| ’S Wonderful | | | | Song | | | 1 |
| "In questa tomba oscura", WoO 133 | | | | Song | | | |
| (In My) Solitude | | | | Song | | - 4625081 (AGADU ID)
- 1381002 (AKM ID)
- (show 31 more)
- 000448 236 81 (SUISA ID)
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| 3 Songs for Voice and Piano, op. 18: no. 1 Nell | | | | Song | | | |
| 3 Songs for Voice and Piano, op. 18: no. 3 Automne | | | | Song | | | |
| 4 Refrainlieder, D. 866: Nr. 3. Die Männer sind méchant | | | | Song | | | |
| 5 Mélodies “de Venise”, op. 58: 1. Mandoline | | | | Song | | | |
| 5 Mélodies “de Venise”, op. 58: 2. En sourdine | | | | Song | | | |
| 5 Mélodies “de Venise”, op. 58: 3. Green | | | | Song | | | |
| 5 Mélodies “de Venise”, op. 58: 5. C’est l’extase | | | | Song | | | |
| 6 Romances, op. 4: no. 3 "In the Silence of the Secret Night" | | | | Song | | | |
| 6 Romances, op. 4: no. 4 "Do Not Sing, My Beauty" | | | | Song | | | |
| 6 Romances, op. 38: no. 4 "The Rat-Catcher" | | | | Song | | | |
| 12 Romances, op. 14: no. 11 "Spring Waters" | | | | Song | | | |
| 12 Romances, op. 21: no. 7 “How Fair This Spot” | | | | Song | | | |
| 12 tonadillas al estilo antiguo, H.136: No. 1: Amor y odio | | | | | | | |
| 12 tonadillas al estilo antiguo, H.136: No. 2: Callejeo | | | | | | | |
| 12 tonadillas al estilo antiguo, H.136: No. 3: El majo discreto | | | | | | | |
| 12 tonadillas al estilo antiguo, H.136: No. 5: El majo tímido | | | | | | | |
| 12 tonadillas al estilo antiguo, H.136: No. 6: El mirar de la maja | | | | | | | |
| 12 tonadillas al estilo antiguo, H.136: No. 7: El tra-la-la y el punteado | | | | | | | |
| 12 tonadillas al estilo antiguo, H.136: No. 8: La maja de Goya | | | | | | | |
| 12 tonadillas al estilo antiguo, H.136: No. 12: Las currutacas modestas | | | | | | | |
| 20 Irish Songs WoO 153: No. 16, "O Might I but My Patrick Love" | | - Dorothee Wohlgemuth, Martin Haunhorst, Rainer Maria Klaas, Bernhard Schwarz
- Felicity Lott, Marieke Blankestijn, Malcolm Martineau, Ursula Smith
- Raymond Beegle, Arturo Delmoni, Fred Sherry, The New York Vocal Arts Ensemble
- Julie Kaufmann, Adrian Lazar, Hermann Lechler, Neues Münchner Klaviertrio, Gerhard Zank
- (show 2 more)
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| A Dream Is a Wish Your Heart Makes | | | | Song | | - 4330409 (AGADU ID)
- 5322788 (AGADU ID)
- (show 21 more)
- 004617 676 30 (SUISA ID)
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| A Polish Requiem: X. Dies irae: Lacrimosa | | - Krzysztof Penderecki
- Kungliga Filharmoniska kören, Kungliga Filharmoniska Orkestern, Krzysztof Penderecki, Jadwiga Gadulanka
- Ingrid Haubold, NDR-Chor, Chor des Bayerischen Rundfunks, NDR-Sinfonieorchester, Krzysztof Penderecki
- Eric Ericsons Kammarkör, Barbara Hendricks, Sveriges Radios Symfoniorkester, Eric Ericson
- Chór Filharmonii Narodowej, Izabela Kłosińska, Ryszard Minkiewicz, Piotr Nowacki, Jadwiga Rappé, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
| | | | | |
| Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) | | | | Aria | | | |
| All in the Golden Afternoon | | | | Song | | - 4247585 (AGADU ID)
- 106518702 (AKM ID)
- (show 23 more)
- 000236 812 00 (SUISA ID)
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| Allerseelen, op. 10 no. 8 | | | | Song | | | |
