| Adès: Dante, Pt. I "Inferno": I. Abandon Hope— | | | | | | | |
| Adès: Dante, Pt. I "Inferno": II. The Selfish—stung by wasps | | | | | | | |
| Adès: Dante, Pt. I "Inferno": III. The Ferryman | | | | | | | |
| Adès: Dante, Pt. I "Inferno": IV. Pavan of the Souls in Limbo— | | | | | | | |
| Adès: Dante, Pt. I "Inferno": IX. The Fortune-tellers—facing both ways | | | | | | | |
| Adès: Dante, Pt. I "Inferno": V. Paolo and Francesca—the endless whirlwind | | | | | | | |
| Adès: Dante, Pt. I "Inferno": VI. The Gluttons—in slime | | | | | | | |
| Adès: Dante, Pt. I "Inferno": VII. The Suicides—the bleeding trees— | | | | | | | |
| Adès: Dante, Pt. I "Inferno": VIII. The Deviants—on burning sand— | | | | | | | |
| Adès: Dante, Pt. I "Inferno": X. The Popes’ Adagio—heads first— | | | | | | | |
| Adès: Dante, Pt. I "Inferno": XI. The Hypocrites—in coats of lead | | | | | | | |
| Adès: Dante, Pt. I "Inferno": XII. The Thieves—devoured by reptiles | | | | | | | |
| Adès: Dante, Pt. I "Inferno": XIII. Satan—in the lake of ice | | | | | | | |
| Adès: Dante, Pt. II "Purgatorio": I. Dawn on the Sea of Purgatory— | | | | | | | |
| Adès: Dante, Pt. II "Purgatorio": II. Mount Purgatory— | | | | | | | |
| Adès: Dante, Pt. II "Purgatorio": III. The Valley of Flowers— | | | | | | | |
| Adès: Dante, Pt. II "Purgatorio": IV. The Healing Fire— | | | | | | | |
| Adès: Dante, Pt. II "Purgatorio": V. The Earthly Paradise— | | | | | | | |
| Adès: Dante, Pt. II "Purgatorio": VI. The Heavenly Procession— | | | | | | | |
| Adès: Dante, Pt. II "Purgatorio": VII. The Ascent | | | | | | | |
| Adès: Dante, Pt. III "Paradiso": Awakening—Moon—Mercury—Venus—Sun—Mars—Jupiter (The Eagle)—Saturn (The Golden Ladder)—Fixed Stars—Empyrean | | | | | | | |
| Alexander Nevsky, op. 78: II. Song About Alexander Nevsky | | | | | | | |
| Alexander Nevsky, op. 78: III. The Crusaders in Pskov | | | | | | | |
| Alexander Nevsky, op. 78: IV. Arise, Ye Russian People | | | | | | | |
| Alexander Nevsky, op. 78: V. The Battle on the Ice | | | | | | | |
| Alexander Nevsky, op. 78: VII. Alexander's Entry Into Pskov | | | | | | | |
| Ave Maria | | | | | | | |
| Ave Maria | | | | | | | |
| Can I Help You With This Dummy? | | | | Song | | | |
| Centerville | | | | | | | |
| Falstaff: Atto II, scena 2. “C'è - C'è! - Se t'agguanto!” (Ford, Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Alice, gente del vicinato) | | - Larissa Diadkova, Stella Doufexis, Enrico Facini, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Daniil Shtoda, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Chor des Bayerischen Rundfunks, Marilyn Horne, Julie Kaufmann, Frank Lopardo, Piero de Palma, Rolando Panerai, Susan Quittmeyer, Ulrich Reß, Sharon Sweet, Alan Titus, Francesco Ellero d’Artegna, Münchner Rundfunkorchester, Sir Colin Davis
- Brenda Boozer, Renato Bruson, Francis Egerton, Dalmacio Gonzalez, Barbara Hendricks, Los Angeles Master Chorale, Leo Nucci, Katia Ricciarelli, Michael Sells, Lucia Valentini Terrani, William Wildermann, Los Angeles Philharmonic, Carlo Maria Giulini
- (show 9 more)
| | | | | |
| Falstaff: Atto III, scena 2. “Alto là!” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford) | | - Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- Larissa Diadkova, Stella Doufexis, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Coro della RCA Italiana, Rosalind Elias, Geraint Evans, Giovanni Foiani, Mirella Freni, Ilva Ligabue, Robert Merrill, Piero de Palma, Giulietta Simionato, Orchestra della RCA Italiana, Sir Georg Solti
