:?? | |
Daphnis et Chloé: Scene 1: Dorcon's Advance to Chloé | Dallas Symphony Orchestra, Eduardo Mata | | | ?:?? | |
Daphnis et Chloé: Scene 1: Dorcon's Grotesque Dance | Dallas Symphony Orchestra, Eduardo Mata | | | ?:?? | |
Daphnis et Chloé: Scene 1: Entrance of Daphnis and Chloé | Dallas Symphony Orchestra, Eduardo Mata | | | ?:?? | |
Daphnis et Chloé: Scene 1: Entrance of the Temptress Lyceion and Dance of Veils | Dallas Symphony Orchestra, Eduardo Mata | | | ?:?? | |
Daphnis et Chloé: Scene 1: Invocation to Pan by the Nymphs and the Prayer of Daphnis | Dallas Symphony Orchestra, Eduardo Mata | | | ?:?? | |
Daphnis et Chloé: Scene 1: Invocation to the Nymphs | Dallas Symphony Orchestra, Eduardo Mata | | | ?:?? | |
Daphnis et Chloé: Scene 1: The Dorcon-Daphnis Dance Contest for a Kiss From Chloé | Dallas Symphony Orchestra, Eduardo Mata | | | ?:?? | |
Daphnis et Chloé: Scene 1: The Gracious Dance of Daphnis | Dallas Symphony Orchestra, Eduardo Mata | | | ?:?? | |
Daphnis et Chloé: Scene 1: The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé | Dallas Symphony Orchestra, Eduardo Mata | | | ?:?? | |
Daphnis et Chloé: Scene 1: The Triumph of Daphnis and the Ecstatic Union With Chloé | Dallas Symphony Orchestra, Eduardo Mata | | | ?:?? | |