21 Hungarian Dances for Orchestra, WoO 1: No. 3 in F major (Allegretto) | | | | | | | |
A Jazz Symphony, W. 157b | | | | | | | |
A Night on Bald Mountain | | | | Symphonic poem | | | |
Air | | | | | | | |
Alborada del gracioso | | | | | | | |
Andante cantabile | | | | | | | |
Appalachian Spring Suite | | | | Suite | | | |
Baba-Yaga, op. 56 | | | | Symphonic poem | | | |
Ballata delle Gnomidi, P. 124 | | | | Symphonic poem | | | |
Belkis, Regina di Saba | | | | Suite | | | |
Belkis, Regina di Saba: I. Il Sogno di Salomone | | | | | | | |
Belkis, Regina di Saba: II. Danza guerresca | | | | | | | |
Belkis, Regina di Saba: III. La Danza di Belkis all'aurora | | | | | | | |
Belkis, Regina di Saba: IV. Danza orgiastica | | | | | | | |
Boléro | | | | Ballet | | | 5 |
Candide: Overture | | | | Overture | | | |
Capriccio for Clarinet and Orchestra (Rossini in Paris): I. Une réjouissance | | | | | | | |
Capriccio for Clarinet and Orchestra (Rossini in Paris): II. Une caresse à ma femme | | | | | | | |
Capriccio for Clarinet and Orchestra (Rossini in Paris): III. Un petit train du plaisir | | | | | | | |
Capriccio italien, op. 45 | | | | | | | |
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima | | | | | | | |
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | | | | | | | |
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | | - Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel
- Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 82 more)
| | Cantata | | | |
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna | | | | | | | |
Carmina Burana: I. Primo vere: III. Veris leta facies | | | | | | | |
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat | | | | | | | |
Carmina Burana: I. Primo vere: V. Ecce gratum | | | | | | | |
Carmina Burana: II. In Taberna: XI. Estuans interius | | | | | | | |
Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
Carmina Burana: II. In Taberna: XIII. Ego sum abbas | | | | | | | |
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus | | | | | | | |
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula | | | | | | | |
Carmina Burana: III. Cour d’amours: XV. Amor volat undique | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Norma Burrowes, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- Ann Archibald, Boys of the Temple Church Choir, London, Royal Philharmonic Orchestra, Richard Cooke
- Lucia Popp, Wandsworth School Boys’ Choir, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 76 more)
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Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia | | | | | - Latin
- French, Old (842-ca.1400)
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Carmina Burana: III. Cour d’amours: XVII. Stetit puella | | | | | | | |
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora | | | | | - Latin
- German, Middle High (ca.1050-1500)
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Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias | | | | | | | |
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
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Carmina Burana: III. Cour d’amours: XXIII. Dulcissime | | | | | | | |
Carmina Burana: Uf dem Anger: IX. (a) Reie | | | | | | | |
Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
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Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min | | | | | - German, Middle High (ca.1050-1500)
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Carmina Burana: Uf dem Anger: IX. (d) Swaz hie gat umbe (reprise) | | | | | - German, Middle High (ca.1050-1500)
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Carmina Burana: Uf dem Anger: VI. Tanz | | | | | | | |
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis | | | | | - Latin
- German, Middle High (ca.1050-1500)
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Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir | | | | | - German, Middle High (ca.1050-1500)
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Carmina Burana: Uf dem Anger: X. Were diu werlt alle min | | | | | - German, Middle High (ca.1050-1500)
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Carnaval, op. 9: I. Préambule | | | | | | | |
Carnaval, op. 9: II. Valse allemande | | | | | | | |
Carnaval, op. 9: III. Paganini | | | | | | | |
Carnaval, op. 9: IV. Marche des "Davidsbündler" | | | | | | | |
Casa Guidi: I. Casa Guidi | | | | Song | | | |
Casa Guidi: II. The Italian Cook and the English Maid | | | | Song | | | |
Casa Guidi: III. Robert Browning | | | | Song | | | |
