|
'Ruht wohl, ihr heiligen Gebeine' from St John Passion
|
|
|
8:47 |
|
'Schübler' Chorales (I): Wachet auf, ruft uns die Stimme, BWV 645
|
|
|
4:20 |
|
'Schübler' Chorales (I): Wo soll ich fliehen hin, BWV 646
|
|
|
1:46 |
|
'Schübler' Chorales (II): Ach blieb' uns, Herr Jesu Christ, BWV 649
|
|
|
2:30 |
|
'Schübler' Chorales (II): Kommst du nun, Jesu, vom Himmel herunter, BWV 650
|
|
|
2:57 |
|
'Schübler' Chorales (II): Mein Seele erhebet den Herren, BWV 648
|
|
|
2:31 |
|
'Schübler' Chorales (II): Wer nur lieben Gott lässt walten, BWV 647
|
|
|
4:18 |
|
'Sheep May Safely Graze' from Cantata No. 208
|
|
|
4:11 |
|
'Varianto 25' from the Goldberg Variations I G Major, BWV 988
|
|
|
3:55 |
|
'Wachet Auf' From Cantata, BWV140: Sleepers Awake
|
|
|
5:39 |
|
"Ach bleib' bei uns, Herr Jesu Christ", BWV 649
|
|
|
2:20 |
|
"Air on a G String" From Suite No.3
|
|
|
4:56 |
|
"Air"
|
|
|
4:51 |
|
"Allein Gott in der Hoh sei Ehr" BWV 664
|
|
|
5:24 |
|
"An den Wasserflüssen Babylon", BWV 653 (Choral für Orgel)
|
|
|
5:22 |
|
"An Wasserflussen Babylon" BWV 653
|
|
|
5:22 |
|
"Anna Magdalena Notebook": Minuet
|
|
|
2:06 |
|
"Aria variata alla maniera italiana" in A minor, BWV 989
|
|
|
9:42 |
|
"Aria variata alla maniera italiana" in A minor, BWV 989
|
|
|
9:39 |
|
"Arioso" - extrait concerto en fa mineur BWV 1056 (transcription Alfred Cortet)
|
|
|
3:15 |
|
"Aus Tiefer not schrei' ich zu Dir", BWV 686
|
|
|
6:32 |
|
"Aus tiefer Noth schrei ich zu Dir"
|
|
|
6:24 |
|
"Autumn" From Cello Suite No.4
|
|
|
?:?? |
|
"Bist du bei mir" aria BWV 508
|
|
|
3:36 |
|
"Bist du bei mir", BWV 508 Aria
|
|
|
2:48 |
|
"Brandenburg" Concerto No. 2 in F major, BWV 1047: I. (Allegro)
|
|
|
5:35 |
|
"Brandenburg" Concerto No. 2 in F major, BWV 1047: II. Andante
|
|
|
4:27 |
|
"Brandenburg" Concerto No. 2 in F major, BWV 1047: III. Allegro assai
|
|
|
3:26 |
|
"Brandenburg" Concerto No. 3 in G major, BWV 1048: I. (Allegro)
|
|
|
6:50 |
|
"Brandenburg" Concerto No. 3 in G major, BWV 1048: II. Allegro
|
|
|
3:26 |
|
"Brandenburg" Concerto No. 5 in D major, BWV 1050: I. Allegro
|
|
|
9:56 |
|
"Brandenburg" Concerto No. 5 in D major, BWV 1050: II. Affettuoso
|
|
|
5:58 |
|
"Brandenburg" Concerto No. 5 in D major, BWV 1050: III. Allegro
|
|
|
5:38 |
|
"Brandenburg" Concerto No. 6 in B-flat major, S. 105: II. Allegro
|
|
|
2:31 |
|
"Christ ist ertanden", BWV 627: I.
|
|
|
1:22 |
|
"Christ ist ertanden", BWV 627: II.
|
|
|
1:25 |
|
"Christ ist ertanden", BWV 627: III.
|
|
|
1:34 |
|
"Christ lag in Todesbanden", BWV 625
|
|
|
1:33 |
|
"Christ lag in Todesbanden", BWV 695
|
|
|
3:37 |
|
"Christ lag in Todesbanden", BWV 718
|
|
|
5:06 |
|
"Christ, der du bist der helle Tag", BWV 1120
|
|
|
1:36 |
|
"Christe, der du bist Tag und Licht", BWV 1096
|
|
|
2:35 |
|
"Concerto nach Italiaenischen Gusto" in F major, BWV 971 (from "Zweyter Theil der Clavier Übung"): I. Allegro
|
|
|
4:24 |
|
"Concerto nach Italiaenischen Gusto" in F major, BWV 971 (from "Zweyter Theil der Clavier Übung"): II. Andante
|
|
|
4:51 |
|
"Concerto nach Italiaenischen Gusto" in F major, BWV 971 (from "Zweyter Theil der Clavier Übung"): III. Presto
|
|
|
3:50 |
|
"Da Jesu geboren war zu Bethlehem"
|
|
|
0:23 |
|
"Das wohltemperierte Klavier", II. Teil, BWV 893: Präludium H-moll (arr. Siloti)
|
|
|
2:25 |
|
"Der du bist dem Vater gleich" chorale BWV 36
|
|
|
3:07 |
|
"Die Kunst der Fuge" BWV 1080: Canon alla ottava
|
|
|
4:34 |
|
"Die Kunst der Fuge" BWV 1080: Kontrapunkt Nr. 1
|
|
|
2:32 |
