| 6 Romances, op. 38: No. 3. Amid the Din of the Ball (Средь шумного бала) | | | | Song | | | |
| Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) | | | | Aria | | | |
| Carmen : Acte I. No. 6 Scène « Carmen ! Sur tes pas, nous nous pressons tous ! » (Les Jeunes Gens, les Cigarières, Don José, Carmen) | | | | | | | |
| Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) | | | | Aria | | | |
| Carmen : Acte I. No. 11 Finale « Voici l'ordre, partez » (Zuniga, Carmen) | | | | | | | |
| Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) | | - Nadine Sautereau, Jane Berbié, Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Teresa Berganza, Plácido Domingo, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado
- Marilyn Horne, Marcia Baldwin, Colette Boky, Metropolitan Opera Orchestra, Leonard Bernstein
- Monique Linval, Geneviève Macaux, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
- (show 57 more)
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| Carmen : Acte II. No. 13 Chœur « Vivat ! Vivat le toréro ! » (Frasquita, Mercédès, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) | | | | | | | |
| Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) | | - Robert Massard, Jane Berbié, Nadine Sautereau, Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- [unknown]
- Bryn Terfel, London Symphony Orchestra, Barry Wordsworth
- Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- (show 109 more)
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| Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès) | | - Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Jane Berbié, Maria Callas, Jacques Pruvost, Nadine Sautereau, Jean‐Paul Vauquelin, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Metropolitan Opera Orchestra, Leonard Bernstein
- Jean-Christophe Benoît, Maurice Besançon, Monique Linval, Geneviève Macaux, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
- (show 31 more)
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| Carmen : Acte II. No. 15 Récit "Eh bien ! Vite, quelles nouvelles ? » (Frasquita, Le Dancaïre, Mercédès, Le Remendado, Carmen) | | - Jane Berbié, Maria Callas, Jacques Pruvost, Nadine Sautereau, Jean‐Paul Vauquelin, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Metropolitan Opera Orchestra, Leonard Bernstein
- Jean-Christophe Benoît, Monique Linval, Geneviève Macaux, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
- Tsvetanka Arshinkova, Milen Paounov, Stefka Popangelova, Verter Vrachovsky, Sofia National Opera Orchestra, Ivan Marinov
- (show 14 more)
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| Carmen : Acte II. No. 16 « Halte là ! Qui va là ? Dragon d'Alcala !» (Don José, Carmen, Mercédès, Frasquita, Le Dancaïre, Le Remendado) | | - Jane Berbié, Maria Callas, Nicolai Gedda, Jacques Pruvost, Nadine Sautereau, Jean‐Paul Vauquelin, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Susan Daniel, Plácido Domingo, Gérard Garino, Jean‐Philippe Lafont, Julia Migenes, Lillian Watson, Orchestre national de France, Lorin Maazel
- Metropolitan Opera Orchestra, Leonard Bernstein
- (show 26 more)
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| Carmen : Acte II. No. 17 Duo : « Au quartier ! Pour l’appel ! » (Carmen, Don José) | | - Alexandrina Milcheva-Nonova, Nikola Nikolov, Sofia National Opera Orchestra, Ivan Marinov
- Orchestre national de France, Seiji Ozawa
- Roberto Alagna, Angela Gheorghiu, Orchestre national du Capitole de Toulouse, Michel Plasson
- Jonas Kaufmann, Magdalena Kožená, Berliner Philharmoniker, Nicholas Jenkins, Simon Rattle
- (show 4 more)
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| Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) | | - Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- John Alldis, Plácido Domingo, The John Alldis Choir, Tatiana Troyanos, London Philharmonic Orchestra, Sir Georg Solti
- Luciano Pavarotti, Orchester der Wiener Volksoper & Leone Magiera
- Nicolai Gedda, Maria Callas, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- (show 125 more)
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| Carmen : Acte II. No. 17 Duo : « Non ! Tu ne m’aimes pas » (Carmen, Don José) | | - Nicolai Gedda, Maria Callas, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Roberto Alagna, Angela Gheorghiu, Orchestre national du Capitole de Toulouse, Michel Plasson
- Metropolitan Opera Orchestra, Leonard Bernstein
- (show 27 more)
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| Carmen : Acte II. No. 17 Duo : « Tout doux, Monsieur » … « Je vais danser en votre honneur » (Carmen, Don José) | | | | | | | |
| Carmen : Acte II. No. 18 Finale « Holà ! Carmen ! Holà ! Holà ! » (Zuniga, Don José, Carmen, Le Dancaïre, Le Remendado, les Bohémiens) | | - Maria Callas, Nicolai Gedda, Maurice Maievski, Jacques Mars, Jean‐Paul Vauquelin, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Berliner Philharmoniker, Herbert von Karajan
- Metropolitan Opera Orchestra, Leonard Bernstein
- (show 28 more)
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| Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) | | - Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Jane Berbié, Maria Callas, Nicolai Gedda, Maurice Maievski, Nadine Sautereau, Jean‐Paul Vauquelin, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Berliner Philharmoniker, Herbert von Karajan
- Metropolitan Opera Orchestra, Leonard Bernstein
- (show 38 more)
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| Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès) | | - Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Monique Linval, Geneviève Macaux, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
