| "1, 2, 3", S. 321 | | | | Song | | | |
| A Farewell to Land, S. 248 | | | | Song | | | |
| A journey | | | | Song | | | |
| Alcina, HWV 34: Atto I, XII. Aria "De te mi rido, semplice stolto" (Ruggiero) | | | | | | | |
| Alcina, HWV 34: Atto I, XIX. Recitative "Se nemico mi fossi" (Bradamante, Ruggiero) / "...Bradamante favella?" (Ruggiero, Melisso, Bradamante) | | | | | | | |
| Alcina, HWV 34: Atto I, XV. Recitative "Io dunque" (Oronto, Morgana, Ruggiero, Oronte) | | | | | | | |
| Alcina, HWV 34: Atto I, XVII. Recitative "Ah, infidele, infidel" (Ruggiero, Alcina) / "...Regina, il tuo soggiorno" (Bradamante, Alcina, Ruggiero) | | | | | | | |
| Alleluia | | | | | | | |
| Ann Street, S. 211 | | | | Song | | | |
| Béatrice et Bénédict : Acte I. No. 1. Chœur « Le More est en fuite. Victoire ! » … « Ne l’écoutez pas » (Chœur, Béatrice, Héro) | | - Orchestre de Paris, Daniel Barenboim, Chœur de l'Orchestre de Paris, Arthur Oldham
- London Symphony Orchestra, Sir Colin Davis
- Chœur de l’Opéra de Lyon, Orchestre de l’Opéra de Lyon, John Nelson
- Chœur de l’Opéra de Lyon, Susan Graham, Sylvia McNair, Orchestre de l’Opéra de Lyon, John Nelson
| | | | | |
| Béatrice et Bénédict : Acte I. No. 4. Duo « Comment le dédain pourrait-il mourir ? » (Béatrice, Bénédict) | | | | | | | |
| Béatrice et Bénédict: Acte I | | - Baker, Eda‐Pierre, Watts, Tear, Allen, Lloyd, Bastin, John Alldis Choir, London Symphony Orchestra, Colin Davis
- Susan Graham, Philippe Magnant, Sylvia McNair, Orchestre de l’Opéra de Lyon, John Nelson
- Gilles Cachemaille, Susan Graham, Philippe Magnant, Sylvia McNair, Vincent Le Texier, Jean-Luc Viala, Orchestre de l’Opéra de Lyon, John Nelson
- Gilles Cachemaille, Philippe Magnant, Sylvia McNair, Vincent Le Texier, Jean-Luc Viala, Orchestre de l’Opéra de Lyon, John Nelson
- (show 4 more)
| | | | | |
| Béatrice et Bénédict: Acte II | | | | | | | |
| Brummell | | | | Operetta | | | |
| Ciboulette: Acte I. « C'est sa banlieue » (Y a des arbres …) (Ciboulette) | | | | Song | | | |
| Der Rosenkavalier, op. 59: Akt I. "Ach, du bist wieder da!" (Marschallin, Octavian) | | - Agnes Baltsa, Anna Tomowa‐Sintow, Wiener Philharmoniker, Herbert von Karajan
- Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra, Herbert von Karajan
- Philharmonia Orchestra, Herbert von Karajan
- Christa Ludwig, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm
- (show 12 more)
| | | | | |
| Der Rosenkavalier, op. 59: Akt I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin) | | - Agnes Baltsa, Gerhard Panzenböck, Johann Reinprecht, Wolfgang Scheider, Adolf Tomaschek, Anna Tomowa‐Sintow, Wiener Philharmoniker, Herbert von Karajan
- Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan
- Christa Ludwig, Tatiana Troyanos, Wiener Philharmoniker, Karl Böhm
- Gwyneth Jones, Christa Ludwig, Wiener Philharmoniker, Leonard Bernstein
- (show 13 more)
| | | | | |
| Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian) | | | | | | | |
| Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” | | | | | | | |
| Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) | | | | | | | |
| Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) | | | | | | | |
| Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) | | - Lynne Dawson, The English Concert Choir, Sarah Leonard, Anne Sofie von Otter, The English Concert, Trevor Pinnock
- Julianne Baird, Catherine Bott, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Henry Purcell
- Teodor Currentzis, MusicAeterna
- (show 21 more)
| | | | | |
| Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Henry Purcell
- John Mark Ainsley, Catherine Bott, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- (show 23 more)
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| Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Henry Purcell
- John Mark Ainsley, Catherine Bott, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- (show 27 more)
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| Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Henry Purcell