- (show 10 more)
| | | | | |
| Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” (Falstaff, Tutti, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta) | | - Luigi Alva, Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- Larissa Diadkova, Stella Doufexis, Enrico Facini, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Daniil Shtoda, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Brenda Boozer, Renato Bruson, Francis Egerton, Dalmacio Gonzalez, Barbara Hendricks, Los Angeles Master Chorale, Leo Nucci, Katia Ricciarelli, Michael Sells, Lucia Valentini Terrani, William Wildermann, Los Angeles Philharmonic, Carlo Maria Giulini
- (show 10 more)
| | | | | |
| Falstaff: Atto III, scena 2. “Sul fil d'un soffio etesio” (Nannetta, Fate) | | - Anna Moffo, Philharmonia Chorus, Philharmonia Orchestra, Herbert von Karajan
- Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Sumi Jo, English Chamber Orchestra, Giuliano Carella
- (show 14 more)
| | | | | |
| Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti) | | - Luigi Alva, Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan
- Brenda Boozer, Renato Bruson, Francis Egerton, Dalmacio Gonzalez, Barbara Hendricks, Los Angeles Master Chorale, Leo Nucci, Katia Ricciarelli, Michael Sells, Lucia Valentini Terrani, William Wildermann, Los Angeles Philharmonic, Carlo Maria Giulini
- Larissa Diadkova, Stella Doufexis, Enrico Facini, Thomas Hampson, Anatoly Kotcherga, Anthony Mee, Adrianne Pieczonka, Rundfunkchor Berlin, Dorothea Röschmann, Daniil Shtoda, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- (show 14 more)
| | | | | |
| I’m Stealing the Towels | | | | | | | |
| La Damoiselle élue, L. 62, CD 69 | | | | Cantata | | | |
| Lauda alla Vergine Maria | | | | | | | |
| Les chansons des roses: I. En une seule fleur | | | | | | | |
| Les chansons des roses: II. Contre qui, rose | | | | | | | |
| Les chansons des roses: III. De ton rêve trop plein | | | | | | | |
| Les chansons des roses: IV. La rose complète | | | | | | | |
| Les chansons des roses: V. Dirait-on | | | | | | | |
| Lobgesang, op. 76 | | | | | | | |
| Lux aeterna: I. Introitus | | | | | | | |
| Lux aeterna: II. In te, Domine, speravi | | | | | | | |
| Lux aeterna: III. O nata lux | | | | | | | |
| Lux aeterna: IV. Veni, Sancte Spiritus | | | | | | | |
| Lux aeterna: V. Agnus Dei - Lux aeterna | | | | | | | |
| Mid-Winter Songs: I. Lament for Pasiphaë | | | | | | | |
| Mid-Winter Songs: II. Like Snow | | | | | | | |
| Mid-Winter Songs: III. She tells her love while half asleep | | | | | | | |
| Mid-Winter Songs: IV. Mid-Winter Waking | | | | | | | |
| Mid-Winter Songs: V. Intercession in Late October | | | | | | | |
| Miserere, op. 44: Domine Deus noster. Lento - | | | | | | | |
| Miserere, op. 44: Domine Deus noster. Lento (♩ = 48-50), imploringly, dolce cantabile - | | | | | | | |
| Miserere, op. 44: Domine Deus noster. Lento (♩ = 48), imploringly - | | | | | | | |
| Miserere, op. 44: Domine Deus noster. Lento (♩ = 52), imploringly, poco espressivo - | | | | | | | |
| Miserere, op. 44: Domine Deus noster. Lento (♩ = 54-56), imploringly, molto espressivo - | | | | | | | |
| Miserere, op. 44: Domine Deus noster. Lento (♩ = 56), imploringly, affettuoso | | | | | | | |
| Miserere, op. 44: Domine Deus noster. Meno mosso, lento molto tranquillo (♩ = 46), imploringly, tenderly - | | | | | | | |
| Miserere, op. 44: Domine Deus noster. Molto lento - Lento maestoso (♩ = 54) - | | | | | | | |