- Metropolitan Opera Orchestra, Leonard Bernstein
- (show 42 more)
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| Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur) | | - Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Jane Berbié, Maria Callas, Nicolai Gedda, Andréa Guiot, Robert Massard, Jacques Pruvost, Nadine Sautereau, Jean‐Paul Vauquelin, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Berliner Philharmoniker, Herbert von Karajan
- Metropolitan Opera Orchestra, Leonard Bernstein
- (show 31 more)
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| Carmen : Acte III. Récitative « Eh bien ? … » (Carmen, Le Dancaïre, Frasquita) | | - Maria Callas, Nadine Sautereau, Jean‐Paul Vauquelin, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Mario Carlin, Graziella Sciutti, Giulietta Simionato, Wiener Philharmoniker, Herbert von Karajan
- Jean-Christophe Benoît, Monique Linval, Leontyne Price, Wiener Philharmoniker, Herbert von Karajan
- Orchestre National de la Radiodiffusion Française, Sir Thomas Beecham
- (show 16 more)
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| Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) | | - Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Sherrill Milnes, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
- Maria Callas, Robert Massard, Nadine Sautereau, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Giorgio Lamberti, Graciela Alperyn, Ann Liebeck, Dalia Schaechter, Slovak Philharmonic Chorus, Alan Titus, Slovak Radio Symphony Orchestra, Alexander Rahbari
- Orfeón Donostiarra, Südtiroler Kinderchor, Berliner Philharmoniker, Claudio Abbado
- (show 54 more)
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| Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur) | | - Patrick Criswell, John McCarthy, Ambrosian Singers, Teresa Berganza, Plácido Domingo, George Watson’s College Boys’ Chorus, London Symphony Orchestra, Claudio Abbado
- Maria Callas, Nicolai Gedda, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Giorgio Lamberti, Graciela Alperyn, Ann Liebeck, Dalia Schaechter, Slovak Philharmonic Chorus, Alan Titus, Slovak Radio Symphony Orchestra, Alexander Rahbari
- Roberto Alagna, Angela Gheorghiu, Les Éléments, Orchestre national du Capitole de Toulouse, Michel Plasson
- (show 66 more)
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| Carmen: Acte II, No. 18. Finale : « Bel officier, bel officier » (Carmen, Le Dancaïre, Le Remendado, Zuniga) | | - Wilhelm Pitz, Jean-Christophe Benoît, Maurice Besançon, Konzertvereinigung Wiener Staatsopernchor, Franco Corelli, Leontyne Price, Frank Schooten, Wiener Philharmoniker, Herbert von Karajan
- Orchestre national de France, Seiji Ozawa
- Graciela Alperyn, Danilo Rigosa, Slovak Radio Symphony Orchestra, Alexander Rahbari
- Yann Beuron, Angela Gheorghiu, Nicolas Rivenq, Les Éléments, Orchestre national du Capitole de Toulouse, Michel Plasson
- (show 8 more)
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| Die Fledermaus: Akt II. Dialog „Amüsement! Amüsement!“ … „Adele, wer hat dich denn hierher eingeladen?” (Ida, Adele, Falke, Orlofsky, Eisenstein) | | - Wolfgang Baumgart, Evi List, Nikolai Lugowoi, Lucia Popp, Ivan Rebroff, Bernd Weikl, Bayerisches Staatsorchester, Carlos Kleiber
- Walter Berry, Chor der Wiener Staatsoper, B. Fasolt, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
| | | | | |
| Die Fledermaus: Akt II. Dialog „Das sind allerdings … Aber heute möchte ich herzlich lachen“ … „Durchlaucht, hier ist ihre Brieftasche wieder” … „Das ist ja Adele” (Eisenstein, Orlofsky, Ida, Adele, Falke) | | - Wolfgang Baumgart, Lucia Popp, Hermann Prey, Ivan Rebroff, Bernd Weikl, Bayerisches Staatsorchester, Carlos Kleiber
- Walter Berry, Chor der Wiener Staatsoper, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
| | | | | |
| Die Fledermaus: Akt II. Dialog „Es ist also wirklich wahr…“ (Falke, Rosalinde, Eisenstein) | | - Walter Berry, Chor der Wiener Staatsoper, B. Fasolt, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
| | | | | |
| Die Fledermaus: Akt II. Dialog „Haha, lieber Marquis“ … „Ah, da ist ja die schöne Unbekannte” (Frank, Adele, Orlofsky, Rosalinde, alle) | | - Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Benno Kusche, Evi List, Lucia Popp, Ivan Rebroff, Júlia Várady, Bayerisches Staatsorchester, Carlos Kleiber
- Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
| | | | | |
| Die Fledermaus: Akt II. Dialog „Hoheit, ein Chevalier Chagrin ist da” … „Na, Herr Marquis“ (Ivan, Ida, Falke, Orlofsky, Frank, Eisenstein) | | - Bayerisches Staatsorchester, Carlos Kleiber
- Walter Berry, Chor der Wiener Staatsoper, B. Fasolt, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
| | | | | |
| Die Fledermaus: Akt II. Dialog: „Ausgezeichnet, bravo!“ (Ida, Rosalinde, Orlofsky, Falke, Eisenstein, alle) | | - Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Evi List, Hermann Prey, Ivan Rebroff, Júlia Várady, Bernd Weikl, Bayerisches Staatsorchester, Carlos Kleiber
- Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Regina Resnik, Hedwig Schubert, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
| | | | | |
| Die Fledermaus: Akt II. Finale „Herr Chevalier, ich grüße Sie“ … „Brüderlein, Brüderlein und Schwesterlein“ (Eisenstein, Frank, Falke, Rosalinde, Adele, Chor, Orlofsky) | | - Peter Alexander & Großes Film-Orchester
- Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Benno Kusche, Evi List, Lucia Popp, Hermann Prey, Ivan Rebroff, Júlia Várady, Bernd Weikl, Bayerisches Staatsorchester, Carlos Kleiber
- Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
- (show 17 more)
| | Song | | | |
| Die Fledermaus: Akt II. Nr. 6 Chor und Ensemble „Ein Souper heut' uns winkt“ (Chor) | | - Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Bayerisches Staatsorchester, Carlos Kleiber
- Johannes Mikkelsen, Koor van De Nationale Opera, Koninklijk Concertgebouworkest, Nikolaus Harnoncourt
- Walter Berry, Chor der Wiener Staatsoper, B. Fasolt, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
- (show 8 more)
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| Die Fledermaus: Akt II. Nr. 7 Couplet „Ich lade gern mir Gäste ein“ (Orlofsky) | | - Wolfgang Baumgart, Hermann Prey, Ivan Rebroff, Bayerisches Staatsorchester, Carlos Kleiber
- Marjana Lipovšek, Koninklijk Concertgebouworkest, Nikolaus Harnoncourt
- Walter Berry, Chor der Wiener Staatsoper, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
- (show 15 more)
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| Die Fledermaus: Akt II. Nr. 8a „Ach, meine Herren und Damen, hier gibt es einen Spaß!“ (Orlofsky, Falke, Chor, Adele, Eisenstein) | | - Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Lucia Popp, Hermann Prey, Ivan Rebroff, Bernd Weikl, Bayerisches Staatsorchester, Carlos Kleiber
- Johannes Mikkelsen, Barbara Bonney, Werner Hollweg, Marjana Lipovšek, Anton Scharinger, Koor van De Nationale Opera, Koninklijk Concertgebouworkest, Nikolaus Harnoncourt
- Walter Berry, Chor der Wiener Staatsoper, Waldemar Kmentt, Erika Köth, Regina Resnik, Wiener Philharmoniker, Herbert von Karajan
- Johann Strauss II
- (show 7 more)
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| Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) | | - Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Lucia Popp, Bayerisches Staatsorchester, Carlos Kleiber
- Walter Berry, Chor der Wiener Staatsoper, B. Fasolt, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan
- Johann Strauss II
- Philharmonia Orchestra, Herbert von Karajan
- (show 39 more)
| | Aria | | | |
| Die Fledermaus: Akt II. Nr. 9 Duett „Dieser Anstand, so manierlich“ (Eisenstein, Rosalinde) | | - Wolfgang Baumgart, Hermann Prey, Júlia Várady, Bayerisches Staatsorchester, Carlos Kleiber
- Edita Gruberová, Werner Hollweg, Koninklijk Concertgebouworkest, Nikolaus Harnoncourt
- Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan
- Richard Tauber
- (show 14 more)
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| Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“ (Rosalinde) | | - Wolfgang Baumgart, Júlia Várady, Bayerisches Staatsorchester, Carlos Kleiber
- Wiener Philharmoniker, Lorin Maazel
- Edita Gruberová, Koninklijk Concertgebouworkest, Nikolaus Harnoncourt
- Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Regina Resnik, Hedwig Schubert, Wiener Philharmoniker, Herbert von Karajan
- (show 34 more)
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| Die Fledermaus: Akt II. Nr. 11a Finale „Im Feuerstrom der Reben“ (Orlofsky, Eisenstein, Rosalinde, Frank, Falke, Adele, Ida, Chor) | | - Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Benno Kusche, Evi List, Lucia Popp, Hermann Prey, Ivan Rebroff, Júlia Várady, Bernd Weikl, Bayerisches Staatsorchester, Carlos Kleiber
- Johannes Mikkelsen, Christian Boesch, Barbara Bonney, Edita Gruberová, Werner Hollweg, Marjana Lipovšek, Elisabeth von Magnus, Anton Scharinger, Koor van De Nationale Opera, Koninklijk Concertgebouworkest, Nikolaus Harnoncourt
- Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
- (show 17 more)
| | | | | |
| Die Fledermaus: Akt II. Nr. 11c Finale „Genug, damit, genug!“ (Orlofsky, Eisenstein, Frank, Rosalinde, Falke, Adele, Ida, Chor) | | - Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Benno Kusche, Evi List, Lucia Popp, Hermann Prey, Ivan Rebroff, Júlia Várady, Bernd Weikl, Bayerisches Staatsorchester, Carlos Kleiber
- Johannes Mikkelsen, Christian Boesch, Barbara Bonney, Edita Gruberová, Werner Hollweg, Marjana Lipovšek, Elisabeth von Magnus, Anton Scharinger, Koor van De Nationale Opera, Koninklijk Concertgebouworkest, Nikolaus Harnoncourt
- Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Eberhard Wächter, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
- (show 7 more)
| | | | | |
| Die Fledermaus: Akt III. „Da sie alles wissen nun“ … „Ja ich bin's den ihr betrogen” (Rosalinde, Alfred, Eisenstein) | | - Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erich Kunz, Regina Resnik, Eberhard Wächter, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
- Peter Alexander
| | | | | |
| Die Fledermaus: Akt III. Dialog „Du wagst es mir Vorwürfe zu machen“ (Rosalinde, Eisenstein, Alfred, Frank, Frosch) | | - Wolfgang Baumgart, René Kollo, Benno Kusche, Franz Muxeneder, Hermann Prey, Júlia Várady, Bayerisches Staatsorchester, Carlos Kleiber
- Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erich Kunz, Regina Resnik, Eberhard Wächter, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
| | | | | |
| Die Fledermaus: Akt III. Nr. 15 Terzett „Ich steh’ voll Zagen“ (Rosalinde, Alfred, Eisenstein) | | - Wolfgang Baumgart, René Kollo, Hermann Prey, Júlia Várady, Bayerisches Staatsorchester, Carlos Kleiber
- Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Waldemar Kmentt, Erich Kunz, Regina Resnik, Eberhard Wächter, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
- Vienna Philharmonic Orchestra, Karl Böhm
- (show 4 more)