Casa Guidi: IV. The Death of Mr. Barrett | | | | Song | | | |
Casa Guidi: V. Domesticity | | | | Song | | | |
Cello Concerto no. 1 in G minor, op. 49: I. Allegro | | | | | | | |
Cello Concerto no. 1 in G minor, op. 49: II. Largo | | | | | | | |
Cello Concerto no. 1 in G minor, op. 49: III. Allegretto | | | | | | | |
Cello Concerto no. 2, op. 77: I. Molto sostenuto - Allegro molto e energico - | | | | | | | |
Cello Concerto no. 2, op. 77: II. Presto marcato - | | | | | | | |
Cello Concerto no. 2, op. 77: III. Andante con moto | | | | | | | |
Colas Breugnon, op. 24: Overture | | | | Overture | | | |
Colored Field: I. Colored Field | | | | | | | |
Colored Field: II. Pandora Dance | | | | | | | |
Colored Field: III. Hymns and Tablets | | | | | | | |
Concerto for 2 Pianos, H. 292: I. Allegro non troppo | | - Mari Kodama, Momo Kodama, Orchestre Philharmonique de Marseille, Lawrence Foster
- Dorothy Jonas, Joshua Pierce, The Luxembourg Radio Symphony Orchestra, Ettore Stratta
- Liuben Dimitrov, Aglika Genova, NDR Radiophilharmonie, Eiji Oue
- Nancy O'Doan, Neal O'Doan, Royal Philharmonic Orchestra
- Henry Piette, Janine Reding, Orchestre national de France, Rafael Kubelík
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Concerto for 2 Pianos, H. 292: II. Adagio | | - Mari Kodama, Momo Kodama, Orchestre Philharmonique de Marseille, Lawrence Foster
- Dorothy Jonas, Joshua Pierce, The Luxembourg Radio Symphony Orchestra, Ettore Stratta
- Liuben Dimitrov, Aglika Genova, NDR Radiophilharmonie, Eiji Oue
- Nancy O'Doan, Neal O'Doan, Royal Philharmonic Orchestra
- Henry Piette, Janine Reding, Orchestre national de France, Rafael Kubelík
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Concerto for 2 Pianos, H. 292: III. Allegro | | - Mari Kodama, Momo Kodama, Orchestre Philharmonique de Marseille, Lawrence Foster
- Dorothy Jonas, Joshua Pierce, The Luxembourg Radio Symphony Orchestra, Ettore Stratta
- Liuben Dimitrov, Aglika Genova, NDR Radiophilharmonie, Eiji Oue
- Nancy O'Doan, Neal O'Doan, Royal Philharmonic Orchestra
- Henry Piette, Janine Reding, Orchestre national de France, Rafael Kubelík
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Concerto for Piano and Orchestra no. 1 | | | | Concerto | | | |
Concerto for Piano Four Hands and Chamber Orchestra | | - Государственный Академический Симфонический Оркестр России, Геннадий Николаевич Рождественский, Ирина Шнитке, Виктория Постникова
- London Sinfonietta, Геннадий Николаевич Рождественский, Ирина Шнитке, Виктория Постникова
- Liuben Dimitrov, Aglika Genova, NDR Radiophilharmonie, Eiji Oue
- Irina Schnittke, Viktoria Postnikova, London Sinfonietta, Guennadi Rojdestvenski
- Ewa Kupiec, Maria Lettberg, Rundfunk‐Sinfonieorchester Berlin, Frank Strobel
| | Concerto | | | |
Concerto for Violin and Orchestra in D major, op. 6, MS 21: I. Allegro maestoso | | | | | | | |
Concerto for Violin and Orchestra in D major, op. 6, MS 21: II. Adagio espressivo | | | | | | | |
Concerto for Violin and Orchestra in D major, op. 6, MS 21: III. Rondò - Allegro spiritoso | | | | | | | |
Concierto de Aranjuez: I. Allegro con spirito | | | | | | | |
Concierto de Aranjuez: II. Adagio | | | | | | | |
Concierto de Aranjuez: III. Allegro gentile | | | | | | | |
Dances from Mârouf, savetier du Caire | | | | | | | |
Danse macabre, op. 40 | | | | Symphonic poem | | | |
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | | | | | | | |
Das Lied von der Erde: II. Der Einsame im Herbst | | | | | | | |
Das Lied von der Erde: III. Von der Jugend | | | | | | | |
Das Lied von der Erde: IV. Von der Schönheit | | | | | | | |
Das Lied von der Erde: V. Der Trunkene im Frühling | | | | | | | |
Das Lied von der Erde: VI. Der Abschied | | | | | | | |
Das Ziel: Lustiger Walzer | | | | | | | |
Deux épisodes d’après le Faust de Lenau, S. 110: II. Der Tanz in der Dorfschenke (Erster Mephisto-Walzer) | | | | | | | |
Die Frau ohne Schatten | | | | Opera | | | |
Divertimento for Orchestra: I. Sennets and Tuckets | | | | | | | |
Divertimento for Orchestra: II. Waltz | | | | | | | |
Divertimento for Orchestra: III. Mazurka | | | | | | | |
Divertimento for Orchestra: IV. Samba | | | | | | | |
Divertimento for Orchestra: V. Turkey Trot | | | | | | | |
Divertimento for Orchestra: VI. Sphinxes | | | | | | | |
Divertimento for Orchestra: VII. Blues | | | | | | | |
Divertimento for Orchestra: VIII. March: The BSO Forever | | | | | | | |
Ein Heldenleben, op. 40: I. Der Held | | | | | | | |
Ein Heldenleben, op. 40: II. Des Helden Widersacher | | | | | | | |
Ein Heldenleben, op. 40: III. Des Helden Gefährtin | | | | | | | |