| 12 Contredances for Orchestra, WoO 14: No. 1 in C major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 2 in A major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 3 in D major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 7 in E-flat major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 8 in C major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 10 in C major | | | | | | | |
| Also sprach Zarathustra, op. 30: I. Einleitung | | | | | | | |
| Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | | | | | | | |
| Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | | | | | | | |
| Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | | | | | | | |
| Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied | | | | | | | |
| Also sprach Zarathustra, op. 30: V. Das Grablied | | | | | | | |
| Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | | | | | | | |
| Also sprach Zarathustra, op. 30: VII. Der Genesende | | | | | | | |
| Also sprach Zarathustra, op. 30: VIII. Das Tanzlied | | | | | | | |
| An der schönen blauen Donau, op. 314 | | | | | | | 5 |
| Blumenfest-Polka, op. 111 | | | | | | | |
| Capriccio, op. 85: Letzte Szene. „Du Spiegelbild der verliebten Madeleine“ | | - Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan
- Gundula Janowitz, Karl Christian Kohn, Hedwig Bilgram, Rudolf Koeckert, Walter Nothas, Symphonieorchester des Bayerischen Rundfunks, Karl Böhm
- Karl Schmitt-Walter, Philharmonia Orchestra, Wolfgang Sawallisch
- Elisabeth Schwarzkopf, Philharmonia Orchestra, Wolfgang Sawallisch
- (show 4 more)
| | | | | |
| Capriccio, op. 85: Letzte Szene. „Ihre Liebe schlägt mir entgegen“ | | | | | | | |
| Capriccio, op. 85: Letzte Szene. „Morgen mittag um elf! … Kein andres, das mir so im Herzen loht“ | | | | | | | |
| Capriccio, op. 85: Letzte Szene. „Wo ist mein Bruder?“ | | - Lisa della Casa, Wiener Philharmoniker, Heinrich Hollreiser
- Karl Schmitt-Walter, Elisabeth Schwarzkopf, Philharmonia Orchestra, Wolfgang Sawallisch
- Gundula Janowitz, Karl Christian Kohn, Hedwig Bilgram, Rudolf Koeckert, Walter Nothas, Symphonieorchester des Bayerischen Rundfunks, Karl Böhm
- Gottfried Hornik, Kiri Te Kanawa, Wiener Philharmoniker, Ulf Schirmer
- (show 3 more)
| | | | | |
| Capriccio, op. 85: Letzte Szene. Mondscheinmusik (Orchester‐Zwischenspiel) | | | | | | | |
| Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | | | | | | | |
| Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | | | | | | | |
| Cello Concerto no. 1 in A minor, op. 33: III. Molto allegro | | | | | | | |
| Chamber Symphony in C minor, op. 110a: I. Largo | | | | | | | |
| Chamber Symphony in C minor, op. 110a: II. Allegro molto | | | | | | | |
| Chamber Symphony in C minor, op. 110a: III. Allegretto | | | | | | | |
| Chamber Symphony in C minor, op. 110a: IV. Largo | | | | | | | |
| Chamber Symphony in C minor, op. 110a: V. Largo | | | | | | | |
| Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | | - Marián Lapšanský, Witold Lipinsky, Maria Novak, Dubravka Tomšič, Sylvia van der Linden, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sinfonia Academica, Slovenská filharmónia, Alberto Lizzio, Marko Munih, Bystrík Režucha, Dudley Skinner
- [unknown]
- Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner
- Dinu Lipatti, Philharmonia Orchestra, Herbert von Karajan
- (show 173 more)
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| Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso | | | | | | | |
| Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in D minor, op. 15: I. Maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in D minor, op. 15: II. Adagio | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante – Più adagio | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | | | | | | | |
| Cupido, op. 81 | | | | | | | |
| Der Rosenkavalier (Suite), TrV 227d, AV 145 | | | | Suite | | | |
| Dialog: Ich und Du | | | | Concerto | | | |
| Die Landstreicher: Overtüre | | | | Overture | | | |
| Die Meistersinger von Nürnberg, WWV 96: Vorspiel | | | | Overture | | | |
| Don Juan | | | | Symphonic poem | | | |
| Dynamiden-Walzer, op. 173 | | | | | | | |
| Ein Heldenleben, op. 40: I. Der Held | | | | | | | |
| Ein Heldenleben, op. 40: II. Des Helden Widersacher | | | | | | | |
| Ein Heldenleben, op. 40: III. Des Helden Gefährtin | | | | | | | |
| Ein Heldenleben, op. 40: IV. Des Helden Walstatt | | | | | | | |
| Ein Heldenleben, op. 40: V. Des Helden Friedenswerke | | | | | | | |
| Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung | | | | | | | |
| Eine Alpensinfonie, op. 64: I. Nacht | | | | | | | |
| Eine Alpensinfonie, op. 64: II. Sonnenaufgang | | | | | | | |
| Eine Alpensinfonie, op. 64: III. Der Anstieg | | | | | | | |
| Eine Alpensinfonie, op. 64: IV. Der Eintritt in der Wald | | | | | | | |
| Eine Alpensinfonie, op. 64: IX. Auf der Alm | | | | | | | |
| Eine Alpensinfonie, op. 64: V. Wanderung neben dem Bache | | | | | | | |
| Eine Alpensinfonie, op. 64: VI. Am Wasserfall | | | | | | | |
| Eine Alpensinfonie, op. 64: VII. Erscheinung | | | | | | | |
| Eine Alpensinfonie, op. 64: VIII. Auf blumigen Wiesen | | | | | | | |
| Eine Alpensinfonie, op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen | | | | | | | |
| Eine Alpensinfonie, op. 64: XI. Auf dem Gletscher | | | | | | | |
| Eine Alpensinfonie, op. 64: XII. Gefahrvolle Augenblicke | | | | | | | |
| Eine Alpensinfonie, op. 64: XIII. Auf dem Gipfel | | | | | | | |
| Eine Alpensinfonie, op. 64: XIV. Vision | | | | | | | |
| Eine Alpensinfonie, op. 64: XIX. Gewitter und Sturm, Abstieg | | | | | | | |
| Eine Alpensinfonie, op. 64: XV. Nebel steigen auf | | | | | | | |
| Eine Alpensinfonie, op. 64: XVI. Die Sonne verdüstert sich allmählich | | | | | | | |
| Eine Alpensinfonie, op. 64: XVII. Elegie | | | | | | | |
| Eine Alpensinfonie, op. 64: XVIII. Stille vor dem Sturm | | | | | | | |
| Eine Alpensinfonie, op. 64: XX. Sonnenuntergang | | | | | | | |
| Eine Alpensinfonie, op. 64: XXI. Ausklang | | | | | | | |
| Eine Alpensinfonie, op. 64: XXII. Nacht | | | | | | | |
| Eisblume, op. 55 | | | | | | | |
| Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene II. Trauermusik beim Tode Siegfrieds | | | | | | | |
| Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” | | - Berliner Philharmoniker, Herbert von Karajan
- Birgit Nilsson, Orchester der Bayreuther Festspiele, Karl Böhm
- Kirsten Flagstad, Philharmonia Orchestra, Wilhelm Furtwängler
- Walter Berry, Chor der Deutschen Oper Berlin, Helga Dernesch, Christa Ludwig, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan
- (show 121 more)
| | Aria | | | |
| Festive Overture, op. 96 | | | | | | | |
| Francesca da Rimini, op. 32 | | | | Symphonic poem | | | |
| Freuet Euch des Lebens, op. 340 | | | | | | | |
| Gavotte | | | | | | | |
| Hamlet, op. 32a: I. Introduction and Night Patrol | | | | | | | |
| Hamlet, op. 32a: II. Funeral March | | | | | | | |
| Hamlet, op. 32a: III. Flourish and Dance Music | | | | | | | |