| Amazing Grace | | | | Song | | - GW35360864 (APRA ID)
- C-1210324035 (CASH ID)
- (show 3 more)
- 101-9596-3 (JASRAC ID)
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| An den Mond, D. 193 | | | | Song | | | |
| An die ferne Geliebte, op. 98: No. 1. Auf dem Hügel sitz' ich, spähend | | | | Song | | | |
| An die ferne Geliebte, op. 98: No. 2. Wo die Berge so blau | | | | Song | | | |
| An die ferne Geliebte, op. 98: No. 3. Leichte Segler in den Höhen | | | | Song | | | |
| An die ferne Geliebte, op. 98: No. 4. Diese Wolken in den Höhen | | | | Song | | | |
| An die ferne Geliebte, op. 98: No. 5. Es kehret der Maien, es blühet die Au | | | | Song | | | |
| An die ferne Geliebte, op. 98: No. 6. Nimm sie hin denn, Diese Lieder | | | | Song | | | |
| An Sylvia, D. 891 | | | | Song | | | |
| Après un rêve, op. 7 no. 1 | | | | Song | | | 5 |
| Aria for Soprano in G major, K. 579: "Un moto di gioia mi sento" | | | | Aria | | | |
| Ariettes oubliées, L. 60, CD 63a : I. Le vent dans la plaine suspend son haleine “C’est l’extase langoureuse” | | | | Song | | | |
| Ariettes oubliées, L. 60, CD 63a : II. Il pleut doucement sur la ville "Il pleure dans mon cœur comme il pleure sur la ville" | | | | Song | | | |
| Ariettes oubliées, L. 60, CD 63a : III. Le rossignol qui, du haut d’une branche "L’ombre des arbres dans la rivière embrumée" | | | | Song | | | |
| Ariettes oubliées, L. 60, CD 63a : IV. Paysages belges. Chevaux de bois "Tournez, tournez, bons chevaux de bois" | | | | Song | | | |
| Ariettes oubliées, L. 60, CD 63a : V. Aquarelles, 1. Green "Voici des fruits, des fleurs, des feuilles" | | | | Song | | | |
| Ariettes oubliées, L. 60, CD 63a : VI. Aquarelles, 2. Spleen "Les roses étaient toutes rouges" | | | | Song | | | |
| Au bord de l’eau, op. 8 no. 1 | | | | Song | | | |
| Au pays où se fait la guerre | | | | Song | | | |
| Auf dem Strom, D. 943 | | | | Song | | | |
| Aus Goethes Faust, op. 75 no. 3 | | | | Song | | | |
| Ave Maria | | | | Song | | | 5 |
| Ave Maria | | | | Song | | | |
| Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) | | | | | | | |
| Bachianas Brasileiras nº 5, W389: II. Dansa (Martelo) | | | | | | | |
| Bachianas Brasileiras nº 5, W391: I. Aria (Cantilena) | | | | | | | |
| Beauty and the Beast | | | | Song | | - 320375760 (ASCAP ID)
- 96797 (BMI ID)
- 0A7-5899-3 (JASRAC ID)
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| Bella Notte | | | | Song | | - 4268050 (AGADU ID)
- 5430801 (APA ID)
- (show 29 more)
- 000279 044 81 (SUISA ID)
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| Bess, You Is My Woman Now | | | | Song | | | |
| Bibbidi‐Bobbidi‐Boo | | | | Song | | - 4270155 (AGADU ID)
- 4298452 (AGADU ID)
- (show 108 more)
- 005500 552 88 (SUISA ID)
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| Blue Monday: A One Act Jazz Opera | | | | Opera | | | |
| But Not for Me | | | | Song | | | |
| Cäcilie, op. 27 no. 2 | | | | Song | | | |
| Canciones amatorias, nº 2: Mañanica era | | | | Song | | | |
| Canciones amatorias, nº 3: Llorad, corazón | | | | Song | | | |
| Canciones amatorias, nº 4: Mira que soy niña | | | | Song | | | |
| Canciones amatorias, nº 5: No lloréis, ojuelos | | | | Song | | | |
| Canciones amatorias, nº 6: Iban al pinar | | | | Song | | | |
| Canciones amatorias, nº 7: Gracia mía | | | | Song | | | |