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| Die Fledermaus: Akt III. Nr. 16 Finale „O Fledermaus, o Fledermaus!“ … „Champagner hat’s verschuldet” (Eisenstein, Falke, Orlofsky, Adele, Alfred, Rosalinde, Frank, Ida, Blind, Chor) | | - Wolfgang Baumgart, Chor der Bayerischen Staatsoper, René Kollo, Benno Kusche, Evi List, Lucia Popp, Hermann Prey, Ivan Rebroff, Júlia Várady, Bernd Weikl, Bavarian State Orchestra, Carlos Kleiber
- Johannes Mikkelsen, Christian Boesch, Barbara Bonney, Edita Gruberová, André Heller, Werner Hollweg, Marjana Lipovšek, Elisabeth von Magnus, Josef Protschka, Anton Scharinger, Koor van De Nationale Opera, Koninklijk Concertgebouworkest, Nikolaus Harnoncourt
- Walter Berry, Chor der Wiener Staatsoper, Hilde Güden, Peter Klein, Waldemar Kmentt, Erika Köth, Regina Resnik, Hedwig Schubert, Eberhard Wächter, Giuseppe Zampieri, Wiener Philharmoniker, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
- (show 15 more)
| | | | | |
| Elektra: "Die Götter! Bist doch selber eine Göttin" (Elektra) | | | | | | | |
| Elektra: "Ich habe keine guten Nächte" (Klytämnestra, Elektra) | | - Regina Resnik, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
- Alessandra Marc, Hanna Schwarz, Wiener Philharmoniker, Giuseppe Sinopoli
- Inge Borkh, Jean Madeira, Staatskapelle Dresden, Karl Böhm
- Marjana Lipovšek, Éva Marton, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Sawallisch
- (show 7 more)
| | | | | |
| Elektra: "Ich will nichts hören" (Klytämnestra) | | | | | | | |
| Elektra: "Was bluten muß? Dein eigenes Genick" (Elektra, Klytämnestra) | | - Regina Resnik, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
- Inge Borkh, Jean Madeira, Staatskapelle Dresden, Karl Böhm
- Gordan Nikolitch, Jeanne‐Michèle Charbonnet, London Symphony Orchestra, Valery Gergiev
- Marjana Lipovšek, Éva Marton, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Sawallisch
- (show 5 more)
| | | | | |
| Elektra: "Was willst du? Seht doch, dort!" (Klytämnestra, Elektra, Vertraute, Schleppträgerin) | | - Inge Borkh, Paul Schöffler, Chicago Symphony Orchestra, Fritz Reiner
- Regina Resnik, Wiener Philharmoniker, Sir Georg Solti
- Christiane Hossfeld, Alessandra Marc, Hanna Schwarz, Karin Wieser, Wiener Philharmoniker, Giuseppe Sinopoli
- Hermi Ambros, Inge Borkh, Renate Reinecke, Jean Madeira, Staatskapelle Dresden, Karl Böhm
- (show 6 more)
| | | | | |
| Elektra: "Wenn das rechte Blutopfer unterm Beile fällt" (Elektra, Klytämnestra) | | - Regina Resnik, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti
- Inge Borkh, Jean Madeira, Staatskapelle Dresden, Karl Böhm
- Evelyn Herlitzius, Waltraud Meier, Staatskapelle Dresden, Christian Thielemann
- Res Fischer, Astrid Varnay, Kölner Rundfunk-Sinfonie-Orchester, Richard Kraus
- (show 2 more)
| | | | | |
| Falstaff: Atto I, scena 1. “Fulgida Alice! amor t'offro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford) | | - Luigi Alva, Fedora Barbieri, Renato Ercolani, Nan Merriman, Anna Moffo, Rolando Panerai, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- Larissa Diadkova, Stella Doufexis, Enrico Facini, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Dorothea Röschmann, Daniil Shtoda, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Rosalind Elias, Giovanni Foiani, Mirella Freni, Alfredo Kraus, John Lanigan, Ilva Ligabue, Robert Merrill, Piero de Palma, Giulietta Simionato, Orchestra della RCA Italiana, Sir Georg Solti
- (show 10 more)
| | | | | |
| Falstaff: Atto I, scena 2. “Alice!” - “Meg!“ - “Nannetta!“ (Meg, Alice, Quickly, Nannetta) | | - Fedora Barbieri, Nan Merriman, Anna Moffo, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Larissa Diadkova, Stella Doufexis, Adrianne Pieczonka, Dorothea Röschmann, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Rosalind Elias, Mirella Freni, Ilva Ligabue, Giulietta Simionato, Orchestra della RCA Italiana, Sir Georg Solti
- (show 11 more)
| | | | | |
| Falstaff: Atto I, scena 2. “Falstaff m'ha canzonata” (Alice, Meg, Nannetta, Quickly) | | - Fedora Barbieri, Nan Merriman, Anna Moffo, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Rosalind Elias, Mirella Freni, Ilva Ligabue, Giulietta Simionato, Orchestra della RCA Italiana, Sir Georg Solti
- Marilyn Horne, Julie Kaufmann, Susan Quittmeyer, Sharon Sweet, Münchner Rundfunkorchester, Sir Colin Davis
- (show 4 more)
| | | | | |
| Falstaff: Atto I, scena 2. “Pst, pst, Nannetta!” - “Vien qua” - “Labbra di foco!” (Fenton, Nannetta) | | - Luigi Alva, Anna Moffo, Philharmonia Orchestra, Herbert von Karajan
- Dorothea Röschmann, Daniil Shtoda, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Mirella Freni, Alfredo Kraus, Orchestra della RCA Italiana, Sir Georg Solti
- (show 10 more)
| | | | | |
| Falstaff: Atto I, scena 2. “Ripeti” - “In due parole” – “È un ribaldo, un furbo, un ladro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford) | | - Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Luigi Alva, Fedora Barbieri, Renato Ercolani, Nan Merriman, Anna Moffo, Rolando Panerai, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- Larissa Diadkova, Stella Doufexis, Enrico Facini, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Dorothea Röschmann, Daniil Shtoda, Berliner Philharmoniker, Claudio Abbado
- Marilyn Horne, Julie Kaufmann, Frank Lopardo, Piero de Palma, Susan Quittmeyer, Ulrich Reß, Sharon Sweet, Alan Titus, Francesco Ellero d’Artegna, Münchner Rundfunkorchester, Sir Colin Davis
- (show 9 more)
| | | | | |
| Falstaff: Atto I, scena 2. “Udrai quanta egli sfoggia magniloquenza altera” (Bardolfo, Ford, Pistola) | | - Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Renato Ercolani, Rolando Panerai, Nicola Zaccaria, Philharmonia Orchestra
- Giovanni Foiani, Robert Merrill, Piero de Palma, Orchestra della RCA Italiana, Sir Georg Solti
