Concerto for French Horn no. 1 in D major, K. 386b / KV 514 (Süßmayr completion): II. Rondo. Allegro | | | | | | | |
Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro | | | | | | | |
Concerto for Horn in E major, K. 494a/K2 Anh. 98a (fragment): Allegro | | | | | | | |
Concerto for Horn no. 2 in E-flat major, K. 417: I. Allegro | | | | | | | |
Concerto for Horn no. 2 in E-flat major, K. 417: II. Andante | | - Dennis Brain, Philharmonia Orchestra, Herbert von Karajan
- Josef Dokupil, Mozart Festival Orchestra, Philharmonia Slavonica, Henry Adolph, Alberto Lizzio
- Günter Högner, Wiener Philharmoniker, Karl Böhm
- Gerd Seifert, Berliner Philharmoniker, Herbert von Karajan
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Concerto for Horn no. 2 in E-flat major, K. 417: III. Rondo. Allegro - Più allegro | | | | | | | |
Concerto for Horn no. 3 in E-flat major, K. 447: I. Allegro | | | | | | | |
Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto | | - Dennis Brain, Philharmonia Orchestra, Herbert von Karajan
- Jože Falout, Bernd Heiser, Camerata Labacensis, Wiener Mozart‐Ensemble, Herbert Kraus, Kurt Redel
- Gerd Seifert, Berliner Philharmoniker, Herbert von Karajan
- Günter Högner, Wiener Philharmoniker, Karl Böhm
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Concerto for Horn no. 3 in E-flat major, K. 447: III. Allegro | | | | | | | |
Concerto for Horn no. 4 in E-flat major, K. 495: I. Allegro | | | | | | | |
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile | | | | | | | |
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | | | | | | | |
Concerto Movement for Horn in E-flat major, K. 370b | | | | | | | |
Concerto Movement for Horn in E-flat major, K. 370b/K2 Anh. 98b/KV Anh. 97+Anh. 98 (fragment): Allegro | | | | | | | |
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) | | | | | | | |
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) | | | | | | | |
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) | | - Lynne Dawson, The English Concert Choir, Sarah Leonard, Anne Sofie von Otter, The English Concert, Trevor Pinnock
- Julianne Baird, Catherine Bott, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Henry Purcell
- Teodor Currentzis, MusicAeterna
- (show 21 more)
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Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Henry Purcell
- John Mark Ainsley, Catherine Bott, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- (show 23 more)
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Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) | | | | | | | |
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) | | | | Aria | | | |
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance | | | | | | | |
Dido and Aeneas, Z. 626: Act I. Guitar Dance | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) | | - Henry Purcell
- Academy of Ancient Music Chorus, Elisabeth Priday, Sara Stowe, David Thomas, Academy of Ancient Music, Christopher Hogwood
- The English Concert Choir, Elisabeth Priday, Nigel Rogers, The English Concert, Trevor Pinnock
- Teodor Currentzis, MusicAeterna
- (show 21 more)
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Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) | | | | Aria | | | |
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle | | | | Aria | | | |
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Henry Purcell
- John Mark Ainsley, Catherine Bott, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- (show 27 more)
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Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Academy of Ancient Music Chorus, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- Henry Purcell
- (show 22 more)
| | Aria | | | |
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) | | | | | | | |
Dido and Aeneas, Z. 626: Act II, Scene II. Chorus “Then since our charmes have sped” (Sorceress, Two Witches) | | - Susan Bickley, Choir of Clare College, Cambridge, Orchestra of the Age of Enlightenment, René Jacobs
- Les Arts Florissants, William Christie
- The Mermaid Singers
- Jürgen Jürgens, Margaret Baker, Patricia Johnson, Margaret Lensky, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras
- (show 3 more)
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Dido and Aeneas, Z. 626: Act II, Scene II. Gittar Ground a Dance | | | | | | | |
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance | | | | | | | |
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) | | | | | | | |
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance | | | | | | | |
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Henry Purcell
- John Mark Ainsley, Catherine Bott, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood
- Teodor Currentzis, MusicAeterna
- (show 25 more)
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Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido) | | - Lynne Dawson, The English Concert Choir, Anne Sofie von Otter, Nigel Rogers, Stephen Varcoe, The English Concert, Trevor Pinnock
- Teodor Currentzis, MusicAeterna
- Taverner Choir, Andrew Parrott, Taverner Players
- Les Arts Florissants, William Christie
- (show 11 more)
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Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) | | - The English Concert Choir, Anne Sofie von Otter, The English Concert, Trevor Pinnock
- José‐Luis García, Jessye Norman, Robert Aldwinkle, Adrian Beers, Raymond Leppard, Charles Tunnell, English Chamber Orchestra
- Henry Purcell
- Lorraine Hunt, Philharmonia Baroque Orchestra, Nicholas McGegan
- (show 43 more)
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Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) | | | | Aria | | | |
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) | | | | | | | |
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) | | | | Aria | | | |
Dido and Aeneas, Z. 626: Overture | | | | Overture | | | |
La fida ninfa, RV 714: Atto II, Scena XII. "Quatuor Cosi, su gl'occhi miei?" (Osmino, Licori, Elpina, Morasto) | | - Yo‐Yo Ma, Wouter Verschuren, Alfredo Bernardini, Margaret Faultless, Amsterdam Baroque Orchestra, Ton Koopman
- Veronica Cangemi, Philippe Jaroussky, Marie‐Nicole Lemieux, Sandrine Piau, Ensemble Matheus, Jean‐Christophe Spinosi
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O fröhliche Stunden, o herrlicher Tag, BuxWV 120 | | | | | | | |
Rondo in E-flat for Horn and Orchestra, K. 371 | | | | | | | |