| Canciones clásicas españolas: II. Al amor | | | | Song | | | |
| Canciones clásicas españolas: V. Con amores, la mi madre | | | | Song | | | |
| Canciones clásicas españolas: VI. Del cabello más sutil | | | | Song | | | |
| Cantata for Soprano Voice, Violin, and Continuo, RV 680 "Lungi dal vago volto" | | | | Cantata | | | |
| Cantata for Tenor & Piano in C major, K. 619: "Die ihr des unermeßlichen Weltalls" | | | | | | | |
| Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": IV. Aria "Betracht dies Herz" (Der Engel) | | | | | | | |
| Capriccio, op. 85: Letzte Szene | | | | | | | |
| Caravan | | | | Song | | - 1133330 (ACDAM ID)
- 6130601 (AGADU ID)
- (show 56 more)
- 005381 653 43 (SUISA ID)
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| Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) | | | | Aria | | | |
| Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) | | - Teresa Berganza, Ileana Cotrubaș, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- Andréa Guiot, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
- Anna Moffo, Orchestra del Teatro dell’Opera di Roma, Tullio Serafin
- (show 58 more)
| | Aria | | | |
| Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis | | | | Cantata | - Latin
- French, Old (842-ca.1400)
- German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: III. Cour d’amours: XV. Amor volat undique | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Norma Burrowes, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- Ann Archibald, Boys of the Temple Church Choir, London, Royal Philharmonic Orchestra, Richard Cooke
- Lucia Popp, Wandsworth School Boys’ Choir, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 76 more)
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| Carmina Burana: III. Cour d’amours: XVII. Stetit puella | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
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| Carmina Burana: III. Cour d’amours: XXIII. Dulcissime | | | | | | | |
| Chanson d'Amour, op. 27 no. 1 | | | | Song | | | |
| Chanson triste, op. 2 no. 4 | | | | Song | | | |
| Chansons de Bilitis, L. 90, CD 97 : La Chevelure «Il m’a dit «Cette nuit d’ai rêvé»» | | | | Song | | | |
| Chansons de Bilitis, L. 90, CD 97 : La Flûte de Pan «Pour le jour des Hyacinthies» | | | | Song | | | |
| Chansons de Bilitis, L. 90, CD 97 : Le Tombeau des naïades: «Le long du bois couvert de givre» | | | | Song | | | |
| Chansons madécasses, M. 78: No. 1. Nahandove | | | | Song | | | |
| Chansons madécasses, M. 78: No. 2. Aoua! | | | | Song | | | |
| Chansons madécasses, M. 78: No. 3. Il est doux de se coucher | | | | Song | | | |
| Chim Chim Cher-ee | | | | Song | | - 308148 (ACDAM ID)
- 5264282 (AGADU ID)
- (show 33 more)
- 003266 209 72 (SUISA ID)
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| Chiquitita la novia | | | | | | | |
| Cinco canciones negras, nº 1: Cuba dentro de un piano | | | | Song | | | |
| Cinco canciones negras, nº 2: Punto de habanera | | | | Song | | | |
| Cinco canciones negras, nº 3: Chévere | | | | Song | | | |
| Cinco canciones negras, nº 4: Canción de cuna para dormir a un negrito | | | | Song | | | |
| Cinco canciones negras, nº 5: Canto negro | | | | Song | | | |
| Cinq Mélodies populaires grecques: I. Chanson de la mariée | | | | Song | | | |