- (show 9 more)
| | | | | |
| Falstaff: Atto II, scena 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff) | | - Anatoly Kotcherga, Anthony Mee, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Renato Ercolani, Tito Gobbi, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Geraint Evans, Giovanni Foiani, Piero de Palma, Orchestra della RCA Italiana, Sir Georg Solti
- (show 11 more)
| | | | | |
| Falstaff: Atto II, scena 2. “Alfin t'ho colto, raggiante fior” (Falstaff, Alice) | | - Tito Gobbi, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Adrianne Pieczonka, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Geraint Evans, Ilva Ligabue, Orchestra della RCA Italiana, Sir Georg Solti
- (show 11 more)
| | | | | |
| Falstaff: Atto II, scena 2. “C'è - C'è! - Se t'agguanto!” (Ford, Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Alice, gente del vicinato) | | - Larissa Diadkova, Stella Doufexis, Enrico Facini, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Daniil Shtoda, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Chor des Bayerischen Rundfunks, Marilyn Horne, Julie Kaufmann, Frank Lopardo, Piero de Palma, Rolando Panerai, Susan Quittmeyer, Ulrich Reß, Sharon Sweet, Alan Titus, Francesco Ellero d’Artegna, Münchner Rundfunkorchester, Sir Colin Davis
- Brenda Boozer, Renato Bruson, Francis Egerton, Dalmacio Gonzalez, Barbara Hendricks, Los Angeles Master Chorale, Leo Nucci, Katia Ricciarelli, Michael Sells, Lucia Valentini Terrani, William Wildermann, Los Angeles Philharmonic, Carlo Maria Giulini
- (show 9 more)
| | | | | |
| Falstaff: Atto II, scena 2. “Gaie comari di Windsor! È l'ora!“ (Quickly, Alice, Meg, Nannetta) | | - Fedora Barbieri, Nan Merriman, Anna Moffo, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Larissa Diadkova, Stella Doufexis, Adrianne Pieczonka, Dorothea Röschmann, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Brenda Boozer, Barbara Hendricks, Katia Ricciarelli, Lucia Valentini Terrani, Los Angeles Philharmonic, Carlo Maria Giulini
- (show 6 more)
| | | | | |
| Falstaff: Atto II, scena 2. “Mia signora! C'è Mistress Meg“ (Quickly, Falstaff, Alice, Meg) | | - Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Larissa Diadkova, Stella Doufexis, Adrianne Pieczonka, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Marilyn Horne, Rolando Panerai, Susan Quittmeyer, Sharon Sweet, Münchner Rundfunkorchester, Sir Colin Davis
- Brenda Boozer, Renato Bruson, Katia Ricciarelli, Lucia Valentini Terrani, Los Angeles Philharmonic, Carlo Maria Giulini
- (show 7 more)
| | | | | |
| Falstaff: Atto II, scena 2. “Olà! Ned! Will! È già tutto preparato” (Alice, Quickly, Nanetta) | | - Mirella Freni, Ilva Ligabue, Giulietta Simionato, Orchestra della RCA Italiana, Sir Georg Solti
- Marilyn Horne, Julie Kaufmann, Sharon Sweet, Münchner Rundfunkorchester, Sir Colin Davis
- Licia Albanese, Cloë Elmo, Regina Resnik, Metropolitan Opera Orchestra, Fritz Reiner
- Rebecca Evans, Hillevi Martinpelto, Sara Mingardo, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
| | | | | |
| Falstaff: Atto II, scena 2. “Presenteremo un “bill” per una tassa al parlamento” (Alice, Quickly, Meg) | | - Fedora Barbieri, Nan Merriman, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Larissa Diadkova, Stella Doufexis, Adrianne Pieczonka, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Rosalind Elias, Ilva Ligabue, Giulietta Simionato, Orchestra della RCA Italiana, Sir Georg Solti
- (show 10 more)
| | | | | |
| Falstaff: Atto II, scena 2. “Quand'ero paggio del Duca di Norfolk” … “Voi mi celiate” (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola) | | - Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Rolando Panerai, Elisabeth Schwarzkopf, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- Larissa Diadkova, Stella Doufexis, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Victor Maurel
- (show 14 more)
| | | | | |
| Falstaff: Atto III, scena 1. “Brava! Quelle corna saranno la mia gioia!” (Ford, Alice, Meg, Fenton, Nannetta) | | - Luigi Alva, Nan Merriman, Anna Moffo, Rolando Panerai, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Stella Doufexis, Thomas Hampson, Adrianne Pieczonka, Dorothea Röschmann, Daniil Shtoda, Berliner Philharmoniker, Claudio Abbado
- Brenda Boozer, Dalmacio Gonzalez, Barbara Hendricks, Leo Nucci, Katia Ricciarelli, Los Angeles Philharmonic, Carlo Maria Giulini
- Ilva Ligabue, Juan Oncina, Rolando Panerai, Regina Resnik, Hilde Rössel-Majdan, Graziella Sciutti, Gerhard Stolze, Wiener Philharmoniker, Leonard Bernstein
- Vienna Philharmonic Orchestra, Arturo Toscanini
| | | | | |
| Falstaff: Atto III, scena 1. “Non dubitar, tu sposerai mia figlia” (Ford, Cajus, Alice, Meg, Quickly, Nannetta) | | - Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Rosalind Elias, Mirella Freni, John Lanigan, Ilva Ligabue, Robert Merrill, Giulietta Simionato, Orchestra della RCA Italiana, Sir Georg Solti
- Marilyn Horne, Julie Kaufmann, Piero de Palma, Susan Quittmeyer, Sharon Sweet, Alan Titus, Münchner Rundfunkorchester, Sir Colin Davis
- Licia Albanese, Leslie Chabay, Cloë Elmo, Martha Lipton, Regina Resnik, Giuseppe Valdengo, Metropolitan Opera Orchestra, Fritz Reiner
- (show 2 more)
| | | | | |
| Falstaff: Atto III, scena 1. “Reverenza! La bella Alice” (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Cajus) | | - Fedora Barbieri, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Elisabeth Schwarzkopf, Tomaso Spataro, Philharmonia Orchestra, Herbert von Karajan