- John Mark Ainsley, Catherine Bott, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- (show 25 more)
| | | | | |
| Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) | | | | | | | |
| Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) | | - The English Concert Choir, Anne Sofie von Otter, The English Concert, Trevor Pinnock
- José‐Luis García, Jessye Norman, Robert Aldwinkle, Adrian Beers, Raymond Leppard, Charles Tunnell, English Chamber Orchestra
- Henry Purcell
- Lorraine Hunt, Philharmonia Baroque Orchestra, Nicholas McGegan
- (show 43 more)
| | | | | |
| Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) | | | | Aria | | | |
| Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) | | | | | | | |
| Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) | | | | Aria | | | |
| Early in the Morning | | | | | | | |
| Five Poems of Walt Whitman: I. Sometimes With One I Love | | | | | | | |
| Five Poems of Walt Whitman: II. Look Down, Fair Moon | | | | | | | |
| Four Poems of Tennyson: II. Now Sleeps the Crimson Petal | | | | | | | |
| Four Poems of Tennyson: III. Far - Far - Away | | | | | | | |
| Four Songs: I. For Poulenc | | | | Song | | | |
| Four Songs: IV. The Tulip Tree | | | | Song | | | |
| Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) | | | | | | | |
| I Am Rose | | | | Song | | | |
| I Will Always Love You | | | | Song | | | |
| Iphigénie en Tauride, Wq. 46: Act IV. Aria "Non, cet affreux devoir" | | | | Aria | | | |
| Jeanie With the Light Brown Hair | | | | Song | | | |
| L’Amour masqué : “J'ai deux amants” | | | | Song | | | |
| La damnation de Faust, op. 24: Quatrième Partie, scène 15. « D'amour l'ardente flamme » … « Au son des trompettes » (Marguerite, Chœur) | | | | | | | |
| La Mort de Cléopâtre : I. Allegro vivace con impeto – Récit « C’en est donc fait ! » | | | | | | | |
| La Mort de Cléopâtre : II. Lento cantabile « Ah ! qu’ils sont loin ces jours, tourment de ma mémoire » | | | | | | | |
| La Mort de Cléopâtre : III. Méditation. Largo misterioso « Grands Pharaons, nobles Lagides » | | | | | | | |
| La Mort de Cléopâtre : IV. Allegro assai agitato « Non !… non, de vos demeures funèbres » | | | | | | | |
| Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs … Dôme épais le jasmin » (Lakmé, Mallika) | | | | | | | |
| Le Livre de Baudelaire: I. Le Balcon | | | | Song | | | |
| Le Livre de Baudelaire: II. Harmonie du soir | | | | Song | | | |
| Le Livre de Baudelaire: III. Le Jet d'eau | | | | Song | | | |
| Le Livre de Baudelaire: IV. Recueillement | | | | Song | | | |
| Les Aventures du roi Pausole: "Si vous saviez" | | | | Song | | | |
| Les Troyens : Acte IV, no. 37. Duo « Nuit d’ivresse et d’extase infinie ! » (Didon, Énée, Mercure) | | - Orchestre philharmonique de Strasbourg, John Nelson
- Roberto Alagna, Angela Gheorghiu, Orchestra of the Royal Opera House, Covent Garden, Richard Armstrong
- Josephine Veasey, Jon Vickers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Michelle DeYoung, Ben Heppner, Leigh Melrose, London Symphony Orchestra, Sir Colin Davis
- (show 6 more)
| | | | | |
| Like a Sick Eagle, S. 288 | | | | Song | | | |
| Love | | | | Song | | | |
| Memories, S. 297 | | | | Song | | | |
| Mozart: Acte I. "Être adoré" | | | | | | | |
| O Do Not Love Too Long | | | | Song | | | |
| Ô mon bel inconnu | | | | Operetta | | | |
| Ô mon bel inconnu: Acte II. "C’est très vilain d’être infidèle" | | | | Song | | | |
| O You Whom I Often And Silently Come | | | | Song | | | |
| Paride ed Elena, Wq. 39: Act I. Aria "O del mio dolce ardor" | | - Anne Sofie von Otter, The English Concert, Trevor Pinnock
- Susan Graham, Orchestra of the Age of Enlightenment, Harry Bicket
- Dmitri Hvorostovsky, John Constable, Elizabeth Kenny, Academy of St Martin in the Fields, Sir Neville Marriner
- Janet Baker, English Chamber Orchestra, Raymond Leppard
- (show 12 more)
| | Aria | | | |
| Poème de l'amour et de la mer, op. 19: I. La fleur des eaux | | | | | | | |
| Poème de l'amour et de la mer, op. 19: III. La mort de l'amour | | | | | | | |
| Poèmes pour la paix: II. Ode | | | | Song | | | |