| Miserere, op. 44: Domine Deus noster. Molto lento - Poco più mosso ma lento assai (♩ = 58-60), imploringly, somewhat plaintively | | | | | | | |
| Miserere, op. 44: Domine Deus noster. Poco più mosso, lento moderato (♩ = 69-72), molto espressivo, molto appassionato - | | | | | | | |
| Miserere, op. 44: Miserere nobis. Lento, tranquillissimo, cantabilissimo, dolcissimo, IMPLORINGLY | | | | | | | |
| O magnum mysterium | | | | | | | |
| Penis Dimension | | | | | | | |
| Pieśni Maryjne, op. 54: I. Matko niebieskiego Pana | | | | | | | |
| Pieśni Maryjne, op. 54: II. Matko Najświętsza! | | | | | | | |
| Pieśni Maryjne, op. 54: III. Zdrowaś bądź, Maryka | | | | | | | |
| Pieśni Maryjne, op. 54: IV. Ach, jak smutne rozstanie | | | | | | | |
| Pieśni Maryjne, op. 54: V. Ciebie na wieki wychwalać będziemy | | | | | | | |
| Semi-Fraudulent/Direct-From-Hollywood Overture | | | | | | | |
| Shove It Right In | | | | | | | |
| Stabat Mater | | | | | | | |
| Strictly Genteel | | | | | | | |
| Te Deum | | - Janet Baker, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini
- Chicago Symphony Chorus, Jo-Ann Pickens, Chicago Symphony Orchestra, Sir Georg Solti
- Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado
- [unknown]
- (show 15 more)
| | | | | |
| The Gospel According to the Other Mary: Act I, Scene I. "The next day in the city jail we were searched for drugs" | | | | | | | |
| The Gospel According to the Other Mary: Act I, Scene II. Chorus "En un día de amor" | | | | | | | |
| The Gospel According to the Other Mary: Act I, Scene III. "Jesus said, take ye away the stone" | | - Grant Gershon, Daniel Bubeck, Brian Cummings, Los Angeles Master Chorale, Nathan Medley, Los Angeles Philharmonic, Gustavo Dudamel
- Daniel Bubeck, Brian Cummings, Nathan Medley, Tamara Mumford, Rundfunkchor Berlin, Berliner Philharmoniker, Simon Rattle
| | | | | |
| The Gospel According to the Other Mary: Act I, Scene III. Chorus "Drop down, ye heavens" | | | | | | | |
| The Gospel According to the Other Mary: Act I, Scene IV. Mary Washes the Feet of Jesus | | | | | | | |
| The Gospel According to the Other Mary: Act II, Scene I. Arrest of Jesus | | | | | | | |
| The Gospel According to the Other Mary: Act II, Scene I. Chorus "Who rips his flesh down the seams" | | | | | | | |
| The Gospel According to the Other Mary: Act II, Scene II. "The said defendants, on or about August 2nd" | | | | | | | |
| The Gospel According to the Other Mary: Act II, Scene II. Prayer of the Mexican Women | | | | | | | |
| The Gospel According to the Other Mary: Act II, Scene III. "Daughters of Jerusalem, weep not for me" | | | | | | | |
| The Gospel According to the Other Mary: Act II, Scene V. Chorus "It is spring" | | | | | | | |
| The Gospel According to the Other Mary: Act II, Scene VI. "Why seek ye the living among the dead?" | | | | | | | |
| The Gospel According to the Other Mary: Act II, Scene VI. Earthquake and Recognition | | | | | | | |
| The Planets, op. 32: VII. Neptune, the Mystic | | | | | | | |
| The Pleated Gazelle | | | | Song | | | |
| The Sacred Veil: Child of Wonder | | | | | | | |
| The Sacred Veil: Dear Friends | | | | | | | |
| The Sacred Veil: Delicious Times | | | | | | | |
| The Sacred Veil: Home | | | | | | | |
| The Sacred Veil: I Am Here | | | | | | | |
| The Sacred Veil: I’m Afraid | | | | | | | |
| The Sacred Veil: In a Dark and Distant Year | | | | | | | |
| The Sacred Veil: Magnetic Poetry | | | | | | | |