- Larissa Diadkova, Stella Doufexis, Enrico Facini, Thomas Hampson, Adrianne Pieczonka, Dorothea Röschmann, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Rosalind Elias, Geraint Evans, Mirella Freni, John Lanigan, Ilva Ligabue, Robert Merrill, Giulietta Simionato, Orchestra della RCA Italiana, Sir Georg Solti
- (show 10 more)
| | | | | |
| Falstaff: Atto III, scena 2. “Ah! Ah! Ah! Ah!” (tutti) | | - Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Coro della RCA Italiana, Rosalind Elias, Geraint Evans, Giovanni Foiani, Mirella Freni, Alfredo Kraus, John Lanigan, Ilva Ligabue, Robert Merrill, Piero de Palma, Giulietta Simionato, Orchestra della RCA Italiana, Sir Georg Solti
- Chor des Bayerischen Rundfunks, Marilyn Horne, Julie Kaufmann, Frank Lopardo, Piero de Palma, Rolando Panerai, Susan Quittmeyer, Ulrich Reß, Sharon Sweet, Alan Titus, Francesco Ellero d’Artegna, Münchner Rundfunkorchester, Sir Colin Davis
- Licia Albanese, Lorenzo Alvary, Leslie Chabay, Cloë Elmo, Martha Lipton, Metropolitan Opera Chorus, Alessio de Paolis, Regina Resnik, Giuseppe Valdengo, Leonard Warren, Giuseppe di Stefano, Metropolitan Opera Orchestra, Fritz Reiner
- Peter Bronder, Francis Egerton, Rebecca Evans, Eirian James, Jean‐Philippe Lafont, Hillevi Martinpelto, Anthony Michaels-Moore, Sara Mingardo, Gabriele Monici, Monteverdi Choir, Antonello Palombi, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner
| | | | | |
| Falstaff: Atto III, scena 2. “Alto là!” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford) | | - Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- Larissa Diadkova, Stella Doufexis, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Coro della RCA Italiana, Rosalind Elias, Geraint Evans, Giovanni Foiani, Mirella Freni, Ilva Ligabue, Robert Merrill, Piero de Palma, Giulietta Simionato, Orchestra della RCA Italiana, Sir Georg Solti
- (show 10 more)
| | | | | |
| Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta) | | - Luigi Alva, Anna Moffo, Philharmonia Orchestra, Herbert von Karajan
- Dorothea Röschmann, Daniil Shtoda, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Coro della RCA Italiana, Mirella Freni, Alfredo Kraus, Orchestra della RCA Italiana, Sir Georg Solti
- (show 21 more)
| | | | | |
| Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi! Doridi! Sirene!” (Nannetta, Fate, Falstaff, Alice) | | - Tito Gobbi, Anna Moffo, Philharmonia Chorus, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Geraint Evans, Mirella Freni, Ilva Ligabue, Orchestra della RCA Italiana, Sir Georg Solti
- (show 8 more)
| | | | | |
| Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” (Falstaff, Tutti, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta) | | - Luigi Alva, Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- Larissa Diadkova, Stella Doufexis, Enrico Facini, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Daniil Shtoda, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Brenda Boozer, Renato Bruson, Francis Egerton, Dalmacio Gonzalez, Barbara Hendricks, Los Angeles Master Chorale, Leo Nucci, Katia Ricciarelli, Michael Sells, Lucia Valentini Terrani, William Wildermann, Los Angeles Philharmonic, Carlo Maria Giulini
- (show 10 more)
| | | | | |
| Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti) | | - Luigi Alva, Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- Brenda Boozer, Renato Bruson, Francis Egerton, Dalmacio Gonzalez, Barbara Hendricks, Los Angeles Master Chorale, Leo Nucci, Katia Ricciarelli, Michael Sells, Lucia Valentini Terrani, William Wildermann, Los Angeles Philharmonic, Carlo Maria Giulini
- Larissa Diadkova, Stella Doufexis, Enrico Facini, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Daniil Shtoda, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- (show 14 more)
| | | | | |
| Falstaff: Atto III, scena 2. “Una, due, tre, quattro, cinque, sei” … “Odo un soave passo!” (Falstaff, Alice, Meg) | | - Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Tito Gobbi, Nan Merriman, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Stella Doufexis, Adrianne Pieczonka, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Rolando Panerai, Susan Quittmeyer, Sharon Sweet, Münchner Rundfunkorchester, Sir Colin Davis
- (show 10 more)
| | | | | |
| Fiesta Popular | | | | Song | | | |
| Salome: "Wer ist der, der von Edom kommt" | | | | | | | |
| Salome: "Willst du mir wirklich alles geben" | | | | | | | |
| Salome: Vierte Szene. "Ah! Herrlich! Wundervoll, wundervoll!" (Herodes, Salome, Herodias) | | - Agnes Baltsa, Hildegard Behrens, Karl-Walter Böhm, Wiener Philharmoniker, Herbert von Karajan
- Grace Hoffman, Birgit Nilsson, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti
- Montserrat Caballé, Richard Lewis, Regina Resnik, London Symphony Orchestra, Erich Leinsdorf
- Kenneth Riegel, Catherine Malfitano, Hanna Schwarz, Wiener Philharmoniker, Christoph von Dohnányi
- (show 9 more)
| | | | | |
| Salome: Vierte Szene. "Eine Menge Menschen wird sich gegen sie sammeln" (Jochanaan, Herodias) | | - Agnes Baltsa, Karl-Walter Böhm, José van Dam, Wiener Philharmoniker, Herbert von Karajan
- Birgit Nilsson, Grace Hoffman, Gerhard Stolze, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti
- Montserrat Caballé, Richard Lewis, Sherrill Milnes, Regina Resnik, London Symphony Orchestra, Erich Leinsdorf
- Bryn Terfel, Hanna Schwarz, Kenneth Riegel, Wiener Philharmoniker, Christoph von Dohnányi
- (show 3 more)
| | | | | |
| Salome: Vierte Szene. "Salome, komm, trink Wein mit mir" (Herodes, Salome, Herodias) | | - Agnes Baltsa, Hildegard Behrens, Karl-Walter Böhm, Wiener Philharmoniker, Herbert von Karajan