| Poems of Love and the Rain: VI. Do I love you more than a day? | | | | Song | | | |
| Proses lyriques, L. 84, CD 90 : I. De Rêve "La nuit a des douceurs de femme" | | | | Song | | | |
| Proses lyriques, L. 84, CD 90 : IV. De Soirs "Dimanche sur les villes" | | | | Song | | | |
| Remembrance, S. 332 | | | | Song | | | |
| Roméo et Juliette : Acte III. « Allons ! tu ne me connais pas, Tybalt » (Roméo, Tybalt, Mercutio, Chœur, Stéphano, Benvolio, Pâris, Grégorio) | | - Roberto Alagna, Russell Braun, Isabelle Cals, Chœur du Capitole de Toulouse, Luca Lombardo, Nicolas Testé, Gerard Théruel, Orchestre national du Capitole de Toulouse, Michel Plasson
- Orchestre national du Capitole de Toulouse, Michel Plasson
- Chor des Bayerischen Rundfunks, Paul Charles Clarke, Plácido Domingo, Erik Freulon, Susan Graham, Kurt Ollmann, Toby Spence, Münchner Rundfunkorchester, Leonard Slatkin
- Andrea Bocelli, Coro del teatro Carlo Felice di Genova, Alessandro Luongo, Blagoj Nacoski, Biagio Pizzuti, Franco Sala, Annalisa Stroppa, Orchestra del teatro Carlo Felice di Genova, Fabio Luisi
- (show 2 more)
| | | | | |
| Roméo et Juliette : Acte III. « Que fais‐tu, blanche tourterelle » (Stéphano) | | | | | | | |
| Roméo et Juliette : Acte III. « Quelle rage ! Vertudieu ! » (Chœur, Mercutio, Tybalt, Roméo) | | - Roberto Alagna, Russell Braun, Chœur du Capitole de Toulouse, Luca Lombardo, Orchestre national du Capitole de Toulouse, Michel Plasson
- Orchestre national du Capitole de Toulouse, Michel Plasson
- Chor des Bayerischen Rundfunks, Paul Charles Clarke, Plácido Domingo, Erik Freulon, Susan Graham, Kurt Ollmann, Toby Spence, Münchner Rundfunkorchester, Leonard Slatkin
- Andrea Bocelli, Coro del teatro Carlo Felice di Genova, Alessandro Luongo, Blagoj Nacoski, Orchestra del teatro Carlo Felice di Genova, Fabio Luisi
- Chœurs de l’Opéra national de Paris, Raoul Jobin, Pierre Mollet, Louis Rialland, Orchestre de l’Opéra national de Paris, Alberto Erede
| | | | | |
| Roméo et Juliette : Acte III. No. 12 Chanson « Depuis hier je cherche en vain mon maître ! » (Stéphano) | | | | | | | |
| Roméo et Juliette : Acte III. No. 13 Finale « Ah ! ah ! voici nos gens ! » (Stéphano, Grégorio, Chœur) | | - Isabelle Cals, Chœur du Capitole de Toulouse, Nicolas Testé, Orchestre national du Capitole de Toulouse, Michel Plasson
- Orchestre national du Capitole de Toulouse, Michel Plasson
- Chor des Bayerischen Rundfunks, Paul Charles Clarke, Plácido Domingo, Erik Freulon, Susan Graham, Kurt Ollmann, Toby Spence, Münchner Rundfunkorchester, Leonard Slatkin
- Coro del teatro Carlo Felice di Genova, Biagio Pizzuti, Annalisa Stroppa, Orchestra del teatro Carlo Felice di Genova, Fabio Luisi
- (show 3 more)
| | | | | |
| Rückert Lieder: I. Blicke mir nicht in die Lieder | | | | Song | | | |
| Rückert Lieder: II. Ich atmet' einen linden Duft | | | | Song | | | |
| Rückert Lieder: III. Ich bin der Welt abhanden gekommen | | | | Song | | | |
| Rückert Lieder: IV. Um Mitternacht | | | | Song | | | |
| Rückert Lieder: V. Liebst du um Schönheit | | | | Song | | | |
| September, S. 346 | | | | Song | | | |
| Serenity, S. 347 | | | | Song | | | |
| Shéhérazade: I. Asie | | | | Song | | | |
| Shéhérazade: II. La Flûte enchantée | | | | Song | | | |
| Shéhérazade: III. L'Indifférent | | | | Song | | | |
| Soliloquy, S. 352 | | | | Song | | | |
| Songs My Mother Taught Me, S. 361 | | | | Song | | | |
| Stopping by Woods on a Snowy Evening | | | | Song | | | |
| Swimmers, S. 366 | | | | Song | | | |
| Take Care of This House | | | | Song | | | |
| The Cage, S. 221 | | | | Song | | | |
| The Circus Band, S. 229 | | | | Song | | | |
| The Housatonic at Stockbridge, S. 266 | | | | Song | | | |
| The Indians, S. 283 | | | | Song | | | |
| The Lordly Hudson | | | | Song | | | |
| The Nantucket Songs: IX. Ferry me across the water | | | | Song | | | |
| The Santa Fe Songs: II. Opus 101 | | | | Song | | | |
| The Santa Fe Songs: IV. Sonnet | | | | Song | | | |
| The Santa Fe Songs: VIII. The Wintry Mind | | | | Song | | | |