- Grace Hoffman, Birgit Nilsson, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti
- Montserrat Caballé, Richard Lewis, Sherrill Milnes, Regina Resnik, London Symphony Orchestra, Erich Leinsdorf
- Kenneth Riegel, Catherine Malfitano, Hanna Schwarz, Wiener Philharmoniker, Christoph von Dohnányi
- (show 8 more)
| | | | | |
| Salome: Vierte Szene. "Sie ist ein Ungeheuer, deine Tochter" (Herodes, Herodias) | | - Agnes Baltsa, Karl-Walter Böhm, Wiener Philharmoniker, Herbert von Karajan
- Birgit Nilsson, Grace Hoffman, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti
- Richard Lewis, Regina Resnik, London Symphony Orchestra, Erich Leinsdorf
- Kenneth Riegel, Hanna Schwarz, Wiener Philharmoniker, Christoph von Dohnányi
- (show 9 more)
| | | | | |
| Salome: Vierte Szene. "Still, sprich nicht zu mir!" (Herodes, Salome) | | - Agnes Baltsa, Hildegard Behrens, Karl-Walter Böhm, Wiener Philharmoniker, Herbert von Karajan
- Grace Hoffman, Birgit Nilsson, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti
- Montserrat Caballé, Richard Lewis, Regina Resnik, London Symphony Orchestra, Erich Leinsdorf
- Kenneth Riegel, Catherine Malfitano, Hanna Schwarz, Wiener Philharmoniker, Christoph von Dohnányi
- (show 3 more)
| | | | | |
| Salome: Vierte Szene. "Wahrhaftig, Herr, es wäre besser, ihn in unsre Hände zu geben" (Erster Soldat, Herodes, Zweiter Jude, Dritter Jude, Vierter Jude, Fünfter Jude, Herodias, Erster Nazarener) | | - Agnes Baltsa, Jules Bastin, Karl-Walter Böhm, David Knutson, Erich Kunz, Gerhard Unger, Martin Vantin, Heinz Zednik, Wiener Philharmoniker, Herbert von Karajan
- Birgit Nilsson, Kurt Equiluz, Aron Gestner, Grace Hoffman, Tom Krause, Paul Kuën, Max Proebstl, Stefan Schwer, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti
- Robert Bowman, John Brecknock, David Lennox, Richard Lewis, Kenneth MacDonald, George Macpherson, Regina Resnik, Michael Rippon, London Symphony Orchestra, Erich Leinsdorf
- Uwe Peper, Uwe Schönbeck, Kenneth Riegel, Robin Leggate, Ferdinand Seiler, Andreas Kohn, Hanna Schwarz, Peter de Rose, Wiener Philharmoniker, Christoph von Dohnányi
- (show 6 more)
| | | | | |
| Salome: Vierte Szene. "Wer hat meinen Ring genommen?" (Herodes, Herodias) | | - Agnes Baltsa, Karl-Walter Böhm, Wiener Philharmoniker, Herbert von Karajan
- Montserrat Caballé, Richard Lewis, Regina Resnik, London Symphony Orchestra, Erich Leinsdorf
- Orchestra sinfonica di Roma della RAI, Zubin Mehta
- Margareta Kenney, Julius Patzak, Wiener Philharmoniker, Clemens Krauss
| | | | | |
| Salome: Vierte Szene. "Wo ist Salome? Wo ist die Prinzessin?" (Herodes, Herodias, Erster Soldat) | | - Agnes Baltsa, Karl-Walter Böhm, Gerd Nienstedt, Wiener Philharmoniker, Herbert von Karajan
- Birgit Nilsson, Grace Hoffman, Zenon Kosnowski, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti
- Richard Lewis, Regina Resnik, London Symphony Orchestra, Erich Leinsdorf
- Kenneth Riegel, Hanna Schwarz, Frode Olsen, Wiener Philharmoniker, Christoph von Dohnányi
- (show 11 more)
| | | | | |
| Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) | | | | Aria | | | |
| Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai | | | | | | | |
| Tristan und Isolde, WWV 90: Akt I, Szene III. "Weh, ach wehe! Dies zu dulden!" | | | | | | | |
| Tristan und Isolde, WWV 90: Akt I, Szene V. "Begehrt, Herrin, was Ihr wünscht" | | | | | | | |
| Tristan und Isolde, WWV 90: Akt II, Szene II. "Isolde! Geliebte!" - "Tristan! Geliebter!" | | | | | | | |
| Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff" | | | | | | | |
| Un ballo in maschera: Atto I | | - Renata Tebaldi, Luciano Pavarotti, Sherrill Milnes, Regina Resnik, Helen Donath, Orchestra dell’Accademia Nazionale di Santa Cecilia, Chorus of The Accademia Nazionale di Santa Cecilia, Bruno Bartoletti
- [unknown]
- Carlo Bergonzi, Coro della RCA Italiana, Ezio Flagello, Reri Grist, Ferruccio Mazzoli, Robert Merrill, Piero de Palma, Orchestra della RCA Italiana, Erich Leinsdorf
- Carlo Bergonzi, Coro della RCA Italiana, Coro Voci Bianche di Renata Cortiglioni, Ezio Flagello, Reri Grist, Fernando Iacopucci, Ferruccio Mazzoli, Robert Merrill, Leontyne Price, Shirley Verrett, Orchestra della RCA Italiana, Erich Leinsdorf
- Giorgio Kirschner, Mario Alessandrini, Coro dell’Accademia Nazionale di Santa Cecilia, Luciano Pavarotti, Regina Resnik, Renata Tebaldi, José van Dam, Orchestra dell’Accademia Nazionale di Santa Cecilia, Bruno Bartoletti
| | | | | |
| Un ballo in maschera: Atto I, scena 2. Nº 7b Invocazione “Re dell'abisso, affrettati” (Ulrica) | | - Giorgio Kirschner, Mario Alessandrini, Coro dell’Accademia Nazionale di Santa Cecilia, Luciano Pavarotti, Regina Resnik, José van Dam, Orchestra dell’Accademia Nazionale di Santa Cecilia, Bruno Bartoletti, Umberto Vedovelli
- Jean-Luc Chaignaud, Plácido Domingo, Konzertvereinigung Wiener Staatsopernchor, Florence Quivar, Adolf Tomaschek, Wiener Philharmoniker, Herbert von Karajan
- Kathleen Battle, Peter Hall, London Opera Chorus, Christa Ludwig, Luciano Pavarotti, Peter Weber, National Philharmonic Orchestra, Sir Georg Solti
- Ruža Pospiš-Baldani, Orchester der Oper Zagreb, Milan Sachs
- (show 12 more)
| | Aria | | | |
| Un ballo in maschera: Atto I, scena 2. Nº 7c Scena “Arrivo il primo!” (Riccardo, Ulrica, Coro) | | - Giorgio Kirschner, Mario Alessandrini, Coro dell’Accademia Nazionale di Santa Cecilia, Luciano Pavarotti, Regina Resnik, José van Dam, Orchestra dell’Accademia Nazionale di Santa Cecilia, Bruno Bartoletti, Umberto Vedovelli
- Fedora Barbieri, Coro del Teatro alla Scala di Milano, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Antonino Votto
- Coro del Teatro alla Scala di Milano, Giulietta Simionato, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Chorus of the Royal Opera House, Covent Garden, Fiorenza Cossotto, Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti
- (show 4 more)
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| Un ballo in maschera: Atto I, scena 2. Nº 7d Scena “Su, fatemi largo, saper vo' il mio fato” (Silvano, Ulrica, Riccardo, Servo, Coro) | | - Giorgio Kirschner, Mario Alessandrini, Coro dell’Accademia Nazionale di Santa Cecilia, Luciano Pavarotti, Regina Resnik, José van Dam, Orchestra dell’Accademia Nazionale di Santa Cecilia, Bruno Bartoletti, Umberto Vedovelli
- Fedora Barbieri, Coro del Teatro alla Scala di Milano, Ezio Giordano, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Antonino Votto
- Coro del Teatro alla Scala di Milano, Giuseppe Morresi, Antonio Ricci, Giulietta Simionato, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- José Carreras, Chorus of the Royal Opera House, Covent Garden, Patricia Payne, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- (show 12 more)
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| Un ballo in maschera: Atto I, scena 2. Nº 8a Scena “Che v'agita così?” (Ulrica, Amelia, Riccardo) | | - Josephine Barstow, Plácido Domingo, Florence Quivar, Wiener Philharmoniker, Herbert von Karajan
- Regina Resnik, Luciano Pavarotti, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Bruno Bartoletti, Umberto Vedovelli
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Maria Callas, Giulietta Simionato, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- (show 14 more)
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| Un ballo in maschera: Atto I, scena 2. Nº 8b Terzetto “Della città all'occaso” (Ulrica, Amelia, Riccardo) | | - Coro dell’Accademia Nazionale di Santa Cecilia, Luciano Pavarotti, Regina Resnik, Renata Tebaldi, Orchestra dell’Accademia Nazionale di Santa Cecilia, Bruno Bartoletti, Umberto Vedovelli
- Josephine Barstow, Plácido Domingo, Florence Quivar, Wiener Philharmoniker, Herbert von Karajan
- Fedora Barbieri, Maria Callas, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Antonino Votto
- Kathleen Battle, London Opera Chorus, Christa Ludwig, Luciano Pavarotti, Margaret Price, Royal College of Music Junior Department Chorus, National Philharmonic Orchestra, Sir Georg Solti
- (show 8 more)
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| Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro) | | | | Aria | | | |
| Un ballo in maschera: Atto I, scena 2. Nº 10a “Orsu, amici” (Riccardo, Samuel, Oscar, Ulrica, Coro) | | - Giorgio Kirschner, Coro dell’Accademia Nazionale di Santa Cecilia, Helen Donath, Leonardo Monreale, Luciano Pavarotti, Regina Resnik, Orchestra dell’Accademia Nazionale di Santa Cecilia, Bruno Bartoletti, Umberto Vedovelli
- Kathleen Battle, Malcolm King, Robert Lloyd, London Opera Chorus, Luciano Pavarotti, Royal College of Music Junior Department Chorus, National Philharmonic Orchestra, Sir Georg Solti
- Antonio Cassinelli, Coro del Teatro alla Scala di Milano, Adriana Lazzarini, Silvio Maionica, Gianni Poggi, Giuliana Tavolaccini, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Carlo Bergonzi, Fernando Corena, Coro dell’Accademia Nazionale di Santa Cecilia, Giulietta Simionato, Sylvia Stahlman, Orchestra dell’Accademia Nazionale di Santa Cecilia, Sir Georg Solti
- (show 2 more)
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| Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) | | - Giorgio Kirschner, Nicolas Christou, Coro dell’Accademia Nazionale di Santa Cecilia, Helen Donath, Leonardo Monreale, Luciano Pavarotti, Regina Resnik, Orchestra dell’Accademia Nazionale di Santa Cecilia, Bruno Bartoletti, Umberto Vedovelli
- Plácido Domingo, Sumi Jo, Konzertvereinigung Wiener Staatsopernchor, Florence Quivar, Kurt Rydl, Goran Simić, Wiener Philharmoniker, Herbert von Karajan
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Fedora Barbieri, Coro del Teatro alla Scala di Milano, Silvio Maionica, Eugenia Ratti, Nicola Zaccaria, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Antonino Votto
- (show 22 more)
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| Un ballo in maschera: Atto I, scena 2. Nº 11a Scena “Finisci 'l vaticinio” (Riccardo, Ulrica, Samuel, Tom, Renato, Coro) | | - Nicolas Christou, Coro dell’Accademia Nazionale di Santa Cecilia, Helen Donath, Sherrill Milnes, Leonardo Monreale, Luciano Pavarotti, Regina Resnik, José van Dam, Orchestra dell’Accademia Nazionale di Santa Cecilia, Bruno Bartoletti, Umberto Vedovelli
- Jean-Luc Chaignaud, Plácido Domingo, Suni Jo, Konzertvereinigung Wiener Staatsopernchor, Leo Nucci, Florence Quivar, Kurt Rydl, Goran Simić, Wiener Philharmoniker, Herbert von Karajan
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Fedora Barbieri, Coro del Teatro alla Scala di Milano, Tito Gobbi, Silvio Maionica, Nicola Zaccaria, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Antonino Votto
- (show 14 more)
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| Un ballo in maschera: Atto II | | - Renata Tebaldi, Luciano Pavarotti, Sherrill Milnes, Regina Resnik, Helen Donath, Orchestra dell’Accademia Nazionale di Santa Cecilia, Chorus of The Accademia Nazionale di Santa Cecilia, Bruno Bartoletti
- Carlo Bergonzi, Leontyne Price, Orchestra della RCA Italiana, Erich Leinsdorf
- Carlo Bergonzi, Coro della RCA Italiana, Ezio Flagello, Ferruccio Mazzoli, Robert Merrill, Leontyne Price, Orchestra della RCA Italiana, Erich Leinsdorf
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